Category Archives: Damon Albarn

A.M.O.P. PRESENTS: COLLISIONS & RESOLVES

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Hello All…Hello World.

Welcome to the latest A.M.O.P. Mixtape:_COLLISIONS & RESOLVES.

Enjoy your stay and

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—————–======ENJOY YOURSELF____———–

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A.M.O.P. Presents: _Collisions & Resolves
  • What I saw – Broadcast & The Focus Group
  • Death Is Not A Parallel Move – of Montreal
  • Caint Use My Phone (Suite) / Hi / I’ll Call U Back / Hello – Erykah Badu (produced by Zach Witness, ft.  André 3000)
  • Madness In Great Ones [Hamlet] – Duke Ellington & Billy Staryhorn (ft. Johnny Hodges|Paul Gonsalves)
  • Solstice – Brian Bennett 
  • Mouth Harp Mahem / Jyonder / Soloman – Paul White
  • Hallelujah Money – Gorillaz Feat. Benjamin Clementine
  • Dollar, Dollar – PJ Harvey
  • All The World Is Green – Tom Waits
  • Complicated Shadows – Elvis Costello
  • She’s My Witch – Kip Tyler
  • Whitman – Richard Swift
  • Just Like Kicking Jesus (Hungover Like Jesus After Dancing At Sirkus In Iceland) – The Brian Jonestown Massacre
  • The Love We Make – Prince
  • Moon Bird  – The Roger Webb Sound 
  • Always Crashing In The Same Car – David Bowie
  • Fire In The Zoo – The Heliocentrics
  • The Noise Came From Here – Saul Williams
  • Chronomentrophobia – André 3000
  • Where Flamingos Fly – The Gil Evans Orchestra (ft. Johnny Coles on trumpet)
  • My Dearest Friend – Devendra Banhart

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What I saw – Broadcast & The Focus Group

Death Is Not A Parallel Move – of Montreal [art by David Barnes]

Caint Use My Phone (Suite) / Hi / I’ll Call U Back / Hello – Erykah Badu (produced by Zach Witness, ft. André 3000)

Madness In Great Ones [Hamlet] – Duke Ellington & Billy Staryhorn (ft. Johnny Hodges|Paul Gonsalves)

Solstice – Brian Bennett

Mouth Harp Mahem / Jyonder / Soloman – Paul White

Hallelujah Money – Gorillaz Feat. Benjamin Clementine

Dollar, Dollar – PJ Harvey

All The World Is Green – Tom Waits [photo by Jean-Baptiste Mondino]

Complicated Shadows – Elvis Costello

She’s My Witch – Kip Tyler

Whitman – Richard Swift

Just Like Kicking Jesus (Hungover Like Jesus After Dancing At Sirkus In Iceland) – The Brian Jonestown Massacre

The Love We Make – Prince

Moon Bird – The Roger Webb Sound

Always Crashing In The Same Car – David Bowie [photo by Norman Parkinson, 1977]

Fire In The Zoo – The Heliocentrics

The Noise Came From Here – Saul Williams

Chronomentrophobia – André 3000

Where Flamingos Fly – The Gil Evans Orchestra (ft. Johnny Coles on trumpet)

My Dearest Friend – Devendra Banhart [photo by Lauren Dukoff, 2007]

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All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

THE DEMISE OF THE MASK (VOL 7)

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Hello All.

Welcome to Volume Seven of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)-

This one features The Afghan Whigs‘ delicious cover of The Wizard of Oz highlight “If I Only Had A Heart“; Keith Richards‘ fantastic cover of Hank Williams‘ “You Win Again“; a burning 1973 cover of The Rolling Stones‘ “Gimme Shelter” done here by Amanda Ambrose; “Lucky” off of Devendra Banhart‘s latest record Ape in Pink Marble; as well as the stunning 2006 tune “Ain’t Talkin’” by Bob Dylan; the 1946 hit by Peggy Lee, “It’s All Over Now“; another beauty by Jane Weaver; and “Happy Phantom” (which contains the fantastic lyric, “And I’ll go wearin’ my naughties like a jewel”) from Tori Amos‘ great 1992 debut, Little Earthquakes. Yes, all this and a whole lot more! So scroll down and press play!

