Category Archives: Bob Dylan

A.M.O.P. PRESENTS__[A CRUSH OF CURTAINS]:

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Hello All.

Welcome to A Mouthful Of Pennies! This here MixTape [A CRUSH OF CURTAINS]: is the soundtrack to a film that screened in my skull. __Well I do hope you dig it all and if you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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__A..M.O.P. Presents:__[A Crush Of Curtains]:

  • Mr. Bumble – Sunforest
  • I’ll Be Your Baby Tonight – Brothers & Sisters (Dylan cover)
  • Why Don’t You Do Right? – Cal Tjader Feat. Mary Stallings (written by Joseph “Kansas Joe” McCoy)
  • Another Man’s Vine – Tom Waits
  • Open The Door [Skeleton Key Version] – Otis Redding
  • Open The Door, Homer – Bob Dylan & The Band (take 1; The Basement Tapes)
  • Love In Vain – The Rolling Stones (Robert Johnson cover)
  • Cry One More Time – Gram Parsons (J. Geils Band cover)
  • Then You Can Tell Me Goodbye – Bettye Swann (The Casinos cover; written by John D. Loudermilk)
  • Drifter’s Escape – Joan Baez (Dylan cover)
  • Red Walls – crush_DLX (Pop Levi & Bunny Holiday)
  • Stopover Bombay – Alice Coltrane; ft. Pharoah Sanders
  • Lonely Little G-String – Sonny Lester & His Orchestra
  • Clang Boom Steam / Make It Rain – Tom Waits
  • Star Eyes (I Can’t Catch It) – Danger Mouse & Sparklehorse Feat. David Lynch
  • Open The Door Homer – Bob Dylan & The Band (take 2; The Basement Tapes)
  • Wicked Messenger – Bob Dylan
  • Raven – Karen Elson
  • Speak Low – Lotte Lenya (written by Kurt Weill & Ogden Nash; from Broadway musical One Touch of Venus (1943))
  • You Can’t Lose What You Ain’t Never Had – Muddy Waters; ft. Otis Spann on piano, Francis Clay on drums, Willie Dixon on bass, and some combination of Sammy Lawhorn, Pee Wee Madison, and Buddy Guy (on acoustic) on guitar.)
  • The Perfect Drug – Nine Inch Nails
  • Karmacoma – Massive Attack; ft. Tricky
  • Sweet & Pungent – Duke Ellington
  • Overcome – Tricky; ft.  Martina Topley-Bird 
  • Benjamin – Steven Bernstein
  • Altarwise By Owl Light (1st Verse) / A Pair Of Doves – Dylan Thomas / Trent Reznor & Atticus Ross
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[Mr. Bumble – Sunforest]

[I’ll Be Your Baby Tonight – Brothers & Sisters (Dylan cover)]

[Why Don’t You Do Right? – Cal Tjader Feat. Mary Stallings (written by Joseph “Kansas Joe” McCoy)]

[Another Man’s Vine – Tom Waits]

[Open The Door [Skeleton Key Version] – Otis Redding]

[Open The Door, Homer – Bob Dylan & The Band (take 1; The Basement Tapes)]

[Love In Vain – The Rolling Stones (Robert Johnson cover)]

(Cry One More Time – Gram Parsons (J. Geils Band cover)]

[Then You Can Tell Me Goodbye – Bettye Swann (The Casinos cover; written by John D. Loudermilk)]

[Drifter’s Escape – Joan Baez (Dylan cover)]

[Red Walls – crush_DLX (Pop Levi & Bunny Holiday)]

[Stopover Bombay – Alice Coltrane; ft. Pharoah Sanders]

[Lonely Little G-String – Sonny Lester & His Orchestra]

[Clang Boom Steam / Make It Rain – Tom Waits (photo by Anton Corbijn, 2004)]

[Star Eyes (I Can’t Catch It) – Danger Mouse & Sparklehorse Feat. David Lynch (Dark Night of the Soul Photography by David Lynch )]

[Open The Door Homer – Bob Dylan & The Band (take 2; The Basement Tapes) (photo, Rick Danko and Bob Dylan in 1967, by Arie De Reus)]

[Wicked Messenger – Bob Dylan]

[Raven – Karen Elson (photo by Glen Luchford)]

[Speak Low – Lotte Lenya (written by Kurt Weill & Ogden Nash; from Broadway musical One Touch of Venus (1943))]

[You Can’t Lose What You Ain’t Never Had – Muddy Waters; ft. Otis Spann on piano, Francis Clay on drums, Willie Dixon on bass, and some combination of Sammy Lawhorn, Pee Wee Madison, and Buddy Guy (on acoustic) on guitar.)]

[The Perfect Drug – Nine Inch Nails (images by Mark Romanek)]

[Karmacoma – Massive Attack; ft. Tricky]

[Sweet & Pungent – Duke Ellington]

[Overcome – Tricky; ft. Martina Topley-Bird ]

[Benjamin – Steven Bernstein]

[Altarwise By Owl Light (1st Verse) / A Pair Of Doves – Dylan Thomas / Trent Reznor & Atticus Ross (woodcuts by Antonio Frasconi)]

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All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

THE DEMISE OF THE MASK (VOL 12)__VEHICLES OF CONVEYANCE___

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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__The Demise Of The Mask (Vol 12)__Vehicles of Conveyance___
  • India – Roxy Music
  • 3 Legs (Thrillington version) – Percy “Thrills” Thrillington (Paul McCartney)
  • Higher – Rihanna
  • Cheshire Cat Cry – Yoko Ono Plastic Ono Band
  • Wayward – Anon (aka Wynn)
  • It Is Obvious – Syd Barrett
  • 3 Legs – Paul & Linda McCartney
  • The Terror/You Are Alone/Butterfly, How Long It Takes To Die – The Flaming Lips
  • The Best Is Yet To Come – Bob Dylan (composed by Cy Coleman, lyrics by Carolyn Leigh)
  • Let Me Be – Parliament
  • Steer Your Way – Leonard Cohen
  • Sister I Need Wine – Guided By Voices
  • Cool Papa Bell – Paul Simon
  • Fekete Beat – Sarolta Zalatnay
  • Big Black Monster – Scott Weiland
  • Star Dream Girl – David Lynch
  • Wampyr (finale) – Goblin
  • Beware Of Darkness – Leon Russell (George Harrison cover)
  • Bluebird of Delhi (Mynah) – Duke Ellington And His Famous Orchestra
  • The Day I Tried To Live – Soundgarden 
  • Goodbye – Anon (aka Wynn)
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Hello All.

Welcome to Volume Twelve of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)__(Volume Eight here)__(Volume Nine here)__(Volume Ten here)__(Volume Eleven here)-

I do hope you dig this here MixTape as it features some fine, fine music! There’s a couple of selections from the album Universe. Envisioned and created by an artist that alternately goes by the monikers Wynn, W.Y.N.N., and ANON, Universe is an assemblage of brief bursts, soundscapes, scrapes, sodden ambiance, demented little diddies, digital bumps, bedroom tapes, and soft moments of sweeping beauty. These fragmented tracks all seem to step on each-other’s toes as often as they rub elbows. You can catch Wynn playing live on Sat. June 3rd, 2017 around 9PM at the gallery/performance space Orgy Park:

Located in Bushwick Brooklyn between Wilson and Knickerbocker Ave
237 Jefferson Street 1B
Brooklyn, NY 11237
929 234 1277 (p)
orgypark(at)gmail.com
 Elsewhere on the mix there’s the incredibly funky “Cheshire Cat Cry” by then 80 year old Yoko Ono, featuring Lenny Kravitz and her fluid group Plastic Ono Band helmed by her supremely talented son Sean Lennon. “Cool Papa Bell” comes from Paul Simon‘s last record, the fantastic Stranger to Stranger released  a year ago in June of 2016. I highly recommend picking that one up! You’ll also hear  Leon Russell‘s re-imagining of the great George Harrison tune, “Beware of Darkness.” This version closes out Russell’s second solo album Leon Russell and the Shelter People, released in May of 1971. Along with Russell’s inventive, kinetic take there are Harrison’s incredible lyrics, like:
Watch out now, take care
Beware of soft shoe shufflers
Dancing down the sidewalks
As each unconscious sufferer
Wanders aimlessly
Beware of Maya
 and:
Watch out now, take care
Beware of greedy leaders
They take you where you should not go
While Weeping Atlas Cedars
They just want to grow, grow and grow
Beware of darkness

You’ll also hear two versions of the Paul McCartney diddy “3 Legs.” There’s the original from the 1971 Paul and Linda McCartney record Ram, and then there’s the orchestral Percy “Thrills” Thrillington version. Under this pseudonym, and alongside arranger Richard Anthony Hewson, McCartney served as producer for the record Thrillington, which is an instrumental cover version of the entire album of Ram recorded during the sessions for the album proper itself in 1971. It would be released with little notice 6 years later in 1977, but I think it’s a ton of fun! This mix has got “Fekete Beat” (Black Beat) which can be found on the compilation of Hungarian star Sarolta Zalatnay‘s finest work of the seventies, put out in 2007 by one of my favorite record labels, Finders Keepers and their US distribution arm, B-Music.

