Category Archives: André 3000

A.M.O.P. PRESENTS: OPEN BOXES (VOL. 4)

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

Welcome to what is likely the last post of the year (you never know). Yes it’s Volume 4 in the OPEN BOXES series of MixTapes!

(vol 1)

(vol 2)

(vol 3)

Along with a dope mix below you’ll also find a recommended list of things I read (or re-read) since January of this year, 2018. 

There’s a lot of fantastic children’s books featured on the list as well as I am both a father of a three-year-old and a children’s librarian. Whether you have a little one or not to read these to I’d still recommend that you every now and then toss a great children’s book into your reading pile; I guarantee you will be delighted.

So yes, these works listed here are all one’s that I truly enjoyed and/or loved; I highly recommend them all!

so please press play and…as always…

 

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A.M.O.P. Presents: __Open Boxes (Vol. 4)
 
  • Pills And Soap – Elvis Costello & The Attractions
  • Vibrate – Andre 3000 (Outkast)
  • Raise Vibration – Lenny Kravitz
  • Love Me – The Cramps (Jerry Lott a.k.a. Marty Lott a.k.a. The Phantom cover)
  • Tell Me A Story – Iggy Pop
  • Lost In The Tavern – Luboš Fišer
  • Get Bigger / Do U Luv – NxWorries ( Knxwledge & Anderson .Paak)
  • Teach the Newcomers (Interlude)/Dead On It (Remix)/Ants In My Pants/Monopoly on Soul/Drive That Funky Soul/No Compromise/Inspiration/Got That Feeling/Way You Make Me Feel (Remix) feat. M.J./Eddie Murphy Interlude – J.PERIOD x James Brown
  • Sexy MF – Prince & The New Power Generation
  • Nega Maluca/Billy Jean/Eleanor Rigby – Caetano Veloso (Michael Jackson/The Beatles cover)
  • Thriller – Speak Low (Michael Jackson cover)
  • Orgasm – Porno For Pyros
  • Fantastic Garden/Coraline Fly – Bruno Coulais
  • What Goes On – Elizabeth Mitchell (The Velvet Underground cover)
  • Ceiling Fan In My Spoon – The Lemonheads
  • California – Childish Gambino
  • Willow Weep For Me – Thelonious Monk (Bass – Al McKibbon; Drums – Art Blakey; Piano – Thelonious Monk; Vibraphone – Milt Jackson) [Composed by Ann Ronnell]
  • SpottieOttieGossip – Outkast feat Ludacris (J.PERIOD ReFix)
  • The Lecherous Love Seat – Damaged Tape
  • Brooklyn Zoo – Ol’ Dirty Bastard
  • Coochie – Blakroc (The Black Keys ft. Ludacris & Ol’ Dirty Bastard)
  • Wngs – NxWorries ( Knxwledge & Anderson .Paak)
  • Spink And Forcible – Bruno Coulais
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Pills And Soap – Elvis Costello & The Attractions [graphic design by Barney Bubbles]

Vibrate – Andre 3000 (Outkast)

Raise Vibration – Lenny Kravitz

Love Me – The Cramps

Tell Me A Story – Iggy Pop

Lost In The Tavern – Luboš Fišer

Get Bigger / Do U Luv – NxWorries ( Knxwledge & Anderson .Paak)

Teach the Newcomers (Interlude)/Dead On It (Remix)/Ants In My Pants/Monopoly on Soul/Drive That Funky Soul/No Compromise/Inspiration/Got That Feeling/Way You Make Me Feel (Remix) feat. M.J./Eddie Murphy Interlude – J.PERIOD x James Brown

Sexy MF – Prince & The New Power Generation

Nega Maluca/Billy Jean/Eleanor Rigby – Caetano Veloso (Michael Jackson/The Beatles cover)

Thriller – Speak Low (Michael Jackson cover)

Orgasm – Porno For Pyros [photo by Gie Knaeps; Pukkelpop Festival, Hasselt, Belgium, 28th August 1993.]

Fantastic Garden/Coraline Fly – Bruno Coulais [Illustration by Fredrik Edén]

What Goes On – Elizabeth Mitchell (The Velvet Underground cover)

Ceiling Fan In My Spoon – The Lemonheads

California – Childish Gambino [photo by David Burton]

Willow Weep For Me – Thelonious Monk (Bass – Al McKibbon; Drums – Art Blakey; Piano – Thelonious Monk; Vibraphone – Milt Jackson) [Composed by Ann Ronnell]

SpottieOttieGossip – Outkast feat Ludacris (J.PERIOD ReFix)

The Lecherous Love Seat – Damaged Tape

Brooklyn Zoo – Ol’ Dirty Bastard

Coochie – Blakroc (The Black Keys ft. Ludacris & Ol’ Dirty Bastard)

Wngs – NxWorries ( Knxwledge & Anderson .Paak) [illustration by ROBIN VELGHE aka rhymezlikedimez]

Spink And Forcible – Bruno Coulais

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2018 Reading List :________

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All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS: OPEN BOXES (VOL. 3)

++++++++++[>+++++++>++++++++++>+++>+<<<<-]

++.>+.+++++++..+++.>++.<<+++++++++++++++.>.+++.——.——–.>+.>.

____________———-___=

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

Hello All! Hello World!

Along with a whole lot of other gems (like Bob Dylan performing “Isis” live in 1975 with Mick Ronson, guitarist and arranger from David Bowie‘s legendary Ziggy Stardust band) this here mix features “Madame George” by Van Morrison. When writing a review of Astral Weeks, the 1968 record from which this track comes, incredible music journalist Lester Bangs stated that the song:

[…] is the album’s whirlpool. Possibly one of the most compassionate pieces of music ever made, it asks us, no, arranges that we see the plight of what I’ll be brutal and call a lovelorn drag queen with such intense empathy that when the singer hurts him, we do too. (Morrison has said in at least one interview that the song has nothing to do with any kind of transvestite – at least as far as he knows, he is quick to add – but that’s bullshit.) The beauty, sensitivity, holiness of the song is that there’s nothing at all sensationalistic, exploitative, or tawdry about it; in a way Van is right when he insists it’s not about a drag queen, as my friends were right and I was wrong about the “pedophelia” – it’s about a person, like all the best songs, all the greatest literature.”