Oh and there’s George Harrison with this beautiful caveat:

Watch out now, take care
Beware of falling swingers
Dropping all around you
The pain that often mingles
In your fingertips
Beware of darkness
Watch out now, take care
Beware of the thoughts that linger
Winding up inside your head
The hopelessness around you
In the dead of night
Beware of sadness
It can hit you
It can hurt you
Make you sore and what is more
That is not what you are here for
Watch out now, take care
Beware of soft shoe shufflers
Dancing down the sidewalks
As each unconscious sufferer
Wanders aimlessly
Beware of Maya
Watch out now, take care
Beware of greedy leaders
They take you where you should not go
While Weeping Atlas Cedars
They just want to grow, grow and grow
Beware of darkness (beware of darkness)

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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—————–======ENJOY YOURSELF____———–

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 7)__Naphthalene Magnolias #4___
  • It Catches Up With You – Trent Reznor & Atticus Ross
  • 9 Point Star – Damon Albarn
  • Don’t Take My Soul – Jane Weaver
  • Lucky – Devendra Banhart
  • Happy Phantom – Tori Amos
  • Fever – Alvin Robinson
  • The Pink Room – David Lynch & Fox Bat Strategy
  • Gimme Shelter – Amanda Ambrose (The Rolling Stones cover)
  • Northeast Texas Women – Willis Alan Ramsey
  • Your Southern Can is Mine – The White Stripes (Blind Willie McTell cover)
  • Don’t Let Him Ride – Mississippi Nightingales
  • Why Spend A Dark Night With Me? – Moondog
  • Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief – Radiohead
  • Beware Of Darkness – George Harrison
  • If I Only Had A Heart – The Afghan Whigs (by Harold Arlen & E.Y. Harburg)
  • Sea Diver – Mott The Hoople
  • Ain’t Talkin’ – Bob Dylan
  • Step Aside – The Staple Singers
  • You Win Again  – Keith Richards (Hank Williams cover)
  • Mean Old World – The Heavenly Gospel Singers
  • Sway – The Rolling Stones
  • It’s All Over Now – Peggy Lee
  • Goodbye America – (written by Jim Morrison; read by Johnny Depp)

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[It Catches Up With You - Trent Reznor & Atticus Ross]

[It Catches Up With You – Trent Reznor & Atticus Ross]

[9 Point Star – Damon Albarn]

[9 Point Star – Damon Albarn]

[Don’t Take My Soul – Jane Weaver]

[Don’t Take My Soul – Jane Weaver]

[Lucky – Devendra Banhart]

[Lucky – Devendra Banhart]

little-earthquakes-banner

[Happy Phantom – Tori Amos]

[Fever – Alvin Robinson]

[Fever – Alvin Robinson]

[David Lynch & Fox Bat Strategy]

[The Pink Room – David Lynch & Fox Bat Strategy]

[Gimme Shelter – Amanda Ambrose]

[Gimme Shelter – Amanda Ambrose]

[Northeast Texas Women – Willis Alan Ramsey]

[Northeast Texas Women – Willis Alan Ramsey]

[Your Southern Can is Mine – The White Stripes]

[Your Southern Can is Mine – The White Stripes]

fire-in-my-bones

[Don’t Let Him Ride – Mississippi Nightingales]

[Why Spend A Dark Night With Me – Moondog]

[Why Spend A Dark Night With Me? – Moondog]

[Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief – Radiohead (art by Thom Yorke & Stanley Donwood)]

[Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief – Radiohead (art by Thom Yorke & Stanley Donwood)]

[Beware Of Darkness – George Harrison]

[Beware Of Darkness – George Harrison]

[If I Only Had A Heart – The Afghan Whigs (by Harold Arlen & E.Y. Harburg)]

[If I Only Had A Heart – The Afghan Whigs (by Harold Arlen & E.Y. Harburg)]

[Sea Diver – Mott The Hoople]

[Sea Diver – Mott The Hoople]

[Ain’t Talkin’ – Bob Dylan (art, "Two Sisters" by Bob Dylan]

[Ain’t Talkin’ – Bob Dylan (art, “Two Sisters” by Bob Dylan]

[Step Aside – The Staple Singers]

[Step Aside – The Staple Singers]

[You Win Again – Keith Richards (photo by Patrick Demarchelier, New York, 2000

[You Win Again – Keith Richards (Hank Williams cover)(photo by Patrick Demarchelier, New York, 2000]

[Mean Old World – The Heavenly Gospel Singers]

[Mean Old World – The Heavenly Gospel Singers]

[Sway – The Rolling Stones]

[Sway – The Rolling Stones (photo by David Montgomery, 1971)]

[It’s All Over Now – Peggy Lee]

[It’s All Over Now – Peggy Lee]

[Goodbye America – (written by Jim Morrison; read by Johnny Depp) (photo, one of the last known of Morrison, a poloroid shot within his paris apt., March-June, 1971)]

[Goodbye America – (written by Jim Morrison; read by Johnny Depp) (photo, one of the last known of Morrison, a Polaroid shot within his Paris apt., March-June, 1971)]

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___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL 5)

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Hello All.