Featured here as well is a long, unnerving triptych by The Flaming Lips from their 2013 LP, The Terror. On this record the group strip their usual sound of vivid squiggles and leave it as something skeletal—shards of brittle metal made tactile with silver glitter and a patina of chemical compounds. Lead vocalist Wayne Coyne described the album’s general idea as thus:

“We want, or wanted, to believe that without love we would disappear, that love, somehow, would save us that, yeah, if we have love, give love and know love, we are truly alive and if there is no love, there would be no life. The Terror is, we know now, that even without love, life goes on… we just go on… there is no mercy killing.”

The group’s multi-instrumentalist Steven Drozd explained its premise with:

““The terror is that internal feeling you get that you and everyone you love is going to die.””

Yes, this record is not a pleasant listen, yet I still think it’s an incredible piece of work. You can find the lyrics for the three The Terror selections below:

The Terror
However long they love you, we are all standing alone
The terror’s in our heads, they don’t control the controls
I turn to face the sun, we are still standing alone
At last we’ll stand by the terror, it helps us take the controls
We’ll save the last sunshine, the way I long to go
We’ll save the love, you’ll still love, we’re searching through the dark
We’ll save the last sunshine, the way I long to go
We’ll save the love, you’ll still love, we’re searching through the dark
We’ve all tried to come through
We’ve always tried to come through
We all stretched to come to this
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You Are Alone
Hold on, we long for the bell
Our time is showing our respect
Can I handle the decision needed?
And I have to lay on reality’s dream
Oh-oh, oh-oh, oh-oh, oh-oh
Just as I want your ecstasy appear
Just enough to make me wanna feel
Through the love we sacrifice now
It’s the only sound of your own fear
Oh-oh, oh-oh, oh-oh, oh-oh
You’re not alone, you are alone
You’re not alone, you are alone
Oh-oh, oh-oh, oh-oh, oh-oh
Oh-oh, oh-oh, oh-oh, oh-oh
You’re not alone, you are alone
You’re not alone, you are alone
Oh-oh, oh-oh, oh-oh
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Butterfly, How Long It Takes To Die
If you’ve ever really seen the sun rise
You will see how many times it tries
If you’ve ever really seen the sun set
You will see how long it takes to die
You can see the butterfly has landed
Landed on your prison plates, you’re out
You can feel it’s trouble making a teardrop
You will see how long it takes to fly
You can see the universe beginning
Making all the sun and the sky
You can see the universe is ending
Making love darker than the night
The penultimate song here on this MixTape is one that has long been one of my favorites by the band Soundgarden: “The Day I Tried to Live.” Recently departed frontman Chris Cornell (R.I.P.) has seemingly always been praised for his stunning vocals, however, I feel that he’s never received the deserved respect for his gifts with phrasing, melody, and poetic craft in terms of his lyrics. These are all on powerful display here on this song released in 1994 as the second single from the band’s fourth studio album, Superunknown. Just listen to the adroit manner in which he curves and pulls the song’s attention grabbing opening of:
I woke the same as any other day
except a voice was in my head.
It said, “Seize the day, pull the trigger,
drop the blade and watch the rolling heads.”

 This song to me (and so appropriately for a fourteen-year-old boy in NYC) has always seemed to be about someone struggling to overcome their anti-social behaviors and the perverse superiority complexes that blossom from them—perverse in that they stem from a territory of mental anguish and depression turned vicious even if withdrawn. It’s a belief that, no, you are not better than anyone, but yes, they are worse than you. (Now that I think of it, this might have been the predominant mood of adolescents in the early 90s, and of the culture that appealed to them, such as supposed Grunge music). The singer here summons the courage to “one more time” go out and “try to live,” even if that life requires him to “wallow[…] in the blood and mud with all the other pigs.” Yes, even if he detests the society he is attempting to join, one that leaves him declaring with a shout:

The day I tried to win
I dangled from the power lines
And let the martyrs stretch
 Even though it all seems so pointless and futile, because:
Words you say
Never seem to live up to the ones inside your head
The lives we make
Never seem to ever get us anywhere but dead
Yes, even though this attempt at life leads to an awful confrontation, a realization that he confesses with:
I learned that I was a liar…just like you…
 Yes, even despite all this the singer tries to live, because the alternative is always and only just a lonesome anguish with your own abysmal brain. Yes, even though at the end of the day he will fail “to live” and dismally wail:
I woke the same as any other day you know
I should have stayed in bed
Yet, you get the sense that the singer will try again tomorrow, that tomorrow it will again be:
One more time around
(Might do it)
One more time around
(I might make it)
This is truly a stunning song on a phenomenal album. The experimentation in musicality, narratives, and odd melodies featured throughout Superunknown are pushed even further on their next record, which has always been (unfashionably, I know) my favorite by them: Down on the Upside. If  down in my basement I can find my copy of both that and Cornell’s first solo studio album, the beautiful Euphoria Morning released in 1999, well then I’ll certainly be featuring them on future mixes in tribute of a talented, sensitive artist that succumbed way too young.
On a somewhat more silly yet no less earnest or appreciative note; at sixteen-years-old as soon as the thin whiskers on my face began to grow a bit thicker and dark I started to shape them with a razor into a disconnected mustache and a sloped tuft on the chin that ran tight along the jaw line, curving up to meet the sideburns. Essentially this is a scruffier version of what is known in Queens by the dysphemism of Puerto Rican Chin Strap. I have more or less sported this same look for roughly twenty years. I would guess that my adolescent friends assumed that this was a result of my admiration (infatuation, I’m sure they’d tease) for the actor Johnny Depp. When news broke of Cornell”s suicide on the morning of May 18, 2017, I suddenly recalled how as an awkward sixteen-year-old boy (as I’m now sure they all are) I really wanted to be sexy and cool (as I’m now sure they all do). From March to November of 1996 (I turned 16 in July) Soundgarden released three music videos to accompany songs used to promote the record Down on the Upside: “Pretty Noose;” “Burden in My Hand;” and “Blow Up the Outside World.”

I can now clearly remember seeing the pensive and handsome Chris Cornell (and his beard) in those videos and thinking something along the lines of, “now that is a cool American male, now that is a sexy American male,” with all the poetic sensitivity yet artistic power and artistic aggression that I believed went into that. Now it might seem trivial or even disrespectful to discuss facial-hair fashion choices in the context of someone’s tragic death, but I will forever be grateful to this wonderful artist whose presence helped a suffering young man feel a little confidant, a little sexy and a little cool.

Again, Chris Cornell thank you and may you rest in peace.
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Well, there’s all this and a whole bunch of other fantastic sounds so go on down and press play !

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—————–======ENJOY YOURSELF____———–

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 12)__Vehicles of Conveyance___
  • India – Roxy Music
  • 3 Legs (Thrillington version) – Percy “Thrills” Thrillington (Paul McCartney)
  • Higher – Rihanna
  • Cheshire Cat Cry – Yoko Ono Plastic Ono Band
  • Wayward – Anon (aka Wynn)
  • It Is Obvious – Syd Barrett
  • 3 Legs – Paul & Linda McCartney
  • The Terror/You Are Alone/Butterfly, How Long It Takes To Die – The Flaming Lips
  • The Best Is Yet To Come – Bob Dylan (composed by Cy Coleman, lyrics by Carolyn Leigh)
  • Let Me Be – Parliament
  • Steer Your Way – Leonard Cohen
  • Sister I Need Wine – Guided By Voices
  • Cool Papa Bell – Paul Simon
  • Fekete Beat – Sarolta Zalatnay
  • Big Black Monster – Scott Weiland
  • Star Dream Girl – David Lynch
  • Wampyr (finale) – Goblin
  • Beware Of Darkness – Leon Russell
  • Bluebird of Delhi (Mynah) – Duke Ellington And His Famous Orchestra
  • The Day I Tried To Live – Soundgarden 
  • Goodbye – Anon (aka Wynn)

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[India – Roxy Music]

[3 Legs (Thrillington version) – Percy “Thrills” Thrillington (Paul McCartney)]

[Higher – Rihanna]

[Cheshire Cat Cry – Yoko Ono Plastic Ono Band]

[Wayward – Anon (aka Wynn)]

[It Is Obvious – Syd Barrett (art by Storm Thorgerson)]

[3 Legs – Paul & Linda McCartney]

[The Terror/You Are Alone/Butterfly, How Long It Takes To Die – The Flaming Lips (art by Steven Fiche)]

[The Best Is Yet To Come – Bob Dylan (composed by Cy Coleman, lyrics by Carolyn Leigh)]

[Let Me Be – Parliament]

[Steer Your Way – Leonard Cohen (art by Jenny Holzer)]

[Sister I Need Wine – Guided By Voices]

[Cool Papa Bell – Paul Simon]

[Fekete Beat – Sarolta Zalatnay]

[Big Black Monster – Scott Weiland (photo by Brie Childers, 2008)]

[Star Dream Girl – David Lynch]

[Wampyr (finale) – Goblin]

[Beware Of Darkness – Leon Russell]

[Bluebird of Delhi (Mynah) – Duke Ellington And His Famous Orchestra]

[The Day I Tried To Live – Soundgarden ]

[Goodbye – Anon (aka Wynn)]

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

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THE DEMISE OF THE MASK (VOL 11)__GOOD MORNING GALLOWS___

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All.

