Category Archives: Beastie Boys

A.M.O.P. PRESENTS: WALLOP (VOL. 1)

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Hello All! Hello World!

I said well hello there. When I was in high-school one of my all-time favorite bands was one almost no one ever heard of. At the time I didn’t know nor cared about the cultural, hipster cachet that could be angled from that fact; I just thought they made amazing music! I remember spending hours dancing and singing along to their records alone in my bedroom. Mazarine Street were from Stockholm, Sweden and my best friend’s uncle, Gene Kraut, was their manager and as their 3 records would come out (in 1996; 1997; and 2001) he would mail them over to the U.S. for him. (Gene would also come to manage Arthur Lee of the amazing sixties, Los Angeles based band Love, which is how I discovered them as well, and even saw Lee & Love perform for his Forever Changes Concerts at Warsaw in Brooklyn, on October 23, 2003…incredible!). If I had to describe Mazarine Street as akin to another sound I guess I would say they were something like nineties Beck tackling the thick rock & roll and rough blues of The Rolling Stones. There was something incredibly playful to their blues bravado and alcohol swagger. This good-humored gusto I think can be heard clearly on one of the two songs featured here and taken from their second record, Thirteen Reasons to Believe. With “One More Day” they present a traditional-sounding field holler blues but tweak it with the odd trill and wobble of a theremin.

On this mix you’ll also hear Beastie Boys‘ sonic tribute to Miles Davis‘ record On The Corner, with their very own “Bobo On The Corner,” which features percussionist Eric “Bobo” Correa (the son of famed Latin and jazz percussionist Willie Bobo, who is also featured elsewhere on the mix). This rolls right into the Beastie Boys’ oh-so-fun single of 1995 “Root Down,” which utilizes a sample from Jimmy Smith‘s “Root Down (And Get It)” (a song that was featured in these pages way back on April 11th 2014 on my triptych party-mix On The Good Blood).

This MixTape also features a Blind Melon tune I mentioned a few posts back, the hopped-up banjo and kazoo jam “Skinned” written from the perspective of serial killer Ed Gein (and what I always took as lead singer and lyricist Shannon Hoon‘s somewhat demented, metaphorical commentary on his own issues with addiction and substance abuse). Elswhere you’ll hear Blind Melon’s “Dumptruck,” where Hoon sings with more than a hint of anxiety: “New York City soothing my itchy itchy month of May.”

Oh and I can’t go without making mention of a song that has been a favorite of mine for decades: “Manifold de Amour” by Latin Playboys. Latin Playboys was an experimental group comprising David Hidalgo, Louie Pérez (from the band Los Lobos) ,along with the production partners of Mitchell Froom and Tchad Blake. Taken from their 1994, self-titled debut album, I translate the hypnotic lyrics of “Manifold de Amour” as:

I’m going to sail
To the port of the soul
Crossing the sea,
Until I arrive

 

Well, there’s all this and a whole lot more! So…

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—————–======ENJOY YOURSELF____———–

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A.M.O.P. Presents: __Wallop (Vol. 1)
  • Satisfied – Prince
  • All Your Goodies Are Gone – Parliament
  • One More Day – Mazarine Street
  • “Desire” – David Lynch
  • Good God’s:// Urge! – Porno For Pyros
  • Suena Blanca Espuma – El Kinto
  • To Come Of Age / Black Polished Chrome / Latino Chrome – Jim Morrison & The Doors
  • Power – Ray Barretto (w/ Bass – Andy Gonzales; Bongos – Tony Fuentes; Piano – Louis Cruz; Timbales – Orestes Vilato; Trumpets – Papy Roman, Rene Lopez, Roberto Rodriguez)
  • Bobo On The Corner / Root Down – Beastie Boys (ft. Eric Bobo & Money Mark Nishita; Produced by Mario Caldato Jr.)
  • Broasted Or Fried  – Willie Bobo & The Bo Gents (w/ Bass – Ernie McDaniel; Congas – Victor Pantoja; Drums – Jimmy Smith; Electric Piano – Reggie Andrews; Flute, Tenor Saxophone – Ron Starr; Trumpet, Flugelhorn – Steve Huffsteter)
  • Dumptruck – Blind Melon
  • Manifold de Amour – Latin Playboys (David Hidalgo, Louie Pérez, Mitchell Froom, Tchad Blake)
  • Lady, Your Roof Brings Me Down – Scott Weiland (ft. Accordion – Sheryl Crow; Bass – Martyn LeNoble; Cello – Susie Katayama; Viola – Novi Novog; Violin – Joel Derouin, Robin Lorentz; Piano, Guitar, Drums, Vocals, String Arrangements – Victor Indrizzo)
  • Violets For Your Furs – Billie Holiday With Ray Ellis And His Orchestra (written by Tom Adair & Matt Dennis)
  • Rocks In My Bed – Allen Toussaint With Rhiannon Giddens (written by Duke Ellington)
  • Extraordinary Machine – Fiona Apple (Produced with Jon Brion)
  • Nightschool – Mazarine Street
  • Sweet Virginia – The Rolling Stones
  • Skinned – Blind Melon
  • I Got A Woman – Elvis Presley (Written by Ray Charles)
  • Don’t Let The Sun Catch You Cryin’ – Ray Charles (Written by Joe Greene)
  • Deadweight – Beck (produced with The Dust Brothers)

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Satisfied – Prince [photo by Randee St Nicholas 2007]

All Your Goodies Are Gone – Parliament

One More Day – Mazarine Street

“Desire” – David Lynch [art; Plume Of Desire by David Lynch]

Good God’s:// Urge! – Porno For Pyros

Suena Blanca Espuma – El Kinto

To Come Of Age / Black Polished Chrome / Latino Chrome – Jim Morrison & The Doors

Power – Ray Barretto (w/ Bass – Andy Gonzales; Bongos – Tony Fuentes; Piano – Louis Cruz; Timbales – Orestes Vilato; Trumpets – Papy Roman, Rene Lopez, Roberto Rodriguez)

Bobo On The Corner / Root Down – Beastie Boys (ft. Eric Bobo & Mark Nishita; Produced by Mario Caldato Jr.)