Welcome to Volume Five of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)-

Featuring certain songs by Stevie WonderCurtis Mayfield, Al GreenDory Previn, and even featuring the title track from Bill Fay‘s brilliant but apocalyptic and oppressive record of 1971, Time of the Last Persecution–I’m sure that this MixTape is a somewhat result of a residue from our national nativity ceremony. I can recall once in Montréal someone made a derisive remark about religion while jerking a thump at the enormous neon crucifix hung in the night sky. Quickly but calmly, my good friend Frankie responded: “Hey, some people need that…and that’s a real thing, y’know?…some people need that to get by.”

At that moment I thought: “fair enough.”

Well, among a whole lot of other good tunes The Demise Of The Mask (Vol. 5) also features the songs “Misbehave” &  “She Might Get Shot” both taken from  Juan Wauters‘ fantastic 2015 record,  Who Me? I know he’s got a new one coming up someday soon so be sure to keep your ears open for that because I can tell you it’s a beauty!

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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—————–======ENJOY YOURSELF____———–

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demise-cvr-5

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 5)__Aubade ___
  • Looking For Satellites – David Bowie
  • I Should Watch TV – David Byrne & St. Vincent
  • Gone Away – Matthew E. White
  • All Along The Watchtower – Brothers & Sisters
  • Have A Talk With God – Stevie Wonder
  • Jesus – Curtis Mayfield
  • Jesus Is Waiting – Al Green
  • Did Jesus Have a Baby Sister? – Dory Previn
  • Time Of The Last Persecution – Bill Fay
  • Tower Of Song –  Leonard Cohen & U2
  • Never Be Afraid! [edit] – Entrance
  • I Dreamed I Saw St. Augustine – Bob Dylan
  • Saturn – Damon Albarn
  • Rings Of Saturn – Nick Cave & The Bad Seeds
  • My Body – Perfume Genius
  • Rebirth Of The Flesh – Prince (as Camille)
  • Misbehave / She Might Get Shot – Juan Wauters
  • Hood Politics / How Much A Dollar Cost – Kendrick Lamar ft. James Fauntleroy & Ronald Isley
  • Crippled Inside – John Lennon

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[Looking For Satellites - David Bowie (photo "David Bowie, 1997" by Floria Sigismondi)]

[Looking For Satellites – David Bowie (photo “David Bowie, 1997” by Floria Sigismondi)]

[I Should Watch TV – David Byrne & St. Vincent]

[I Should Watch TV – David Byrne & St. Vincent]

[Gone Away – Matthew E. White, (photo by Cameron Charles Lewis)]

[Gone Away – Matthew E. White, (photo by Cameron Charles Lewis)]

[All ALong The Watchtower – Brothers & Sisters]

[All Along The Watchtower – Brothers & Sisters]

[Have A Talk With God – Stevie Wonder]

[Have A Talk With God – Stevie Wonder]

[Jesus – Curtis Mayfield (cover art recreated, in tinted form, from Margaret Bourke-White's 1937 monochrome original, 'At The Time Of The Louisville Flood', ]

[Jesus – Curtis Mayfield (cover art recreated, in tinted form, from Margaret Bourke-White’s 1937 monochrome original, “At The Time Of The Louisville Flood.” ]

[Jesus Is Waiting – Al Green, (photo by Bud Lee, 1972]

[Jesus Is Waiting – Al Green, (photo by Bud Lee, 1972)]

[Did Jesus Have a Baby Sister – Dory Previn]

[Did Jesus Have a Baby Sister? – Dory Previn]

[Time Of The Last Persecution – Bill Fay, (art by Erica Parrott)]

[Time Of The Last Persecution – Bill Fay, (art by Erica Parrott)]

[Tower Of Song - Leonard Cohen & U2]

[Tower Of Song – Leonard Cohen & U2]

[Never Be Afraid! [edit] – Entrance]

[Never Be Afraid! [edit] – Entrance]

[I Dreamed I Saw St. Augustine – Bob Dylan (photo: Bob Dylan, outside his Byrdcliffe home, infrared color film, Woodstock, NY, 1968. Photo By Elliott Landy)]