Welcome to Volume Eleven of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)__(Volume Eight here)__(Volume Nine here)__(Volume Ten here)-

I do hope you dig this here MixTape as it features some fine, fine music! There’s some stuff from Harry Nilsson‘s gorgeous 1973 album of classic 20th-century standards, A Little Touch of Schmilsson in the Night, a great tune from Karen Elson (produced by her then husband, Jack White), and two from Bruce Springsteen‘s 1973 debut: Greetings from Asbury Park, N.J. To be honest it took me a long, long time to even give Springsteen a chance, until my buddy Matt Volz insisted that I listen to his first two records, and boy was he right! What a talent!

You’ll hear an 8-track demo outtake of John Lennon‘s powerful anthem, “God“, recording during the sessions for his first post-Beatles solo album, 1970’s John Lennon/Plastic Ono BandParliament is represented with “The Goose,” which features a favorite line of mine:

Now, I’m as happy as a monkey with a peanut machine
Since I found you
 Speaking of the Parliament-Funkadelic collective, their resident keyboard wizard Bernie Worrell is featured here with his project Baby Elephant, which was a collaboration with Stetsasonic member/De La Soul producer Prince Paul and longtime Paul associate Don Newkirk. The Steve Harley & Cockney Rebel song here on this MixTape contains another of my favorite lines:
My only vice is the fantastic prices I charge for being eaten alive. . .
 Oh and do yourself a favor and let yourself really sink in and groove with Polish jazz musician Michal Urbaniak‘s “Atma.” This is an artist I only got clued into from this song being sampled on Beastie Boys tune “The Scoop” on their brilliant 1994 LP Ill Communication. You’ll also hear Josh Tillman (aka Father John Misty) and his fantastic meditation on narcissism and self-medicating, “A Bigger Paper Bag,” off of his newest LP Pure Comedy, which I’ll go on record now in May and say is the best record of 2017.
Bob Dylan is here with one of his finest compositions, “Visions Of Johanna” and you’ll hear what I believe to be David Bowie‘s most terrifying song—released on his 2013 (and sadly penultimate) record The Next Day, here are the lyrics to  “If You Can See Me :
If you can see me I can see you
I could wear your new blue shoes
I should wear your old red dress
And walk to the crossroad, so take this knife
And meet me across the river
Just chutes and ladders
And this is the kiss
American Anna fantastic Alsatian
From nowhere to nothing
And I go way back
Children swarm like thousands of bugs
Towards the light
The beacons above the hill
The stars to the West, the South, the North
And to the East
Now you can say I’ve got a gift of sorts
A fear of rear windows and swinging doors
My love of violence and tenants’ sighs
If you can see me I can see you
If you can see me I can see you
I have seen these bairns wave their fists at God
Swear to destroy the beast, stamping the ground
In their excitement for tomorrow
I could wear your new blue shoes
I should wear your old red dress
And walk to the crossroad, so take this knife
And meet me across the river
I will take your lands and all that lays beneath
The dust of cold flowers, drizzle of dark ashes
I will slaughter your kind, descend from belief
I am the spirit of greed, the lord of theft
Burn all your books and the problems they make
If you can see me I can see you
If you can see me

Yes! There’s all this and a whole bunch of other good stuff so go on down and press play !

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—————–======ENJOY YOURSELF____———–

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 11)__Good Morning Gallows ___
  • Naked We Come – (written by Jim Morrison; read by Johnny Depp)
  • Let The Wind Blow – The Beach Boys
  • Does This Bus Stop At 82nd Street? / Lost In The Flood – Bruce Springsteen
  • If You Can See Me – David Bowie
  • Fred Berry – Baby Elephant (Bernie Worrell, Prince Paul, Newkirk)
  • Atma (Today, Tomorrow) – Michal Urbaniak
  • My Only Vice – Steve Harley & Cockney Rebel
  • Visions Of Johanna – Bob Dylan
  • Chilling Of The Evening – Arlo Guthrie 
  • I’m So Tired – The Beatles
  • Can’t Run But – Paul Simon
  • Mellow Blue Polka Dot – Damien Jurado
  • The Autopsy Garland – The Mountain Goats
  • Two Little Hitlers – Elvis Costello & The Attractions
  • The Goose – Parliament
  • Always / Makin’ Whoopee! – Harry Nilsson
  • A Bigger Paper Bag – Father John Misty
  • The Truth Is In The Dirt – Karen Elson
  • God (8-track John Lennon/Plastic Ono Band sessions outtake) – John Lennon

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[Naked We Come – (written by Jim Morrison; read by Johnny Depp)]

[Let The Wind Blow – The Beach Boys]

[Does This Bus Stop At 82nd Street? / Lost In The Flood – Bruce Springsteen]

[If You Can See Me – David Bowie]

[Fred Berry – Baby Elephant (Bernie Worrell, Prince Paul, Newkirk)]

[Michal Urbaniak ‎– Atma]

[My Only Vice – Steve Harley & Cockney Rebel]

[Visions Of Johanna – Bob Dylan (photo by Jerry Schatzberg, 1965)]

[Chilling Of The Evening – Arlo Guthrie (photo by Mary Ellen Mark)]

[I’m So Tired – The Beatles]

[Can’t Run But – Paul Simon]

[Mellow Blue Polka Dot – Damien Jurado (w/ Richard Swift)]

[The Autopsy Garland – The Mountain Goats]

[Two Little Hitlers – Elvis Costello & The Attractions (art by Barney Bubbles, 1979)]

[The Goose – Parliament]

[Always / Makin’ Whoopee! – Harry Nilsson]

[A Bigger Paper Bag – Father John Misty (photo by Austin Hargrave, 2017)]

[The Truth Is In The Dirt – Karen Elson]

[God (8-track John Lennon/Plastic Ono Band sessions outtake) – John Lennon]

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL 10)__NAPHTHALENE MAGNOLIAS #28___

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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—  –   ————-______________ ->

Hello All.

Welcome to Volume Ten of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)__(Volume Eight here)__(Volume Nine here)-

This here MixTape features some fine, fine music! There’s both Madeleine Peyroux and Al Green, each covering a Hank Williams original. In addition to Bob Dylan performing “It’s All Over Now, Baby Blue” live in 1975, there’s Elvis Presley‘s fantastic 1966 cover of Dylan’s unreleased gem, “Tomorrow Is A Long Time” and then there’s the stunning supergroup known as The New Basement Tapes who collaborated to complete songs based upon newly uncovered lyrics handwritten by Bob Dylan in 1967 when he was recording with The Band what would come to be known as The Basement Tapes. The New Basement Tapes performance of “Down On The Bottom” features vocals by Jim James (of the band My Morning Jacket), which are incredibly Dylanesque.

You’ll get to hear Bessie Smith‘s  May 26, 1925 recording of “Careless Love” featuring Louis Armstrong (cornet), Fred Longshaw (piano), and Charlie Green (trombone). (I’ve still yet to see the 2015 Dee Rees directed and Queen Latifah starring biopic Bessie, but I did hear it was pretty great.)

I do know that Bessie Smith died in 1937 from injuries in a car accident and was buried in an unmarked grave. In August of 1970 Janis Joplin paid tribute to one of her greatest influences by purchasing a proper tombstone to be erected on Smith’s grave-site. This act of respect and Joplin’s own young demise are the subject of the next tune you’ll hear: Dory Previn’s A Stone for Bessie Smith.” This is followed by Janis Joplin’s lovely take on Richard Rodgers‘ and Lorenz Hart‘s 1935 song “Little Girl Blue.” Joplin’s version appears on my favorite of her albums,  I Got Dem Ol’ Kozmic Blues Again Mama! released on September 11, 1969. I did watch Amy J. Berg’s great (if saddening) 2015 documentary Janis: Little Girl Blue and that I can definitely recommend!

You’ll also hear here on this MixTape two by Bowie, and one of my favorite songs by Steve Harley & Cockney Rebel, “Sebastian.” Self-described by Harley as “possibly a sort of Gothic love song, possibly not: I’m not really sure to be honest,” “Sebastian” is certainly dramatic glam rock, featuring a 50-plus piece orchestra and choir, with orchestral arrangements by Andrew Powell. In 2008 Harley would go on to say:

“It’s poetry. It means what you want it to mean. ‘Sebastian’ is the conduit, the tubes through which I took myself on that journey to write the story. I can’t say for sure, but I wouldn’t have been far away from tripping when I wrote ‘Sebastian.’ LSD, certainly, created so many incidents in your life, so many images, so much madness and mayhem, as well as great tranquility if you were lucky. I can’t define its meaning. It’s like most poetry, it’s a lovely word.”