He goes on to write:

What might seem strangest of all but really isn’t is that it’s exactly those characteristics which supposedly should make George most pathetic – age, drunkenness, the way the boys take his money and trash his love – that awakens something for George in the heart of the kid whose song this is. Obviously the kid hasn’t simply “fallen in love with love,” or something like that, but rather – what? Why just exactly that only sunk in the foulest perversions could one human being love another for anything other than their humanness: love him for his weakness, his flaws, finally perhaps his decay. Decay is human – that’s one of the ultimate messages here, and I don’t by any stretch of the lexicon mean decadence. I mean that in this song or whatever inspired it Van Morrison saw the absolute possibility of loving human beings at the farthest extreme of wretchedness, and that the implications of that are terrible indeed, far more terrible than the mere sight of bodies made ugly by age or the seeming absurdity of a man devoting his life to the wobbly artifice of trying to look like a woman.

and:

If you accept for even a moment the idea that each human life is as precious and delicate as a snowflake and then you look at a wino in a doorway, you’ve got to hurt until you feel like a sponge for all those other assholes’ problems, until you feel like an asshole yourself, so you draw all the appropriate lines. You stop feeling. But you know that then you begin to die. So you tussle with yourself. how much of this horror can I actually allow myself to think about? Perhaps the numbest mannekin is wiser than somebody who only allows their sensitivity to drive them to destroy everything they touch – but then again, to tilt Madame George’s hat a hair, just to recognize that that person exists, just to touch his cheek and then probably expire because the realization that you must share the world with him is ultimately unbearable is to only go the first mile. The realization of living is just about that low and that exalted and that unbearable and that sought-after. Please come back and leave me alone. But when we’re along together we can talk all we want about the universality of this abyss: it doesn’t make any difference, the highest only meets the lowest for some lying succor, UNICEF to relatives, so you scratch and spit and curse in violent resignation at the strict fact that there is absolutely nothing you can do but finally reject anyone in greater pain than you. At such a moment, another breath is treason. that’s why you leave your liberal causes, leave suffering humanity to die in worse squalor than they knew before you happened along. You got their hopes up. Which makes you viler than the most scrofulous carrion. viler than the ignorant boys who would take Madame George for a couple of cigarettes. because you have committed the crime of knowledge, and thereby not only walked past or over someone you knew to be suffering, but also violated their privacy, the last possession of the dispossessed.

Such knowledge is possibly the worst thing that can happen to a person (a lucky person), so it’s no wonder that Morrison’s protagonist turned away from Madame George, fled to the train station, trying to run as far away from what he’d seen as a lifetime could get him.

I strongly urge you to read the review in its entirety as it is quite brilliant, as was most of his writing. Despite a slovenly, drug-jitter exterior Bangs truly is one of the most sensitive writers I have ever read. To me Lester Bangs should be considered one of the “Great American Writers.” His essays should be taught in universities, particularly for his gift of unraveling a subject out until it seems a precarious mess, just to spool it all back in and land it perfectly in an exquisite knot. However, as on the surface he seemingly wrote about “pop” music I believe he has been unfairly dismissed. This is both ironic and elitist when you take into account this truth he wrote in his obituary for Elvis Presley, published in the Village Voice in August 1977.

But I will say this: Elvis Presley was the man who brought overt blatant vulgar sexual frenzy to the popular arts in America (and thereby to the nation itself, since putting “popular arts” and “America” in the same sentence seems almost redundant).

Yes, it is redundant.

The mix also features Frank Sinatra and Nelson Riddle with their 1958 take on Ann Ronell‘s complex 1932 composition: Willow Weep for Me

Not that I can exactly explain why, I suddenly had this sullen beauty of a tune making languorous rounds within my head when I recently read a poem by Diane Seuss from her incredible new collection, Still Life With Two Dead Peacocks and a Girl:

The Hand Has Dropped the Fruit and It’s Painted Where It Falls

or such is the theater of painting for every painting is a performance some complete with curtains pulled away for the spectator to see the fruit as if casually dropped and painted where it falls or the hare strung up or the turkey hanged from one gnarly foot as if the painter had no design on reality but only painted it haphazardly an improvisation of objects in space but actually a performance of haphazardness as if to say art is not artifice it meets you where you shrug off your robe or pile your strawberries in a basket with no eye for composition but even the haphazard is arranged by the eye who was it who wrote a derangement of arrangements

thus Williams’s so much depends upon the red wheel barrow glazed with rain water beside the white chickens is anything but an accidental tableau viewed for instance through a window as he tended a dying woman in her bed one hears the rhymes of glazed and rain and barrow of wheel and water and white of depends and chickens and considers how briefly water glazes a surface before it must evaporate and leave us behind and how quickly chickens flap their filthy wings and scatter how wheel is separated from barrow rain from water white from chickens so that all constituent parts of what appear to be simple solid randomly arranged objects have been factored down to their prime numbers how nothing is casual nothing is uncomposed whether a curtain is drawn away from the deathbed window or not

Below you’ll also find a list of things I read (or re-read) so far since January of this year, 2018.

[cover art by Roxanna Bikadoroff]

Last year was the year I discovered that I believe Angela Carter just might be the greatest writer I’ve ever read, and this year hasn’t really contradicted that notion! I just marvel at her sentences. I recently came across a quote of hers that both cracked me up and gave me confidence about my own purple approach to writing:

“The questions that I ask myself, I think they’re very much to do with reality. I would really like to have had the guts and the energy and so on to be able to write about, you know, people having battles with the DHSS. But I…I haven’t. They’re dull things. I mean, I’m an arty person. OK, I write overblown, purple, self-indulgent prose. So fucking what?” – Angela Carter

The majority of my free reading time this year was taken up with tackling Alan Moore‘s massive, magical novel Jerusalem. I can honestly say this is the greatest novel I have ever read and I wholeheartedly urge you all to give it a go. I have been blown away and adored many brilliant novels, but it is not often that while reading a book I am struck with the sudden recognition of “wow, this thing rewired my mind!” (Hopscotch–or Rayuela in its original Spanish–by Argentine writer Julio Cortázar is another such novel that comes to mind).

I must say that after finishing Jerusalem I was actually quite astonished that Alan Moore was able to accomplish all he did with this book in only roughly over 600,000 words (my copy is 1,266 pages long).

I don’t usually listen to audiobooks (however the best narrator I’ve ever heard on one is actor Bronson Pinchot) yet I decided to give one a go with the 2018 collection of essays by Zadie Smith: Feel Free.

Feel Free: Essays by Zadie Smith (audiobook read wonderfully by Nikki Amuka-Bird)

My first real introduction to her writing, I think she’s fantastic and the essays are wonderfully read by actress Nikki Amuka-Bird.

There’s a lot of fantastic children’s books featured on the list as well as I am both a father of a three-year-old and a children’s librarian. Whether you have a little one or not to read these to I’d still recommend that you every now and then toss a great children’s book into your reading pile; I guarantee you will be delighted. My son’s favorite books for the year definitely have to be from the Elephant & Piggie series by Mo Willems. They are hysterical, sweet, and quite brilliant!

So yes, these works listed here are all one’s that I truly enjoyed and/or loved; I highly recommend them all!

