Category Archives: Duke Ellington

THE DEMISE OF THE MASK (VOL 12)__VEHICLES OF CONVEYANCE___

__

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=

—  –   ————-______________ ->

__________———

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__The Demise Of The Mask (Vol 12)__Vehicles of Conveyance___
  • India – Roxy Music
  • 3 Legs (Thrillington version) – Percy “Thrills” Thrillington (Paul McCartney)
  • Higher – Rihanna
  • Cheshire Cat Cry – Yoko Ono Plastic Ono Band
  • Wayward – Anon (aka Wynn)
  • It Is Obvious – Syd Barrett
  • 3 Legs – Paul & Linda McCartney
  • The Terror/You Are Alone/Butterfly, How Long It Takes To Die – The Flaming Lips
  • The Best Is Yet To Come – Bob Dylan (composed by Cy Coleman, lyrics by Carolyn Leigh)
  • Let Me Be – Parliament
  • Steer Your Way – Leonard Cohen
  • Sister I Need Wine – Guided By Voices
  • Cool Papa Bell – Paul Simon
  • Fekete Beat – Sarolta Zalatnay
  • Big Black Monster – Scott Weiland
  • Star Dream Girl – David Lynch
  • Wampyr (finale) – Goblin
  • Beware Of Darkness – Leon Russell (George Harrison cover)
  • Bluebird of Delhi (Mynah) – Duke Ellington And His Famous Orchestra
  • The Day I Tried To Live – Soundgarden 
  • Goodbye – Anon (aka Wynn)
__________—

—  –   ————-______________ ->

Hello All.

Welcome to Volume Twelve of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)__(Volume Eight here)__(Volume Nine here)__(Volume Ten here)__(Volume Eleven here)-

I do hope you dig this here MixTape as it features some fine, fine music! There’s a couple of selections from the album Universe. Envisioned and created by an artist that alternately goes by the monikers Wynn, W.Y.N.N., and ANON, Universe is an assemblage of brief bursts, soundscapes, scrapes, sodden ambiance, demented little diddies, digital bumps, bedroom tapes, and soft moments of sweeping beauty. These fragmented tracks all seem to step on each-other’s toes as often as they rub elbows. You can catch Wynn playing live on Sat. June 3rd, 2017 around 9PM at the gallery/performance space Orgy Park:

Located in Bushwick Brooklyn between Wilson and Knickerbocker Ave
237 Jefferson Street 1B
Brooklyn, NY 11237
929 234 1277 (p)
orgypark(at)gmail.com
 Elsewhere on the mix there’s the incredibly funky “Cheshire Cat Cry” by then 80 year old Yoko Ono, featuring Lenny Kravitz and her fluid group Plastic Ono Band helmed by her supremely talented son Sean Lennon. “Cool Papa Bell” comes from Paul Simon‘s last record, the fantastic Stranger to Stranger released  a year ago in June of 2016. I highly recommend picking that one up! You’ll also hear  Leon Russell‘s re-imagining of the great George Harrison tune, “Beware of Darkness.” This version closes out Russell’s second solo album Leon Russell and the Shelter People, released in May of 1971. Along with Russell’s inventive, kinetic take there are Harrison’s incredible lyrics, like:
Watch out now, take care
Beware of soft shoe shufflers
Dancing down the sidewalks
As each unconscious sufferer
Wanders aimlessly
Beware of Maya
 and:
Watch out now, take care
Beware of greedy leaders
They take you where you should not go
While Weeping Atlas Cedars
They just want to grow, grow and grow
Beware of darkness

You’ll also hear two versions of the Paul McCartney diddy “3 Legs.” There’s the original from the 1971 Paul and Linda McCartney record Ram, and then there’s the orchestral Percy “Thrills” Thrillington version. Under this pseudonym, and alongside arranger Richard Anthony Hewson, McCartney served as producer for the record Thrillington, which is an instrumental cover version of the entire album of Ram recorded during the sessions for the album proper itself in 1971. It would be released with little notice 6 years later in 1977, but I think it’s a ton of fun! This mix has got “Fekete Beat” (Black Beat) which can be found on the compilation of Hungarian star Sarolta Zalatnay‘s finest work of the seventies, put out in 2007 by one of my favorite record labels, Finders Keepers and their US distribution arm, B-Music.

Featured here as well is a long, unnerving triptych by The Flaming Lips from their 2013 LP, The Terror. On this record the group strip their usual sound of vivid squiggles and leave it as something skeletal—shards of brittle metal made tactile with silver glitter and a patina of chemical compounds. Lead vocalist Wayne Coyne described the album’s general idea as thus:

“We want, or wanted, to believe that without love we would disappear, that love, somehow, would save us that, yeah, if we have love, give love and know love, we are truly alive and if there is no love, there would be no life. The Terror is, we know now, that even without love, life goes on… we just go on… there is no mercy killing.”

The group’s multi-instrumentalist Steven Drozd explained its premise with:

““The terror is that internal feeling you get that you and everyone you love is going to die.””