[I Dreamed I Saw St. Augustine – Bob Dylan
(photo: Bob Dylan, outside his Byrdcliffe home, infrared color film, Woodstock, NY, 1968. Photo By Elliott Landy)]

[Saturn – Damon Albarn]

[Saturn – Damon Albarn]

[Rings Of Saturn – Nick Cave & The Bad Seeds]

[Rings Of Saturn – Nick Cave & The Bad Seeds]

[My Body – Perfume Genius (photo: Perfume Genius as Egon Schiele's portrait as St Sebastian by Steven Miller, 2015)]

[My Body – Perfume Genius (photo: Perfume Genius as Egon Schiele’s portrait as St Sebastian by Steven Miller, 2015)]

[Rebirth Of The Flesh - Prince (as Camille)]

[Rebirth Of The Flesh – Prince (as Camille)]

[Misbehave / She Might Get Shot – Juan Wauters (art by Matt Volz)]

[Misbehave / She Might Get Shot – Juan Wauters (art by Matt Volz)]

[Hood Politics / How Much A Dollar Cost – Kendrick Lamar ft. James Fauntleroy & Ronald Isley (art by DJNowGraphics)]

[Hood Politics / How Much A Dollar Cost – Kendrick Lamar ft. James Fauntleroy & Ronald Isley (art by DJNowGraphics)]

[Crippled Inside – John Lennon (photo by Michael Putland, 1971)]

[Crippled Inside – John Lennon (photo by Michael Putland, 1971)]

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___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 11)

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From here the album is washed over in a pixelated aurora borealis, which competes for nearly three minutes against steel brackets that attempt to contain it. This being the third song of disc two, “Press: Tattle-Tape,” the band’s tone poem musing on a culture of mass surveillance and spectacle. With a roll and quivering drone to Heath’s voice, the tune drifts along with a slush and spun mantra of:

tattletape

With a yank of the wires Mireille pulled the little stereo buds from her ear canals and let them drop to the laminate table top. For the moment she felt bored by her favorite album by what was then her favorite band. While at the time she was yet to be so heavily embedded in the wireless two-way access and feed of such things, Mireille’s opinion was still much in line with those of the dominant music journalists of “Alt-Culture” at that time. Much of that year’s accolades and critical praise would be heaped upon […]Phantom Limbs[…]. Yet, even those that gave it perfect stars and the top spot on year-end review lists were sure to use the term “self-indulgent” in their opinion columns.

Coinciding with the album’s release on October 24th the prior year, deputy music editor James DePrecato wrote a piece of criticism for Turn-Turn Magazine entitled “Baroque or Bloat.” In this four out of five star review he wrote:

For all of its synthesized ornaments and gloom, Locust Mirror’s last LP, The Misshapen Pearl was still anchored in enough racket to still sell as a fairly standard rock album. Here in the substantial bulk of their new record the band has been uprooted to flail about countless styles, some pleasant, lenient, and wholly mesmerizing, others odious in their sincerity, or worse when occasionally the indulgences plunge into self parody. And yet for all its theatrical abandon, Phantom Limbs (etc. etc. etc.) is one of the finest double albums to be released on the marketplace by any artist in quite some time. Here you have a rare epic that is actually supported by its content.

From here the review careens off into some digression on former Mayor John Lindsay’s Fun City era New York, White Flight, and this quote by French poet Stéphane Mallarmé: To name an object is to suppress three-fourths of the enjoyment of the poem, which is composed of the pleasure of guessing little by little: to suggest…that is the dream. All that before concluding with: “From its sepulchral folk to the fluid-fuzz of its ambitious ballads this is the work of a group resolute in pursuing any and every artistic impulse…wherever they might lead. But above all that it is a triumph of the will and imagination.” But still it was there, “self-indulgent.”

“Well,” Mireille would later question, “what act of creation in this world couldn’t be rerouted back and subjected to that snub? Even charity. Even community. ”

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dendrites cvr 11

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(problem) – Eat the document Soundtrack

Thaeter – Marilyn Manson [art, The Golden Age (Mother 4) by Gottfried Helnwein, 2003]

Newspaper Spoons – Viet Cong

Sweet Cream Ladies, Forward March – The Box Tops

You And Whose Army? – Radiohead [art by Stanley Donwood]

Why Don’t You Believe in Me – Natalie Prass [photo by Laura D’art]

Is It Love or Desire – Betty Davis

One And One – Miles Davis

Keep On Keeping On – NF Porter

Every Planet We Reach Is Dead – Gorillaz

Learning To Live Together/The Revolution Will Not Be Televised, But It Will Be Auctioned Off On Ebay – Mushroom (with Gary Floyd)

Birdland Patti Smith (Photo by Linda Smith Bianucci)

 

E-Bow The Letter – R.E.M.

mrp011lp

Fire Shed In My Bones – Boyd Rivers

I’m So Bored With The U.S.A. – The Clash [painting: The Last Rally, Mort Kunstler (1865)]

Love Me – The Phantom

Big Love – Matthew E. White

Kangaroo – Big Star

Estocadas – of Montreal

Hope – R.E.M.