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A.M.O.P. Presents: __Open Boxes (Vol. 3)
  • How Unfortunate Are Those Who Die Unaware Of The Beauty Of Music/Lakmé’s Preparation – Zdenek Liska
  • Benjamin Franklin (Jump Rope Rhyme) – Illinois School Children (recorded 1955)
  • I Don’t Wanna Be A Soldier – Mad Season (John Lennon cover)
  • Poverty Train – Laura Nyro
  • People Get Ready – The Doors [Live in Seattle- June 5th 1970 ]
  • This Train – Ziggy Marley (featuring Willie Nelson) 
  • Five Years / Soul Love – David Bowie [Live April-May 1978] 
  • It’s Enough – Lenny Kravitz (ft. Ludovic Louis on trumpet)
  • Babylon – Richard Swift
  • Gasoline Dreams – Outkast Feat. Khujo Goodie
  • Green Eyes – Erykah Badu
  • Too Hurt To Cry – Candi Staton
  • Isis – Bob Dylan & The Rolling Thunder Revue [Live Boston Music Hall, November 21, 1975 (second show)]
  • Mili’s Carousel (Lovely Acrobatics) – Zdenek Liska
  • Madame George – Van Morrison
  • Willow Weep For Me – Frank Sinatra (w/ Nelson Riddle – arranger, conductor; written by Ann Ronell)
  • 2morrow – Prince 
  • Stick Out Your Tongue – Elvis Costello & The Roots
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How Unfortunate Are Those Who Die Unaware Of The Beauty Of Music/Lakmé’s Preparation – Zdenek Liska

Benjamin Franklin (Jump Rope Rhyme) – Illinois School Children (recorded 1955)

I Don’t Wanna Be A Soldier – Mad Season (John Lennon cover)

Poverty Train – Laura Nyro

People Get Ready – The Doors [Live in Seattle- June 5th 1970 ]

This Train – Ziggy Marley (featuring Willie Nelson)

Five Years / Soul Love – David Bowie [Live April-May 1978]

It’s Enough – Lenny Kravitz (ft. Ludovic Louis on trumpet) [photo by Adrian Gaut, 2018]

Babylon – Richard Swift [art by Richard Swift, 2018]

Gasoline Dreams – Outkast Feat. Khujo Goodie [photo by Jonathan Mannion]

Green Eyes – Erykah Badu

Too Hurt To Cry – Candi Staton

Isis – Bob Dylan & The Rolling Thunder Revue [Live Boston Music Hall, November 21, 1975 (second show)]

Mili’s Carousel (Lovely Acrobatics) – Zdenek Liska

Madame George – Van Morrison [illustration by Susan Coyne]

Willow Weep For Me – Frank Sinatra (w/ Nelson Riddle – arranger, conductor; written by Ann Ronell)

2morrow – Prince [photo by Ellen von Unwerth, 1997]

Stick Out Your Tongue – Elvis Costello & The Roots [Photo by Danny Clinch , 2013]

PICS

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2018 Reading List :________

Jerusalem by Alan Moore

Fireworks: Nine Profane Pieces by Angela Carter

Adele in Sand Land by Claude Ponti

The Truth Is We Are Perfect poems by Janaka Stucky

Sidewalk Flowers by JonArno Lawson and Sydney Smith

Mr. Tiger Goes Wild by Peter Brown

Once Upon a Jungle by Laura Knowles and James Boast

Leaf by Sandra Dieckmann

Little Red and Rapunzel by Bethan Woollvin

A Brave Bear by Sean Taylor &‎ Emily Hughes

Nunca hagas cosquillas a un tigre (Never Tickle a Tiger) by Pamela Butchart &‎ Marc Boutavant

Batman: The Dark Knight: Master Race by Frank Miller,‎ Brian Azzarello,‎ Andy Kubert,‎ Klaus Janson

Four-Legged Girl: {Poems} by Diane Seuss

Sleep Like a Tiger by Mary Logue &‎ Pamela Zagarenski

Batman Vol. 1: I Am Gotham (Rebirth) by Tom King,David Finch, Mikel Janin

Batman Vol. 2: I Am Suicide (Rebirth) by Tom King, Mikel Janin

Avengers vs. Thanos by Jim Starlin (Author), Mike Friedrich (Author), Steve Englehart (Author), Steve Gerber (Author), Don Heck (Illustrator), Bob Brown (Illustrator), John Buscema (Illustrator), Mick Zeck (Illustrator)

Avengers: The Korvac Saga by Roger Stern (Author), Len Wein (Author), Jim Shooter (Author), Bill Mantlo (Author), George Perez (Illustrator), Sal Buscema (Illustrator), Klaus Janson (Illustrator), David Wenzel (Illustrator)

The Vision by Tom King, Gabriel Hernandez Walta

Still Life with Two Dead Peacocks and a Girl: Poems by Diane Seuss

Saints and Strangers (short stories) by Angela Carter

Girl in the Blue Coat by Monica Hesse

Oxford American’s Annual Southern Music Issue: ISSUE 95: 2016 SOUTHERN MUSIC ISSUE & CD — THE BLUES

Oxford American’s Annual Southern Music Issue: ISSUE 99: 19TH ANNUAL SOUTHERN MUSIC ISSUE & CD – KENTUCKY

Oxford American’s Annual Southern Music Issue: ISSUE 91: 17TH ANNUAL SOUTHERN MUSIC ISSUE & CD – GEORGIA

Oxford American’s Annual Southern Music Issue: ISSUE 87: 16TH ANNUAL SOUTHERN MUSIC ISSUE & CD — TEXAS

Oxford American’s Annual Southern Music Issue: ISSUE 75: 13TH ANNUAL SOUTHERN MUSIC ISSUE – Mississippi

Full Bleed: The Comics & Culture Quarterly, Vol. 1 by Dirk Wood (Compiler)

Play by Jez Alborough

Yes by Jez Alborough

Hug by Jez Alborough

The Storm Whale by Benji Davies

The Storm Whale in Winter by Benji Davies

Grandad’s Island by Benji Davies

“What To Do When You’re Raped” An ABC Handbook For Native Girls – Created by The Native American Women’s Health Education Resource Center (NAWHERC) and designed by Lucy Bonner

Charlie & Mouse: Book 1 by Laurel Snyder, Emily Hughes

All About Animals!: A Lift-the-Flap Book of Fun Facts (Did You Know?) Board book by Hannah Eliot, Pete Oswald

Out, Out, Away From Here by Rachel Woodworth, Sang Miao

Luna and the Moon Rabbit by Camille Whitcher

Big Wolf and Little Wolf by Nadine Brun-Cosme, Olivier Tallec

The Truth About My Unbelievable Summer by Davide Cali & Benjamin Chaud

Hedgehugs by Steve Wilson & Lucy Tapper

Stories of the Night by Kitty Crowther

The Sandman: Overture by Neil Gaiman, JH Williams III

The Sandman: Dream Hunters by Neil Gaiman & P. Craig Russell

From Hell by Alan Moore & Eddie Campbell

The Bear’s Song by Benjamin Chaud

The Bear’s Sea Escape by Benjamin Chaud

The Bear’s Surprise by Benjamin Chaud

When Your Lion Needs a Bath [Board book] by Susanna Leonard Hill, Daniel Wiseman

A Parade of Elephants by Kevin Henkes

If I Had a Dragon / Si Yo Tuviera Un Dragon by Tom Ellery, Amanda Ellery, Teresa Mlawer