Yes, this record is not a pleasant listen, yet I still think it’s an incredible piece of work. You can find the lyrics for the three The Terror selections below:

The Terror
However long they love you, we are all standing alone
The terror’s in our heads, they don’t control the controls
I turn to face the sun, we are still standing alone
At last we’ll stand by the terror, it helps us take the controls
We’ll save the last sunshine, the way I long to go
We’ll save the love, you’ll still love, we’re searching through the dark
We’ll save the last sunshine, the way I long to go
We’ll save the love, you’ll still love, we’re searching through the dark
We’ve all tried to come through
We’ve always tried to come through
We all stretched to come to this
———–
You Are Alone
Hold on, we long for the bell
Our time is showing our respect
Can I handle the decision needed?
And I have to lay on reality’s dream
Oh-oh, oh-oh, oh-oh, oh-oh
Just as I want your ecstasy appear
Just enough to make me wanna feel
Through the love we sacrifice now
It’s the only sound of your own fear
Oh-oh, oh-oh, oh-oh, oh-oh
You’re not alone, you are alone
You’re not alone, you are alone
Oh-oh, oh-oh, oh-oh, oh-oh
Oh-oh, oh-oh, oh-oh, oh-oh
You’re not alone, you are alone
You’re not alone, you are alone
Oh-oh, oh-oh, oh-oh
—————-
Butterfly, How Long It Takes To Die
If you’ve ever really seen the sun rise
You will see how many times it tries
If you’ve ever really seen the sun set
You will see how long it takes to die
You can see the butterfly has landed
Landed on your prison plates, you’re out
You can feel it’s trouble making a teardrop
You will see how long it takes to fly
You can see the universe beginning
Making all the sun and the sky
You can see the universe is ending
Making love darker than the night
The penultimate song here on this MixTape is one that has long been one of my favorites by the band Soundgarden: “The Day I Tried to Live.” Recently departed frontman Chris Cornell (R.I.P.) has seemingly always been praised for his stunning vocals, however, I feel that he’s never received the deserved respect for his gifts with phrasing, melody, and poetic craft in terms of his lyrics. These are all on powerful display here on this song released in 1994 as the second single from the band’s fourth studio album, Superunknown. Just listen to the adroit manner in which he curves and pulls the song’s attention grabbing opening of:
I woke the same as any other day
except a voice was in my head.
It said, “Seize the day, pull the trigger,
drop the blade and watch the rolling heads.”

 This song to me (and so appropriately for a fourteen-year-old boy in NYC) has always seemed to be about someone struggling to overcome their anti-social behaviors and the perverse superiority complexes that blossom from them—perverse in that they stem from a territory of mental anguish and depression turned vicious even if withdrawn. It’s a belief that, no, you are not better than anyone, but yes, they are worse than you. (Now that I think of it, this might have been the predominant mood of adolescents in the early 90s, and of the culture that appealed to them, such as supposed Grunge music). The singer here summons the courage to “one more time” go out and “try to live,” even if that life requires him to “wallow[…] in the blood and mud with all the other pigs.” Yes, even if he detests the society he is attempting to join, one that leaves him declaring with a shout:

The day I tried to win
I dangled from the power lines
And let the martyrs stretch
 Even though it all seems so pointless and futile, because:
Words you say
Never seem to live up to the ones inside your head
The lives we make
Never seem to ever get us anywhere but dead
Yes, even though this attempt at life leads to an awful confrontation, a realization that he confesses with:
I learned that I was a liar…just like you…
 Yes, even despite all this the singer tries to live, because the alternative is always and only just a lonesome anguish with your own abysmal brain. Yes, even though at the end of the day he will fail “to live” and dismally wail:
I woke the same as any other day you know
I should have stayed in bed
Yet, you get the sense that the singer will try again tomorrow, that tomorrow it will again be:
One more time around
(Might do it)
One more time around
(I might make it)
This is truly a stunning song on a phenomenal album. The experimentation in musicality, narratives, and odd melodies featured throughout Superunknown are pushed even further on their next record, which has always been (unfashionably, I know) my favorite by them: Down on the Upside. If  down in my basement I can find my copy of both that and Cornell’s first solo studio album, the beautiful Euphoria Morning released in 1999, well then I’ll certainly be featuring them on future mixes in tribute of a talented, sensitive artist that succumbed way too young.
On a somewhat more silly yet no less earnest or appreciative note; at sixteen-years-old as soon as the thin whiskers on my face began to grow a bit thicker and dark I started to shape them with a razor into a disconnected mustache and a sloped tuft on the chin that ran tight along the jaw line, curving up to meet the sideburns. Essentially this is a scruffier version of what is known in Queens by the dysphemism of Puerto Rican Chin Strap. I have more or less sported this same look for roughly twenty years. I would guess that my adolescent friends assumed that this was a result of my admiration (infatuation, I’m sure they’d tease) for the actor Johnny Depp. When news broke of Cornell”s suicide on the morning of May 18, 2017, I suddenly recalled how as an awkward sixteen-year-old boy (as I’m now sure they all are) I really wanted to be sexy and cool (as I’m now sure they all do). From March to November of 1996 (I turned 16 in July) Soundgarden released three music videos to accompany songs used to promote the record Down on the Upside: “Pretty Noose;” “Burden in My Hand;” and “Blow Up the Outside World.”