Broasted Or Fried – Willie Bobo & The Bo Gents (w/ Bass – Ernie McDaniel; Congas – Victor Pantoja; Drums – Jimmy Smith; Electric Piano – Reggie Andrews; Flute, Tenor Saxophone – Ron Starr; Trumpet, Flugelhorn – Steve Huffsteter)

Dumptruck – Blind Melon [photo by Chris Cuffaro, 05.25.95]

Manifold de Amour – Latin Playboys (David Hidalgo, Louie Pérez, Mitchell Froom, Tchad Blake)

Lady, Your Roof Brings Me Down – Scott Weiland (ft. Accordion – Sheryl Crow; Bass – Martyn LeNoble; Cello – Susie Katayama; Viola – Novi Novog; Violin – Joel Derouin, Robin Lorentz; Piano, Guitar, Drums, Vocals, String Arrangements – Victor Indrizzo)

Violets For Your Furs – Billie Holiday With Ray Ellis And His Orchestra (written by Tom Adair & Matt Dennis)

Rocks In My Bed – Allen Toussaint With Rhiannon Giddens (written by Duke Ellington)

Extraordinary Machine – Fiona Apple (Produced with Jon Brion)

Nightschool – Mazarine Street [art by JAKOB KRAJCIK]

Sweet Virginia – The Rolling Stones

Skinned – Blind Melon [photo by Danny Clinch, 1995]

I Got A Woman – Elvis Presley (Written by Ray Charles)

Don’t Let The Sun Catch You Cryin’ – Ray Charles (Written by Joe Greene)

Deadweight – Beck (produced with The Dust Brothers) [photo by Andrea Giacobbe, 1997]

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All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

THE DEMISE OF THE MASK (VOL. 8)__Bread & Circus ___

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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demise_cvr_8

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Hello All.

Welcome to Volume Eight of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)-

I’ve got quite a treat MixTape here for you as this one features a triple-play by Hamilton Leithauser: first there’s “We Can’t Be Beat” from the last album by his always fantastic group The Walkmen, 2012’s Heaven; then there’s a selection from Leithauser’s 2014 debut solo studio album, Black Hours; and finally there’s the song “When The Truth Is…” from last year’s stunning record I Had a Dream That You Were Mine, which is a collaborative work with Rostam Batmanglij (the former multi-instrumentalist and producer of Vampire Weekend).

You’ll also hear Aretha Franklin, some Beastie Boys, the lovely “Rainbows In Gasoline” by the duo of Sean Lennon and Charlotte Kemp Muhl who record together under the moniker of The Ghost of a Saber Tooth Tiger (or GOASTT), and a fine example of why John Lennon was one of the greatest of rock ‘n’ roll vocalists with The Beatles‘ tune “All I’ve Got To Do.”

As well, there are two selections from the Parliament-Funkadelic collective: first there’s a cover of The Beatles by incendiary yet so sweet guitarist Eddie Hazel from his 1977 solo debut Game, Dames and Guitar Thangs, which features incredible vocals by The Brides of Funkenstein (the duo of Dawn Silva and Lynn Mabry, who prior to joining the P-Funk collective were members of Sly and the Family Stone); later on you’ll catch the revolving, kaleidoscopic groove of “Supergroovalisticprosifunkstication” from Parliament‘s 1975 masterpiece, Mothership Connection.

Oh and I can’t forget to mention the rendition of Magic Sam‘s All Of Your Love” done with grit and precision by The Rolling Stones and taken from their joyous record of blues covers released at the end of last year, Blue & Lonesome.

Among a whole bunch of other great sounds this mix also features two figures who are perhaps the most poetic recording artists of Uruguayan music: Jaime Roos and Eduardo Mateo. The song “Viviendo” is from Roos’ third record, Aquello released in 1981. There is a translation done by my father below for those that are interested:

Viviendo (Living) by Jaime Roos [translated by Julio Calero]
I remember you
You’re the One
Who could understand  it
No big deal
That we do not love each other
You could understand it
.
Friend, where abouts may you be?
What seas may you be sailing?
Soon we’ll cross paths
And I’ll find you
Living
You’ll find me
Living
.
You’ll hear
The world was
And will be a marvel, I already know
It could be
My voice
Coming out of a nightmare that’s gone
.
Friend, where abouts may you be?
What seas may you be sailing?
Soon we’ll cross paths
And I’ll find you
Living
where abouts may you be?
Living
Alone, perhaps
Living

Throughout his long career Jaime Roos has continued to make an interesting mix of rock and folk with the more traditional sounds of Uruguay like candombe, milonga, tango and murga. He’s still out there performing and I highly recommend that if you ever have the opportunity you should definitely catch his show!

 Eduardo Mateo‘s “Niña” is a sweet tune done by a pure musician, and its recording comes with an interesting story. By the time Mateo’s phenomenal band El Kinto had officially disintegrated in the early part of 1970 most of Mateo’s friends and associates were already convinced that he had gone completely insane. Despite the fact that these same people viewed him as a musical genius, they did not know what to make of his habits of disappearing for days at a time, either to lock himself up somewhere in a rented room to explore new realms on his instrument while searching for spiritual enlightenment through chemicals, or to wander the streets with nothing but pajamas and a guitar—there was always a guitar, a rare constant in this man’s unhinged life. Once, my uncle saw him walking the streets at night with one foot aligned with the curb, the other with the gutter, so that he was forced to maintain an awkward and drastic limp to his gait—how’s that for a metaphor?!

Speaking of this period in Mateo’s life, Uruguayan singer Verónica Indart had this story to tell:

“The last time I saw him was in the first years of the 1970s. I was

with Héctor, my husband, and Mateo arrived. He entered, he took

up the guitar, and he sat down to play by the window, looking at the

sea for a long while. We listened to him. When he finished, he got up,

he set down the guitar and he went out the door without a greeting.

That was Mateo. He arrived, gave us his music and went on without

greeting us, because it was not necessary” (Lion Production, 2006).

In 1971, for those who were fortunate to have heard Mateo play there was no doubt of that man’s overwhelming talent—mental illness or not; however, beyond a handful of tracks there existed little recorded evidence of it. This would soon change due to the influence of talented singer Diane Denoir, and through the dedication and passion of producer Carlos Píriz. Píriz, a recording technician who had worked for the live, music television show Discodromo had recently started the record label De la Planta along with Jorge “Coyo” Abuchalja, guitarist for the group Los Delfines. The ethos behind this venture was to maintain a Uruguayan label that was dedicated to Uruguayan musicians, providing them with better production, recording techniques, and better distribution than the then norm. Fortunately, through Píriz’s connections, they were able to secure regular studio time at ION Studios in Buenos Aires, Argentina, where the recording technology was far superior to that found in their native country (four tracks as opposed to two at most, for example).

In October of 1971 one such artist they chose to present to the public was the singer Diane Denoir. As she was recording a fair amount of Mateo’s material for her De la Planta debut, she felt it was only appropriate that the artist himself accompany her on some of the tracks. Having convinced Mateo to take the trip, Píriz quickly took advantage of the rare opportunity by persuading him to stay and record a solo LP for the label. However, in spite of Píriz’s optimistic plans to complete the recording in one week, he soon found that dealing with this erratic artist would be an ultimate test of endurance and patience.

The sessions went like this: Mateo had an alphabetic notebook,

and stuck in each page he had bar napkins upon which his songs

were written. If he knew the first letter of the title of the song he

wished to play, he would find the correct napkin, which would help

him remember the melody, so that he could recreate the original idea

he had envisioned when he had composed the song in the first place.