The-Band-Color-F13A_web

When You Awake – The Band [photo by Norman Seeff, 1969]

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 11)

  • (problem) – Eat the document Soundtrack
  • Thaeter – Marilyn Manson 
  • Newspaper Spoons – Viet Cong
  • Sweet Cream Ladies, Forward March – The Box Tops
  • You And Whose Army? – Radiohead
  • Why Don’t You Believe in Me – Natalie Prass 
  • Is It Love or Desire – Betty Davis
  • One And One – Miles Davis
  • Keep On Keeping On – NF Porter
  • Every Planet We Reach Is Dead – Gorillaz
  • Learning To Live Together/The Revolution Will Not Be Televised, But It Will Be Auctioned Off On Ebay – Mushroom with Gary Floyd
  • Birdland – Patti Smith 
  • E-Bow The Letter – R.E.M.
  • Fire Shed in My Bones – Boyd Rivers
  • I’m So Bored With The U.S.A. – The Clash
  • Love Me – The Phantom
  • Big Love – Matthew E. White
  • Kangaroo – Big Star
  • Estocadas – of Montreal
  • Hope – R.E.M.
  • When You Awake – The Band 

_ _ _ __=========================================     <^>______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their albums.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 8)

http://investinlibraries.org/

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When a frustrated teenager, Mireille herself flirted with atheism. Or was it agnosticism? She couldn’t recall now what proud label she might have boasted of back then if she weren’t always so shy. In a series of sudden increments and entanglements with the outside, young Mireille had come to a form of realization that she could at the time encapsulate in the phrase “this world is bullshit!”

With so many angles at which to aim angst, that dour fury for a deceitful world presented to her daily would first find it’s big target with both the concept of God and how sanction houses implemented that concept upon us. As time went on, however, Mireille’s perception of “bullshit” refined. Yes, she came to realize, it was all that, in the sense that the bulk of our world was made up. Yet, she couldn’t say that it wasn’t “real.” She felt it. Everday.

So, if it all was real and likewise made up: “well then what does that say about the nature of reality?” she had questioned; “well then what does that say about me?” Does existence possess a complex geometry where opposed sides fold simply to be true and false simultaneously; where one should negate the other and thus both but don’t and in fact supports them together and perhaps much more? Like many teens she started to harbor these suspicions, but without the luxury of much of a lexicon to crowd them into shape, into an ethos—and so there was: this world is bullshit! Mireille began to feel that The World was nothing but ideas made manifest; condensed into a solid; a tangible vibration; a consequence of narratives; a frequency captured by the little shell of the ear; the collection of light by the adjustable assembly of lenses, tunics, apertures that is the eye; and all those other instruments; implemented in systems we’re born in and learn to inhabit…like currency for example…or race. As time went on, however, she came to realize that she could appositely replace the word “implemented” with that of “manipulated.”

At the age of seventeen she had spent the majority of one particular November afternoon at her local public library working on a report for school that pertained to the causes and outcomes of The Cold War. Seated at a laminate table crowded with splayed textbooks and a marble notebook, she fell away from the task at hand. After hours of study and note jotting she had grown bored by the “death strip” of the Berlin Wall, bored of dead Kennedy, bored of Premier Khrushchev, bored of primate-patriarch Reagan, and bored even by chants of “Tor auf!” (“Open the gate!”). The focus of her vision blurred towards the white between the printed words before her.

