Category Archives: Broadcast

THE DEMISE OF THE MASK (VOL 1)

Hello All,

Here’s the first volume of a new series of MixTapes: The Demise Of The Mask.

This one here features “The Future,” which is perhaps my favorite tune by the late great Leonard Cohen (R.I.P.), It’s fascinating to me that his cold vision of a future of murder is one where there is no longer any privacy, definitions, or truths and where all are completely ignorant to even the idea of certain spiritual mechanisms like redemption, repentance, and resurrection: When they said repent, I wonder what they meant…

Of course the song also features one of Cohen’s finest lines and one that serves as a fracture of light in it’s vicious but torpid slab of a landscape: Love’s the only engine of survival.

Oh the mix features as well as some fantastic new stuff by Saul Williams, Devendra Banhart, Iggy Pop, and Radiohead. Oh and it’s also got a lovely number called “Love On The Brain” by Rihanna that my little boy just loves slow spinning to. All this and a whole lot more flow! So press play and enjoy yourself! And as always:

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff.

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—————–======ENJOY YOURSELF____———–

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thedemiseofthemaskcvr

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 1)__
  • Lilacs  – Lilacs & Champagne
  • Down For Some Ignorance – Saul Williams
  • The Future – Leonard Cohen
  • Back to the Future (Part II) – D’Angelo & The Vanguard
  • Stay Cool  – The Roots, ft. Q-Tip (J.Period Remix)
  • Sky Saw – Brian Eno
  • Mother Of Pearl – Roxy Music
  • Chocolate Drops – Iggy Pop
  • Linda – Devendra Banhart
  • Sunset And The Mocking Bird (Queen’s Suite part 1) – Duke Ellington & His Orchestra
  • Something In The Water (Does Not Compute) – Prince
  • CPU – Big Boi, ft. Phantogram
  • Identikit – Radiohead
  • The Dolphin (Before) – Bill Evans
  • I Can Love Again – Jamie Lidell
  • Love On The Brain – Rihanna
  • Looks Good With Trouble – Solange
  • Décollage – Air
  • Libra, the mirror’s minor self / Love’s long listen-in – Broadcast & The Focus Group
  • Flunkt Sass Vs The Root Flume – of Montreal
  • Walk It Back – R.E.M.
  • The Dolphin (After) – Bill Evans
  • Crimson Escalation – crush_DLX (Pop Levi & Bunny Holiday)
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[Lilacs – Lilacs & Champagne]

[Lilacs – Lilacs & Champagne]

[Down For Some Ignorance – Saul Williams]

[Down For Some Ignorance – Saul Williams]

[The Future – Leonard Cohen (photo by Guido Harari, Paris 1992)]

[The Future – Leonard Cohen (photo by Guido Harari, Paris 1992)]

[Back to the Future (Part II) - D'Angelo & The Vanguard]

[Back to the Future (Part II) – D’Angelo & The Vanguard]

[Stay Cool - The Roots, ft. Q-Tip (J.Period Remix)]

[Stay Cool – The Roots, ft. Q-Tip (J.Period Remix)]

[Sky Saw - Brian Eno]

[Sky Saw – Brian Eno]

[Mother Of Pearl - Roxy Music]

[Mother Of Pearl – Roxy Music]

[Chocolate Drops - Iggy Pop]

[Chocolate Drops – Iggy Pop]

[Linda - Devendra Banhart]

[Linda – Devendra Banhart]

[Sunset And The Mocking Bird (Queen's Suite part 1) - Duke Ellington & His Orchestra (photo Duke Ellington, Paris, 1958 by Herman Leonard)]

[Sunset And The Mocking Bird (Queen’s Suite part 1) – Duke Ellington & His Orchestra (photo Duke Ellington, Paris, 1958 by Herman Leonard)]

[Something In The Water (Does Not Compute) - Prince]

[Something In The Water (Does Not Compute) – Prince photo by Allen Beaulieu, 1982]