Yes there’s all this and a whole bunch of other good stuff so go on down and press play !

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—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 10)__Naphthalene Magnolias #28___
  • It’s All Over Now, Baby Blue – Bob Dylan (live Montreal Forum, Canada, December 4, 1975)
  • Down On The Bottom – The New Basement Tapes (ft. Rhiannon Giddens, Elvis Costello, Taylor Goldsmith, Jim James, Marcus Mumford, produced by T Bone Burnett) [lyrics by Bob Dylan]
  • Weary Blues – Madeleine Peyroux (Hank Williams cover)
  • Careless Love – Bessie Smith
  • Stone For Bessie Smith – Dory Previn
  • Little Girl Blue – Janis Joplin (written by Lorenz Hart, Richard Rodgers)
  • Rock ‘N’ Roll Suicide – David Bowie (live July 1974)
  • Wild Is The Wind – David Bowie (Nina Simone cover, written by Dimitri Tiomkin and Ned Washington)
  • I’m So Lonesome I Could Cry – Al Green (Hank Williams cover)
  • The Gentle Hum Of Anxiety – Trent Reznor & Atticus Ross
  • Feminine Effects – of Montreal (ft. Rebecca Cash)
  • Sebastian – Steve Harley & Cockney Rebel
  • The Rough With The Smooth – Geoff Bastow
  • Miley Tibetan BowlzzzEvil is but a Shadow – Miley Cyrus (ft. The Flaming Lips)
  • Tomorrow Is A Long Time – Elvis Presley (Bob Dylan cover)
  • The Priest – Joni Mitchell
  • As The Orchard Is With RainEarth Has Doors, Let Them Open – Wymond Miles
  • A Reflection (edit) – Trent Reznor & Atticus Ross

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[It’s All Over Now, Baby Blue – Bob Dylan (live Montreal Forum, Canada, December 4, 1975) (photo by Ken Regan)]

[Down On The Bottom – The New Basement Tapes ]

[Weary Blues – Madeleine Peyroux (hank Williams cover)]

[Careless Love – Bessie Smith]

[Stone For Bessie Smith – Dory Previn]

[Little Girl Blue – Janis Joplin (written by Lorenz Hart, Richard Rodgers)]

[Rock ‘N’ Roll Suicide – David Bowie (live July 1974)]

[Wild Is The Wind – David Bowie (photo by Michael Ochs, 1976)]

[I’m So Lonesome I Could Cry – Al Green (Hank Williams cover)]

[The Gentle Hum Of Anxiety – Trent Reznor & Atticus Ross (artwork by Rob Sheridan. 2010)]

[Feminine Effects – of Montreal (ft. Rebecca Cash) (photo by Trompe L’oeil Photomagique, 2012)]

[Sebastian – Steve Harley & Cockney Rebel]

[The Rough With The Smooth – Geoff Bastow]

[Miley Tibetan Bowlzzz / Evil is but a Shadow – Miley Cyrus (ft. The Flaming Lips)]

[Tomorrow Is A Long Time – Elvis Presley (Bob Dylan cover)]

[The Priest – Joni Mitchell]

[As The Orchard Is With Rain / Earth Has Doors, Let Them Open – Wymond Miles]

[A Reflection (edit) – Trent Reznor & Atticus Ross]

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL. 9)__MEDICINE WHEEL___

__

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=

—  –   ————-______________ ->

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—————————————–================__^__===================  ===  _ =
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 9)__Medicine Wheel ___
  • La Via Della Droga (M2)  – Goblin
  • Regeneration – Stone Temple Pilots
  • The Clan – Geoff Bastow
  • Mama You Sweet – Lucinda Williams
  • Cold Roses – Ryan Adams & The Cardinals
  • Blue Eyes Crying In The Rain – Elvis Presley
  • Clouds Up – Air
  • Little Rain – The Rolling Stones (Jimmy Reed cover)
  • Hurry Sundown – Little Richard
  • Let’s Pretend It’s Summer – The Brian Jonestown Massacre
  • Earthquake Weather – Beck
  • Me And Jane Doe – Charlotte Gainsbourg (written, performed, & produced w/ Beck)
  • Blue Jay Way – The Beatles
  • Parade of Blood Red Sorrows – Jane Weaver
  • Diode – Andy Votel
  • Shade Lady – Quincy Jones
  • How’m I Gonna Keep Myself Together – Dory Previn
  • Upstairs By A Chinese Lamp / Map To The Treasure / Beads Of Sweat – Laura Nyro
  • I’ll Keep It With Mine – Nico (Bob Dylan cover)
  • 04/27/05 Wednesday – Fantômas (Mike Patton)
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—  –   ————-______________ ->

Hello All.

Welcome to Volume Nine of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)__(Volume Eight here)-

I’ve got quite a treat MixTape here for you. This one features the Stone Temple Pilots‘ tune “Regeneration” from their 2001 record Shangri-La Dee Da; a song I’ve always appreciated for the prog embellishments given to their more typical style of whirl-with-a-sugared-crunch, and for the fact that Scott Weiland‘s vocals here remind me so much of my uncle’s but taken out of the context of his own Candombe-beat-rock-n-roll. You’ll also hear one of my favorite songs by the fantastic Lucinda Williams, “Mama You Sweet.” This is a song that I can marvel at with every listen, how with such precision she spirals through an aggregate of metaphors for grief–she navigates them as each feeds into the next–seemingly trapped but with the only release being to collapse out onto the total, simple truth of the titular phrase: “I love you, Mama you sweet.” Really, this is just stunning songwriting! You’ll also hear from one of my favorite songwriters, the always brilliant and honest Dory Previn; one song each from the married couple of Jane Weaver and DJ/producer Andy Votel; something from the work that Goblin did for the soundtrack of the 1977 film La via della droga (mainly exported as “The Heroine Busters” or “Dealer Connection”); something from one of Elvis Presley‘s final recording sessions, in the Jungle Room at Graceland on 7 February 1976; and The Rolling Stones with a Jimmy Reed cover taken from their joyous record of blues covers released at the end of last year, Blue & Lonesome. Oh, and along with a whole lot of other great tunes you’ll hear a three song portion of the second side of Laura Nyro‘s great LP of 1970, Christmas and the Beads of Sweat, featuring Alice Coltrane on harp and Duane Allman on guitar.

Also below you’ll find a list of things I read (or re-read) so far since January of this year. These are works that I truly enjoyed and/or loved. I highly recommend them all!

I’m currently half-way through The Complete Fiction of Bruno Schulz: The Street of Crocodiles, Sanatorium Under the Sign of the Hourglass, translated by Celina Wieniewska, and wow! Schulz’s language has repeatedly made me pause with wonder; it’s just stunning.

I had heard this writer’s name before but what compelled me to find this book down in the library’s basement is having seen The Hourglass Sanatorium (Sanatorium pod klepsydrą), a 1973 Polish film directed by Wojciech Jerzy Has, a beautiful phantasmagorical work, a cinematic poem, which was based on Bruno Schulz’s story collection. The film won the Jury Prize at the 1973 Cannes Film Festival, and has quickly become one of my favorite films of all time.

You can read about it here at the fantastic film blog 366 Weird Movies, and you can watch the whole thing here on Vimeo.

After I finish up this book I plan on picking up a work of literature by one of my favorite painters, Leonora Carrington (her 100th birthday would have been April 6th). Perhaps I’ll read her novella The Hearing Trumpet, or The Complete Stories of Leonora Carrington, which is just about to be published by the small press Dorothy.

And then I finally plan to commit to the brilliant Alan Moore‘s massive (1266 pages) novel: Jerusalem 

But as for what I have read and listed, I’d truly recommend anything you find below!

I do want to make special mention of the graphic novel/comic book biography Pablo by Julie Birmant & Clement Oubrerie, published by independent publishing house SelfMadeHero as part of their great “Art Masters Series.” Here Picasso’s formative years are narrated by his first great love and muse, the artists’ model Fernande Olivier, and the whole work is just beautiful with an intimacy biographies can often lack.

Oh, and remember this month is not only National Poetry Month, but as Mike Patton‘s Fantômas project reminds us, “April is national humor and anxiety month.”