I can now clearly remember seeing the pensive and handsome Chris Cornell (and his beard) in those videos and thinking something along the lines of, “now that is a cool American male, now that is a sexy American male,” with all the poetic sensitivity yet artistic power and artistic aggression that I believed went into that. Now it might seem trivial or even disrespectful to discuss facial-hair fashion choices in the context of someone’s tragic death, but I will forever be grateful to this wonderful artist whose presence helped a suffering young man feel a little confidant, a little sexy and a little cool.

Again, Chris Cornell thank you and may you rest in peace.
 ____________———-_
Well, there’s all this and a whole bunch of other fantastic sounds so go on down and press play !

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

__________———

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 12)__Vehicles of Conveyance___
  • India – Roxy Music
  • 3 Legs (Thrillington version) – Percy “Thrills” Thrillington (Paul McCartney)
  • Higher – Rihanna
  • Cheshire Cat Cry – Yoko Ono Plastic Ono Band
  • Wayward – Anon (aka Wynn)
  • It Is Obvious – Syd Barrett
  • 3 Legs – Paul & Linda McCartney
  • The Terror/You Are Alone/Butterfly, How Long It Takes To Die – The Flaming Lips
  • The Best Is Yet To Come – Bob Dylan (composed by Cy Coleman, lyrics by Carolyn Leigh)
  • Let Me Be – Parliament
  • Steer Your Way – Leonard Cohen
  • Sister I Need Wine – Guided By Voices
  • Cool Papa Bell – Paul Simon
  • Fekete Beat – Sarolta Zalatnay
  • Big Black Monster – Scott Weiland
  • Star Dream Girl – David Lynch
  • Wampyr (finale) – Goblin
  • Beware Of Darkness – Leon Russell
  • Bluebird of Delhi (Mynah) – Duke Ellington And His Famous Orchestra
  • The Day I Tried To Live – Soundgarden 
  • Goodbye – Anon (aka Wynn)

================__^__===================  ===  _ ===== == =   = =  __

_________—
___    ______________—————__

[India – Roxy Music]

[3 Legs (Thrillington version) – Percy “Thrills” Thrillington (Paul McCartney)]

[Higher – Rihanna]

[Cheshire Cat Cry – Yoko Ono Plastic Ono Band]

[Wayward – Anon (aka Wynn)]

[It Is Obvious – Syd Barrett (art by Storm Thorgerson)]

[3 Legs – Paul & Linda McCartney]

[The Terror/You Are Alone/Butterfly, How Long It Takes To Die – The Flaming Lips (art by Steven Fiche)]

[The Best Is Yet To Come – Bob Dylan (composed by Cy Coleman, lyrics by Carolyn Leigh)]

[Let Me Be – Parliament]

[Steer Your Way – Leonard Cohen (art by Jenny Holzer)]

[Sister I Need Wine – Guided By Voices]

[Cool Papa Bell – Paul Simon]

[Fekete Beat – Sarolta Zalatnay]

[Big Black Monster – Scott Weiland (photo by Brie Childers, 2008)]

[Star Dream Girl – David Lynch]

[Wampyr (finale) – Goblin]

[Beware Of Darkness – Leon Russell]

[Bluebird of Delhi (Mynah) – Duke Ellington And His Famous Orchestra]

[The Day I Tried To Live – Soundgarden ]

[Goodbye – Anon (aka Wynn)]

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

Advertisements

THE DEMISE OF THE MASK (VOL 1)

Hello All,

Here’s the first volume of a new series of MixTapes: The Demise Of The Mask.

This one here features “The Future,” which is perhaps my favorite tune by the late great Leonard Cohen (R.I.P.), It’s fascinating to me that his cold vision of a future of murder is one where there is no longer any privacy, definitions, or truths and where all are completely ignorant to even the idea of certain spiritual mechanisms like redemption, repentance, and resurrection: When they said repent, I wonder what they meant…

Of course the song also features one of Cohen’s finest lines and one that serves as a fracture of light in it’s vicious but torpid slab of a landscape: Love’s the only engine of survival.

Oh the mix features as well as some fantastic new stuff by Saul Williams, Devendra Banhart, Iggy Pop, and Radiohead. Oh and it’s also got a lovely number called “Love On The Brain” by Rihanna that my little boy just loves slow spinning to. All this and a whole lot more flow! So press play and enjoy yourself! And as always:

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff.