Remembering the songs was only the first obstacle […]. Mateo

would record songs one day, and erase them the next. “The first day

he recorded three or four things,” Píriz recalled. “The following day

he came in and said, ‘erase them. For Mateo, they are all wrong.’

We erased them. And that process of erasing the previous day’s work

continued for four or five days. At that moment, I understood that this

would be the system for the whole disc […]. I decided that I will be the

person who says what was well-recorded, or not, and I began to keep

all the material.”

On other days, Mateo went to ION studios only to say that he was not

inspired, and would return the next day. Then there were the days that

he appeared at the studio, and asked, “What time do we record tomorrow?”

“The same as today, at four o’clock,” Píriz would say. “Okay I am going,

until tomorrow,” was Mateo’s only reply (Lion Production, 2006).

 –

This whole arduous process continued for two months, until one day when Mateo said to the producer that he was stepping out of the studio to buy a pack of cigarettes, and never came back. He had returned to his streets in Montevideo. Píriz was left holding hours of recordings of these fragmented sessions—the only proof that Mateo had even been there. A labor of love, Píriz would then spend the better part of a year assembling these into the album that would be released in December of 1972: Mateo Solo Bien Se Lame.

One of the thirteen brilliant compositions that Píriz extracted from the chaos is the twisted beauty that is “Niña.” Through his dedication, Píriz was able to capture on this record the complex sensitivity of this troubled artist. Seeing as how, other than a rare background vocal here and there, Mateo created every sound on this album himself, his essence truly shines through each composition. There is a translation of the lyrics done by me below:

Niña (Little Girl) by Eduardo Mateo [translated by Bobby Calero]
Little girl that always has a light
showing you what you do not want.
Do not fear the birds
if they say your life with their trills.
It should be that you understand;
that’s why what comes next is what has gone.
Always in a white dress,
you go but beware;
The devils in the guise of angels
will notice you talking.
Does it shame you that you don’t care
what has been soiled?
Yuu…yu-le-lé yu-lé.
__

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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—————–======ENJOY YOURSELF____———–

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demise_cvr_8

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 8)__Bread & Circus ___
  • Pick Pocket – Andy Votel
  • I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)
  • All I’ve Got To Do – The Beatles
  • Rock Steady – Aretha Franklin
  • Secondary Modern – Elvis Costello & The Attractions
  • Church On Tuesday – Stone Temple Pilots
  • Been & Gone – Annette Peacock
  • Royal Cream / I Am Fire – The Afghan Whigs
  • I Wish I Could Hear My Mother Pray Again – The Staple Singers
  • Medicine For A Nightmare – Sun Ra
  • Supergroovalisticprosifunkstication – Parliament
  • Kissing My Love – Afrique
  • Dub The Mic / Gratitude – Beastie Boys
  • All Of Your Love – The Rolling Stones (Magic Sam cover)
  • Viviendo – Jaime Roos
  • We Can’t Be Beat – The Walkmen
  • Alexandra – Hamilton Leithauser
  • When The Truth Is… – Hamilton Leithauser + Rostam
  • Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger
  • Que Tristeza – Cal Tjader
  • Niña – Eduardo Mateo
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bread-circus-1
bread-circus-2
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[Pick Pocket - Andy Votel]

[Pick Pocket – Andy Votel]

[I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)]

[I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)]

[All I’ve Got To Do – The Beatles]

[All I’ve Got To Do – The Beatles]

[Rock Steady – Aretha Franklin]

[Rock Steady – Aretha Franklin]

[Secondary Modern – Elvis Costello & The Attractions]

[Secondary Modern – Elvis Costello & The Attractions]

[Church On Tuesday – Stone Temple Pilots (photo by Mick Hutson)]

[Church On Tuesday – Stone Temple Pilots
(photo by Mick Hutson)]

[Been & Gone – Annette Peacock (photo by Richard Davis, 1972)]

[Been & Gone – Annette Peacock (photo by Richard Davis, 1972)]

[Royal Cream / I Am Fire – The Afghan Whigs (photo by Piper Ferguson, 2014)]

[Royal Cream / I Am Fire – The Afghan Whigs (photo by Piper Ferguson, 2014)]

[I Wish I Could Hear My Mother Pray Again – The Staple Singers]

[I Wish I Could Hear My Mother Pray Again – The Staple Singers]

[Medicine For A Nightmare – Sun Ra (art by Oliver Barrett)]

[Medicine For A Nightmare – Sun Ra (art by Oliver Barrett)]

[Supergroovalisticprosifunkstication – Parliament]

[Supergroovalisticprosifunkstication – Parliament]

[Kissing My Love – Afrique]

[Kissing My Love – Afrique]

[Dub The Mic / Gratitude – Beastie Boys]

[Dub The Mic / Gratitude – Beastie Boys]

[All Of Your Love – The Rolling Stones (Magic Sam cover) (photo by Kevin Winter, 2016)]

[All Of Your Love – The Rolling Stones (Magic Sam cover) (photo by Kevin Winter, 2016)]

[Viviendo – Jaime Roos]

[Viviendo – Jaime Roos]

[We Can't Be Beat - The Walkmen]

[We Can’t Be Beat – The Walkmen]

[Alexandra – Hamilton Leithauser]

[Alexandra – Hamilton Leithauser]

[When The Truth Is… – Hamilton Leithauser + Rostam]

[When The Truth Is… – Hamilton Leithauser + Rostam]

[Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger]

[Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger]

[Que Tristeza – Cal Tjader]

[Que Tristeza – Cal Tjader]

[Niña – Eduardo Mateo]

[Niña – Eduardo Mateo]

.
__________——————– =__^__=___________________———
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL 3)

demise-cvr-3

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 3)__  ___
  • And I Was Blue – Sunforest
  • Fantastic Voyage – David Bowie
  • Defriended – Beck
  • The Bogus Man – Roxy Music
  • The Bogus Man – The Bryan Ferry Orchestra
  • Solid Wall Of Sound / Dis Generation – A Tribe Called Quest
  • Yes Indeed – Ron Carter With Eric Dolphy & Mal Waldron
  • Abbaon Fat Tracks – Tricky ft. Martina Topley-Bird
  • Downward Spiral – Danny Brown
  • Think Like They Book Say – Saul Williams
  • Ful Stop – Radiohead
  • Re Run – Kamasi Washington
  • Don’t Hurt Yourself – Beyoncé (ft.. Jack White)
  • Shoo-B-Doop and Cop Him – Betty Davis
  • Jersey Yo! – Redman
  • I Wanna Know If It’s Good to You? – Funkadelic
  • Pass The Mic – Beastie Boys
  • Stirring – Flying Lotus

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Hello All.

