Category Archives: Alela Diane

THE DEMISE OF THE MASK (VOL 4)

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Hello All.

Welcome to Volume Four of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)-

Along with featuring a whole slew of fine, fine tunes by the likes of John LennonTom WaitsSteve Harley & Cockney RebelAlela Diane, Otis Redding, Kamasi Washington, Uruguayan singer Vera Sienra with her wistful waltz made in collaboration with the brilliant but erratic Eduardo Mateo, and a whole lot of others–this mix contains some more songs from a few of my favorite albums of 2016. Albums like Anderson .Paak‘s Malibu with its meticulous whirl and groove; Turkish artist Gaye Su Akyol and her kinetic sophomore record Hologram Imparatorlugu (Hologram Empire); Emily’s D+Evolution by Esperanza Spalding (which is a bit like if Joni Mitchell, Zappa, and Prince collaborated on a project); the fantastic Visions Of Us On The Land, Damien Jurado‘s (and sonic collaborator Richard Swift‘s) final installment of a loose trilogy that began with 2012’s Maraqopa and then continued with 2014’s phenomenal Brothers And Sisters Of The Eternal Son; and also Solange‘s A Seat at the Table, which I just first listened to two days ago and was completely blown away by! Her track here on this mix–“Borderline (An Ode To Self Care)“–features production by Q-Tip, and along with his work on last year’s amazing A Tribe Called Quest record We got it from Here… Thank You 4 Your service he has really impressed me in this capacity.

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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—————–======ENJOY YOURSELF____———–

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demise-cvr-4

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 4)__When We Collide ___
  • Royal – Anon (aka Wynn)
  • Walrus – Damien Jurado (w/ Richard Swift)
  • I Am a Walrus – Freddie McCoy (The Beatles cover)
  • Moon – Björk
  • Windows – Chick Corea (w/ Miroslav Vitouš & Roy Haynes)
  • Clap Hands – Tom Waits
  • I Can’t Give You Anything – Ramones
  • Nothing I Can Do – Alela Diane
  • Do You Dig U? – Q-Tip, ft. Gary Thomas & Kurt Rosenwinkel
  • Eski tüfek – Gaye Su Akyol
  • NGH WHT Chapter 18 – Saul Williams (W/ Thomas Kessler and The Arditti String Quartet)
  • The Season / Carry Me – Anderson .Paak
  • Borderline (An Ode To Self Care) – Solange, ft. Q-Tip
  • Judas – Esperanza Spalding
  • Umi Says – Mos Def
  • Isolation – John Lennon
  • Cluster Ghosts – Madlib
  • untitled 03 | 05.28.2013. – Kendrick Lamar, ft. Thundercat, Bilal, Terrace Martin & Anna Wise
  • Black Broadway – John Phillips
  • Barbary Coast – Weather Report
  • Si Tiene Final – Vera Sienra, ft. Eduardo Mateo
  • Final Thought – Kamasi Washington
  • I Love You More Than Words Can Say – Otis Redding
  • Tumbling Down – Steve Harley & Cockney Rebel 

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when-we-collide

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__[play]-_

[Royal – Anon (aka Wynn)]

[Royal – Anon (aka Wynn)]

[Walrus – Damien Jurado (w/ Richard Swift)]

[Walrus – Damien Jurado (w/ Richard Swift)]

[I Am a Walrus – Freddie McCoy]

[I Am a Walrus – Freddie McCoy]

[Moon – Björk]

[Moon – Björk]

[Windows – Chick Corea (w/ Miroslav Vitouš & Roy Haynes)]

[Windows – Chick Corea (w/ Miroslav Vitouš & Roy Haynes)]

[Clap Hands – Tom Waits (still from 1986 film Down by Law by Jim Jarmusch)]

[Clap Hands – Tom Waits (still from 1986 film Down by Law by Jim Jarmusch)]

[I Can’t Give You Anything – Ramones]

[I Can’t Give You Anything – Ramones]