_______________________        -_-      _________________       _         _________________

Dendrites 8 CVR

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Another Part of You/Panic Struck – Souls Of Mischief & Adrian Younge

Boxcar – Jawbreaker

Black Ballerina – Ariel Pink [image by Леонид Калядин]

Little Ballerina/Ballerina’s Reprise – Emile Haynie (ft. Rufus Wainwright, Father John Misty, & Julia Holter)

Gold – Mikal Cronin [photo by Ward Robinson]

Hot Hot HotMatthew E. White

Windows – Deafheaven

God Knows Why – Nneka (ft. Black Thought)

Things That Are Bad For Me (Pt. I & II) – Colleen Green

Be Sweet – The Afghan Whigs

It Is What It Is – Blood Orange

Find Your Wings – Tyler, The Creator

Death Of A Party – Blur

Fkn Dead/Never Catch Me – Flying Lotus (ft. Kendrick Lamar) [image by Hiro Murai]

Shattered Winds – The Budos Band

Both Alive – Tall Tales And The Silver Lining

Last Year – Best Coast

How Come U Don’t Call Me Anymore – (♀)

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 8)

  • Another Part of You/Panic Struck – Souls Of Mischief & Adrian Younge
  • Boxcar – Jawbreaker
  • Black Ballerina – Ariel Pink 
  • Little Ballerina/Ballerina’s Reprise – Emile Haynie (ft. Rufus Wainwright, Father John Misty, & Julia Holter)
  • Gold – Mikal Cronin
  • Hot Hot Hot – Matthew E. White
  • Windows – Deafheaven
  • God Knows Why – Nneka (ft. Black Thought)
  • Things That Are Bad For Me (Pt. I & II) – Colleen Green
  • Be Sweet – The Afghan Whigs
  • It Is What It Is – Blood Orange
  • Find Your Wings – Tyler, The Creator
  • Death Of A Party – Blur
  • Fkn Dead/Never Catch Me – Flying Lotus (ft. Kendrick Lamar)
  • Shattered Winds – The Budos Band
  • Both Alive – Tall Tales And The Silver Lining
  • Last Year – Best Coast
  • How Come U Don’t Call Me Anymore – (♀)

_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their albums.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 7)

_ _____________________       _   _  _________________       _       _________________   _

It was not avoidance of some problem that she was advocating, but only a proper approach and perspective: understanding what truly was a problem and what was not. Where and when it could be found, she was for the compassion of laughter. Mireille pondered over the predominate perpetrators of violence on this planet and wondered if the males’ faculty for a certain aspect of acceptance had been frustrated and underdeveloped. Perhaps “acceptance” wasn’t the word she wanted, for enough of them seemed to be in love with a fallen world. No, maybe it was “reception,” or “tolerance,” or some other such word having to do with communication?

She couldn’t find it then but regardless questioned, “why not then let these thoughts inform and foster some work of art: a painting; song; or stand-up routine? At the very least they should let us laugh as they pass on by.” She believed that too few artists are encouraged in our world, and their work too quickly inspected for external utility or market potential. Comedians are poked to placate our revulsion. Our role as creator is repressed and in its stead we labor over cruel acts. “It’s like we’re prohibited from changing anything, really.” Beholden to a moribund heritage, we suffer in the name of habit and being consistent; “…being practical…but…practical for whose protocol? Don’t ask, you’ll suffer more.” We suffer for order.

For order we suffer.

“We are held hostage in someone else’s head…and in the end…and in our own. Regret will only get you ugly in the end.”

        She considered the device currently slipped within a little zippered pocket inside her purse: plastic, glass, semiconductor chips of silicon, and rare earth minerals molded and arranged into a slim rectangle of circuit boards and a touchscreen with a friendly graphic user interface…”a friendly gooey.” Contemplating all it was capable of—all of its known, numerous applications, the ones she hasn’t figured out yet and the ones she didn’t care to—she asked herself:

“We’re already living in the future…aren’t we? …Or as far as this future is gonna go, really. From here-on-out and for awhile now it’s all just restatements of a theme. Sure with a few innovative variations and tempo changes thrown in to keep us back-slap-smiling, ‘gee–whiz, how neat, this cutting-edge changes everything! Science will save us!’ But, shouldn’t we be somewhere else. Shouldn’t we be building biodegradable citadels for music, poetry, or, hell, a cathedral for aromatherapy…anything else really? All I see is thinner televisions. All I see are more heads bowed towards screens.

“Geez-Louise, I sound like an old lady…’back in my day we didn’t have all these fancy smellular phones and wifi-telebones, we had to use a drum!’…but…Shouldn’t we be busy with some other great work by this point? Why do we all feel excused from this? Why are so many of us excluded from this?