On a Magical Do-Nothing Day by Beatrice Alemagna

Feel Free: Essays by Zadie Smith (audiobook read wonderfully by Nikki Amuka-Bird)

What’s That Noise? by Isabel Minhós Martins, Madalena Matoso

The Grand Expedition by Emma Adbåge (Author), Annie Prime (Translator)

My Neighbor Is a Dog by Isabel Minhós Martins, Madalena Matoso

Maybe Something Beautiful: How Art Transformed a Neighborhood by F. Isabel Campoy, Theresa Howell, Rafael López

Super Manny Cleans Up! by Kelly DiPucchio, Stephanie Graegin

My Friend is Sad (An Elephant and Piggie Book) by Mo Willems:

I Am Invited to a Party! (An Elephant and Piggie Book) by Mo Willems

There is a Bird on Your Head! (An Elephant and Piggie Book) by Mo Willems:

I Love My New Toy! (An Elephant and Piggie Book) by Mo Willems:

I Will Surprise My Friend! (An Elephant and Piggie Book) by Mo Willems

Are You Ready to Play Outside? (An Elephant and Piggie Book) by Mo Willems:

Watch Me Throw the Ball! (An Elephant and Piggie Book) by Mo Willems:

Elephants Cannot Dance! (An Elephant and Piggie Book) by Mo Willems:

Pigs Make Me Sneeze! (An Elephant and Piggie Book) by Mo Willems

Can I Play Too? (An Elephant and Piggie Book) by Mo Willems

We Are in a Book! (An Elephant and Piggie Book) by Mo Willems:

I Broke My Trunk! (An Elephant and Piggie Book) by Mo Willems

Should I Share My Ice Cream? (An Elephant and Piggie Book) by Mo Willems

Happy Pig Day! (An Elephant and Piggie Book) by Mo Willems

Listen to My Trumpet! (An Elephant and Piggie Book) by Mo Willems

Let’s Go for a Drive! (An Elephant and Piggie Book) by Mo Willems:

A Big Guy Took My Ball! (An Elephant and Piggie Book) by Mo Willems

I’m a Frog! (An Elephant and Piggie Book) by Mo Willems

My New Friend Is So Fun! (An Elephant and Piggie Book) by Mo Willems

I Will Take A Nap! (An Elephant and Piggie Book) by Mo Willems

I Really Like Slop! (An Elephant and Piggie Book) by Mo Willems

We Are Growing! (an Elephant & Piggie Like Reading! book) by Laurie Keller (presented by Mo Willems)

The Good for Nothing Button! (an Elephant & Piggie Like Reading! book) by Charise Mericle Harper (presented by Mo Willems)

Just a Minute: A Trickster Tale and Counting Book Yuyi Morales

Just In Case: A Trickster Tale and Spanish Alphabet Book by Yuyi Morales

The Fox and the Star by Coralie Bickford-Smith

Flora and the Flamingo by Molly Idle

VACATION by Blexbolex

Julián Is a Mermaid by Jessica Love

Imagine! By Raúl Colón

With Your Paw in Mine by Jane Chapman

Tickle Monster by Édouard Manceau

If You’re a Monster and You Know It by Rebecca & Ed Emberley

Fortunately by Remy Charlip

Leonardo, the Terrible Monster by Mo Willems

Sam, the Most Scaredy-cat Kid in the Whole World: A Leonardo, the Terrible Monster Companion by Mo Willems

I Lost My Tooth! (Unlimited Squirrels) by Mo Willems

Bertolt by Jacques Goldstyn (Author), Claudia Zoe Bedrick (Translator)

My Heart Is Like a Zoo [Board Book] by Michael Hall

Mrs. Peanuckle’s Bug Alphabet [Board book] by Mrs. Peanuckle (Author), Jessie Ford (Illustrator)

Big Pumpkin by Erica Silverman, S.D. Schindler

The Duckling Gets a Cookie!? by Mo Willems

The Pigeon Needs a Bath! by Mo Willems

Don’t Let The Pigeon Drive The Bus – Mo Willems

The Pigeon Finds a Hot Dog! by Mo Willems

Little Nemo’s Big New Dreams ( A TOON Graphic Edited by Josh O’Neill, Andrew Carl, and Chris Stevens)

My Feminist ABC [Board book] by duopress labs, Irene Pizzolante

A Woggle of Witches by Adrienne Adams

When the World Wounds (short stories) by Kiini Ibura Salaam

Kabbalistic Tarot: Hebraic Wisdom in the Major and Minor Arcana by Dovid Krafchow

Before The Incal by Alejandro Jodorowsky, Zoran Janjetov

That Is Not a Good Idea! by Mo Willems

Goldilocks and the Three Dinosaurs: As Retold by Mo Willems

Edwina, the Dinosaur Who Didn’t Know She Was Extinct by Mo Willems

(Star Wars Marvel) Darth Vader: Dark Lord of the Sith Vol. 1: Imperial Machine by Charles Soule, Jim Cheung

(Star Wars Marvel) Darth Vader – Dark Lord of the Sith Vol. 2: Legacy’s End by Charles Soule, Giuseppe Camuncoli

(Star Wars Marvel) Darth Vader – Dark Lord of the Sith Vol. 3: The Burning Seas by Charles Soule, Giuseppe Camuncoli

(Star Wars Marvel) Thrawn by Jody Houser, Luke Ross

(Marvel) Star Wars Vol. 6: Out Among the Stars by Jason Aaron, Salvador Larroca

(Marvel) Star Wars Vol. 7: The Ashes of Jedha by Kieron Gillen, Salvador Larroca

(Marvel) Star Wars Vol. 8: Mutiny At Mon Cala by Kieron Gillen, Salvador Larroca

Star Wars: Doctor Aphra Vol. 1 : Aphra by Kieron Gillen, Kev Walker

Star Wars: Doctor Aphra Vol. 2: Doctor Aphra and the Enormous Profit by Kieron Gillen, Kev Walker, Marc Laming

Star Wars: Doctor Aphra Vol. 3: Remastered by Simon Spurrier, Emilio Laiso

The Walking Dead Volume 29: Lines We Cross by Robert Kirkman (Author), Charlie Adlard (Artist), Stefano Gaudiano (Artist), Cliff Rathburn (Artist), Dave Stewart (Artist)

The Walking Dead Volume 30: New World Order by Robert Kirkman (Author), Charlie Adlard (Artist), Stefano Gaudiano (Artist), Cliff Rathburn (Artist), Dave Stewart (Artist)

Punisher Max Complete Collection Vol. 1 by Garth Ennis (Author), Darick Robertson (Illustrator), Lewis Larosa (Illustrator), Leandro Fernandez (Illustrator)

What Will Hatch? by Jennifer Ward, Susie Ghahremani

Yellow Kayak By Nina Laden, Melissa Castrillon

The Boy Who Cried Wolf by Blake Hoena, Flavia Sorrentino.