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

thedemiseofthemaskcvr

__________———
—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 1)__
  • Lilacs  – Lilacs & Champagne
  • Down For Some Ignorance – Saul Williams
  • The Future – Leonard Cohen
  • Back to the Future (Part II) – D’Angelo & The Vanguard
  • Stay Cool  – The Roots, ft. Q-Tip (J.Period Remix)
  • Sky Saw – Brian Eno
  • Mother Of Pearl – Roxy Music
  • Chocolate Drops – Iggy Pop
  • Linda – Devendra Banhart
  • Sunset And The Mocking Bird (Queen’s Suite part 1) – Duke Ellington & His Orchestra
  • Something In The Water (Does Not Compute) – Prince
  • CPU – Big Boi, ft. Phantogram
  • Identikit – Radiohead
  • The Dolphin (Before) – Bill Evans
  • I Can Love Again – Jamie Lidell
  • Love On The Brain – Rihanna
  • Looks Good With Trouble – Solange
  • Décollage – Air
  • Libra, the mirror’s minor self / Love’s long listen-in – Broadcast & The Focus Group
  • Flunkt Sass Vs The Root Flume – of Montreal
  • Walk It Back – R.E.M.
  • The Dolphin (After) – Bill Evans
  • Crimson Escalation – crush_DLX (Pop Levi & Bunny Holiday)
—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
demise-1

demise-2

demise-3

demise-4

 

__________—
___    ______________—————__
[Lilacs – Lilacs & Champagne]

[Lilacs – Lilacs & Champagne]

[Down For Some Ignorance – Saul Williams]

[Down For Some Ignorance – Saul Williams]

[The Future – Leonard Cohen (photo by Guido Harari, Paris 1992)]

[The Future – Leonard Cohen (photo by Guido Harari, Paris 1992)]

[Back to the Future (Part II) - D'Angelo & The Vanguard]

[Back to the Future (Part II) – D’Angelo & The Vanguard]

[Stay Cool - The Roots, ft. Q-Tip (J.Period Remix)]

[Stay Cool – The Roots, ft. Q-Tip (J.Period Remix)]

[Sky Saw - Brian Eno]

[Sky Saw – Brian Eno]

[Mother Of Pearl - Roxy Music]

[Mother Of Pearl – Roxy Music]

[Chocolate Drops - Iggy Pop]

[Chocolate Drops – Iggy Pop]

[Linda - Devendra Banhart]

[Linda – Devendra Banhart]

[Sunset And The Mocking Bird (Queen's Suite part 1) - Duke Ellington & His Orchestra (photo Duke Ellington, Paris, 1958 by Herman Leonard)]

[Sunset And The Mocking Bird (Queen’s Suite part 1) – Duke Ellington & His Orchestra (photo Duke Ellington, Paris, 1958 by Herman Leonard)]

[Something In The Water (Does Not Compute) - Prince]

[Something In The Water (Does Not Compute) – Prince photo by Allen Beaulieu, 1982]

[CPU - Big Boi, ft. Phantogram]

[CPU – Big Boi, ft. Phantogram]

[Identikit - Radiohead]

[Identikit – Radiohead]

[The Dolphin - Before - Bill Evans]

[The Dolphin (Before) – Bill Evans]

[I Can Love Again - Jamie Lidell (art by Anna Higgie)]

[I Can Love Again – Jamie Lidell (art by Anna Higgie)]

[Love On The Brain - Rihanna]

[Love On The Brain – Rihanna]

[Looks Good With Trouble - Solange (photo byElias Tahan, 2012)]

[Looks Good With Trouble – Solange (photo by Elias Tahan, 2012)]

[Libra, the mirror's minor self / Love's long listen-in - Broadcast & The Focus Group]

[Libra, the mirror’s minor self / Love’s long listen-in – Broadcast & The Focus Group]

[Flunkt Sass Vs The Root Flume - of Montreal (art, the peculiar death of Valerie Marie Osten Chafer, or how our nuclear signals proposes certain numeric endings by ANIN TIWN ~ NINA TWIN]

[Flunkt Sass Vs The Root Flume – of Montreal (art, the peculiar death of Valerie Marie Osten Chafer, or how our nuclear signals proposes certain numeric endings by ANIN TIWN ~ NINA TWIN]

[Walk It Back - R.E.M.]

[Walk It Back – R.E.M.]

[The Dolphin (After) - Bill Evans]

[The Dolphin (After) – Bill Evans]

[Crimson Escalation - crush_DLX ]

[Crimson Escalation – crush_DLX (Pop Levi & Bunny Holiday) ]

__________——————– =__^__=___________________———

_________________________________________________

___________________))))))))))))))))

All the best—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you digaparticular artist then please support them and go out and pick up some of their stuff.

_           _________________   _  ___   _ _________ __________->

THE COURTESAN & THE BEARER OF THE LOTUS

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff.

_

Hello All! I’ve got a special triptych-MixTape treat for you all today…featuring some bounce, a little wilt, petal melt, and a whole slew of protean tunes to accompany you at the tail-end/entrance of shifting seasons. …Perhaps best used when paired with working on a creative project of some sort or just watering house plants, or by those who suffer from insomnia under the sun.