“Didn’t they tell us so long ago that we’ll be taking it easy from here-on-out? Aren’t they still selling that line?” For far too long now we’ve been trapped in this false landscape of muscles and dollars, this unsustainable sham of a one-way line stretched unhindered towards infinite and plastic futures—attributed to Darwin, healthy competition, and hard-earned progress. “Everything always backed by Darwin.” All those that suffer or benefit from the drought and locusts of a debt market so that a ham and cheese sandwich wrapped in cellophane might exist on some chain-restaurant’s theme-park counter could always seek solace, dismissal, and script in the arms of Saint Darwin. She felt sad for all those slighted people with Holy Daddy and/or Holy Mommy issues: who smugly announce themselves as atheists; who declare with a moral superior air, “I believe in science.”

“Yeah…well who doesn’t?”

_ _____________________                        _________________            _________________   _

Dendrites 7 CVR

-_______________________________   ——  —  ——–  _______________ –  __

 

——————————-(Click to Listen or Download)—————–

================____====  \^/  ============  ===  _ ===== == =    ==    =   __ – _>

Zeno’s Law Of High-Heeled Shoes – Jim Carroll

Numbers – FKA Twigs

Rich – Yeah Yeah Yeahs

Forty Days & Forty Nights – Muddy Waters

Every Season – Tony Allen (ft. Damon Albarn & Ty)

Wonderwall To Be Here – George Harrison

Lost In The Woods – The Afghan Whigs

The One-Eye Two-Step – The Blackbyrds

Me And The Devil – Gil Scott-Heron (Robert Johnson cover)

The Water – BLKHRTS

Misbehave/She Might Get Shot – Juan Wauters

Cocaine Habit Blues – Memphis Jug Band featuring Hattie Hart [Art by: Robert Crumb]

Yassassin (Long Live) – David Bowie

Ysabel’s Table Dance – Charles Mingus

Black Skin Blue Eyed Boys – Equals

Breed – Nirvana

She Said She Said – The Beatles

When Your Number Isn’t Up – Mark Lanegan Band

Good God’s:// Urge! – Porno For Pyros

I Know We Could Be So Happy Baby (If We Wanted to Be) – Jeff Buckley (TheSpaceBubbles mix)

Farewell, Angelina – Bob Dylan (Bringing it All Back Home outtake) [photo by Jerry Schatzberg]

Niña – Eduardo Mateo [photo by Francesca Woodman]

My translation, feel free to comment if youv’e got a better one:

Little girl that always has a light
showing you what you do not want.

Do not fear the birds
if they say your life with their trills.

It should be that you understand;
that’s why what comes next is what has gone.

Always in a white dress,
you go but beware;

The devils in the guise of angels
will notice you talking.

Does it shame you that you don’t care
what has been soiled?

Yuu…yu-le-lé yu-lé.

….===================================  ======== == =    ==    =    = – __

_ _ _ __=========================================     ______
A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 7)
  • Zeno’s Law Of High-Heeled Shoes – Jim Carroll
  • Numbers – FKA Twigs
  • Rich – Yeah Yeah Yeahs
  • Forty Days & Forty Nights – Muddy Waters
  • Every Season – Tony Allen (ft. Damon Albarn & Ty)
  • Wonderwall To Be Here – George Harrison
  • Lost In The Woods – The Afghan Whigs
  • The One-Eye Two-Step – The Blackbyrds
  • Me And The Devil – Gil Scott-Heron (Robert Johnson cover)
  • The Water – BLKHRTS
  • Misbehave/She Might Get Shot – Juan Wauters
  • Cocaine Habit Blues – Memphis Jug Band featuring Hattie Hart
  • Yassassin (Long Live) – David Bowie
  • Ysabel’s Table Dance – Charles Mingus
  • Black Skin Blue Eyed Boys – Equals
  • Breed – Nirvana
  • She Said She Said – The Beatles
  • When Your Number Isn’t Up – Mark Lanegan Band
  • Good God’s:// Urge! – Porno For Pyros
  • I Know We Could Be So Happy Baby (If We Wanted to Be) – Jeff Buckley (TheSpaceBubbles mix)
  • Farewell, Angelina – Bob Dylan (Bringing it All Back Home outtake)
  • Niña – Eduardo Mateo

_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their albums.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 3)

_____________________                       _________________                      _________________   _

On to the next moment.

