_If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.
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Hello All & Welcome to the last MixTape of the year! Yes, it’s installment 16 in the Dendrites series of mixtapes!
Here you’ll hear two tunes by the psyche-folk, all female american trio,
Sunforest. Recorded in 1969 with producer Vic Coppersmith-Heaven (engineer for The Rolling Stones’
Let It Bleed and Black Sabbath’s
Vol. 4) Sunforest wrote whimsical Medieval Times & Renaissance Faire type arrangements and twisted them quite a bit with a swinging London sense of acid-pop and style. First up and opening the mix is the instrumental
“Overture to the Sun” which is one of two songs by the group selected by Stanley Kubrick and featured in his 1971 brutal masterpiece,
A Clockwork Orange. Later on from this trio you’ll hear the incredibly funky
“Magician In The Mountain,” with its slinky groove tones put across perfectly by two musicians from the Jean-Claude Vannier Orchestra (responsible for the music on Serge Gainsbourg’s erotic magnum opus
Histoire de Melody Nelson and featured by me on
Dendrites Volume 13). With session-guitarist extraordinaire
Big Jim Sullivan and
Herbie Flowers (whose interlocked, double-tracked upright bass and bass guitar carried Lou Reed’s “
Walk on the Wild Side” into brilliance) to my mind
“Magician In The Mountain“ is the stand-out track on
Sound of Sunforest.
With its raw pop blister rubbing up against a confused glam swirl, this LP still remains my favorite of all Weiland’s work. Featuring contributions from multi-instrumentalist
Victor Indrizzo, phenomenal pianist
Brad Mehldau,
Martyn LeNoble and
Peter DiStefano (bass & guitar for Porno For Pyros!), as well as additional work from
Daniel Lanois (production-collaborator for Brian Eno, U2, and Bob Dylan)–this is an album with a genuine sense of exploration and–despite its obvious postures–honest artistic expression. In “Son” Weiland mostly employs a slender vocal in the honeyed upper registers with a lightly-narcotized rasp to its delivery. This perfectly gets across the melancholia that served as its inspiration. As Weiland would not have any children until at least two years later, the song serves as a rumination on a terminated pregnancy he and his girlfriend chose, and what might have been (an emotional topic he previously touched upon with
Stone Temple Pilots in the closing track for their sophomore record,
Purple: “
Kitchenware & Candy Bars“).
Later on down the mix you will hear Weiland with his band mates in
Stone Temple Pilots on what has always been one of my favorite tracks by this group:
“Lounge Fly.” With its elliptic lyrics pushed up from a hungry gut only to be buried again, and pushed up again–a cycle–and the music coiled and percussive–this is not so much circling, but the sound of a man prowling around a drain…and all the while Weiland insisting that you know, “this is really happening to me.” “Lounge Fly” is followed by yet another song concerning sex and the desperate search for emotional connection:
“Chloe In The Afternoon” by
St. Vincent. Borrowing its title from the
1972 French film by Éric Rohmer (which was much later remade into the Chris Rock comedy
I Think I Love My Wife) this song is an amazing display of corroded textures and strange syncopation.
There’s also some
D’Angelo; some
Elvis; some
Mark Lanegan; a dry collaboration between
William S. Burroughs and
R.E.M from the 1996 collection,
Songs in the Key of X – Music From And Inspired By “The X-Files;“ Matthew E. White and his marvelous
Spacebomb crew demonstrating how a tune bled of vigor (and guitar) can still be so damn funky…albeit a drowsy funk; and you’ll hear one of my favorite vocalists,
Martina Topley-Bird doing a stripped down version of her own,
“Snowman” (you can watch a lovely 2012 live performance of it and more
here).
Well, enjoy and I hope you are all still listening in the New Year!
All the best to you & yours,
Bobby Calero
___ – – _________________ _- _ _________________ ___

— – ————-______________\/\/\/\/\/\/\/\/\/\/\/

Son – Scott Weiland

Magician In the Mountain – Sunforest

“Trouble”/The Wasp (Texas Radio And The Big Beat) – The Doors [photo by Frank Lisciandro, 1970]

Scarlet Town – Bob Dylan [art: Train Tracks (Red) by Bob Dylan, 2012]

The Golden Fang – Jonny Greenwood

Lounge Fly – Stone Temple Pilots

Chloe In The Afternoon – St. Vincent [photo by Tina Tyrell, 2011]

Sugah Daddy – D’Angelo & The Vanguard [Photo by Greg Harris]

Trying To Get To You – Elvis Presley

Trying To Forget You – Howlin’ Wolf

San-Ho-Zay – Willie Mitchell

Like Little Willie John – Mark Lanegan Band

The Endless Sea – Iggy Pop

Snowman – Martina Topley-Bird

04/16/05 Saturday/04/19/05 Tuesday – Fantômas
_
______________———-___========================================= __=
MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 16)
- Overture to The Sun – Sunforest
- Son – Scott Weiland
- Star Me Kitten – R.E.M. & William S. Burroughs
- Silver Timothy – Damien Jurado (w/ Richard Swift)
- Magician In the Mountain – Sunforest
- “Trouble”/The Wasp (Texas Radio And The Big Beat) – The Doors
- Scarlet Town – Bob Dylan
- The Golden Fang – Jonny Greenwood
- Signature Move – Matthew E. White
- Lounge Fly – Stone Temple Pilots
- Chloe In The Afternoon – St. Vincent
- Leaning Into Afternoons – Pablo Neruda [read by Wesley Snipes, music by Luis Enríquez Bacalov]
- Sugah Daddy – D’Angelo & The Vanguard
- Trying To Get To You – Elvis Presley
- Trying To Forget You – Howlin’ Wolf
- San-Ho-Zay – Willie Mitchell
- Knockin’ Myself Out – Jean Brady & Big Bill Broonzy
- Like Little Willie John – Mark Lanegan Band
- The Endless Sea – Iggy Pop
- Cry Baby Cry – The Beatles
- Snowman – Martina Topley-Bird
- 04/16/05 Saturday/04/19/05 Tuesday – Fantômas
— – ————-______________ ->
_ _________________ _ ___ _ _________ __________->
The interview with Heath began on the opposite page. However, Mireille could not get herself to concentrate. She could only skim and skip across the paragraphs; if momentarily of a similar mental bent, you should of course feel free to do the same:
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— – ————-______________ ->
___ – – _________________ _- _ _________________ ___
BOBBY CALERO
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In reply to Sunforest, I would suggest you check out ANTHEMS IN EDEN by Shirley and Dolly Collins in 1969. It also featured medieval instruments, with the participation of the early music pioneer David Munrow. It threw down the gauntlet for many British folk-rock acts, such as Fairport Convention.
I recall walking home from work one day in the summer of 1998, and on East 5th, outside the 9th Precinct, there were a few news vans. After a few minutes, Scott Weiland, in a red sweatshirt and jeans, was perp-walked into a waiting truck – he’d just been picked up in a buy and bust. As all the reporters held out their mics, I did what any responsible adult would do in the situation: I yelled out, “Howard Stern!”