[CPU - Big Boi, ft. Phantogram]

[CPU – Big Boi, ft. Phantogram]

[Identikit - Radiohead]

[Identikit – Radiohead]

[The Dolphin - Before - Bill Evans]

[The Dolphin (Before) – Bill Evans]

[I Can Love Again - Jamie Lidell (art by Anna Higgie)]

[I Can Love Again – Jamie Lidell (art by Anna Higgie)]

[Love On The Brain - Rihanna]

[Love On The Brain – Rihanna]

[Looks Good With Trouble - Solange (photo byElias Tahan, 2012)]

[Looks Good With Trouble – Solange (photo by Elias Tahan, 2012)]

[Libra, the mirror's minor self / Love's long listen-in - Broadcast & The Focus Group]

[Libra, the mirror’s minor self / Love’s long listen-in – Broadcast & The Focus Group]

[Flunkt Sass Vs The Root Flume - of Montreal (art, the peculiar death of Valerie Marie Osten Chafer, or how our nuclear signals proposes certain numeric endings by ANIN TIWN ~ NINA TWIN]

[Flunkt Sass Vs The Root Flume – of Montreal (art, the peculiar death of Valerie Marie Osten Chafer, or how our nuclear signals proposes certain numeric endings by ANIN TIWN ~ NINA TWIN]

[Walk It Back - R.E.M.]

[Walk It Back – R.E.M.]

[The Dolphin (After) - Bill Evans]

[The Dolphin (After) – Bill Evans]

[Crimson Escalation - crush_DLX ]

[Crimson Escalation – crush_DLX (Pop Levi & Bunny Holiday) ]

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___________________))))))))))))))))

All the best—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you digaparticular artist then please support them and go out and pick up some of their stuff.

_           _________________   _  ___   _ _________ __________->

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 14)

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

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_           _________________   _  ___   _ _________ __________

Being the most up-front pop-oriented of them, if any representatives from the last of the commercial sub-genres listed above were ever to land a hit to temporarily dominate the charts for a season or two then it was likely penned, recorded (and often digitally assembled note-for-note, syllable-by-syllable) by a cabal of nine middle-aged Nordic men. Although their birth certificates stated names that would likely bring to the average American mind images of Vikings or monks, they were typically credited under monikers that were easily forgettable despite their frequent use of the letters Z and X and honorary titles, such as Dr. Cztarlab, Sir LapLux, Mr. Mixus, and Professor JaMeZ. Almost no one would really ever recall these writers’ professional pseudonyms or note the central role they played in the hits that were so pervasive in their lives. These facts of anonymity were by design, as they did not want to interfere with the ascendency and celebrity of the “artist” that was to sell their work to the masses.

Through focus-group brand testing and weeks-long song-writing “cook-outz” where the annual trajectory of a (largely absent) performer’s career could be plotted by the continuity of tunes assigned to them, this committee had perfected a formula for pop familiarity—and thus, top ten hits. Not to oversimplify their equation, but it could be described as so: the forward swirl and bright texture of say, ABBA’s “SOS” but manufactured in a manner that ensured it could effortlessly and cyclically give way to the emphatic gush and catch of an arena-sized shout-along, something akin to the big-rock, chest-thump chorus in Bon Jovi’s “Livin’ On A Prayer.” With these elements married and laid atop a plush bed of programmed beats (or beatz) borrowed from the latest fashions in re-heated Hip Hop and R&B, all that was needed to complete the job was the appropriate vehicle to deliver the song. Sold to a Star-Creation division operating in-house under one of the various record-label executives, the likely hit-song could then be allocated either to a veteran presence or one of the newer recruits from the pop-celebrity academies.