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—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 9)__Medicine Wheel ___
  • La Via Della Droga (M2)  – Goblin
  • Regeneration – Stone Temple Pilots
  • The Clan – Geoff Bastow
  • Mama You Sweet – Lucinda Williams
  • Cold Roses – Ryan Adams & The Cardinals
  • Blue Eyes Crying In The Rain – Elvis Presley
  • Clouds Up – Air
  • Little Rain – The Rolling Stones (Jimmy Reed cover)
  • Hurry Sundown – Little Richard
  • Let’s Pretend It’s Summer – The Brian Jonestown Massacre
  • Earthquake Weather – Beck
  • Me And Jane Doe – Charlotte Gainsbourg (written, performed, & produced w/ Beck)
  • Blue Jay Way – The Beatles
  • Parade of Blood Red Sorrows – Jane Weaver
  • Diode – Andy Votel
  • Shade Lady – Quincy Jones
  • How’m I Gonna Keep Myself Together – Dory Previn
  • Upstairs By A Chinese Lamp / Map To The Treasure / Beads Of Sweat – Laura Nyro
  • I’ll Keep It With Mine – Nico (Bob Dylan cover)
  • 04/27/05 Wednesday – Fantômas (Mike Patton)
,
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medicine-wheel  
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[La Via Della Droga (M2) – Goblin]

[Regeneration – Stone Temple Pilots]

[The Clan – Geoff Bastow]

[Mama You Sweet – Lucinda Williams (photo by Annie Leibovitz)]

[Cold Roses – Ryan Adams & The Cardinals (photo by David Black)]

[Blue Eyes Crying In The Rain – Elvis Presley]

[Clouds Up – Air]

[Little Rain – The Rolling Stones (Jimmy Reed cover)]

[Hurry Sundown – Little Richard]

[Let’s Pretend It’s Summer – The Brian Jonestown Massacre]

[Earthquake Weather – Beck (photo by Autumn de Wilde, 2005)]

[Me And Jane Doe – Charlotte Gainsbourg (written, performed, & produced w/ Beck)]

[Blue Jay Way – The Beatles]

[Parade of Blood Red Sorrows – Jane Weaver]

[Diode – Andy Votel (Water color of Andy by Saydan Aksit)]

[Shade Lady – Quincy Jones]

[How’m I Gonna Keep Myself Together – Dory Previn]

[Upstairs By A Chinese Lamp / Map To The Treasure / Beads Of Sweat – Laura Nyro]

[I’ll Keep It With Mine – Nico (Bob Dylan cover). (photo by Lisa Law, Los Angeles, CA 1967)]

[04/27/05 Wednesday – Fantômas (Mike Patton)]

The Umbrella Academy, Vol. 1: Apocalypse Suite / The Umbrella Academy, Vol. 2: Dallas by Gerard Way & Gabriel Ba

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL 7)

–   ————-_______

__________—

Hello All.

Welcome to Volume Seven of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)-

This one features The Afghan Whigs‘ delicious cover of The Wizard of Oz highlight “If I Only Had A Heart“; Keith Richards‘ fantastic cover of Hank Williams‘ “You Win Again“; a burning 1973 cover of The Rolling Stones‘ “Gimme Shelter” done here by Amanda Ambrose; “Lucky” off of Devendra Banhart‘s latest record Ape in Pink Marble; as well as the stunning 2006 tune “Ain’t Talkin’” by Bob Dylan; the 1946 hit by Peggy Lee, “It’s All Over Now“; another beauty by Jane Weaver; and “Happy Phantom” (which contains the fantastic lyric, “And I’ll go wearin’ my naughties like a jewel”) from Tori Amos‘ great 1992 debut, Little Earthquakes. Yes, all this and a whole lot more! So scroll down and press play!

Oh and there’s George Harrison with this beautiful caveat:

Watch out now, take care
Beware of falling swingers
Dropping all around you
The pain that often mingles
In your fingertips
Beware of darkness
Watch out now, take care
Beware of the thoughts that linger
Winding up inside your head
The hopelessness around you
In the dead of night
Beware of sadness
It can hit you
It can hurt you
Make you sore and what is more
That is not what you are here for
Watch out now, take care
Beware of soft shoe shufflers
Dancing down the sidewalks
As each unconscious sufferer
Wanders aimlessly
Beware of Maya
Watch out now, take care
Beware of greedy leaders
They take you where you should not go
While Weeping Atlas Cedars
They just want to grow, grow and grow
Beware of darkness (beware of darkness)

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise-cvr-7

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 7)__Naphthalene Magnolias #4___
  • It Catches Up With You – Trent Reznor & Atticus Ross
  • 9 Point Star – Damon Albarn
  • Don’t Take My Soul – Jane Weaver
  • Lucky – Devendra Banhart
  • Happy Phantom – Tori Amos
  • Fever – Alvin Robinson
  • The Pink Room – David Lynch & Fox Bat Strategy
  • Gimme Shelter – Amanda Ambrose (The Rolling Stones cover)
  • Northeast Texas Women – Willis Alan Ramsey
  • Your Southern Can is Mine – The White Stripes (Blind Willie McTell cover)
  • Don’t Let Him Ride – Mississippi Nightingales
  • Why Spend A Dark Night With Me? – Moondog
  • Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief – Radiohead
  • Beware Of Darkness – George Harrison
  • If I Only Had A Heart – The Afghan Whigs (by Harold Arlen & E.Y. Harburg)
  • Sea Diver – Mott The Hoople
  • Ain’t Talkin’ – Bob Dylan
  • Step Aside – The Staple Singers
  • You Win Again  – Keith Richards (Hank Williams cover)
  • Mean Old World – The Heavenly Gospel Singers
  • Sway – The Rolling Stones
  • It’s All Over Now – Peggy Lee
  • Goodbye America – (written by Jim Morrison; read by Johnny Depp)

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naphthalene-magnolias-1

naphthalene-magnolias-2

naphthalene-magnolias-3

naphthalene-magnolias-4

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[It Catches Up With You - Trent Reznor & Atticus Ross]

[It Catches Up With You – Trent Reznor & Atticus Ross]

[9 Point Star – Damon Albarn]

[9 Point Star – Damon Albarn]

[Don’t Take My Soul – Jane Weaver]

[Don’t Take My Soul – Jane Weaver]

[Lucky – Devendra Banhart]

[Lucky – Devendra Banhart]

little-earthquakes-banner

[Happy Phantom – Tori Amos]

[Fever – Alvin Robinson]

[Fever – Alvin Robinson]

[David Lynch & Fox Bat Strategy]

[The Pink Room – David Lynch & Fox Bat Strategy]

[Gimme Shelter – Amanda Ambrose]

[Gimme Shelter – Amanda Ambrose]

[Northeast Texas Women – Willis Alan Ramsey]

[Northeast Texas Women – Willis Alan Ramsey]

[Your Southern Can is Mine – The White Stripes]

[Your Southern Can is Mine – The White Stripes]

fire-in-my-bones

[Don’t Let Him Ride – Mississippi Nightingales]

[Why Spend A Dark Night With Me – Moondog]

[Why Spend A Dark Night With Me? – Moondog]

[Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief – Radiohead (art by Thom Yorke & Stanley Donwood)]

[Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief – Radiohead (art by Thom Yorke & Stanley Donwood)]

[Beware Of Darkness – George Harrison]

[Beware Of Darkness – George Harrison]

[If I Only Had A Heart – The Afghan Whigs (by Harold Arlen & E.Y. Harburg)]

[If I Only Had A Heart – The Afghan Whigs (by Harold Arlen & E.Y. Harburg)]

[Sea Diver – Mott The Hoople]

[Sea Diver – Mott The Hoople]

[Ain’t Talkin’ – Bob Dylan (art, "Two Sisters" by Bob Dylan]

[Ain’t Talkin’ – Bob Dylan (art, “Two Sisters” by Bob Dylan]

[Step Aside – The Staple Singers]

[Step Aside – The Staple Singers]

[You Win Again – Keith Richards (photo by Patrick Demarchelier, New York, 2000

[You Win Again – Keith Richards (Hank Williams cover)(photo by Patrick Demarchelier, New York, 2000]

[Mean Old World – The Heavenly Gospel Singers]

[Mean Old World – The Heavenly Gospel Singers]

[Sway – The Rolling Stones]

[Sway – The Rolling Stones (photo by David Montgomery, 1971)]

[It’s All Over Now – Peggy Lee]

[It’s All Over Now – Peggy Lee]

[Goodbye America – (written by Jim Morrison; read by Johnny Depp) (photo, one of the last known of Morrison, a poloroid shot within his paris apt., March-June, 1971)]

[Goodbye America – (written by Jim Morrison; read by Johnny Depp) (photo, one of the last known of Morrison, a Polaroid shot within his Paris apt., March-June, 1971)]

__________——————– =__^__=___________________———
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL 6)

–   ————-_______

__________—

Hello All.