Zola’s Elephant by Randall de Sève, Pamela Zagarenski

Me And My Fear by Francesca Sanna

Richard Scarry’s What Do People Do All Day?

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All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS: COLLISIONS & RESOLVES

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++.>+.+++++++..+++.>++.<<+++++++++++++++.>.+++.——.——–.>+.>.

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

—  –   ————-______________ ->

Hello All…Hello World.

Welcome to the latest A.M.O.P. Mixtape:_COLLISIONS & RESOLVES.

Enjoy your stay and

___________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

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== =   = =  __  _
A.M.O.P. Presents: _Collisions & Resolves
  • What I saw – Broadcast & The Focus Group
  • Death Is Not A Parallel Move – of Montreal
  • Caint Use My Phone (Suite) / Hi / I’ll Call U Back / Hello – Erykah Badu (produced by Zach Witness, ft.  André 3000)
  • Madness In Great Ones [Hamlet] – Duke Ellington & Billy Staryhorn (ft. Johnny Hodges|Paul Gonsalves)
  • Solstice – Brian Bennett 
  • Mouth Harp Mahem / Jyonder / Soloman – Paul White
  • Hallelujah Money – Gorillaz Feat. Benjamin Clementine
  • Dollar, Dollar – PJ Harvey
  • All The World Is Green – Tom Waits
  • Complicated Shadows – Elvis Costello
  • She’s My Witch – Kip Tyler
  • Whitman – Richard Swift
  • Just Like Kicking Jesus (Hungover Like Jesus After Dancing At Sirkus In Iceland) – The Brian Jonestown Massacre
  • The Love We Make – Prince
  • Moon Bird  – The Roger Webb Sound 
  • Always Crashing In The Same Car – David Bowie
  • Fire In The Zoo – The Heliocentrics
  • The Noise Came From Here – Saul Williams
  • Chronomentrophobia – André 3000
  • Where Flamingos Fly – The Gil Evans Orchestra (ft. Johnny Coles on trumpet)
  • My Dearest Friend – Devendra Banhart

================__^__===================  ===  _ ===== == =   = =  _

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _

___    ______________—————__

What I saw – Broadcast & The Focus Group

Death Is Not A Parallel Move – of Montreal [art by David Barnes]

Caint Use My Phone (Suite) / Hi / I’ll Call U Back / Hello – Erykah Badu (produced by Zach Witness, ft. André 3000)

Madness In Great Ones [Hamlet] – Duke Ellington & Billy Staryhorn (ft. Johnny Hodges|Paul Gonsalves)

Solstice – Brian Bennett

Mouth Harp Mahem / Jyonder / Soloman – Paul White

Hallelujah Money – Gorillaz Feat. Benjamin Clementine

Dollar, Dollar – PJ Harvey

All The World Is Green – Tom Waits [photo by Jean-Baptiste Mondino]

Complicated Shadows – Elvis Costello

She’s My Witch – Kip Tyler

Whitman – Richard Swift

Just Like Kicking Jesus (Hungover Like Jesus After Dancing At Sirkus In Iceland) – The Brian Jonestown Massacre

The Love We Make – Prince

Moon Bird – The Roger Webb Sound

Always Crashing In The Same Car – David Bowie [photo by Norman Parkinson, 1977]

Fire In The Zoo – The Heliocentrics

The Noise Came From Here – Saul Williams

Chronomentrophobia – André 3000

Where Flamingos Fly – The Gil Evans Orchestra (ft. Johnny Coles on trumpet)

My Dearest Friend – Devendra Banhart [photo by Lauren Dukoff, 2007]

pics
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All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 14)

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________

_           _________________   _  ___   _ _________ __________

Being the most up-front pop-oriented of them, if any representatives from the last of the commercial sub-genres listed above were ever to land a hit to temporarily dominate the charts for a season or two then it was likely penned, recorded (and often digitally assembled note-for-note, syllable-by-syllable) by a cabal of nine middle-aged Nordic men. Although their birth certificates stated names that would likely bring to the average American mind images of Vikings or monks, they were typically credited under monikers that were easily forgettable despite their frequent use of the letters Z and X and honorary titles, such as Dr. Cztarlab, Sir LapLux, Mr. Mixus, and Professor JaMeZ. Almost no one would really ever recall these writers’ professional pseudonyms or note the central role they played in the hits that were so pervasive in their lives. These facts of anonymity were by design, as they did not want to interfere with the ascendency and celebrity of the “artist” that was to sell their work to the masses.

Through focus-group brand testing and weeks-long song-writing “cook-outz” where the annual trajectory of a (largely absent) performer’s career could be plotted by the continuity of tunes assigned to them, this committee had perfected a formula for pop familiarity—and thus, top ten hits. Not to oversimplify their equation, but it could be described as so: the forward swirl and bright texture of say, ABBA’s “SOS” but manufactured in a manner that ensured it could effortlessly and cyclically give way to the emphatic gush and catch of an arena-sized shout-along, something akin to the big-rock, chest-thump chorus in Bon Jovi’s “Livin’ On A Prayer.” With these elements married and laid atop a plush bed of programmed beats (or beatz) borrowed from the latest fashions in re-heated Hip Hop and R&B, all that was needed to complete the job was the appropriate vehicle to deliver the song. Sold to a Star-Creation division operating in-house under one of the various record-label executives, the likely hit-song could then be allocated either to a veteran presence or one of the newer recruits from the pop-celebrity academies.

The sound was always bigger & brighter & brighter & bigger. The sound should have little trouble in filling a stadium. Yet, it rarely needed to fill a stadium, but the sound must fill a shopping complex daily. Yes, the genuine smash hit was truly achieved when it facilitated an easy browse along the aisles of capitalism—interrupting consumption only long enough for an involuntary duet between pop star and shopper, a reflex response from the teaser tinsel of the pre-chorus build and the persistent bass and treble hook of the chorus returning again and returning again. At times the production could be so seamless, so unremarkable, so successful that one could pause and ask themselves: How do I know this song? Have I always known it? Has this song always been here?

With these narrow options before her, what was a girl to listen to? There was the feminine powerhouses of the Divas; at least they were aggressively advertised as such. These “Queens” and “Ladies” were always presented in context to the objects in their orbits: the relationships new or sour; the clothes; the hair; the promotional tie-Ins; the prop outrage performed on an award ceremony stage; the boyfriends and husbands; their current positions on the charts; their current positions in the rotating feuds between the other Divas. Watching music videos one day after school with her best friend since ninth grade, Rebecca turned to her and said: “Ugh, these role-model bitches are always either selling church or snatch.” Mireille laughed until she snorted. It was true, those who were not peddling their brand with the accompanying image of Clean American could be found rolling their eyes, spreading their legs, and retailing their lives under a banner that read Liberated & Nasty. Purchased from the Nordic committee, they all currently had the pull of a melody that was so easy to babble-along to. The Divas’ singles could be fun, but listening to them, Mireille reasoned, would make her feel like merely some consequence of a premise.