The sound was always bigger & brighter & brighter & bigger. The sound should have little trouble in filling a stadium. Yet, it rarely needed to fill a stadium, but the sound must fill a shopping complex daily. Yes, the genuine smash hit was truly achieved when it facilitated an easy browse along the aisles of capitalism—interrupting consumption only long enough for an involuntary duet between pop star and shopper, a reflex response from the teaser tinsel of the pre-chorus build and the persistent bass and treble hook of the chorus returning again and returning again. At times the production could be so seamless, so unremarkable, so successful that one could pause and ask themselves: How do I know this song? Have I always known it? Has this song always been here?

With these narrow options before her, what was a girl to listen to? There was the feminine powerhouses of the Divas; at least they were aggressively advertised as such. These “Queens” and “Ladies” were always presented in context to the objects in their orbits: the relationships new or sour; the clothes; the hair; the promotional tie-Ins; the prop outrage performed on an award ceremony stage; the boyfriends and husbands; their current positions on the charts; their current positions in the rotating feuds between the other Divas. Watching music videos one day after school with her best friend since ninth grade, Rebecca turned to her and said: “Ugh, these role-model bitches are always either selling church or snatch.” Mireille laughed until she snorted. It was true, those who were not peddling their brand with the accompanying image of Clean American could be found rolling their eyes, spreading their legs, and retailing their lives under a banner that read Liberated & Nasty. Purchased from the Nordic committee, they all currently had the pull of a melody that was so easy to babble-along to. The Divas’ singles could be fun, but listening to them, Mireille reasoned, would make her feel like merely some consequence of a premise.

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dendrites_cvr_14

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Water or Bread (Raining) – Madlib

Metamorphosis – Miles Okazaki (w/ Dan Weiss, Christof Knoche, Jon Flaugher, Miguel Zenon, David Binney, and Chris Potter)

To Sheila – Smashing Pumpkins [photo by Yelena Yemchuk]

Sonic Armada – Air

Morning Fog – Danger Mouse & Daniele Luppi

Green Belly – Ty Segall

Hidee Hidee Ho #16 – The New Basement Tapes (ft. Rhiannon Giddens, Elvis Costello, Taylor Goldsmith, Jim James, Marcus Mumford, produced by T Bone Burnett) [lyrics by Bob Dylan]

Shaman’s Blues – The Doors (Jim Morrison in the closet of his room at LA’s Chateau Marmont hotel, by Art Kane, May 1968.) 

Paint a Lady – Susan Christie

Strawberry Wine – Ryan Adams [photo by Mark Seliger]

Crystals – Bennie Maupin

Synthesizer – Outkast (ft. George Clinton)

What I saw – Broadcast & The Focus Group

Twinkle/Master Teacher – Erykah Badu [photo by Timothy Saccenti, 2008]

Polly – Duke Ellington

The Silent Orchestra – Hamilton Leithauser

sinatra

I See Your Face Before Me – Frank Sinatra

Hidee Hidee Ho #11 – The New Basement Tapes (ft. Jim James, Rhiannon Giddens, Elvis Costello, Taylor Goldsmith, Marcus Mumford, Bo Koster, produced by T Bone Burnett) [lyrics by Bob Dylan]

Stay (Faraway, So Close!) – U2

Homme Lune – Air

Black Noise – Rotary Connection

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 14)