Welcome to Volume Six of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)-

This one features some fine tunes by the likes of Paul Simon; Childish GambinoPop Levi; (producer/arranger of Chess Records subsidiary label Cadet Records) Richard Evans with his late ’60s studio project The Soulful Strings; something from Paul McCartney‘s side-project with Youth under the moniker of The Fireman; something from MegapussDevendra Banhart‘s 2008 side-project with the wonderfully talented Gregory Rogove, Fabrizio Moretti & Noah Georgeson; and a long groove by one of the greatest groups of all time, Parliament-Funkadelic! Oh and you’ll hear a captivating alternate take of the 2005 song Bob Dylan wrote and recorded for the North Country Soundtrack, “Tell Ol’ Bill” and the mid-’70s track “Mary Long” by Indian psych rock band Atomic Forest. There’s also a triple-play from The Flaming Lips‘ stunning 2009 record, Embryonic. I am particularly fond of the nervous respect given to the power of creativity that is conveyed in the third of these tunes, “Powerless“:

“Honey, you’re just paranoid
“You should do what you enjoy
“No one is ever really powerless”
That’s what she said and she gave me a kiss
“No one is ever really powerless”
Now I think I know what that really is
 –
It only happens if you try
Pain and pleasure both get you high
“No one is ever really powerless”
That’s what she said, now I can’t forget
“No one is ever really powerless”
Now I think I know what that really is

____________—

You’ll hear all this and more so press play and enjoy yourself!

 

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise-cvr-6

__________———

 
—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 6)__Automobile Pets ___
  • Mommy, What’s A Funkadelic? – Funkadelic
  • Terrifying [Starlight & Wonder Version] – Pop Levi
  • Me And Your Mama – Childish Gambino
  • Older Lives – Megapuss (Devendra Banhart, Gregory Rogove, Fabrizio Moretti & Noah Georgeson)
  • Skin I’m In – Sly & The Family Stone
  • Terrifying (For Kenneth Anger) – Pop Levi
  • Severed Crossed Fingers – St. Vincent
  • Illusion – Keith Richards, ft. Norah Jones
  • Tell Ol’ Bill – Bob Dylan
  • Sometimes I Feel Like A Motherless Child – The Soulful Strings
  • God Bless The Child – Cal Tjader & Mary Stallings
  • Travelling Light – The Fireman (Paul McCartney & Youth)
  • Gemini Syringes / Your Bats / Powerless – The Flaming Lips, ft. Thorsten Wörmann & Karen O
  • Mary Long – Atomic Forest
  • The Obvious Child – Paul Simon
  • Rebong – Andrew McGraw
  • Believe – Annabel (lee)
  • Kiss Me – Tom Waits
  • Steel Dreams [Part 2] – crush_DLX (Pop Levi & Bunny Holiday)
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automobile-pets
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[Mommy, What’s A Funkadelic? – Funkadelic (art by Dan Lish)]

[Mommy, What’s A Funkadelic? – Funkadelic (art by Dan Lish)]

[Terrifying [Starlight & Wonder Version] – Pop Levi]

[Terrifying [Starlight & Wonder version] – Pop Levi]

[Me And Your Mama – Childish Gambino (art by Nando Maglutac)]

[Me And Your Mama – Childish Gambino (art by Nando Maglutac)]

[Older Lives – Megapuss (Devendra Banhart, Gregory Rogove, Fabrizio Moretti & Noah Georgeson (art by Travis Millard and Mel Kadel)]

[Older Lives – Megapuss (Devendra Banhart, Gregory Rogove, Fabrizio Moretti & Noah Georgeson (art by Travis Millard and Mel Kadel)]

[Skin I’m In – Sly & The Family Stone]

[Skin I’m In – Sly & The Family Stone]

[Terrifying (For Kenneth Anger) – Pop Levi]

[Terrifying (For Kenneth Anger) – Pop Levi]

[Severed Crossed Fingers – St. Vincent]

[Severed Crossed Fingers – St. Vincent]

[Illusion – Keith Richards, ft. Norah Jones]

[Illusion – Keith Richards, ft. Norah Jones]

[Tell Ol’ Bill – Bob Dylan]

[Tell Ol’ Bill – Bob Dylan]

[Sometimes I Feel Like A Motherless Child – The Soulful Strings]

[Sometimes I Feel Like A Motherless Child – The Soulful Strings]

[God Bless The Child – Cal Tjader & Mary Stallings]

[God Bless The Child – Cal Tjader & Mary Stallings]

[Travelling Light – The Fireman (Paul McCartney & Youth)]

[Travelling Light – The Fireman (Paul McCartney & Youth)]

[Gemini Syringes / Your Bats / Powerless – The Flaming Lips, ft. Thorsten Wörmann & Karen O (art from Wayne Coyne's comic "The Sun Is Sick")]

[Gemini Syringes / Your Bats / Powerless – The Flaming Lips, ft. Thorsten Wörmann & Karen O (art from Wayne Coyne’s comic “The Sun Is Sick“)]

[Mary Long – Atomic Forest]

[Mary Long – Atomic Forest]

[The Obvious Child – Paul Simon]

[The Obvious Child – Paul Simon]

[Rebong – Andrew McGraw]

[Rebong – Andrew McGraw]

[Believe – Annabel (lee)]

[Believe – Annabel (lee)]

[Kiss Me – Tom Waits (photo by Michael O'Brien)]

[Kiss Me – Tom Waits (photo by Michael O’Brien)]

[Steel Dreams [Part 2] – crush_DLX (Pop Levi & Bunny Holiday)]

[Steel Dreams [Part 2] – crush_DLX (Pop Levi & Bunny Holiday)]

__________——————– =__^__=___________________———
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL 5)

–   ————-_______

__________—

Hello All.

Welcome to Volume Five of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)-

Featuring certain songs by Stevie WonderCurtis Mayfield, Al GreenDory Previn, and even featuring the title track from Bill Fay‘s brilliant but apocalyptic and oppressive record of 1971, Time of the Last Persecution–I’m sure that this MixTape is a somewhat result of a residue from our national nativity ceremony. I can recall once in Montréal someone made a derisive remark about religion while jerking a thump at the enormous neon crucifix hung in the night sky. Quickly but calmly, my good friend Frankie responded: “Hey, some people need that…and that’s a real thing, y’know?…some people need that to get by.”

At that moment I thought: “fair enough.”

Well, among a whole lot of other good tunes The Demise Of The Mask (Vol. 5) also features the songs “Misbehave” &  “She Might Get Shot” both taken from  Juan Wauters‘ fantastic 2015 record,  Who Me? I know he’s got a new one coming up someday soon so be sure to keep your ears open for that because I can tell you it’s a beauty!

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise-cvr-5

__________———

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 5)__Aubade ___
  • Looking For Satellites – David Bowie
  • I Should Watch TV – David Byrne & St. Vincent
  • Gone Away – Matthew E. White
  • All Along The Watchtower – Brothers & Sisters
  • Have A Talk With God – Stevie Wonder
  • Jesus – Curtis Mayfield
  • Jesus Is Waiting – Al Green
  • Did Jesus Have a Baby Sister? – Dory Previn
  • Time Of The Last Persecution – Bill Fay
  • Tower Of Song –  Leonard Cohen & U2
  • Never Be Afraid! [edit] – Entrance
  • I Dreamed I Saw St. Augustine – Bob Dylan
  • Saturn – Damon Albarn
  • Rings Of Saturn – Nick Cave & The Bad Seeds
  • My Body – Perfume Genius
  • Rebirth Of The Flesh – Prince (as Camille)
  • Misbehave / She Might Get Shot – Juan Wauters
  • Hood Politics / How Much A Dollar Cost – Kendrick Lamar ft. James Fauntleroy & Ronald Isley
  • Crippled Inside – John Lennon

—————————————–================__^__===================  ===  _ ===== == =   = =  __  

aubade

__________—
___    ______________—————__
[Looking For Satellites - David Bowie (photo "David Bowie, 1997" by Floria Sigismondi)]

[Looking For Satellites – David Bowie (photo “David Bowie, 1997” by Floria Sigismondi)]

[I Should Watch TV – David Byrne & St. Vincent]

[I Should Watch TV – David Byrne & St. Vincent]

[Gone Away – Matthew E. White, (photo by Cameron Charles Lewis)]

[Gone Away – Matthew E. White, (photo by Cameron Charles Lewis)]

[All ALong The Watchtower – Brothers & Sisters]

[All Along The Watchtower – Brothers & Sisters]

[Have A Talk With God – Stevie Wonder]

[Have A Talk With God – Stevie Wonder]

[Jesus – Curtis Mayfield (cover art recreated, in tinted form, from Margaret Bourke-White's 1937 monochrome original, 'At The Time Of The Louisville Flood', ]

[Jesus – Curtis Mayfield (cover art recreated, in tinted form, from Margaret Bourke-White’s 1937 monochrome original, “At The Time Of The Louisville Flood.” ]

[Jesus Is Waiting – Al Green, (photo by Bud Lee, 1972]

[Jesus Is Waiting – Al Green, (photo by Bud Lee, 1972)]

[Did Jesus Have a Baby Sister – Dory Previn]

[Did Jesus Have a Baby Sister? – Dory Previn]

[Time Of The Last Persecution – Bill Fay, (art by Erica Parrott)]

[Time Of The Last Persecution – Bill Fay, (art by Erica Parrott)]

[Tower Of Song - Leonard Cohen & U2]

[Tower Of Song – Leonard Cohen & U2]

[Never Be Afraid! [edit] – Entrance]