      Was that our allotted life, an incessant testing of the tensile limits of these near imperceptible vacuums that in part comprise our cognizance? This followed by a fleeting recess in order that we may measure our instruments. To quote Peggy Lee quoting Jerry Leiber quoting Thomas Mann: “Is that all there is?” Is that all there is:——spill-and-coil-and-witness-and-move—spill-and-coil-and-witness-and-move—spill-and-coil-and-witness-and-move—spill-and-coil-and-witness-and-move—spill-and-coil-and-witness-and-move—spill-and-coil-and-witness-and-move—spill-and-coil-and-witness-and-move—spill-and-coil-and-witness-and-move—spill-and-coil-and-witness-and-move—spill-and-coil-and-witness-and-move——

No! There’s more. How often do we forget that what we discover with these instruments is a truth only relative to the instrument implemented? Yet, we habitually live here in the echo of a crowded hollow; we inhabit a theater we for our part create.

It was no wonder we often feel that life might only be maneuvered through by becoming one’s own audience. It was no wonder we sometimes notice that we’ve slid into a center seat in a middle aisle. We watch the film: spliced, taped, and scored towards a recognizable narrative structure and genre by young, conglomerate chimeras we call the self. This conceptual substitution—this thing that seemed to be formed from a slack mass of compacted fragments, while each particle of these fragments themselves are likewise only but a pile of disparate measures, which cling like wet garments and remain so by a mutual pursuit of functionality—this bundle.

Say the word: self. Say it again: self. Say the little syllable: self. Say it again: self. Feel how it plays alone at the utmost edge of your mouth—of you.

      Self. A concise whistle along the middle curl of a mass of lashed muscles suspended in the mouth; then with a succinct roll of the vocal cords comes that tap of the tongue where the enamel scoop of the maxillary central incisors (11 and 21) taper to sit in the alveolar ridge; subsequently, under another continuous stream of breath, the vocal folds cease to vibrate as the bottom lip softly presses at the caps of the top front teeth: self. Is that us; is this entity best encapsulated and best described by the catchall, audible, mechanical wave of pressure and displacement that results from this sequence of events? Was there an entity somewhere in that closed order? Culture the whole world over seemed a ceremony to honor that closed order.

Say the word: self. Say it again: self. Listen. Say the silly little syllable: self. Say it again: self. Listen to the sound: self.

Then there was the chomp on nothing that produces the little letter I.

      Self and I, a myriad of supple mirrors and chromatic lenses perpetually rearranged through the fluid to intimate the infinite image guessed at as required by a particular moment. Believed by whom? Who is it that plays interior decorator with these reflective planes and colored, gelatin filters? Where is it? What should we call it?

_____________________                        _________________                      _________________   _

dendrites 3 cvr

-_______________________________   ——  —  ——–  _______________ –  __
——————————-(Click to Listen or Download)—————–
.===================================  ======== == =    ==    =    = – __

Licorice (The Beginning)/Fällig – Madlib

Buy Her Candy – Sleater-Kinney

Prince-Parade-era

Crystal Ball – [******]

If You Got Funk, You Got Style (Voodoo sessions outtake riff) – D’Angelo

Dirty Boys – David Bowie

Pusher Love Girl – Justin Timberlake

Continental Shelf – Viet Cong

The-Soft-Boys-Love-Poisoning-563351

Leppo and The Jooves – The Soft Boys

Marquee Moon – Television

Clue One – Trent Reznor & Atticus Ross

Trimm Trabb/No Distance Left To Run/Optigan 1 – Blur

Lady, Your Roof Brings Me Down – Scott Weiland

See My Lord/Hades’ Lady/From The Day That You Were Born – Pop Levi

Metallic Cloud – Damien Jurado

(police cars and dogs) – Eat The Document soundtrack

.
_ _ _ __=========================================     ______
A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 3)
  • Licorice (The Beginning)/Fällig – Madlib
  • Buy Her Candy – Sleater-Kinney
  • Crystal Ball –  [Prince logo.svg]
  • If You Got Funk, You Got Style (Voodoo sessions outtake riff) – D’Angelo
  • Dirty Boys – David Bowie
  • Pusher Love Girl – Justin Timberlake
  • Continental Shelf – Viet Cong
  • Leppo and The Jooves – The Soft Boys
  • Marquee Moon – Television
  • Clue One – Trent Reznor & Atticus Ross
  • Trimm Trabb/No Distance Left To Run/Optigan 1 – Blur
  • Lady, Your Roof Brings Me Down – Scott Weiland
  • See My Lord/Hades’ Lady/From The Day That You Were Born – Pop Levi
  • Metallic Cloud – Damien Jurado
  • (police cars and dogs)  – Eat The Document soundtrack

__________——–_________________        -_______

——————————————-BOBBY CALERO—————————–