[Nothing I Can Do – Alela Diane, (photo by Guy Stephens for Swanfield Muse Project)]

[Nothing I Can Do – Alela Diane, (photo by Guy Stephens for Swanfield Muse Project)]

[Do You Dig U? – Q-Tip, ft. Gary Thomas & Kurt Rosenwinkel]

[Do You Dig U? – Q-Tip, ft. Gary Thomas & Kurt Rosenwinkel]

[Eski tüfek – Gaye Su Akyol]

[Eski tüfek – Gaye Su Akyol]

[NGH WHT Chapter 18 – Saul Williams (W/ Thomas Kessler and The Arditti String Quartet)]

[NGH WHT Chapter 18 – Saul Williams (W/ Thomas Kessler and The Arditti String Quartet)]

[The Season / Carry Me – Anderson .Paak, cover design by Dewey Saunders]

[The Season / Carry Me – Anderson .Paak, cover design by Dewey Saunders]

[Borderline (An Ode To Self Care) – Solange, ft. Q-Tip; (photo by Carlota Guerrero)]

[Borderline (An Ode To Self Care) – Solange, ft. Q-Tip; (photo by Carlota Guerrero)]

[Judas – Esperanza Spalding, (photo by Holly Andres)]

[Judas – Esperanza Spalding, (photo by Holly Andres)]

[Umi Says – Mos Def]

[Umi Says – Mos Def]

[Isolation – John Lennon]

[Isolation – John Lennon]

[Cluster Ghosts - Madlib]

[Cluster Ghosts – Madlib]

[untitled 03 | 05.28.2013. – Kendrick Lamar, ft. Thundercat, Bilal, Terrace Martin & Anna Wise]

[untitled 03 | 05.28.2013. – Kendrick Lamar, ft. Thundercat, Bilal, Terrace Martin & Anna Wise]

[Black Broadway – John Phillips]

[Black Broadway – John Phillips]

[Barbary Coast – Weather Report]

[Barbary Coast – Weather Report]

[Si Tiene Final – Vera Sienra, ft. Eduardo Mateo]

[Si Tiene Final – Vera Sienra, ft. Eduardo Mateo]

[Final Thought – Kamasi Washington]

[Final Thought – Kamasi Washington]

[I Love You More Than Words Can Say – Otis Redding]

[I Love You More Than Words Can Say – Otis Redding]

[Tumbling Down – Steve Harley & Cockney Rebel]

[Tumbling Down – Steve Harley & Cockney Rebel]

__________——————– =__^__=___________________———
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 15)

_If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________ ->

_           _________________   _  ___   _ _________ __________->

Each snug within the confines of their own category—altogether most pop music seems to intimate an insular fear of an anonymous other. What is it but another manifestation of man’s ludicrous grasp for total control? Yes, as a teenager—and in all the turmoil that that entails—it was Locust Mirror’s seeming open seriousness that initially allured Mireille’s taste towards that band’s music. She was sure they mattered and cared.

About what?

She was never sure enough to put into words. Their music felt mysterious and smart, dangerous and true, romantic and sexy…creative. Weird—It hinted at opportunities.

But at seventeen and seated in a public library—Mireille felt bored.

She shoveled the books aside with a swipe of her forearm. With its dust jacket wrapped and protected by a clear film of Polyethylene Terephthalate, she slid the hardbound copy of Peter Bennet’s Last Against The Wall (Berlin 1961-1989) towards her. From between its pages she pulled out the latest issue of Turn-Turn Magazine, which she had taken from a crowded rack as she entered the library and had been using as an oversized bookmark. There on the cover was Locust Mirror lead singer, Christian Heath.