  • Water or Bread (Raining) – Madlib
  • Metamorphosis – Miles Okazaki (w/ Dan Weiss, Christof Knoche, Jon Flaugher, Miguel Zenon, David Binney, and Chris Potter)
  • To Sheila – Smashing Pumpkins
  • Sonic Armada – Air
  • Morning Fog – Danger Mouse & Daniele Luppi
  • Green Belly – Ty Segall
  • Hidee Hidee Ho #16 – The New Basement Tapes (ft. Rhiannon Giddens, Elvis Costello, Taylor Goldsmith, Jim James, Marcus Mumford, produced by T Bone Burnett) [lyrics by Bob Dylan]
  • Shaman’s Blues – The Doors
  • Paint a Lady – Susan Christie
  • Strawberry Wine – Ryan Adams 
  • Crystals – Bennie Maupin
  • Synthesizer – Outkast (ft. George Clinton)
  • What I saw – Broadcast & The Focus Group
  • Twinkle/Master Teacher – Erykah Badu 
  • Polly – Duke Ellington
  • The Silent Orchestra – Hamilton Leithauser
  • I See Your Face Before Me – Frank Sinatra
  • Hidee Hidee Ho #11 – The New Basement Tapes (ft. Jim James, Rhiannon Giddens, Elvis Costello, Taylor Goldsmith,  Marcus Mumford, Bo Koster, produced by T Bone Burnett) [lyrics by Bob Dylan]
  • Stay (Faraway, So Close!) – U2
  • Homme Lune – Air
  • Black Noise – Rotary Connection

<^>_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

A MOUTHFUL OF PENNIES PRESENTS: AT PLAY BESIDE THE TOWER

Hello all and welcome to the new MixTape: At Play Beside The Tower. This one features such brilliant artists as Erykah Badu, St. Vincent, J Dilla, and many more! For those that are interested, both the title and some inserted text read by Lyn Gerry come from Charles Eisenstein’s great book, The Ascent of Humanity. (You can read or listen to it yourself for free over at this site.)

As always, if you enjoy any of these tunes I urge you to seek out and purchase more work to support these artists.

Thanks for stopping by and lending me your ear–

-ENJOY YOURSELF— 

 

At Play Beside The Tower_CVR

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Blind Man Can See It (Extended) – James Brown

Didn’t Cha Know – Erykah Badu

Reception/Group therapy – Broadcast & The Focus Group

About Nothing – Scott Weiland

Any Colour You Like – Flaming Lips [art by Martin Ansin]

Huey Newton – St. Vincent

Who Will Lead Us – Priestbird

Sugar Storm/At Play Beside the Tower – Trent Reznor & Atticus Ross/Charles Eisenstein (AMOP edit)

Workinonit [edit] – J Dilla 

Slave Only Dreams To Be King – Marilyn Manson

The Reptilian Agenda – B. Dolan

Sugar Storm (Reprise) – Trent Reznor & Atticus Ross

Gobstopper – J Dilla

Cthulu – EMA

Anchors – Stone Gossard

& Eveline – Elvis Perkins

Sirens Of Your Toxic Spirit – of Montreal

The Ideal Husband – Father John Misty

Urban Ease/Slide Machine – Parquet Courts (13th Floor Elevators cover)

1st Time/Freak You – Cooly G

Ordinary Morning – Sheryl Crow

A MOUTHFUL OF PENNIES PRESENTS: AT PLAY BESIDE THE TOWER————–   –  —   ———-  —

  • Blind Man Can See It – James Brown
  • Didn’t Cha Know – Erykah Badu
  • Reception/Group therapy – Broadcast & The Focus Group
  • About Nothing – Scott Weiland
  • Any Colour You Like – Flaming Lips
  • Huey Newton – St. Vincent
  • Who Will Lead Us – Priestbird
  • Sugar Storm/At Play Beside the Tower – Trent Reznor & Atticus Ross/Charles Eisenstein (AMOP edit)
  • Workinonit – J Dilla
  • Slave Only Dreams To Be King – Marilyn Manson
  • The Reptilian Agenda – B. Dolan
  • Sugar Storm (Reprise) – Trent Reznor & Atticus Ross
  • Gobstopper – J Dilla
  • Cthulu – EMA
  • Anchors – Stone Gossard
  • & Eveline – Elvis Perkins
  • Sirens Of Your Toxic Spirit – of Montreal
  • The Ideal Husband – Father John Misty
  • Urban Ease/Slide Machine – Parquet Courts
  • 1st Time/Freak You – Cooly G
  • Ordinary Morning – Sheryl Crow
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———————–BOBBY CALERO——————————-