Odalisque by Henri Matisse (1923).

From time to time, in search of a relatively obscure psychedelic relic, I visit the superb blog site, Dr. Schluss’ Garage Of Psychedelic Obscurities. Other than having excellent taste in curating this site, the man behind the blog also creates his own music under various monikers. Over the years I have grown to be quite a fan of the electronica-tinged instrumentals and restrained psychedelia he creates under the sobriquet of Damaged Tape.

One such work that I love is the soundtracks he created for the pair of delirious Andrew Shearer films, The Erotic Couch, and Cannibal Sisters; Shearer being a writer, director, producer, and member of the Athens, GA based, DIY microcinema collective Gonzoriffic.

Working independently from the traditional movie industry, Gonzoriffic’s films tend to lean towards the “B” side of things (albeit delightfully on purpose), and seem to celebrate the same ethos and aesthetics that are examined in Elijah Drenner’s entertaining and insightful documentary, American Grindhouse; films, which at their best are just as much about empowerment as they are “exploitation.”

Packaged as a double-album, I tend to prefer the A-sides’ The Erotic Couch soundtrack, with its slinky, tweaked Latin and dub rhythms and lithe guitar work uncoiling through a constant digital crackly that approximates the lush sounds of vinyl. There are elements of this album that strongly remind me of the incredibly intuitive and fluid music the surviving members of The Doors created for 1978’s An American Prayer, backing tracks of poetry and spoken word that Jim Morrison had recorded in 1969 and 1970.

To my mind, this soundtrack could have just as easily served to add ambiance to artist, collector, and “rephotographer” Richard Prince’s 2011 exhibit at the Bibliothèque nationale de France, Paris, which was likewise titled, “American Prayer.”

by Richard Prince.

One of my favorites off the “Erotic Couch” side is the sinuous “The Sexy Sofa,” which you can check out below:

———————————–(CLICK TO LISTEN) 

And check out a trailer for the film itself:

Although I may favor the A-side of things, Damaged Tape’s work for Cannibal Sisters features some adventurous use of tribal-like drum programming bumping and grinding up against caustic electronics and simmering digital blips, all put over with captivating, bent guitar strings that seem to be searching for a circuitous route into your head—take the whacked-out funk of “Cannibal Festival” for example:

CANNIBAL SISTERS. Starring Monica Puller, Melisa Cardona, Mitsu Bitchi, Natalie Cardona (and victim).

—————————————-(CLICK TO LISTEN)

And here’s the trailer:

Reminiscent of the fascinating sounds composed by prog-rock band Goblin for Dario Argento’s mid-seventies Italian horror films, as well as John Carpenter’s stunning work created to score his own films, such as 1976’s startling (and must-see) Assault on Precinct 13, but with a much more prominent sense of lust emerging from the nervous synths; you can pick up these soundtracks and so much more of Dr. Schluss’ stuff for free over here at his site.

So go on and check it out!

————–Bobby Calero——————————–


Drenner, E. (2010) (Creator). Diabolik6 (2010, Apr 1). American Grindhouse Theatrical Trailer [Video] retrieved from

Gonzoriffic. (2009) (Creator). Gonzoriffic (2009, Feb 21) (Poster). Go Gonzoriffic [Video] retrieved from

Schluss, Dr. (2009). The Sexy Sofa [recorded by Damaged Tape] On The Erotic Couch Soundtrack. [CD].

Schluss, Dr. (2006). Cannibal Festival [recorded by Damaged Tape] On Cannibal Sisters Soundtrack. [CD].

Shearer, A. (2006) (Creator). Gonzoriffic (2006, Jul 25) (Poster). Cannibal Sisters Trailer [Video] retrieved from

Shearer, A. (2009) (Creator). Gonzoriffic (Jul 18, 2009) (Poster). Erotic Couch Trailer [Video] retrieved from


  1. nick

    The breakdown in Cannibal Festival is amazing! Thanks for highlighting this stuff. For whatever reason, it makes me wish RW Fassbinder’s group had gotten into genre movies. Imagine The Third Generation with cannibals or zombies!

    By the way, Goblin also did the theme for Romero’s Dawn of the Dead (obviously thru his connection to Argento). And you’re dead on about Carpenter’s music. But then, I think the single for Big Trouble in Little China is awesome too.


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