Perhaps categorized as a “black & white” photograph, the image captured by Dutch photographer Anton Corbijn and partly produced through a thin coat of emulsion and a high contrast truly resides somewhere between mercury and the brown of mineral rich dirt. The picture had been additionally lightly hand-painted in places to mimic the Technicolor palate of old Hollywood. Such was the case with the scarlet backdrop pocked with pinpricks of blue starlight. His tousled blonde hair spilled from a battered fedora as strips of bleach and greased shadows. The one eye not obscured by that mess was a hazel glint—a warm gloss of amber resin on a fractured green stone with a dark core. Through the black metallic smudge of mascara—that eye was aimed directly at Mireille.

Heath had been seized in an obvious, somewhat sorority cover-girl affected pose made all the more effeminate as he had one hand positioned upon his own popped hip. White with a stitched print of little blue flowers along its lengths, he wore his shirt unbuttoned and loose about his waist. This epicene stance was accentuated by Heath’s slight frame, boyish facial features, and the chipped lacquer along the nails of his right hand, which clutched the smoldering stub of a cigarette. Despite these evidently queer feminine put-ons, the image truthfully conveyed that old rock & roll communiqué of “Oh me, I don’t give a fuck.” Pitch-colored stubble on his chin and upper lip, his teeth white with a slight crook—his mouth was presented in an open smile as if he had been caught mid-sentence.

Probing this photo with her blue eyes wide, Mireille felt the press of a little heat. No, not quite a burn that fans the knees open; but, yes, a press of a little heat. There was a small swell to all of her systems. The snapshot revealed the slim muscles of Heath’s abdomen right up to his small pectorals. She had a private impulse to lick the cover there.

She of course would not do this. Instead—thoughtlessly—her tongue curled, pressed between a little nibble of her teeth and planted itself into the corner of her open mouth. There from that perch it would loll along to wet her lips. She found him so handsome and odd.

Abruptly aware of her fat tongue; her mouth agape; her eyes agog; and all the grotesque rest—Mireille felt herself shrink as she chewed at her lower lip. Feeling fully like some pudgy blot of inane skin lumped around wilted guts, with a toad in mud for a hypothalamus, Mireille let a pinched groan loose from her throat. She then sent up a silent appreciation that there were no mirrors or other reflective surfaces about for her to witness the origin point for what must have been such a gross countenance: her face.

Mireille wrestled a smile from the grip of anxiety and brought it to her lips.

“God, I’m such a goon.”

Mireille steepled her fingers before her mouth at the thought: God, I’m such a goon. Opening the magazine she flipped past articles concerning what innovative gadgets would soon change our day-to-day; what bands were going back out on tour; what senior rocker was soon releasing a country-tinged comeback record; what winter-fashion inspirations could be taken from famous peoples’ red-carpet ensembles; and a feature titled, Real Jeanius! 30 Denim Lifestyles for #Authentic Men & Women. Arriving at page 74 she found another full page photo of Heath. This one had been composed with a much more conservative sense, as the subject here captured in full color was seated cross-legged on a wooden folding chair in a near-empty room, dressed in a grey suit with a blue shirt buttoned under a black tie. Atop the wooden barstool before him was the teal-painted, cold-rolled steel colossus of an antique typewriter. From this distance its white keys of molded plastic resembled orderly rows of button mushrooms. Tethered to the silver fin of the typewriter’s carriage release lever was a lavender string of curling ribbon, which ran crimped, up, to hold in place overhead a solitary purple balloon. Hair combed, Heath’s face here was plain, clean, and straight ahead like a passport photo. The slivers and shards of green, amber, golden brown, and blue hues that comprised his eyes seemed to whisper out to her: save me.

Cute, she thought, little, something to keep and carry in your pocket, only to be taken out when wanting a cuddle or something to alter the mood of your blue stupor.