_____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

_________________________________________________

The Courtesan and The Bearer of The Lotus

______________________________________________

The Courtesan and The Bearer of The Lotus_CVR

 __________—

The Courtesan and The Bearer of The Lotus (Vol. 1)

__________——

The Courtesan and The Bearer of The Lotus (Vol. 2)

__________———

The Courtesan and The Bearer of The Lotus (Vol. 3)

__________——————–

-OR-

__________—

-:VOL. 1 —-(Click to Listen or Right-Click-Save-As to Download)

__________——

-:VOL. 2 —-(Click to Listen or Right-Click-Save-As to Download)

__________———

-:VOL. 3 —-(Click to Listen or Right-Click-Save-As to Download)

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
___
The Courtesan and The Bearer of The Lotus (Vol. 1)
  • Love In The Asylum – Dylan Thomas
  • L’Enfant La Mouche Et Les Allumettes (The Child the Fly and the Matches) – Jean-Claude Vannier
  • (Just A Little) Communication – Gabor Szabo
  • Bring Me Coffee Or Tea – CAN
  • Catherine – PJ Harvey
  • I Talk To The Wind – King Crimson
  • ‘Tis A Pity She Was A Whore – David Bowie
  • Black Comedy – Miles Davis [w/ Wayne Shorter, Herbie Hancock, Tony Williams, Ron Carter]
  • Seven – Thundercat
  • Thieves In The Temple – Prince
  • Thieves In The Temple – Herbie Hancock (Prince cover)
  • The Overachievers – Devendra Banhart & The Grogs (Liars cover)
  • Apes And Peacocks (Queen’s Suite pt. 6) – Duke Ellington & His Orchestra
  • Two – Madhouse (Prince & Eric Leeds)
  • Hung Up On My Baby – El Michels Affair (Isaac Hayes cover)
  • Velvet Ditch – The Arcs (Dan Auerbach, Richard Swift, Leon Michels aka El Michels Affair)
  • Smokestack Lightning – Howlin’ Wolf (’69 version)
  • Hello It’s Late – Stone Temple Pilots
  • Almost Fell In Love – crush_DLX (Pop Levi & Bunny Holiday)
__________—— 
___
The Courtesan and The Bearer of The Lotus (Vol. 2)
  • Holy Guardian Angel – crush_DLX (Pop Levi & Bunny Holiday)
  • The Chart – Super Numeri (Pop Levi, Snap Ant, Karl Webb)
  • Tarot Ash – Madlib
  • Sagittarius Silver Announcement/Worm Mountain – The Flaming Lips (Feat. MGMT)
  • Mantra Guru – Madlib
  • The Healer/Hip Hop/Me – Erykah Badu
  • Blues In Orbit [Alternate Take] – Duke Ellington
  • Verdillac – The Doors
  • The Girl Of The Ghetto – (written By Jim Morrison, read Johnny Depp)
  • The Ghetto Walk – Miles Davis (w/ Wayne Shorter; John McLaughlin; Herbie Hancock; Chick Corea; Joe Zawinul; Dave Holland; Joe Chambers)
  • Seven Years In Tibet – David Bowie
  • Curious Child – Prince
  • Wave – Ahmad Jamal Trio
  • Samurai Showdown (edit) – RZA
  • Sleight of Hand – Menahan Street Band
__________———
___
The Courtesan and The Bearer of The Lotus (Vol. 3)
  • Johnny Depp’s cough/Perihelion (edit) – Trent Reznor & Atticus Ross
  • Somewhere In The East – George Benson
  • I’ll Give You Everything I’ve Got For A Little Piece Of Mind – Mushroom
  • Second Sighting – The Brian Jonestown Massacre
  • Symphonique #3 (Ode To Venus) – Moondog
  • Cindy Electronium – Raymond Scott
  • Brandenburg Concerto No. 5 (1st movement Allegro) – Johann Sebastian Bach; performed by Leopold Stokowski and the Philadelphia Orchestra
  • Arrows – Jane Weaver
  • Blood – Annette Peacock
  • Spectre – Radiohead
  • Dominoes – Syd Barrett
  • Miriam Got a Mickey (Instrumental) – Adrian Younge
  • Till It’s Done (Tutu) – D’Angelo & The Vanguard
  • Letter To Hermione – Robert Glasper Experiment ft. Bilal (Bowie cover)
  • Lucifer Rising Part III – Bobby Beausoleil
  • Heathen (The Rays) – David Bowie
  • Ascent – Miles Davis (w/ Wayne Shorter; Herbie Hancock; Chick Corea; Joe Zawinul; Dave Holland; Jack DeJohnette)
  • Aphelion (edit) – Trent Reznor & Atticus Ross

__________——————– =__^__=___________________———

_

The Courtesan and The Bearer of The Lotus (Vol. 1)

_

[Love In The Asylum - Dylan Thomas [art by Needle Design]

[Love In The Asylum – Dylan Thomas [art by Needle Design]

[L'Enfant La Mouche Et Les Allumettes (The Child the Fly and the Matches) - Jean-Claude Vannier]

[L’Enfant La Mouche Et Les Allumettes (The Child the Fly and the Matches) – Jean-Claude Vannier]

[(Just A Little) Communication - Gabor Szabo]

[(Just A Little) Communication – Gabor Szabo]

[Bring Me Coffee Or Tea - CAN]

[Bring Me Coffee Or Tea – CAN]

[Catherine - PJ Harvey]

[Catherine – PJ Harvey]

[I Talk To The Wind - King Crimson]

[I Talk To The Wind – King Crimson]