Welcome to Volume Three of my new series of MixTapes: The Demise Of The Mask. –(Volume One here)__(Volume Two here)-.

Although the MixTape features what I find to be many fine songs, I did want to make special mention of David Bowie‘s 1979 track “Fantastic Voyage” as I think this odd pop work is one of the greatest songs to tackle just what it feels like for We The People to live under Nationalism and the soul distortion of patriotic rhetoric. In particular it captures the peculiar and ambiguous but very human emotion of volatile resignation when under absurd power structures or abandoned and made vulnerable in what he describes as both “this criminal world” and “a very modern world.”

“Loyalty is valuable…” Bowie sings, “…but our lives are valuable too.”

As Chris O’Leary wrote on his fantastic blog Pushing Ahead of the Dame (published in part as the book Rebel Rebel):

David Bowie will likely never tour again, may never even sing live again. If so, the last song that he ever performed on stage was “Fantastic Voyage,” a neglected song from a neglected record. It’s a fitting choice. “Fantastic Voyage,” though sequenced as Lodger‘s lead-off track, could have easily served as its closer, and it also works as Bowie’s final statement, a cranky humanist manifesto.

In “Voyage” there’s a striking change of tone from the other Berlin records or Station to Station: Bowie’s no longer at a remove. He’s on the ground, restored to humanity, admitting his powerlessness, reduced to observing and making asides. He sounds both warmer (the slow, generous phrasing of the opening lines) and less calculating; he lets scattered, volatile emotions overrun his song.

Bowie had once seemed to welcome the apocalypse, as it held the potential for transformation. Now in “Fantastic Voyage” he seems older and generally pissed off (“think of us as fatherless scum“), with such delusions drummed out of him. He’s grasped a peasant realism: we are largely governed by killers and fools, our lives hang on their arbitrary mercies.

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“Fantastic Voyage”

In the event
that this fantastic voyage
Should turn to erosion
and we never get old
Remember it’s true, dignity is valuable
But our lives are valuable too
We’re learning to live with somebody’s depression
And I don’t want to live with somebody’s depression
We’ll get by, I suppose
It’s a very modern world,
but nobody’s perfectIt’s a moving world,
but that’s no reason
To shoot some of those missiles
Think of us as fatherless scum
It won’t be forgotten
‘Cause we’ll never say anything nice again, will we?And the wrong words make you listen
In this criminal world
Remember it’s true, loyalty is valuable
But our lives are valuable tooWe’re learning to live with somebody’s depression
And I don’t want to live with somebody’s depression
We’ll get by I suppose
But any sudden movement I’ve got to write it down
They wipe out an entire race and I’ve got to write it down
But I’m still getting educated but I’ve got to write it down
And it won’t be forgotten
‘Cause I’ll never say anything nice again, how can I?

_____

The mix also features a bit of music off of just some of my favorite albums of 2016, like Saul Williams‘s MartyrLoserKing, A Tribe Called Quest‘s long awaited reunion We got it from Here… Thank You 4 Your service, Radiohead‘s A Moon Shaped Pool, and Beyoncé‘s collaboration with Jack White from her album Lemonade. (Jack White is having quite a year appearing on both Beyoncé’s and A Tribe Called Quest’s records, as well as releasing the great double-album compilation Acoustic Recordings 1998–2016 and his label Third Man Records being responsible for the release of  Margo Price‘s impressive debut, Midwest Farmer’s Daughter).

I know I’ve been a bit slow this year to dig in to new music as I spent the majority of the year mourning two of my all time favorites, with the first half of the year listening to David Bowie’s discography and the latter half listening to Prince’s. 

However, this MixTape additionally features “Downward Spiral” by Danny Brown, which is the opening track to his beautifully disturbed record Atrocity Exhibition. No, not necessarily an easy listening experience; this is a record that certainly lands on my top ten releases of 2016 (falling closer to the #1 spot than 10). Making me think of some anxious black tar mutation between Tricky, Talking Heads, and the ridiculous Trap music everyone blasts from their cars in my neighborhood, Atrocity Exhibition still remains one of the most idiosyncratic works in a genre that often seems to enforce and celebrate the homogeneous with a false smile.

As for what is my #1 record of 2016, well that without a doubt belongs to Blackstar by David Bowie. Or as Danny Brown perfectly put it himself in an interview with the online music magazine Pitchfork:

Blackstar is definitely the biggest album to me this year. That album is fucking creepy. It scares the shit out of me. And those videos. Fuck. I kind of relate to it, to him. When you put that much of your life into music, can’t nobody ever take that—you can’t rate that. You can’t review this. He died for this. This is his life right here. When people talk about the best albums of the year, I be like, “Y’all don’t realized Bowie’s album came out this year and he fucking died? What is y’all talking about?” We should hands-down know what the best album of this year is. Shouldn’t be talk of nothing else.

–   ————-_______

Also below you’ll find a long list of things I read (or re-read) this year that I truly enjoyed and/or loved. I highly recommend them all! These are not necessarily things that were published this past year but more likely just things I got around to reading since January 2016. When not working on my long, sprawling meditation on the extraordinary and inspiring art of recently deceased David Bowie (R.I.P.) or reading the stunning and always stirring blog Brain Pickings by Maria Popova, I did spend a good deal of my reading time this year immersed in various news articles and such but I wont inundate you with those. I was pretty delighted that the Village Voice had a big upswing in terms of quality, and super excited to find that the entire 1967 to 1973 run of the magazine OZ had been completely digitized.

However, I must list and make honorable mention of what I found to be perhaps the best article I’ve read all year, the Pulitzer Prize winning article “An Unbelievable Story of Rape,” published in December 2015 and written by Pro Publica‘s senior reporter T. Christian Miller in partnership with The Marshall Project‘s Ken Armstrong.

As for the books listed, they are in no particular order of preference except for the graphic novel memoir Becoming Unbecoming by Una, which I can say was one of the most impressive things I’ve read all year and actually brought me to tears. This year I also became a huge fan of the philosopher Simon Critchley through his slim work Bowie and of writer Angela Carter through her fantastic 1972 novel The Infernal Desire Machines of Doctor Hoffman. Samuel R. Delany‘s 1973 novel of hardcore erotica and cartoon, occult pornography must get special mention as the most disgusting thing I’ve ever read that is still yet a thing of exquisite language and beauty: Equinox. In its introduction he describes it as thus:

“This is an artificial, extravagant, and pretentious book […]. But it is honest before its artifice; and in this age of extravagant expressions, honesty is the last pretension.”

This year I also re-read (and not for the first time) two comic book series that I can never recommend enough for those in need of a shift in consciousness (and who is not in need?): Promethea by Alan Moore and The Invisibles by Grant Morrison.

I didn’t read too much poetry this year but wanted to mention the work of one poet I had never heard of that I really thought was absolutely great: Dark Sparkler by Amber Tamblyn. I look forward to reading other work by her.