The interview with Heath began on the opposite page. However, Mireille could not get herself to concentrate. She could only skim and skip across the paragraphs; if momentarily of a similar mental bent, you should of course feel free to do the same:

___           – –      _________________   _-    _         _________________ ___

dendrites_cvr_15

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——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

Hello Goodbye – Soulful Strings

Anything We Want – Fiona Apple

Soundview – Shabazz Palaces

In My Tree – Pearl Jam

So Soon – Staple Singers

So Soon – Little Axe & The Golden Echoes

You Can’t Run Away From Your Heart – Judy Clay

I Got the Blues – The Rolling Stones

Pensacola – Deerhunter [photo by Robert Semmer]

Autoluminescent – Rowland S. Howard

Rococo – Arcade Fire [art by Burlesque Design]

Tip The Scale – The Roots (ft. Dice Raw)

Lilacs – Lilacs & Champagne

Life’s A Gas – T.Rex

Easy Ride – The Doors

Beautiful Day (Learning To Drive) – Scott Weiland [photo by Trevor Ray Hart]

Fine And Mellow – Billie Holiday [live rehearsal 1957, The Sound of Jazz]

Avalon – The Bryan Ferry Orchestra

The Way We Fall – Alela Diane [photo by Guy Stephens]

Something On Your Mind – Karen Dalton

Anyhow – Leonard Cohen

Delia – Bob Dylan [photo by Ana María Vélez Wood]

Glad To Be Unhappy – Frank Sinatra

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 15)

  • Hello Goodbye – Soulful Strings
  • Anything We Want – Fiona Apple
  • Soundview – Shabazz Palaces  
  • In My Tree – Pearl Jam
  • So Soon – Staple Singers
  • So Soon – Little Axe & The Golden Echoes
  • You Can’t Run Away From Your Heart – Judy Clay
  • I Got the Blues – The Rolling Stones
  • Pensacola – Deerhunter 
  • Autoluminescent – Rowland S. Howard
  • Rococo – Arcade Fire
  • Tip The Scale – The Roots (ft. Dice Raw)
  • Lilacs  – Lilacs & Champagne
  • Life’s A Gas – T.Rex
  • Easy Ride  – The Doors
  • Beautiful Day – Scott Weiland 
  • Fine And Mellow – Billie Holiday [1957 The Sound of Jazz rehearsal ft.  
    • Ben Webster – tenor saxophone
      Lester Young – tenor saxophone
      Vic Dickenson – trombone
      Gerry Mulligan – baritone saxophone
      Coleman Hawkins – tenor saxophone
      Roy Eldridge – trumpet
      Doc Cheatham – trumpet
      Danny Barker – guitar
      Milt Hinton – double bass
      Mal Waldron – piano
      Osie Johnson – drums]
  • Avalon – The Bryan Ferry Orchestra
  • The Way We Fall – Alela Diane 
  • Something On Your Mind – Karen Dalton
  • Anyhow – Leonard Cohen
  • Delia – Bob Dylan 
  • Glad To Be Unhappy – Frank Sinatra

<^>_ _ _ __=========================================     ______BOBBY CALERO

Again, If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 13)

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________

_           _________________   _  ___   _ _________ __________

At the time most music placed before her demographic as if a water dish was likely either a permitted and voluntary caricature of some ethnicity insistently listing their abundance of “strut and trade of charms/On the ivory stages” (as Dylan Thomas once put it); or only a more marketable rendition of yesterday’s latest underground scene and sound only now featuring trim, young, white men, glum in clean but rugged garments whining inconsiderately about girls and their own victimhood through a cold compress of sheet metal guitars and a firm verse-chorus-verse structure; or a costumed, European button-pusher simply content to get no more than an oblivious dance from a hormone-bleary crowd. Likewise there was the supposed hybrid: the novel blend of rap’s sing-song aggression with the puerile roar and motorized hoof of heavy rock, now down-tuned and bled of melody, delivered by chubby drop-outs that spent their tax-returns on new tattoos and hair-gel. In eight years time they could release their disintegration diaries, which would detail where the money was wasted, divorce, divorce, and how they overcame their dependence on Jägermeister mixed with stimulant thirst-quenchers. Then there was as a matter of course the ubiquitous discount product of synchronized teens; boys and girls grouped by what would have the most appeal on a poster. Many of their songs were sold exclusively through one burger franchise or various other thawed meat meal abattoir by-product outlets. With frosted tips and tart pastry appearance, some cleavage and practiced discotheque choreography—they had all undergone a cosmetic reduction of particulars to leave them propped up perfectly on the tedious axis of human symmetry. These units were always either sliding towards the camera through ballads drenched in warm milk and corn or performing a fastened pounce and jerk in unison to up-tempo pop-tunes with themes of puppy love that just might drop a hint or two to their pubescent audience about what pleasures await them: various configurations of hands, mouth, anus, scrotum, penis, ass, labia, clitoris, breasts, and vagina.