___           – –      _________________       _         _________________ ___

dendrites_cvr_14

 —  –   ————-______________\
——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

Water or Bread (Raining) – Madlib

Metamorphosis – Miles Okazaki (w/ Dan Weiss, Christof Knoche, Jon Flaugher, Miguel Zenon, David Binney, and Chris Potter)

To Sheila – Smashing Pumpkins [photo by Yelena Yemchuk]

Sonic Armada – Air

Morning Fog – Danger Mouse & Daniele Luppi

Green Belly – Ty Segall

Hidee Hidee Ho #16 – The New Basement Tapes (ft. Rhiannon Giddens, Elvis Costello, Taylor Goldsmith, Jim James, Marcus Mumford, produced by T Bone Burnett) [lyrics by Bob Dylan]

Shaman’s Blues – The Doors (Jim Morrison in the closet of his room at LA’s Chateau Marmont hotel, by Art Kane, May 1968.) 

Paint a Lady – Susan Christie

Strawberry Wine – Ryan Adams [photo by Mark Seliger]

Crystals – Bennie Maupin

Synthesizer – Outkast (ft. George Clinton)

What I saw – Broadcast & The Focus Group

Twinkle/Master Teacher – Erykah Badu [photo by Timothy Saccenti, 2008]

Polly – Duke Ellington

The Silent Orchestra – Hamilton Leithauser

sinatra

I See Your Face Before Me – Frank Sinatra

Hidee Hidee Ho #11 – The New Basement Tapes (ft. Jim James, Rhiannon Giddens, Elvis Costello, Taylor Goldsmith, Marcus Mumford, Bo Koster, produced by T Bone Burnett) [lyrics by Bob Dylan]

Stay (Faraway, So Close!) – U2

Homme Lune – Air

Black Noise – Rotary Connection

______________———-___=========================================  __=

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 14)

  • Water or Bread (Raining) – Madlib
  • Metamorphosis – Miles Okazaki (w/ Dan Weiss, Christof Knoche, Jon Flaugher, Miguel Zenon, David Binney, and Chris Potter)
  • To Sheila – Smashing Pumpkins
  • Sonic Armada – Air
  • Morning Fog – Danger Mouse & Daniele Luppi
  • Green Belly – Ty Segall
  • Hidee Hidee Ho #16 – The New Basement Tapes (ft. Rhiannon Giddens, Elvis Costello, Taylor Goldsmith, Jim James, Marcus Mumford, produced by T Bone Burnett) [lyrics by Bob Dylan]
  • Shaman’s Blues – The Doors
  • Paint a Lady – Susan Christie
  • Strawberry Wine – Ryan Adams 
  • Crystals – Bennie Maupin
  • Synthesizer – Outkast (ft. George Clinton)
  • What I saw – Broadcast & The Focus Group
  • Twinkle/Master Teacher – Erykah Badu 
  • Polly – Duke Ellington
  • The Silent Orchestra – Hamilton Leithauser
  • I See Your Face Before Me – Frank Sinatra
  • Hidee Hidee Ho #11 – The New Basement Tapes (ft. Jim James, Rhiannon Giddens, Elvis Costello, Taylor Goldsmith,  Marcus Mumford, Bo Koster, produced by T Bone Burnett) [lyrics by Bob Dylan]
  • Stay (Faraway, So Close!) – U2
  • Homme Lune – Air
  • Black Noise – Rotary Connection

<^>_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

Hello all,

and welcome to what will be the last post for the summer! I’ve got a special triptych-mixtape for you all today! About a week back a good friend of mine asked that I produce a few mixes for a gathering the night before his wedding. Unfortunately (like, whatever, y’know) due to technical difficulties they could not be played that evening (the entire wedding weekend, however, was absolutely fantastic!). Anyway, not one to let a good MixTape go to waste, I present them to you here. I do believe them to be real nice & easy, and tons of fun, with some great tunes that have been featured here in these pages before and some that I was planning on getting to someday.

May these serve you well here at the tail-end of the summer! So sit back, roll forward, and enjoy!

But above all–ENJOY YOURSELF!__

Nuptials-cvr___________________

Volume I—Click here to listen & Download——-

_____________________

Volume II—Click here to listen & Download——-

_________________________________

Volume III—Click here to listen & Download——-

_________________________________________________

__

A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

VOLUME ONE:

  1. Pre-Nump – Outkast
  2. When You’re Smiling and Astride Me – Father John Misty
  3. Here I Am (Come And Take Me) – Al Green
  4. Happy – The Rolling Stones
  5. Alright, Okay, You Win – Peggy Lee
  6. You Make Loving Fun – Fleetwood Mac
  7. Baby It’s You – The Beatles
  8. Let Me Be Good To You – Carla Thomas
  9. Try (Just A Little Bit Harder) – Janis Joplin
  10. River Deep – Mountain High – Harry Nilsson
  11. Beautiful Girl – INXS
  12. Over The Hills And Far Away – Led Zeppelin
  13. The Brides Have Hit Glass – Guided By Voices
  14. What A Woman – Howlin’ Wolf
  15. The Spy – The Doors
  16. Light My Fire – Al Green
  17. Shake Your Hips – The Rolling Stones
  18. We Can Work It Out – Stevie Wonder
  19. CREEP – Afghan Whigs
  20. Tenement Lady – T.Rex
  21. John, I’m Only Dancing – David Bowie
  22. Fool I Am – Pat Ferguson
  23. I Just Want To Make Love To You – Etta James
  24. Let Me Roll It – Paul McCartney & Wings

VOLUME TWO:

  1. Your Southern Can is Mine – The White Stripes
  2. When I Look In Your Eyes – André 3000
  3. Lady Madonna – Fats Domino
  4. Loving Cup – The Rolling Stones
  5. Ring Of Fire – Ray Charles
  6. Rag Mama Rag – The Band
  7. Pretty Thing – Bo Diddley
  8. Tee Pees 1-12 – Father John Misty
  9. Would You – Richard Swift
  10. Andy’s Chest – Lou Reed
  11. Milkcow Blues Boogie – Elvis Presley
  12. Slow Down – Backbeat Band
  13. Rip It Up/ Ready Teddy – John Lennon
  14. Surprise Surprise (Sweet Bird Of Paradox) – John Lennon
  15. Live with Me – The Rolling Stones
  16. Planet Queen – T.Rex
  17. She Belongs To Me – Bob Dylan
  18. Black Is the Color – Rhiannon Giddens
  19. I Gotta Know – Wanda Jackson
  20. Love Having You Around – Stevie Wonder
  21. Right – David Bowie
  22. Oh! Darling – The Beatles
  23. Call On Me – Big Brother And The Holding Company (feat. Janis Joplin)
  24. Candy – Iggy Pop