['Tis A Pity She Was A Whore - David Bowie]

[‘Tis A Pity She Was A Whore – David Bowie]

[Black Comedy - Miles Davis]

[Black Comedy – Miles Davis]

[Seven - Thundercat]

[Seven – Thundercat]

[Thieves In The Temple - Prince]

[Thieves In The Temple – Prince]

[Thieves In The Temple - Herbie Hancock]

[Thieves In The Temple – Herbie Hancock (Prince cover)]

 
[The Overachievers - Devendra Banhart & The Grogs (Liars cover)]

[The Overachievers – Devendra Banhart & The Grogs (Liars cover)]

[Duke Ellington meets Queen Elizabeth II at Leeds in 1958]

[Apes And Peacocks (Queen’s Suite pt. 6) – Duke Ellington & His Orchestra. Duke Ellington meets Queen Elizabeth II at Leeds in 1958]

[Two - Madhouse (Prince & Eric Leeds)]

[Two – Madhouse (Prince & Eric Leeds)]

elmichelsaffair

[Hung Up On My Baby – El Michels Affair (Isaac Hayes cover)]

The_Arcs_-_Yours_Dreamily

[Velvet Ditch – The Arcs]

[Smokestack Lightning - Howlin' Wolf ('69 version)]

[Smokestack Lightning – Howlin’ Wolf (’69 version)]

[Hello It's Late - Stone Temple Pilots]

[Hello It’s Late – Stone Temple Pilots]

[Almost Fell In Love - crush_DLX (Pop Levi & Bunny Holiday)]

[Almost Fell In Love – crush_DLX (Pop Levi & Bunny Holiday)]

_
The Courtesan and The Bearer of The Lotus (Vol. 2)
_
[Holy Guardian Angel - crush_DLX (Pop Levi & Bunny Holiday)]

[Holy Guardian Angel – crush_DLX (Pop Levi & Bunny Holiday)]

[The Chart - Super Numeri]

[The Chart – Super Numeri (Pop Levi, Snap Ant, Karl Webb)]

[Tarot Ash - Madlib]

[Tarot Ash – Madlib]

[Sagittarius Silver Announcement/Worm Mountain - The Flaming Lips (Feat. MGMT)]

[Sagittarius Silver Announcement/Worm Mountain – The Flaming Lips (Feat. MGMT)]

[Mantra Guru - Madlib]

[Mantra Guru – Madlib]

[The Healer/Hip Hop/Me - Erykah Badu]

[The Healer/Hip Hop/Me – Erykah Badu]

[Blues In Orbit [Alternate Take] - Duke Ellington]

[Blues In Orbit [Alternate Take] – Duke Ellington]

[Verdillac - The Doors]

[Verdillac – The Doors]

The Girl Of The Ghetto

[The Girl Of The Ghetto – (written By Jim Morrison, read Johnny Depp)]

[The Ghetto Walk - Miles Davis (w/ Wayne Shorter; John McLaughlin; Herbie Hancock; Chick Corea; Joe Zawinul; Dave Holland; Joe Chambers)]

[The Ghetto Walk – Miles Davis (w/ Wayne Shorter; John McLaughlin; Herbie Hancock; Chick Corea; Joe Zawinul; Dave Holland; Joe Chambers)]

[Seven Years In Tibet - David Bowie]

[Seven Years In Tibet – David Bowie]

[Curious Child - Prince]

[Curious Child – Prince]

[Wave - Ahmad Jamal Trio]

[Wave – Ahmad Jamal Trio]

[Samurai Showdown (edit) - RZA]

[Samurai Showdown (edit) – RZA]

[Sleight of Hand - Menahan Street Band]

[Sleight of Hand – Menahan Street Band]

_
The Courtesan and The Bearer of The Lotus (Vol. 3)
_
[Johnny Depp's cough/Perihelion (edit) - Trent Reznor & Atticus Ross]

[Johnny Depp’s cough/Perihelion (edit) – Trent Reznor & Atticus Ross]

[Somewhere In The East - George Benson]

[Somewhere In The East – George Benson]

[I'll Give You Everything I've Got For A Little Piece Of Mind - Mushroom]

[I’ll Give You Everything I’ve Got For A Little Piece Of Mind – Mushroom]

[Second Sighting - The Brian Jonestown Massacre]

[Second Sighting – The Brian Jonestown Massacre]

[Symphonique #3 (Ode To Venus) - Moondog]

[Symphonique #3 (Ode To Venus) – Moondog]

[Cindy Electronium - Raymond Scott]

[Cindy Electronium – Raymond Scott]

[Brandenburg Concerto No. 5 (1st movement Allegro) - Johann Sebastian Bach]

[Brandenburg Concerto No. 5 (1st movement Allegro) – Johann Sebastian Bach]

[Arrows - Jane Weaver]

[Arrows – Jane Weaver]

[Blood - Annette Peacock]

[Blood – Annette Peacock]

[Spectre - Radiohead]

[Spectre – Radiohead]

[Dominoes - Syd Barrett]

[Dominoes – Syd Barrett]