___           – –      _________________       _         _________________ ___

DENDRITES CVR 13

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——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

Paint It Black – Africa

Rasta Man Chant – Bob Marley & The Wailers

That’s It For The Other One: (Cryptical Envelopment/Quadlibet For Tender Feet/The Faster We Go, The Rounder We Get/ We Leave The Castle) – Grateful Dead

Git Up – Dirty Dozen Brass Band

Isfahan - Duke Ellington

Isfahan – Duke Ellington

La Mama Vieja – Eduardo Mateo [Mama Vieja y Gramillero by Guillermo Schenk, 2014]

Tondero/Secuencias de organillo y poliphon/El mundo revivido – El Polén (ft. Susana Baca)

In A Sentimental Mood – Duke Ellington and John Coltrane

In My Own Dream – Karen Dalton

Moons And Cattails – Linda Perhacs

Envelops The Bath Tub/Take Your Clothes Off – Frank Zappa & the Abnuceals Emuukha Electric Symphony Orchestra

Uncle Remus – Frank Zappa (ft. George Duke) [for further reading: Lain Shakespeare’s essay for The Wren’s Nest museum, Everything You’ve Heard About Uncle Remus Is Wrong, part. 1; part. 2; part. 3; part. 4; part. 5].

Le Roi Des Mouches Et La Confiture De Rouse (The King of the Flies and the Rose-Colored Jam) – Jean-Claude Vannier

Sweet Dreams/Psychomodo – Steve Harley & Cockney Rebel

Elijah – Alela Diane

Let Me Hear It From You – Sly & The Family Stone

Theme II – Miles Okazaki (w/ with Dan Weiss, Christof Knoche, Jon Flaugher, David Binney)

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 13)

  • Paint It Black – Africa
  • Rasta Man Chant – Bob Marley & The Wailers
  • That’s It For The Other One: (Cryptical Envelopment/Quadlibet For Tender Feet/The Faster We Go, The Rounder We Get/ We Leave The Castle) – Grateful Dead
  • Git Up – Dirty Dozen Brass Band
  • Isfahan – Duke Ellington 
  • La Mama Vieja – Eduardo Mateo 
  • Tondero/Secuencias de organillo y poliphon/El mundo revivido – El Polén (ft. Susana Baca)
  • In A Sentimental Mood – Duke Ellington and John Coltrane
  • In My Own Dream – Karen Dalton
  • Moons And Cattails – Linda Perhacs
  • Envelops The Bath Tub/Take Your Clothes Off – Frank Zappa & the Abnuceals Emuukha Electric Symphony Orchestra
  • Uncle Remus – Frank Zappa (ft. George Duke) 
  • Le Roi Des Mouches Et La Confiture De Rouse (The King of the Flies and the Rose-Colored Jam) – Jean-Claude Vannier
  • Sweet Dreams/Psychomodo – Steve Harley & Cockney Rebel 
  • Elijah – Alela Diane
  • Let Me Hear It From You – Sly & The Family Stone
  • Theme II – Miles Okazaki (w/ with Dan Weiss, Christof Knoche, Jon Flaugher, David Binney)

<^>_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 10)

—       __                –   ————-______________

_           _________________   _  ___   _ _________ __________

Directly from the sewer at the center of this cacophony comes crawling the next number, “Our Seventh Sister (Ceremony of The Empty Space).”