Speaking of poetry, I did want to share this fantastic piece called Moving Into A Period, which I read in Leonard Cohen‘s 2006 work Book of Longing:

We are moving into a period of bewilderment, a curious moment in which people find light in the midst of despair, and vertigo at the summit of their hopes. It is a religious moment also, and here is the danger. People will want to obey the voice of Authority, and many strange constructs of just what Authority is will arise in every mind. The family will appear again as the Foundation, much honoured, much praised, but those of us who have been pierced by other possibilities, we will merely go through the motions, albeit the motions of love. The public yearning for Order will invite many stubborn uncompromising persons to impose it. The sadness of the zoo will fall upon society.
You and I, who yearn for blameless intimacy, we will be unwilling to speak even the first words of inquisitive delight, for fear of reprisals. Everything desperate will live behind a joke. But I swear that I will stand within the range of your perfume.
How severe seems the moon tonight, like the face of an Iron Maiden, instead of the usual indistinct idiot.
If you think Freud is dishonoured now, and Einstein, and Hemingway, just wait and see what is to be done with all that white hair, by those who come after me.
But there will be a Cross, a sign, that some will understand; a secret meeting, a warning, a Jerusalem hidden in Jerusalem. I will be wearing white clothes, as usual, and I will enter The Innermost Place as I have done generation upon generation, to entreat, to plead, to justify. I will enter the chamber of the Bride and Bridegroom, and no one will follow me.
Have no doubt, in the near future we will be seeing and hearing much more of this sort of thing from people like myself.

You’ll see that there is a lot of Star Wars related material listed (I didn’t get to see The Force Awakens until it was released on DVD midway through this year) and If I had to pick just one to recommend I’d have to go with the novel Star Wars: Lords of the Sith by Paul S. Kemp.

For the sake of full disclosure I have included in the list the two books that I am currently reading: The Diary of a Teenage Girl by Phoebe Gloeckner, and the collection of brilliant essays Cultural Amnesia: Necessary Memories from History and the Arts by Clive JamesAlthough only a little more than halfway through both I know now that I’d easily recommend them as they are just great.

But again, I’d truly recommend anything you find below.

_——_______

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise-cvr-3

__________———
—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 3)__  ___
  • And I Was Blue – Sunforest
  • Fantastic Voyage – David Bowie
  • Defriended – Beck
  • The Bogus Man – Roxy Music
  • The Bogus Man – The Bryan Ferry Orchestra
  • Solid Wall Of Sound / Dis Generation – A Tribe Called Quest
  • Yes Indeed – Ron Carter With Eric Dolphy & Mal Waldron
  • Abbaon Fat Tracks – Tricky ft. Martina Topley-Bird
  • Downward Spiral – Danny Brown
  • Think Like They Book Say – Saul Williams
  • Ful Stop – Radiohead
  • Re Run – Kamasi Washington
  • Don’t Hurt Yourself – Beyoncé (ft.. Jack White)
  • Shoo-B-Doop and Cop Him – Betty Davis
  • Jersey Yo! – Redman
  • I Wanna Know If It’s Good to You? – Funkadelic
  • Pass The Mic – Beastie Boys
  • Stirring – Flying Lotus

—————————————–================__^__===================  ===  _ ===== == =   = =  __  

2016 Reading List:________

__________—
___    ______________—————__
_[play]
[And I Was Blue - Sunforest]

[And I Was Blue – Sunforest]

[Fantastic Voyage - David Bowie]

[Fantastic Voyage – David Bowie]

[Defriended - Beck]

[Defriended – Beck]

[The Bogus Man - Roxy Music]

[The Bogus Man – Roxy Music]

[The Bogus Man - The Bryan Ferry Orchestra]

[The Bogus Man – The Bryan Ferry Orchestra]

[Solid Wall Of Sound / Dis Generation - A Tribe Called Quest]

[Solid Wall Of Sound / Dis Generation – A Tribe Called Quest]

[Yes Indeed - Ron Carter With Eric Dolphy & Mal Waldron]

[Yes Indeed – Ron Carter With Eric Dolphy & Mal Waldron]

[Abbaon Fat Tracks - Tricky ft. Martina Topley-Bird]

[Abbaon Fat Tracks – Tricky ft. Martina Topley-Bird]

[Downward Spiral - Danny Brown]

[Downward Spiral – Danny Brown]

[Think Like They Book Say - Saul Williams]

[Think Like They Book Say – Saul Williams]

[Ful Stop - Radiohead]

[Ful Stop – Radiohead]

[Re Run - Kamasi Washington]

[Re Run – Kamasi Washington]

[Don't Hurt Yourself - Beyoncé (ft.. Jack White)]

[Don’t Hurt Yourself – Beyoncé (ft.. Jack White)]

[Shoo-B-Doop and Cop Him - Betty Davis]

[Shoo-B-Doop and Cop Him – Betty Davis]

[Jersey Yo! - Redman]

[Jersey Yo! – Redman]

[I Wanna Know If It's Good to You? - Funkadelic]

[I Wanna Know If It’s Good to You? – Funkadelic]

[Pass The Mic - Beastie Boys]

[Pass The Mic – Beastie Boys]

[Stirring - Flying Lotus]

[Stirring – Flying Lotus]

.

__________——————– =__^__=___________________———

___________________))))))))))))))))

All the best to you and yours & Happy New Year!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

A MOUTHFUL OF PENNIES PRESENTS: AZ— VOLUME 3

Hello All,

Welcome to the third volume of my AZ project! I consider this one to be a real treat, as it features more than a mouthful of some of my all time favorite artists!

Hopefully you got something out of the first and second mixtapes.

Again, I am creating this series of MixTapes by selecting songs to represent each artist’s work up on my CD shelf. Yes, that is from an actual physical CD–as for now I won’t attempt to tackle the 10,000-plus “items” stored up digitally on my computers.

Taking this on from A and continuing through the entirety of the alphabet until I touch down upon Z, this certainly provides direction and a forward momentum of its own. However, the challenge lies in selection and finding a flow to thread it all together.

Although every song found on these might not be what I normally would present on a mix, or even be something I’d typically recommend, I’m positive the results will at least be more interesting than a standard music block on your radio. I must admit that in the case of some of this music I might not have listened to it in about two decades, and I’m sure that there will be a few I’ve actually never listened to more than once if at all (I get a ton of CDs from fleamarkets and library discards). However, in my opinion, so far so good.

So here on volume three we’ve got Bal to Big.

Oh and in case you missed it from the first volume, a little explanation on all the inserted scribbles:

In addition to the mix, I plan on pairing each song with a line or two of quick poetic impression. Utilizing each track as a mandala—a target for focus—or perhaps as a prism to refract thought, I think of this aspect of the AZ project as a Solitaire variation on the Surrealists’ game of Exquisite Corpse.  Hopefully in the end I’ll have a few good poems to show or at least a good line or two, but even that concept of “good” doesn’t seem all that important for this project. A psychic investigation and a form of exercise to keep my imagination limber and help the creative juices to continue to flow: sure this may all be a bit self-indulgent, but hell, what isn’t in this world?