[Never Be Afraid! [edit] – Entrance]

[I Dreamed I Saw St. Augustine – Bob Dylan (photo: Bob Dylan, outside his Byrdcliffe home, infrared color film, Woodstock, NY, 1968. Photo By Elliott Landy)]

[I Dreamed I Saw St. Augustine – Bob Dylan
(photo: Bob Dylan, outside his Byrdcliffe home, infrared color film, Woodstock, NY, 1968. Photo By Elliott Landy)]

[Saturn – Damon Albarn]

[Saturn – Damon Albarn]

[Rings Of Saturn – Nick Cave & The Bad Seeds]

[Rings Of Saturn – Nick Cave & The Bad Seeds]

[My Body – Perfume Genius (photo: Perfume Genius as Egon Schiele's portrait as St Sebastian by Steven Miller, 2015)]

[My Body – Perfume Genius (photo: Perfume Genius as Egon Schiele’s portrait as St Sebastian by Steven Miller, 2015)]

[Rebirth Of The Flesh - Prince (as Camille)]

[Rebirth Of The Flesh – Prince (as Camille)]

[Misbehave / She Might Get Shot – Juan Wauters (art by Matt Volz)]

[Misbehave / She Might Get Shot – Juan Wauters (art by Matt Volz)]

[Hood Politics / How Much A Dollar Cost – Kendrick Lamar ft. James Fauntleroy & Ronald Isley (art by DJNowGraphics)]

[Hood Politics / How Much A Dollar Cost – Kendrick Lamar ft. James Fauntleroy & Ronald Isley (art by DJNowGraphics)]

[Crippled Inside – John Lennon (photo by Michael Putland, 1971)]

[Crippled Inside – John Lennon (photo by Michael Putland, 1971)]

__________——————– =__^__=___________________———

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 16)

_If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________ ->

Hello All & Welcome to the last MixTape of the year! Yes, it’s installment 16 in the Dendrites series of mixtapes!

 Here you’ll hear two tunes by the psyche-folk, all female american trio, Sunforest. Recorded in 1969 with producer Vic Coppersmith-Heaven (engineer for The Rolling Stones’ Let It Bleed and Black Sabbath’s Vol. 4)  Sunforest wrote whimsical Medieval Times & Renaissance Faire type arrangements and twisted them quite a bit with a swinging London sense of acid-pop and style. First up and opening the mix is the instrumental “Overture to the Sun” which is one of two songs by the group selected by Stanley Kubrick and featured in his 1971 brutal masterpiece, A Clockwork Orange. Later on from this trio you’ll hear the incredibly funky “Magician In The Mountain,” with its slinky groove tones put across perfectly by two musicians from the Jean-Claude Vannier Orchestra (responsible for the music on Serge Gainsbourg’s erotic magnum opus Histoire de Melody Nelson and featured by me on Dendrites Volume 13). With session-guitarist extraordinaire Big Jim Sullivan and Herbie Flowers (whose interlocked, double-tracked upright bass and bass guitar carried Lou Reed’s “Walk on the Wild Side” into brilliance) to my mind “Magician In The Mountain is the stand-out track on Sound of Sunforest.
You’ll also get to hear two more tracks by recently deceased Scott Weiland (R.I.P.). First up from him is “Son” which was a highlight for me on his 1998 solo debut, 12 Bar Blues.  (Here you can watch a video of Weiland performing the tune acoustically on MTV’s “120 Minutes” back in 1998).
With its raw pop blister rubbing up against a confused glam swirl, this LP still remains my favorite of all Weiland’s work. Featuring contributions from multi-instrumentalist Victor Indrizzo, phenomenal pianist Brad Mehldau, Martyn LeNoble and Peter DiStefano (bass & guitar for Porno For Pyros!), as well as additional work from Daniel Lanois (production-collaborator for Brian Eno, U2, and Bob Dylan)–this is an album with a genuine sense of exploration and–despite its obvious postures–honest artistic expression. In “Son” Weiland mostly employs a slender vocal in the honeyed upper registers with a lightly-narcotized rasp to its delivery. This perfectly gets across the melancholia that served as its inspiration. As Weiland would not have any children until at least two years later, the song serves as a rumination on a terminated pregnancy he and his girlfriend chose, and what might have been (an emotional topic he previously touched upon with Stone Temple Pilots in the closing track for their sophomore record, Purple: “Kitchenware & Candy Bars“).
Later on down the mix you will hear Weiland with his band mates in Stone Temple Pilots on what has always been one of my favorite tracks by this group: “Lounge Fly.” With its elliptic lyrics pushed up from a hungry gut only to be buried again, and pushed up again–a cycle–and the music coiled and percussive–this is not so much circling, but the sound of a man prowling around a drain…and all the while Weiland insisting that you know, “this is really happening to me.” “Lounge Fly” is followed by yet another song concerning sex and the desperate search for emotional connection: “Chloe In The Afternoon” by St. Vincent. Borrowing its title from the 1972 French film by Éric Rohmer (which was much later remade into the Chris Rock comedy I Think I Love My Wife) this song is an amazing display of corroded textures and strange syncopation.
There’s also some D’Angelo; some Elvis; some Mark Lanegan; a dry collaboration between William S. Burroughs and R.E.M from the 1996 collection, Songs in the Key of X – Music From And Inspired By “The X-Files; Matthew E. White and his marvelous Spacebomb crew demonstrating how a tune bled of vigor (and guitar) can still be so damn funky…albeit a drowsy funk; and you’ll hear one of my favorite vocalists, Martina Topley-Bird doing a stripped down version of her own, Snowman” (you can watch a lovely 2012 live performance of it and more here).
Well, enjoy and I hope you are all still listening in the New Year!
All the best to you & yours,
Bobby Calero

___           – –      _________________   _-    _         _________________ ___

Dendrites-16-CVR

 —  –   ————-______________\/\/\/\/\/\/\/\/\/\/\/
——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

Overture to The Sun – Sunforest [art by Robin Celebi]

Son – Scott Weiland

Star Me Kitten – R.E.M. & William S. Burroughs [art: “Lust” by William S. Burroughs, 1991]

Silver Timothy – Damien Jurado (w/ Richard Swift) [Photo by Sarah Jurado]

Magician In the Mountain – Sunforest

“Trouble”/The Wasp (Texas Radio And The Big Beat) – The Doors [photo by Frank Lisciandro, 1970]

Scarlet Town – Bob Dylan [art: Train Tracks (Red) by Bob Dylan, 2012]

 

The Golden Fang – Jonny Greenwood

tumblr_n1o7zfalhj1qzei6po1_1280

Signature Move – Matthew E. White [photo by Shawn Brackbill]

Lounge Fly – Stone Temple Pilots

Chloe In The Afternoon – St. Vincent [photo by Tina Tyrell, 2011]

Leaning Into Afternoons – Pablo Neruda [read by Wesley Snipes, music by Luis Enríquez Bacalov] [art from Pablo Neruda: Poet of the People, written by Monica Brown and illustrated by Julie Paschkis]

Sugah Daddy – D’Angelo & The Vanguard [Photo by Greg Harris]

Trying To Get To You – Elvis Presley

Trying To Forget You – Howlin’ Wolf

solid-soul

San-Ho-Zay – Willie Mitchell

Knockin’ Myself Out – Jean Brady & Big Bill Broonzy [image from the film Low Light And Blue Smoke]

Like Little Willie John – Mark Lanegan Band

The Endless Sea – Iggy Pop

Cry Baby Cry – The Beatles [photo by Don McCullin, 7/28/68]

Snowman – Martina Topley-Bird

04/16/05 Saturday/04/19/05 Tuesday – Fantômas

_
______________———-___=========================================  __=

MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 16)

  • Overture to The Sun – Sunforest
  • Son – Scott Weiland
  • Star Me Kitten – R.E.M. & William S. Burroughs
  • Silver Timothy – Damien Jurado (w/ Richard Swift)
  • Magician In the Mountain – Sunforest
  • “Trouble”/The Wasp (Texas Radio And The Big Beat) – The Doors
  • Scarlet Town – Bob Dylan
  • The Golden Fang – Jonny Greenwood
  • Signature Move – Matthew E. White 
  • Lounge Fly – Stone Temple Pilots
  • Chloe In The Afternoon – St. Vincent 
  • Leaning Into Afternoons – Pablo Neruda [read by Wesley Snipes, music by Luis Enríquez Bacalov] 
  • Sugah Daddy – D’Angelo & The Vanguard
  • Trying To Get To You – Elvis Presley
  • Trying To Forget You – Howlin’ Wolf
  • San-Ho-Zay – Willie Mitchell
  • Knockin’ Myself Out – Jean Brady & Big Bill Broonzy
  • Like Little Willie John – Mark Lanegan Band
  • The Endless Sea – Iggy Pop
  • Cry Baby Cry – The Beatles 
  • Snowman – Martina Topley-Bird
  • 04/16/05 Saturday/04/19/05 Tuesday – Fantômas

—  –   ————-______________ ->

_           _________________   _  ___   _ _________ __________->

The interview with Heath began on the opposite page. However, Mireille could not get herself to concentrate. She could only skim and skip across the paragraphs; if momentarily of a similar mental bent, you should of course feel free to do the same:


TURN-TURN 1

TURN-TURN 2

TURN-TURN 3

TURN-TURN 4

TURN-TURN 5

TURN-TURN 6

TURN-TURN 7

TURN-TURN 8

TURN-TURN 9

TURN-TURN 10

TURN-TURN 11

TURN-TURN 12

TURN-TURN 13

TURN-TURN 14

TURN-TURN 15

TURN-TURN 16

TURN-TURN 17

TURN-TURN 18

TURN-TURN 19

TURN-TURN 20

TURN-TURN 21

TURN-TURN 22

—  –   ————-______________ ->

___           – –      _________________   _-    _         _________________ ___

BOBBY CALERO

 

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 15)

_If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________ ->

_           _________________   _  ___   _ _________ __________->

Each snug within the confines of their own category—altogether most pop music seems to intimate an insular fear of an anonymous other. What is it but another manifestation of man’s ludicrous grasp for total control? Yes, as a teenager—and in all the turmoil that that entails—it was Locust Mirror’s seeming open seriousness that initially allured Mireille’s taste towards that band’s music. She was sure they mattered and cared.