VOLUME THREE:

  1. Mystify – INXS
  2. Be Kind – Devendra Banhart
  3. Didn’t I – Darondo
  4. Mind Games – George Clinton
  5. Dear Prudence – The Beatles
  6. Little Red Rooster – Sam Cooke
  7. Sweet Feeling – Candi Staton
  8. Idlewild Blue (Don’t Chu Worry ‘Bout Me) – André 3000
  9. Rusty Cage – Johnny Cash
  10. Can You Get To That? – Funkadelic
  11. Yazoo Street Scandal – The Band
  12. Police & Thieves – The Clash
  13. Do Unto Others – Pee Wee Crayton
  14. Goin’ To Acapulco – Jim James & Calexico
  15. Candela – Buena Vista Social Club
  16. Momma Miss America – Paul McCartney
  17. Got To Get You Into My Life – Chris Clark
  18. Wah-Wah – George Harrison
  19. Mean To Me – Dean Martin
  20. This Magic Moment – Lou Reed
  21. Be My Baby – John Lennon

______________________________________

It’s Good to Feel you are Close to Me

It’s good to feel you are close to me in the night, love,
invisible in your sleep, intently nocturnal,
while I untangle my worries
as if they were twisted nets.

Withdrawn, your heart sails through dream,
but your body, relinquished so, breathes
seeking me without seeing me perfecting my dream
like a plant that seeds itself in the dark.

Rising, you will be that other, alive in the dawn,
but from the frontiers lost in the night,
from the presence and the absence where we meet ourselves,

something remains, drawing us into the light of life
as if the sign of the shadows had sealed
its secret creatures with flame.

__________

Pablo Neruda, from Cien Sonetos de Amor (1959).

______________

All the best to you & yours,

(Oh, and J2 & Dana, despite this entry in Ambrose Bierce’s The Unabridged Devil’s Dictionary, “Love, noun. A temporary insanity curable by marriage;” I love you guys, wish you well, and know you will make and remain a fine union in the light of life),

Bobby Calero

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 2)

Mireille had grown weary of feeling that our experience of existence had unavoidably resulted in a tape delay.

“We are held hostage in someone else’s head…and in the end…and in our own. Regret will only get you ugly in the end.”

She considered the device currently slipped within a little zippered pocket inside her purse: plastic, glass, semiconductor chips of silicon, and rare earth minerals molded and arranged into a slim rectangle of circuit boards and a touchscreen with a friendly graphic user interface. Contemplating all it was capable of—all of its known, numerous applications, the ones she hasn’t figured out yet and the ones she didn’t care to—she asked herself:

“We’re already living in the future…aren’t we? …Or as far as this future is gonna go, really. From here-on-out and for awhile now it’s all just restatements of a theme, sure with a few innovative variations and tempo changes thrown in to keep us back-slap-smiling, ‘gee–whiz, how neat, this cutting-edge changes everything! Science will save us!’ But, shouldn’t we be somewhere else?

“Shouldn’t we be somewhere else and doing something other by now?”

A sudden nudge—Mireille felt a petite twitch of an impulse to check for updates and status changes. She rolled back the teeth of a zipper, then another, and pulled the phone from her bag. After a swipe, tap, tap, tap, tap of an index finger, another tap brought her to her home page. Lately, every time she logged in to her YouLoop account, over the remote din of row upon row of massive servers roaring away at some installation on a rural sprawl, an advert for an apparel company would pop-up with polished photos of professional mannequins—all so slender and young, all so pale-pink and fair-peach in skin tone, some sullen in denim, others with open mouths in graphic tees cavorting across the afternoon gloss of an open field—all asking in a bold white font atop a black background:

Who will be

“How the hell should I know?” Mireille said to herself. “How could anyone, when we don’t even know what these bundles of qualities we carry and call the self is right now at this moment?” After a distracted scroll down her digital profile’s wall, she logged off. Her phone was returned to its place.

Mireille had grown weary of feeling that our experience of existence had unavoidably resulted in a tape delay. Her suspicion was one of a procession of intervals. Each arriving on the heels of the other, there was enough space for our consciousness to spill a portion of its contents until they coil up to that moment’s capacity. Consciousness, that capo di tutti capi, with its arrogant tap to its bucket snout, yet so unaware of the sway on our days held by flora in the gut and all that other bacteria.

Once full we move on to the next container, but not before an often-inarticulate logging of our impressions on each repetitive step and making a remark or two about every noticeable variable. These recorded findings then color our notes on the subsequent one. Was that our allotted life, spinning on a color wheel? It is as if all our moments were truly only and always movements—some busy derivation from the game of hopscotch.

We scratch symmetry across the surface. We toss the little wet stone of our mind out into an interspersed series of linear and lateral blocks. We dance to retrieve it. We repeat the pattern.

However, here each lope and lollop to another square necessitates the player to perform a change of clothes to correspond with the color assigned to that box, while still taking into account the hue and tint from which they came. We amend our raiment—through Primary to Secondary to Tertiary—and every which way shade between. We slip on robust costumes and strut our feathers. Sometimes we are caught by the garish contrast of a complimentary pair and are required to dress in all white or all black. At other times our skitter through the squares causes us to consider too many pigments and we are left to squirm under attires like mud or wet cinder. But another hop could change all that: just a footstep away from that soot. One is almost certain that if they were to continue to play the game through they’d eventually land upon a true hue of you.

In our gambol across the grid we create relationships. We celebrate. We snicker. We share secrets.

In addition to this facet of the game, where catwalk runway and dressing room coalesce, we mustn’t forget the squares’ designated numbers and verse from their attendant Magpie Rhymes:

Zero for Earth;

One for sorrow,

Two for mirth;

Three for a wedding,

Four for birth;

Five for wealthy,

Six for poor;

Seven for some secret,

Forgotten Door;

Eight for a wish of Heaven,

Nine for a kiss of Hell;

And Ten a surprise for the Devils,

Who pray you get well!