It advances with a weave of rusty mandolin, banjos fingerpicked and teased out from a central processing unit. The bass squirms about the mulch of bucket drums, simulating the moist thump-thump-thump of an excited heartbeat. Architecturally compact guitars hack forward like hatchets through the foliage of factory handclaps and a thicket of battered cymbals. Sometimes they burst with succinct solos: vivid squiggles like the last of acrylic paint squeezed from a rolled up aluminum tube. They then oh-so-briefly bivouac and recoup with a strum and chime before they’re back out to their chop and hew.

With ludicrous bark and bite added to the singer’s dulcet voice, the lyrics pour and plod ahead like a mule with a syncopated beat—whip-driven through citrus peels boiled in sugar and hot ash. He sounds like a tourist demented with delight at the novelty of it all. The whole production is a buzz of gusto before the song swoons down to mud-churning violins for its farewell lines, which the listener hits as if an epitaph on a tombstone.

Followed a trail of black flags littered across the barren white.

As I entered town, searched my pockets for my zippo lighter.

.

I’ve got thirty-three leaves and forty grams of fresh tobacco;

Tips of my thumb and middle finger are stained dark yellow ochre.

.

Nicotine resin from smoke!

                                      Or,

Smoke from nicotine resin!

.

I gave a greeting to the big black nothing with a small nod,

My gut felt like mosquito larvae in an acrid puddle.

I took me a slumber outside The House of Chosen Women,

Where merchants trade slaves for tourmaline beads under the banyan tree.

Took me a slumber beneath the banyan tree,

Yes I,

Took me a slumber beneath the banyan tree.

.

Slept to lullaby laments as black llamas keen with famine;

They’re tethered on Main Street—dry throats beg for October raindrops.

.

When I awoke!,

When I awoke!,

Awoke to a wet-sand tongue rubbing the stubble on my cheek;

When I opened my eyes there standing was a little black dog.

.

Misery ships pulled into port, Ornament Men home from war;

In the furnace they burned textiles in effigy or worship.

.

South, rot and lust choked their brains; in the West they slept with slaughter;

East, madness chewed roots; now they lament their seventh sister, gone.

.

The Ornament Men ring-danced and lollopped in the House of Knives;

Costumes of Tanager feathers, dead reptiles, which their wives made.

Swinging semaphore genitals pierced with ore, no one saw me,

As they all performed this ceremony of the empty space—

.

Spinning, spirals, territory spheres and stairs, jaguars and rain,

Pain comes, goes, behind walls of adobe, powdered quartz, pain laughs.

.

The little black dog loped down a narrow path flanked by fruit trees,

I pursued, left this harbor to its fevers, piety games.

.

I followed that black dog through those old fruit trees,

Yes I!,

I followed that black dog through those old fruit trees.

                                                                        …      …        …

Some men search for the Holy Grail, or,

Others, the Holy Ghost,

But most men are only lookin’ for

Some butter on their toast

.

I never learned the odds,

I never learned to gamble,

Still I followed my God

And that little black dog down—

Down that long, long black trail.

___         _        _________________       _         _________________    ————-______

dendrites cvr 10

_______________________________   ——  —  ——–  _______________ –  __

 —  –   ————-______________

——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================___^_===================  ===  _ ===== == =    ==    =   __ – _

Something’s Gone Awry – Alela Diane [photo by Jaclyn Campanaro]

Peace Frog/Newborn Awakening – The Doors [photographed in New York City by LIFE‘s Yale Joel in 1968]

Re-Make/Re-Model – Roxy Music [cover model Kari-Ann Muller photographed by Karl Stoecker ,1972]

Hybrid Moments – The Misfits

T.V. Eye – The Stooges

Watching T.V. (Daytrotter version 8/31/2010) – The Beets

Religion I/Public Image – Public Image Ltd.

