rouen-cathedral-the-portal-in-the-sun

[Despite Debussy’s rejection of the “Impressionist” label, one can see why Margaret Lam would state that when considering “Debussy’s vision focused on the colours and textures of sound, rather than the established structures and grammar of music” […] “Claude Monet’s paintings, like Rouen Cathedral, Portal in the Sun, 1894, may be more helpful in understanding the music of Claude Debussy than other types of analysis.”]

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