[Miriam Got a Mickey (Instrumental) - Adrian Younge]

[Miriam Got a Mickey (Instrumental) – Adrian Younge]

[Till It's Done (Tutu) - D'Angelo & The Vanguard]

[Till It’s Done (Tutu) – D’Angelo & The Vanguard]

[Letter To Hermione - Robert Glasper Experiment ft. Bilal]

[Letter To Hermione – Robert Glasper Experiment ft. Bilal (David Bowie cover)]

[Lucifer Rising Part III - Bobby Beausoleil]

[Lucifer Rising Part III – Bobby Beausoleil]

[Heathen (The Rays) - David Bowie]

[Heathen (The Rays) – David Bowie]

[Ascent - Miles Davis (w: Wayne Shorter; Herbie Hancock; Chick Corea; Joe Zawinul; Dave Holland; Jack DeJohnette); art by Oliver Barrett]

[Ascent – Miles Davis (w: Wayne Shorter; Herbie Hancock; Chick Corea; Joe Zawinul; Dave Holland; Jack DeJohnette); art by Oliver Barrett]

[Aphelion (edit) - Trent Reznor & Atticus Ross]

[Aphelion (edit) – Trent Reznor & Atticus Ross]

..

All the best—  –   ————-______-________ ->BOBBY CALERO[—+=

-_________________If you dig the mix then please feel free to pass & post it along; if you dig aparticular artist then please support them and go out and pick up some of their stuff.

_           _________________   _  ___   _ _________ __________->

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 14)

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________

_           _________________   _  ___   _ _________ __________

Being the most up-front pop-oriented of them, if any representatives from the last of the commercial sub-genres listed above were ever to land a hit to temporarily dominate the charts for a season or two then it was likely penned, recorded (and often digitally assembled note-for-note, syllable-by-syllable) by a cabal of nine middle-aged Nordic men. Although their birth certificates stated names that would likely bring to the average American mind images of Vikings or monks, they were typically credited under monikers that were easily forgettable despite their frequent use of the letters Z and X and honorary titles, such as Dr. Cztarlab, Sir LapLux, Mr. Mixus, and Professor JaMeZ. Almost no one would really ever recall these writers’ professional pseudonyms or note the central role they played in the hits that were so pervasive in their lives. These facts of anonymity were by design, as they did not want to interfere with the ascendency and celebrity of the “artist” that was to sell their work to the masses.

Through focus-group brand testing and weeks-long song-writing “cook-outz” where the annual trajectory of a (largely absent) performer’s career could be plotted by the continuity of tunes assigned to them, this committee had perfected a formula for pop familiarity—and thus, top ten hits. Not to oversimplify their equation, but it could be described as so: the forward swirl and bright texture of say, ABBA’s “SOS” but manufactured in a manner that ensured it could effortlessly and cyclically give way to the emphatic gush and catch of an arena-sized shout-along, something akin to the big-rock, chest-thump chorus in Bon Jovi’s “Livin’ On A Prayer.” With these elements married and laid atop a plush bed of programmed beats (or beatz) borrowed from the latest fashions in re-heated Hip Hop and R&B, all that was needed to complete the job was the appropriate vehicle to deliver the song. Sold to a Star-Creation division operating in-house under one of the various record-label executives, the likely hit-song could then be allocated either to a veteran presence or one of the newer recruits from the pop-celebrity academies.

The sound was always bigger & brighter & brighter & bigger. The sound should have little trouble in filling a stadium. Yet, it rarely needed to fill a stadium, but the sound must fill a shopping complex daily. Yes, the genuine smash hit was truly achieved when it facilitated an easy browse along the aisles of capitalism—interrupting consumption only long enough for an involuntary duet between pop star and shopper, a reflex response from the teaser tinsel of the pre-chorus build and the persistent bass and treble hook of the chorus returning again and returning again. At times the production could be so seamless, so unremarkable, so successful that one could pause and ask themselves: How do I know this song? Have I always known it? Has this song always been here?

With these narrow options before her, what was a girl to listen to? There was the feminine powerhouses of the Divas; at least they were aggressively advertised as such. These “Queens” and “Ladies” were always presented in context to the objects in their orbits: the relationships new or sour; the clothes; the hair; the promotional tie-Ins; the prop outrage performed on an award ceremony stage; the boyfriends and husbands; their current positions on the charts; their current positions in the rotating feuds between the other Divas. Watching music videos one day after school with her best friend since ninth grade, Rebecca turned to her and said: “Ugh, these role-model bitches are always either selling church or snatch.” Mireille laughed until she snorted. It was true, those who were not peddling their brand with the accompanying image of Clean American could be found rolling their eyes, spreading their legs, and retailing their lives under a banner that read Liberated & Nasty. Purchased from the Nordic committee, they all currently had the pull of a melody that was so easy to babble-along to. The Divas’ singles could be fun, but listening to them, Mireille reasoned, would make her feel like merely some consequence of a premise.