Ducking And Dodging – Parquet Courts

Ice Age – How To Destroy Angels

The Four Of Us Are Dying – Nine Inch Nails

Mr Raffles/It Wasn’t Me – Steve Harley & Cockney Rebel

Ladytron – The Venus In Furs

El Show De Los Meurtos – Juan Wauters

She’s Got You – Rhiannon Giddens

Finally Back – Souls Of Mischief & Adrian Younge [Animated by Unjust” and “Paintings by Mildred Friedman,]

The Last Act – Adrian Younge

Dr-Octagon-Blue-Flowers-464649

Blue Flowers – Dr. Octagon (aka Kool Keith)

See No Evil – Television

Evil – Stevie Wonder

Can You Hear Me? – Elvis Costello & The Roots

We Have Been Metamorphosized– Jim Morrison (read by Johnny Depp)

(problem) – Eat the document Soundtrack

______________———-___=========^^^================================  __=

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 10)

  • Something’s Gone Awry – Alela Diane 
  • Peace Frog/Newborn Awakening – The Doors 
  • Re-Make/Re-Model – Roxy Music   
  • Hybrid Moments – The Misfits
  • T.V. Eye – The Stooges
  • Watching T.V. (Daytrotter version  8/31/2010) – The Beets
  • Religion I/Public Image – Public Image Ltd.
  • Ducking And Dodging – Parquet Courts
  • Ice Age – How To Destroy Angels
  • The Four Of Us Are Dying – Nine Inch Nails
  • Mr Raffles/It Wasn’t Me – Steve Harley & Cockney Rebel
  • Ladytron – The Venus In Furs (Thom Yorke, Jonny Greenwood, David Gray, Bernard Butler, Andy Mackay) (Roxy Music Cover)
  • El Show De Los Meurtos – Juan Wauters
  • She’s Got You – Rhiannon Giddens
  • Finally Back – Souls Of Mischief & Adrian Younge  
  • The Last Act  – Adrian Younge
  • Blue Flowers – Dr. Octagon (aka Kool Keith)
  • See No Evil – Television
  • Evil – Stevie Wonder
  • Can You Hear Me? – Elvis Costello & The Roots
  • We Have Been Metamorphosized– Jim Morrison (read by Johnny Depp)
  • (problem)  – Eat the document Soundtrack

_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

A MOUTHFUL OF PENNIES PRESENTS: —- —– – – — — — – — – – POOR MAN’S TRINKETS

Poor Man's Trinkets

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TRUEDT

Hello All,

This post was to be a sort of continuation of the easy-breezy opiate sounds featured on the last MixTape, Easter Censer, but that will simply have to wait, as today I present to you my own take on “Fan-Fiction.” Having just recently finished binge-watching the first season of the HBO series True Detective, I was, to put it lightly, completely impressed.

Through and thru these eight episodes are a work of art: the subtle yet skillfully complicated performances by all the actors and the chemistry between them (particularly, it goes without mention, from Matthew McConaughey and Woody Harrelson); The sensitive exploration of certain facets of the human-condition through writer Nic Pizzolatto’s narrative structure and dialogue; and of course the exquisite revenants that are the visuals provided by director Cary Joji Fukunaga and cinematographer Adam Arkapaw–the scenes are phosphorescent in their putridity.

True-Detective

However, another element of the show that netted me immediately was the soundtrack; particularly in the first episode with the use of a long-loved-by-me Freewheelin’ outtake by Dylan called “Rocks and Gravel” in a scene where Cohle speaks with the gaming girls at a truck stop bar. I was not surprised to find out afterwards that the man responsible for the music selections is none other than T Bone Burnett.

Along with being a fantastic musician, producer, and songwriter himself, the man has made an award-winning career out of having exceptional taste in music, an intuition for adding depth, and tact when creating the appropriate atmosphere.

Throughout the whole series Burnett’s selections are perfection; none more so though than with his choice of closing episode seven with the haunted tone of Townes Van Zandt‘s austere “Lungs.” The song arrives like a sharp blade through brambles: full of purpose even as it drives on ahead into mystery and sorrow.