Anyway, once all that is completed my intention is to present them stitched and somewhat refined in structure at the bottom of the post.

Oh, I invite you all to create your own and if you like feel free to post them in the comments section below.

Anyways, Come on and click below to continue on what is sure to be a long, long, long and bumpy ride.

…as always,

–ENJOY YOURSELF–

AZ- volume 3

————-(CLICK TO LISTEN & DOWNLOAD)—————- — –

AZ— VOLUME 3

  • Historias Tristes – La Balteuband (from La Balteuband)
  • Rag Mama Rag – The Band (from The Band)
  • Quedate Luna – Devendra Banhart (from Cripple Crow)
  • Can’t Wait Too Long – The Beach Boys (from Smiley Smile)
  • Pass The Mic/(edit)(Pt. 2, Skills To Pay The Bills) – Beastie Boys (from Check Your Head)
  • Abbey Road Medley – The Beatles (from Abbey Road)
  • Sally Go Round The Roses – Caroleen Beatty (w/ Mushroom) (from You’re Only As Pretty As You Feel)
  • Midnite Vultures – Beck (from Arabian Nights “…” B-Sides)
  • I Think I Might Have Built a Horse – The Beets (from Let The Poison Out)
  • In The Mausoleum – Beirut (from The Flying Club Cup)
  • We Are MTO – Steven Bernstein’s Millennial Territory Orchestra (from We Are MTO)
  • Dog Got A Bone – The Beta Band (from The Three E.P.’s)
  • Unbelievable/Suicidal Thoughts – The Notorious B.I.G. (from Ready To Die)
  • Danger Zone(edit)/ Street Struck – Big L (Lifestylez Ov Da Poor & Dangerous)

A——————————————————  — —     — ————- ———Z

——————–  – –  —   —– — –    – –   ——-  — — —————  —    –

—”in whose name was opened the atrocity box? “—

Historias TristesLa Balteuband (from La Balteuband)

——– – ——- – – —– —               – – – –

but—Why bother with these pointing fingers when we’re both hot-and-bothered?

but-—Beholden to a moribund heritage, we suffer in the name of habit and being consistent.

Steady—

Rag Mama RagThe Band (from The Band)

—- – – –   —- – – —– –

but—Lord knows, this morning we could just collapse into an ocean

of tar and raw honey…and swim…and swallow.

Quedate Luna Devendra Banhart (from Cripple Crow)

——— – —  —- – – — —————–

How long until then? How long?

Can’t Wait Too LongThe Beach Boys (from Smiley Smile)

————–    —-   —- —- — — – – – –   –      –      –        –                   –

but–The arrow has already landed;

all that is left is to draw back the bow; etc., etc.

Pass The Mic/(Pt. 2, Skills To Pay The Bills)Beastie Boys (from Check Your Head)

————- — — — —  —- – – – – – – – –    — — — –     –   – – – — ——- –   — __ —__–_-__

Observation of Beautiful Forms:

Listen to the room breathe.

Through hexagon peepholes

observe

The chamber set at the bottom of the cylinder turns, slowly…slowly…

—I’d rather the raw mouth full to the brim with robust flowers

than theories of the orifice stuffed with cash—

It gasps, it spits—petals spill slow from parted lips to wash the mind away with this parting toss of a bouquet.

but—The flowers have already been caught; all that is left is to give them a throw; etc., etc.

Abbey Road MedleyThe Beatles (from Abbey Road)

– – – – – – – – ——————       ————-       —    —       —     —     –        –    – – – – – – – – –    — — – ————     – –        –      –

Sure thing, those flowers can burn you—

Sally Go Round The RosesCaroleen Beatty (w/ Mushroom) (from You’re Only As Pretty As You Feel)

– — – —   —- —–    — – – – – ————- —

There is

An area where the surface tension of the membrane reveals a porous access, through

which we might introduce ourselves.

Enter

Tongue first

the labyrinth of streams within the dawn of all things—

Midnite VulturesBeck (from Arabian Nights “…” B-Sides)

————————– ———————  ——————- –   – – – – –  – – ——————-

We ride each other’s hands like tender horses;

I Think I Might Have Built a HorseThe Beets (from Let The Poison Out)

——– ———– ———— ————– — – – – – – — – — ———— ———— ——— —- —

We press hot flowers to perfume the tips and clefts of soft palms;

In The MausoleumBeirut (from The Flying Club Cup)

– – — – —– —– — – —  — – – – – – – – – – – – – – —– – – – ——

We writhe in each other’s hands until a tender divorce.

We Are MTOSteven Bernstein’s Millennial Territory Orchestra (from We Are MTO)

———————– ——————- —- — – ————————————-

but–the cylinder turns once more, slowly…slowly…

Dog Got A BoneThe Beta Band (from The Three E.P.’s)

– – – – ——– —- ———- — –  ————-  – – – – ———————

and once again the masks of Thalia and Melpomene meet and gently press.

Unbelievable/Suicidal ThoughtsThe Notorious B.I.G. (from Ready To Die)

—- ——– — — – –   — –  –  –  –  ————- — – – – – – – – —————–

It’s always going to be down to a choice: hot flowers or some shrug in a morgue?

Danger Zone(edit)/Street StruckBig L (Lifestylez Ov Da Poor & Dangerous)

—    –      —     –

—— – – – – ————– – – – – – – – –  —   – –  – – ——————————-

BIG (Big Church or Narrow House?)

— “in whose name was opened the atrocity box? “—

but–Why bother with these pointing fingers when we’re both hot-and-bothered?

but–Beholden to a moribund heritage, we suffer in the name of habit and being consistent;

Steady—

but–Lord knows, this morning we could just collapse into an ocean

of tar and raw honey…and swim…and swallow.

How long until then? How long?

but–The arrow has already landed;

all that is left is to draw back the bow; etc., etc.

Observation of Beautiful Forms:

Listen to the room breathe.

Through hexagon peepholes

observe

The chamber set at the bottom of the cylinder turns, slowly…slowly…

—I’d rather the raw mouth full to the brim with robust flowers

than theories of the orifice stuffed with cash—

It gasps, it spits—petals spill slow from parted lips to wash the mind away with this parting toss of a bouquet.

but—The flowers have already been caught; all that is left is to give them a throw; etc., etc.

Sure thing, those flowers can burn you—

There is

An area where the surface tension of the membrane reveals a porous access, through which we might introduce ourselves.