_____________________                                 _________________                      _________________   _

Dendrites 2 cvr_______________________________   ——  —  ——–  _______________ –  __

——————————-(Click to Listen or Download)—————–

===================================  ======== == =    ==    =    = – __

Intro – Martina Topley-Bird

Oh Yeah – Foxygen

Every Boy and Girl – Lee Moses

Needles & Pins [alt. take] – Ramones

Let It Kill You – Imani Coppola

Looks Good With Trouble – Solange

Time 2 – Pharoahe Monch

Battling the City – Lilacs & Champagne

Your Brain Is Made of Candy – Mourn

Water – Juan Wauters

Clean [snippet] – Taylor Swift

New Mutation Boogie – Invisible Familiars

Gamma Ray (acoustic version) – Beck

Someone Like You – David Vandervelde

Sadder Day – Stephanie McKay

Fade Away And Radiate – Blondie

Laughing With A Mouth Of Blood – St. Vincent

Trouble Blues – Sam Cooke

U Looz – PRhyme (Royce da 5’9″ and DJ Premier)

Gimme A Chance – Azealia Banks

I Retired – Hamilton Leithauser

Poison – Martina Topley-Bird

Call The Law – Outkast (ft. Janelle Monáe)

Corner Pocket – Count Basie & His Orchestra

Biting My Nails – Genevieve Waite

Parakeet – Damon Albarn

Naked We Come– (by Jim Morrison – read by Johnny Depp)

______________———-___=========================================

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (Vol. 2)

  • Intro – Martina Topley-Bird
  • Oh Yeah – Foxygen
  • Every Boy and Girl – Lee Moses
  • Needles & Pins [alt. take] – Ramones
  • Let It Kill You – Imani Coppola
  • Looks Good With Trouble – Solange
  • Time 2 – Pharoahe Monch
  • Battling the City – Lilacs & Champagne
  • Your Brain Is Made of Candy – Mourn
  • Water – Juan Wauters
  • Clean [snippet] – Taylor Swift
  • New Mutation Boogie – Invisible Familiars
  • Gamma Ray (Acoustic) – Beck
  • Someone Like You – David Vandervelde
  • Sadder Day – Stephanie McKay
  • Fade Away And Radiate – Blondie
  • Laughing With A Mouth Of Blood – St. Vincent
  • Trouble Blues – Sam Cooke
  • U Looz – PRhyme (Royce da 5’9″ and DJ Premier)
  • Gimme A Chance – Azealia Banks
  • I Retired – Hamilton Leithauser
  • Poison – Martina Topley-Bird
  • Call The Law – Outkast (ft. Janelle Monáe)
  • Corner Pocket – Count Basie & His Orchestra
  • Biting My Nails – Genevieve Waite
  • Parakeet – Damon Albarn
  • Naked We Come – (by Jim Morrison – read by Johnny Depp)

__=========================================     ______

——————————————-BOBBY CALERO—————————–

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (Vol. 1)

Who will be

“How the hell should I know?” Mireille said to herself. “How could anyone, when we don’t even know what these bundles of qualities we carry and call the self is right now at this moment?” She had read somewhere “to be living is to be thinking.” This statement was made with the intention of being inclusive to all organisms on earth, and she found it beautiful in this respect. But as for herself, she often wished a way for this sentence to somehow exist as a curtailed “…to be…” and nothing more.

This wish was not a matter of numb pursuits towards some honeyed sopor; this had nothing to do with oblivious bliss or even lines. Those consoled by the style of nihilism might admire that anesthetized end as noble and offer a rhetorical, “What good was a ruin if not of your own design?” Yet Mireille did not desire to attain a life as an amputee grateful to be let loose from the distraction of limbs and their demands. She could not venerate her stumps as indicative of enlightenment. It was more to do with simply wanting to no longer consider the left foot, ponder the right—Mireille just wanted to walk.

“Whether in circles or forwards for now who really cares?”

Despite the presence of several “Top Ten Reasons To Click Here” style articles, there was nothing there on the screen that she felt was of immediate interest. After a distracted scroll down her digital profile’s wall, she logged off. Her phone was returned to its place. If you, Dear Reader, have found yourself experiencing any form of exasperation at all at this point, please explore your being for the animal’s wondrous faculty for empathy and consider just how Mireille might feel. She did not want to think about any of this.

“…to be…”

Nothing more.

Yes. All this thought, this brief foray into the clutter of ontology that she now found herself engaged in, even all this was something she considered: “fine, but just too much.” Particularly as she could foresee it as always and only an orchestra inevitably conducted through the ligaments and sieves of semantics. She did not want to live “the-movie-in-the-brain.” Mireille had grown weary of feeling that—being by biological design and perhaps some other as of yet unquantifiable element, necessarily mitigated through time-bending protein memory and sensory portals—our experience of existence had unavoidably resulted in a tape delay.

Mireille had grown weary of feeling that our experience of existence had unavoidably resulted in a tape delay.

_____________________                                 _________________                      _________________   _

Dendrites-1

_______________________________   —————–_______________

——————————-(Click to Listen or Download)—————–

 ===================================  ======== == =    ==    =    =

Press Play – Stone Temple Pilots

The Sparrow Looks Up At The Machine – The Flaming Lips

Too Deep – The Ghost Of A Saber Tooth Tiger

Indigo Child (Interlude)/Far Side Of The Moon – Tinashe

Fire On Your Feet – Pop Levi

Bear Witness – Dr. Octagon (aka. Kool Keith)

Montara – Madlib

So Far To Go – J Dilla (ft. Common & D’angelo)

Woo Hah!! Got You All In Check – Busta Rhymes

The Bully – Richard Swift

Owl – The Child Of Lov (Ft. MF DOOM)

The Freak Folk Drop By Dressed Up For Each Other – Mushroom

The Leopards Featuring Gardenia And The Mighty Slug – T. Rex

She’s Leaving Home – The Flaming Lips (ft. Julianna Barwick, Phantogram, Spaceface)

Being For The Benefit Of Mr. Kite! – The Beatles

Eht Dnarg Noisulli – Pharoahe Monch (ft. The Stepkids)

Daylight Savings – Imani Coppola

Data data – Jorge Drexler

Let It Ride – Robert Glasper Experiment (ft. Norah Jones)

Mysteries – Yeah Yeah Yeahs

Posthuman – Marilyn Manson

Dyin’ To Live – André 3000

______________———-___=========================================

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (Vol. 1)

  • Press Play – Stone Temple Pilots
  • The Sparrow Looks Up At The Machine – The Flaming Lips
  • Too Deep – The Ghost Of A Saber Tooth Tiger
  • Indigo Child (Interlude)/Far Side Of The Moon – Tinashe
  • Fire On Your Feet – Pop Levi
  • Bear Witness – Dr. Octagon (aka. Kool Keith)
  • Montara – Madlib
  • So Far To Go  – J Dilla (ft. Common & D’angelo)
  • Woo Hah!! Got You All In Check – Busta Rhymes
  • The Bully – Richard Swift
  • Owl – The Child Of Lov (Ft. MF DOOM)
  • The Freak Folk Drop By Dressed Up For Each Other – Mushroom
  • The Leopards Featuring Gardenia And The Mighty Slug – T. Rex
  • She’s Leaving Home – The Flaming Lips (ft. Julianna Barwick, Phantogram, Spaceface)
  • Being For The Benefit Of Mr. Kite! – The Beatles
  • Eht Dnarg Noisulli – Pharoahe Monch (ft. The Stepkids)
  • Daylight Savings – Imani Coppola
  • Data data – Jorge Drexler
  • Let It Ride – Robert Glasper Experiment (ft. Norah Jones)
  • Mysteries – Yeah Yeah Yeahs
  • Posthuman – Marilyn Manson
  • Dyin’ To Live – André 3000

———————–BOBBY CALERO——————————-