Well, won’t you lend your lungs to me?
Mine are collapsin’
Plant my feet and bitterly breathe
Up the time that’s passin’

Breath I’ll take and breath I’ll give
And pray the day is not poisoned
Stand among the ones that live
In lonely indecision

Well, fingers walk the darkness down
Mind is on the midnight
Gather up the gold you’ve found
You fool it’s only moonlight

If you stop to take it home
Your hands will turn to butter
You better leave this dream alone
Try to find another

Salvation sat and crossed herself
Called the devil partner
Wisdom burned upon a shelf
Who’ll kill the raging cancer

Seal the river at its mouth
Take the water prisoner
Fill the sky with screams and cries
Bathe in fiery answers

Well, Jesus was an only son
And love his only concept
The strangers cry in foreign tongues
And dirty up the doorstep

And I for one, and you for two
Ain’t got the time for outside
Keep your injured looks to you
We’ll tell the world that we tried

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So, as I said, here’s my version of Fan-Fiction, which owes its inspiration to the work of T Bone Burnett on True Detective as much as it does to anyone else. I invite you to imagine your own scenes and narratives to these tunes.

To my mind this MixTape, Poor Man’s Trinkets, is the soundtrack to a lost episode buried somewhere within the seventh of the actual series. This would be one where Detectives Rust Cohle and Marty Hart rework the murder of Dora Lange from scratch, and thus are forced to revisit once again their own personal histories as well. Admittedly, this recapitulation of the entire series thus far wouldn’t make for very exciting television but through the filter and tension of atmospherics (and car-ride conversations through Richard Misrach‘s “Petrochemical America) it could further explore the show’s central yet elusive themes of patriarchy and its inheritance; the cyclical nature of existence; perceptions of manhood and responsibility; the art and guile involved in all forms of storytelling; companionship and male friendship; and the presence of Grace. This mix also corrects what I saw as the one flaw in Burnett’s work—not including anything by Mark Lanegan (because pretty much anything off of Bubblegum would’ve worked beautifully).

If nothing else, in my opinion, my mix makes for a pretty great soundtrack, no?

Well, as always –Enjoy Yourself—

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Poor Man's Trinkets

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A MOUTHFUL OF PENNIES PRESENTS

 

POOR MAN’S TRINKETS (True Detective Fan-Fiction Episode 7.5)

 

  • The Gulf Of Mexico [snippet] – Steve Earle
  • The Lord Is in This Place…How Dreadful Is This Place – Fairport Convention
  • This Wheel’s On Fire – Atlas Sound
  • Mr. Mudd And Mr. Gold – Steve Earle (ft. Justin Townes Earle)
  • Werewolf Heart – Dead Man’s Bones
  • Cold Criminals – Pink Mountaintops
  • Milk Cow’s Calf’s Blues – Bob Dylan
  • Rake – Alela Diane (ft. Alina Hardin)
  • On My Way To Heaven – Staple Singers
  • Will The Circle Be Unbroken – U.S. Apple Corps.
  • Wedding Dress – Mark Lanegan
  • Get Back Satan – Rev. Roger L. Worthy & Bonnie Woodstock
  • Raised Right Men – Tom Waits
  • Golden Earrings – Peggy Lee
  • Mean Old World [edit] – The Heavenly Gospel Singers
  • You’re Goin’ Miss Your Candyman – Terry Callier
  • I’m So Lonesome I Could Cry – Steve Young (X-Mas Eve 1975 Ensemble version)
  • I Would Love You – Father John Misty & Phosphorescent
  • Waitin’ ‘Round To Die – Townes Van Zandt
  • Angels Laid Him Away – Lucinda Williams
  • Aphid Manure Heist – Beck
  • All Along The Watchtower – The Brothers & Sisters
  • Sleep With Me/Sleep With Me (Version) – Mark Lanegan
  • Lucifer Rising Part IV – Bobby Beausoleil
  • This Wheel’s On Fire – Bob Dylan & The Band

————————————BOBBY CALERO—————————————