Enter

Tongue first

the labyrinth of streams within the dawn of all things–

We ride each other’s hands like tender horses;

We press hot flowers to perfume the tips and clefts of soft palms;

We writhe in each other’s hands until a tender divorce.

but–the cylinder turns once more, slowly…slowly…

and once again the masks of Thalia and Melpomene meet and gently press.

It’s always going to be down to a choice: hot flowers or some shrug in a morgue?

 .—————————————————-

—     —————————–

——–Bobby Calero———————————————–

A Mouthful Of Pennies Presents: HOMEBREAKER

Hello All,

Here’s a MixTape I wanted to post up before it got away from me. Just a little fun something I slapped together a couple of months back for my house-warming party; best enjoyed when accompanied by alcohol & laughter.

 

–Enjoy Yourself—

 

HomeBreaker cover

______________\/\/\/\/\/\/\/\/\/\/\/

——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

A Mouthful Of Pennies Presents:

HOMEBREAKER

  • A Peace Of Light – The Roots Feat. Amber Coffman, Angel Deradoorian & Haley Dekle
  • Fall In Love (Your Funeral) – Erykah Badu
  • Down Is Up – Moondog
  • Houses Of The Holy – Led Zeppelin
  • Refuse To Be Saved – Elvis Costello & The Roots
  • Drunken Praying Mantis Style – Beastie Boys (ft.Biz Markie)
  • Star – The Roots
  • Life Ain’t Ever Been Better Than It Is Now – Lenny Kravitz (ft. Trombone Shorty)
  • What Can You Bring Me – Charles Wright & The Watts 103rd Street Rhythm Band
  • Rockin It [edit] – The Fearless Four
  • Thank You Nation 1814 – Sly & The Family Stone/Janet Jackson (Dj Reset remix)
  • I Got A Stomach Ache – Junior Wells
  • Put On Train – Gene Harris
  • Ramble On – Led Zeppelin
  • “Your Blind Baby” – Flavor Flav
  • Can You Get To That? – Funkadelic
  • Bert’s Blues – Donovan
  • I’m A Ram – Al Green
  • Rent Party – Booker T. Jones
  • P. Control (Crystal Ball Club Mix) – Prince
  • Summertime – Bobby Womack & The Roots
  • Bold As Love – The Jimi Hendrix Experience
  • DillaTUDE: The Flight Of Titus (A.M.O.P. edit) – The Roots

————————-    — —    –    ——————————-

A Peace Of Light – The Roots Feat. Amber Coffman, Angel Deradoorian & Haley Dekle

Fall In Love (Your Funeral) – Erykah Badu

Down Is Up – Moondog

Houses Of The Holy – Led Zeppelin

Refuse To Be Saved – Elvis Costello & The Roots

Drunken Praying Mantis Style – Beatie Boys (ft. Biz Markie)

Star – The Roots

Life Ain’t Ever Been Better Than It Is Now – Lenny Kravitz (ft. Trombone Shorty)

What Can You Bring Me – Charles Wright & The Watts 103rd Street Rhythm Band

Rockin It [edit] – The Fearless Four

Thank You Nation 1814 – Sly & The Family Stone/Janet Jackson (Dj Reset remix)

I Got A Stomach Ache – Junior Wells

Put On Train – Gene Harris

Ramble On – Led Zeppelin

“Your Blind Baby” – Flavor Flav

Can You Get To That? – Funkadelic

Bert’s Blues – Donovan

I’m A Ram – Al Green

Rent Party – Booker T. Jones

P. Control (Crystal Ball Club Mix) – Prince

Summertime – Bobby Womack & The Roots

Bold As Love – The Jimi Hendrix Experience

DillaTUDE: The Flight Of Titus (A.M.O.P. edit) – The Roots

 

————————————–BOBBY CALERO———————————–

A MOUTHFUL OF PENNIES PRESENTS: TULPA HONEY (VOL. 1-3)

—————————————————————————————–                                                                                                     ———————————————

thought-form of the Music of Gounod, according to Annie Besant and C.W. Leadbeater in Thought Forms (1901).

Music can take a man along the Path. Music is the image and the foreshadowing of the harmony that pervades the world and organizes its secret hierarchies. The motions of the spheres in the heavens are in conformity to harmony and proportion, so that, though their passage is made in perfect silence, that passage is musical. The Adept who seeks to make his life a work of art will comport himself in conformity with the harmony that is in all things. Even today’s debased popular ditties, redolent as they are of vaudeville shows and dance halls, speak of higher truths. As Sir Thomas Browne put it, music “is a Hieroglyphical and shadowed lesson of the whole World.”

—Dr. Felton in Satan Wants Me by ROBERT IRWIN (1999)

———————————————————————————————————    —-   –     —— –  –   —   ——     –

HELLO ALL,

I’ve got quite a treat for you today! Emanating from and expanding upon the last mix—A Prayer For The New Year of The Tender HorseI present the triptych: Tulpa Honey. Bouncing upon that liminal spot where what-could-be and what-should-be converge with what-is, these three mixtapes also address a whole lot of what I’ve had rolling around in my head lately.

Be sure to snatch up all three for the full thought-form experience!

——–ENJOY YOURSELF!—–  —       –

TULPA HONEY COVER

A MOUTHFUL OF PENNIES PRESENTS:

TULPA HONEY (VOL.  1) —  –   ————-______________\/\/\/\/\/\/\/\/\/\/\/

——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

TULPA HONEY (VOL.  2) –   ————-______________\/\/\/\/\/\/\/\/\/\/\/

——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  
TULPA HONEY (VOL.  3)—–
 —  –   ————-______________\/\/\/\/\/\/\/\/\/\/\/
——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

———————————————————————————————————    —-   –     —— –  –   —   ——     –

[Cover Art: The Music of Gounod – a Thought Form from Thought-Forms, by Annie Besant & C.W. Leadbeater (1901).]

A MOUTHFUL OF PENNIES PRESENTS:

TULPA HONEY (VOL. 1)

  • Nightmare—Dispute & violence – Ravi Shankar & George Harrison
  • Volunteered Slavery/Bern’s Blues – Bernie Worrell
  • Drinkin’ Again [Interlude]/? – Outkast
  • I Don’t Wanna Be Called Yo Niga [edit] – Public Enemy
  • Don’t Call Me Nigger, Whitey – Sly & The Family Stone
  • If You Don’t Like The Effects, Don’t Produce The Cause – Funkadelic
  • “I’m Not Happy Here” – Alicia Keys (2Pac/DJ Vlad)
  • Down And Out In New York City – James Brown
  • The Pledge Of Resistance/Break Dance—Electric Boogie [A.M.O.P. remix] – Saul Williams/West Street Mob (A.M.O.P. remix)
  • Liberation – Outkast feat. Big Rube, Cee-Lo, and Erykah Badu
  • Bliss: The Eternal Now/Meditation [edit] – Carlos Santana & Bill Laswell
  • So Soon/For What It’s Worth – Staple Singers
  • All You Fascists Bound To Lose – Woody Guthrie
  • The War In Vietnam – The Five Blind Boys Of Alabama
  • “The News” – Bill Hicks
  • Vietnow – Rage Against The Machine
  • What’s The Ugliest Part Of Your Body? (A.M.O.P. reprise) – Frank Zappa
  • FCK THE BELIEFS – Saul Williams
  • Right On/ Wholy Holy [edit] – Marvin Gaye
  • Rock Star/Malcolm X/Roots Of A Tree/Come Together (feat. Zion I) – The Roots & J. Period
  • Come Together [edit] – Count Basie Orchestra
  • Every Grain Of Sand (demo) – Bob Dylan
  • Dawn—Peace & hope [edit] – Ravi Shankar & George Harrison