About what?

She was never sure enough to put into words. Their music felt mysterious and smart, dangerous and true, romantic and sexy…creative. Weird—It hinted at opportunities.

But at seventeen and seated in a public library—Mireille felt bored.

She shoveled the books aside with a swipe of her forearm. With its dust jacket wrapped and protected by a clear film of Polyethylene Terephthalate, she slid the hardbound copy of Peter Bennet’s Last Against The Wall (Berlin 1961-1989) towards her. From between its pages she pulled out the latest issue of Turn-Turn Magazine, which she had taken from a crowded rack as she entered the library and had been using as an oversized bookmark. There on the cover was Locust Mirror lead singer, Christian Heath.

Perhaps categorized as a “black & white” photograph, the image captured by Dutch photographer Anton Corbijn and partly produced through a thin coat of emulsion and a high contrast truly resides somewhere between mercury and the brown of mineral rich dirt. The picture had been additionally lightly hand-painted in places to mimic the Technicolor palate of old Hollywood. Such was the case with the scarlet backdrop pocked with pinpricks of blue starlight. His tousled blonde hair spilled from a battered fedora as strips of bleach and greased shadows. The one eye not obscured by that mess was a hazel glint—a warm gloss of amber resin on a fractured green stone with a dark core. Through the black metallic smudge of mascara—that eye was aimed directly at Mireille.

Heath had been seized in an obvious, somewhat sorority cover-girl affected pose made all the more effeminate as he had one hand positioned upon his own popped hip. White with a stitched print of little blue flowers along its lengths, he wore his shirt unbuttoned and loose about his waist. This epicene stance was accentuated by Heath’s slight frame, boyish facial features, and the chipped lacquer along the nails of his right hand, which clutched the smoldering stub of a cigarette. Despite these evidently queer feminine put-ons, the image truthfully conveyed that old rock & roll communiqué of “Oh me, I don’t give a fuck.” Pitch-colored stubble on his chin and upper lip, his teeth white with a slight crook—his mouth was presented in an open smile as if he had been caught mid-sentence.

Probing this photo with her blue eyes wide, Mireille felt the press of a little heat. No, not quite a burn that fans the knees open; but, yes, a press of a little heat. There was a small swell to all of her systems. The snapshot revealed the slim muscles of Heath’s abdomen right up to his small pectorals. She had a private impulse to lick the cover there.

She of course would not do this. Instead—thoughtlessly—her tongue curled, pressed between a little nibble of her teeth and planted itself into the corner of her open mouth. There from that perch it would loll along to wet her lips. She found him so handsome and odd.

Abruptly aware of her fat tongue; her mouth agape; her eyes agog; and all the grotesque rest—Mireille felt herself shrink as she chewed at her lower lip. Feeling fully like some pudgy blot of inane skin lumped around wilted guts, with a toad in mud for a hypothalamus, Mireille let a pinched groan loose from her throat. She then sent up a silent appreciation that there were no mirrors or other reflective surfaces about for her to witness the origin point for what must have been such a gross countenance: her face.

Mireille wrestled a smile from the grip of anxiety and brought it to her lips.

“God, I’m such a goon.”

Mireille steepled her fingers before her mouth at the thought: God, I’m such a goon. Opening the magazine she flipped past articles concerning what innovative gadgets would soon change our day-to-day; what bands were going back out on tour; what senior rocker was soon releasing a country-tinged comeback record; what winter-fashion inspirations could be taken from famous peoples’ red-carpet ensembles; and a feature titled, Real Jeanius! 30 Denim Lifestyles for #Authentic Men & Women. Arriving at page 74 she found another full page photo of Heath. This one had been composed with a much more conservative sense, as the subject here captured in full color was seated cross-legged on a wooden folding chair in a near-empty room, dressed in a grey suit with a blue shirt buttoned under a black tie. Atop the wooden barstool before him was the teal-painted, cold-rolled steel colossus of an antique typewriter. From this distance its white keys of molded plastic resembled orderly rows of button mushrooms. Tethered to the silver fin of the typewriter’s carriage release lever was a lavender string of curling ribbon, which ran crimped, up, to hold in place overhead a solitary purple balloon. Hair combed, Heath’s face here was plain, clean, and straight ahead like a passport photo. The slivers and shards of green, amber, golden brown, and blue hues that comprised his eyes seemed to whisper out to her: save me.

Cute, she thought, little, something to keep and carry in your pocket, only to be taken out when wanting a cuddle or something to alter the mood of your blue stupor.

The interview with Heath began on the opposite page. However, Mireille could not get herself to concentrate. She could only skim and skip across the paragraphs; if momentarily of a similar mental bent, you should of course feel free to do the same:

___           – –      _________________   _-    _         _________________ ___

dendrites_cvr_15

 —  –   ————-______________\/\/\/\/\/\/\/\/\/\/\/
——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

Hello Goodbye – Soulful Strings

Anything We Want – Fiona Apple

Soundview – Shabazz Palaces

In My Tree – Pearl Jam

So Soon – Staple Singers

So Soon – Little Axe & The Golden Echoes

You Can’t Run Away From Your Heart – Judy Clay

I Got the Blues – The Rolling Stones

Pensacola – Deerhunter [photo by Robert Semmer]

Autoluminescent – Rowland S. Howard

Rococo – Arcade Fire [art by Burlesque Design]

Tip The Scale – The Roots (ft. Dice Raw)

Lilacs – Lilacs & Champagne

Life’s A Gas – T.Rex

Easy Ride – The Doors

Beautiful Day (Learning To Drive) – Scott Weiland [photo by Trevor Ray Hart]

Fine And Mellow – Billie Holiday [live rehearsal 1957, The Sound of Jazz]

Avalon – The Bryan Ferry Orchestra

The Way We Fall – Alela Diane [photo by Guy Stephens]

Something On Your Mind – Karen Dalton

Anyhow – Leonard Cohen

Delia – Bob Dylan [photo by Ana María Vélez Wood]

Glad To Be Unhappy – Frank Sinatra

\//\______________———-___=========================================  __=

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 15)

  • Hello Goodbye – Soulful Strings
  • Anything We Want – Fiona Apple
  • Soundview – Shabazz Palaces  
  • In My Tree – Pearl Jam
  • So Soon – Staple Singers
  • So Soon – Little Axe & The Golden Echoes
  • You Can’t Run Away From Your Heart – Judy Clay
  • I Got the Blues – The Rolling Stones
  • Pensacola – Deerhunter 
  • Autoluminescent – Rowland S. Howard
  • Rococo – Arcade Fire
  • Tip The Scale – The Roots (ft. Dice Raw)
  • Lilacs  – Lilacs & Champagne
  • Life’s A Gas – T.Rex
  • Easy Ride  – The Doors
  • Beautiful Day – Scott Weiland 
  • Fine And Mellow – Billie Holiday [1957 The Sound of Jazz rehearsal ft.  
    • Ben Webster – tenor saxophone
      Lester Young – tenor saxophone
      Vic Dickenson – trombone
      Gerry Mulligan – baritone saxophone
      Coleman Hawkins – tenor saxophone
      Roy Eldridge – trumpet
      Doc Cheatham – trumpet
      Danny Barker – guitar
      Milt Hinton – double bass
      Mal Waldron – piano
      Osie Johnson – drums]
  • Avalon – The Bryan Ferry Orchestra
  • The Way We Fall – Alela Diane 
  • Something On Your Mind – Karen Dalton
  • Anyhow – Leonard Cohen
  • Delia – Bob Dylan 
  • Glad To Be Unhappy – Frank Sinatra

<^>_ _ _ __=========================================     ______BOBBY CALERO

Again, If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.