TULPA HONEY (VOL. 2)

  • “Do Not Be Stuck In Your Ignorance”/Greasy Legs – Charles Manson/George Harrison
  • Tomorrow Never Knows – Junior Parker
  • Maggot Brain – Funkadelic
  • What’s The Ugliest Part Of Your Body? – Frank Zappa
  • Let Your Lovelight Shine – Buddy Miles Express
  • Get Up, Get Into It, Get Involved – James Brown
  • “Dance With The Devil?” – The Joker (Jack Nicholson)
  • Infernal Dance of King Kastchei – Igor Stravinsky
  • “No Slack At All” – Charles Manson
  • Yaphet [edit] – Miles Davis
  • Revolution – Tupac ft. Busta Rhymes (DJ Green Lantern)
  • The Revolution (Brother–Gil) – Cinematic Orchestra ft. Gil Scott-Heron
  • “Same Old Monkey” – Charles Manson
  • Yaphet [edit] – Miles Davis
  • Have You Ever Seen The Blues – Yaphet Kotto
  • “Fighting For Peace” – Charles Manson
  • WTF! – Saul Williams
  • Illumination – Jonathan Wilson
  • Mala/Won’t You Come Home/Taurobolium – Devendra Banhart
  • In His Cell – Philip Glass & Kronos Quartet
  • His Holy Modal Majesty – Super Session (Al Kooper, Mike Bloomfield, Harvey Brooks, Eddie Hoh)
  • “A Reflection Of Somebody Else’s Mind” – Charles Manson
  • Shambala – Beastie Boys
  • Amazing Grace – Elvis Presley  

TULPA HONEY (VOL. 3)

  • Coniferae/Sonday/Point-Event – Mike Patton/Robert Calero
  • On The Bed – George Harrison
  • Amazing Grace Fragment – Bob Dylan
  • Amazing Grace – The Five Blind Boys Of Alabama
  • Mind Games (Demo) – John Lennon
  • Better Git It In Your Soul – Charles Mingus
  • Summer Trip – Bill Hicks
  • Something’s Got To Give – Beastie Boys
  • Hector – The Village Callers
  • Gimme (A.M.O.P. Extended Mix) – Beck
  • “Only Just Begun” – Bill Hicks
  • Season Of The Witch – Super Session (Al Kooper, Stephen Stills, Harvey Brooks, Eddie Hoh)
  • A Change Is Going To Come – Baby Huey and the Babysitters
  • Pedagogue Of Young Gods/No One Ever Does – Saul Williams
  • “Unhappy Stranger – Matt Dillon (Kerouac)
  • If There’s Hell Below (Don’t Worry) – Curtis Mayfield
  • “Who Will Survive In America – Gil Scott-Heron
  • “Final-Point” – Bill Hicks
  • Lighten Up – Beastie Boys

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———————————————BOBBY CALERO———————————————-

A MOUTHFUL OF PENNIES & BEAN PRESENT: BEAN STEW: VOL. I & 2

 

Hello All!

I know, “back so soon?…,” but today’s post is for a good cause! The good ladies of BEAN (Bushwick Eco Action Network) asked me if I could put together an entertaining two hours of music to serve as the background sound for the Fall Mixer they’re throwing this evening: B.E.A.N. STEW!

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Calling All Bushwick Cultivars, Permies, Gardeners, Farmers, Environmental activist, Organizers, Community leaders and the Eco-curious!

Join us for the Bushwick Eco-Action Network’s Fall Mixer.
Sunday, September 29th from 5-7pm, join us in the lovely garden of Fritzl’s Lunch Box at 173 Irving Avenue.

Come meet amazing groups and individuals who are working hard to do a little good in New York City. Permaculture enthusiasts, community farm members, hydroponic specialists, food co-op organizers, recycling leaders, environmental justice advocates and you, coming together for a sweet happy hour. We are all working hard to realize a better world and a better New York City. Let’s get together in a relaxed and joyous environment to share, mingle and have a few laughs!

Fun raffles prizes include discounts at farm-to-table restaurants, bars with local brews, workshops and more! Happy hour with $2.50 beers! RSVP here.

See you there!

173 Irving Ave, Brooklyn, New York 11237

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(Other than being what a great deal of my wife’s energy goes towards) the Bushwick Eco Action Network (BEAN) provides a forum for ecological observation, exchange, organizing and action.  Inspired by the principles of Permaculture, they seek to create a more balanced urban ecosystem in relationship to Bushwick’s neighborhood growth. — You can learn more about BEAN and see what they’re up to over here….

…Or, you can come on out to Fritzl’s Lunch Box this evening, Sunday, September 29th, to chit-chat and chew-the-fat face-to-face, y’know, the old-fashioned way.

I hope you all can make it out for this fun meeting-of-the-minds, and I hope you all enjoy the tunes I’ve assembled for this 2 volume MixTape for a mixer. I didn’t have too much free time to finely stitch all these together, so there’s certainly some loose threads and a rough patch-job or two, but I’m sure you can dig it! …On a more personal note, I can already hear Autumn creeping in to my taste. Anyway, thanks, and as always–

–Enjoy yourself-

Bean Stew_Vol I

———–(CLICK TO LISTEN &DOWNLOAD)————-

A MOUTHFUL OF PENNIES & BEAN PRESENT:

BEAN STEW: VOL. I

by A Mouthful Of Pennies (Bobby Calero)

Cover art by Keri Kroboth-Calero (w/ an amateur twerk or two by Bobby Calero)

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Bean Stew_Vol II

———–(CLICK TO LISTEN &DOWNLOAD)————-

A MOUTHFUL OF PENNIES & BEAN PRESENT:

BEAN STEW: VOL. II

by A Mouthful Of Pennies (Bobby Calero)

Cover art by Keri Kroboth-Calero (w/ an amateur twerk or two by Bobby Calero)

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Bean Stew_Vol I tracklistBean Stew_Vol II tracklist

—————(BOBBY CALERO)—————

o c c u p y g r e e n s p a c e

#somebodydosomething