___           – –      _________________       _         _________________ ___

dendrites_cvr_14

 —  –   ————-______________\
——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

Water or Bread (Raining) – Madlib

Metamorphosis – Miles Okazaki (w/ Dan Weiss, Christof Knoche, Jon Flaugher, Miguel Zenon, David Binney, and Chris Potter)

To Sheila – Smashing Pumpkins [photo by Yelena Yemchuk]

Sonic Armada – Air

Morning Fog – Danger Mouse & Daniele Luppi

Green Belly – Ty Segall

Hidee Hidee Ho #16 – The New Basement Tapes (ft. Rhiannon Giddens, Elvis Costello, Taylor Goldsmith, Jim James, Marcus Mumford, produced by T Bone Burnett) [lyrics by Bob Dylan]

Shaman’s Blues – The Doors (Jim Morrison in the closet of his room at LA’s Chateau Marmont hotel, by Art Kane, May 1968.) 

Paint a Lady – Susan Christie

Strawberry Wine – Ryan Adams [photo by Mark Seliger]

Crystals – Bennie Maupin

Synthesizer – Outkast (ft. George Clinton)

What I saw – Broadcast & The Focus Group

Twinkle/Master Teacher – Erykah Badu [photo by Timothy Saccenti, 2008]

Polly – Duke Ellington

The Silent Orchestra – Hamilton Leithauser

sinatra

I See Your Face Before Me – Frank Sinatra

Hidee Hidee Ho #11 – The New Basement Tapes (ft. Jim James, Rhiannon Giddens, Elvis Costello, Taylor Goldsmith, Marcus Mumford, Bo Koster, produced by T Bone Burnett) [lyrics by Bob Dylan]

Stay (Faraway, So Close!) – U2

Homme Lune – Air

Black Noise – Rotary Connection

______________———-___=========================================  __=

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 14)

  • Water or Bread (Raining) – Madlib
  • Metamorphosis – Miles Okazaki (w/ Dan Weiss, Christof Knoche, Jon Flaugher, Miguel Zenon, David Binney, and Chris Potter)
  • To Sheila – Smashing Pumpkins
  • Sonic Armada – Air
  • Morning Fog – Danger Mouse & Daniele Luppi
  • Green Belly – Ty Segall
  • Hidee Hidee Ho #16 – The New Basement Tapes (ft. Rhiannon Giddens, Elvis Costello, Taylor Goldsmith, Jim James, Marcus Mumford, produced by T Bone Burnett) [lyrics by Bob Dylan]
  • Shaman’s Blues – The Doors
  • Paint a Lady – Susan Christie
  • Strawberry Wine – Ryan Adams 
  • Crystals – Bennie Maupin
  • Synthesizer – Outkast (ft. George Clinton)
  • What I saw – Broadcast & The Focus Group
  • Twinkle/Master Teacher – Erykah Badu 
  • Polly – Duke Ellington
  • The Silent Orchestra – Hamilton Leithauser
  • I See Your Face Before Me – Frank Sinatra
  • Hidee Hidee Ho #11 – The New Basement Tapes (ft. Jim James, Rhiannon Giddens, Elvis Costello, Taylor Goldsmith,  Marcus Mumford, Bo Koster, produced by T Bone Burnett) [lyrics by Bob Dylan]
  • Stay (Faraway, So Close!) – U2
  • Homme Lune – Air
  • Black Noise – Rotary Connection

<^>_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 13)

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________

_           _________________   _  ___   _ _________ __________

At the time most music placed before her demographic as if a water dish was likely either a permitted and voluntary caricature of some ethnicity insistently listing their abundance of “strut and trade of charms/On the ivory stages” (as Dylan Thomas once put it); or only a more marketable rendition of yesterday’s latest underground scene and sound only now featuring trim, young, white men, glum in clean but rugged garments whining inconsiderately about girls and their own victimhood through a cold compress of sheet metal guitars and a firm verse-chorus-verse structure; or a costumed, European button-pusher simply content to get no more than an oblivious dance from a hormone-bleary crowd. Likewise there was the supposed hybrid: the novel blend of rap’s sing-song aggression with the puerile roar and motorized hoof of heavy rock, now down-tuned and bled of melody, delivered by chubby drop-outs that spent their tax-returns on new tattoos and hair-gel. In eight years time they could release their disintegration diaries, which would detail where the money was wasted, divorce, divorce, and how they overcame their dependence on Jägermeister mixed with stimulant thirst-quenchers. Then there was as a matter of course the ubiquitous discount product of synchronized teens; boys and girls grouped by what would have the most appeal on a poster. Many of their songs were sold exclusively through one burger franchise or various other thawed meat meal abattoir by-product outlets. With frosted tips and tart pastry appearance, some cleavage and practiced discotheque choreography—they had all undergone a cosmetic reduction of particulars to leave them propped up perfectly on the tedious axis of human symmetry. These units were always either sliding towards the camera through ballads drenched in warm milk and corn or performing a fastened pounce and jerk in unison to up-tempo pop-tunes with themes of puppy love that just might drop a hint or two to their pubescent audience about what pleasures await them: various configurations of hands, mouth, anus, scrotum, penis, ass, labia, clitoris, breasts, and vagina.

___           – –      _________________       _         _________________ ___

DENDRITES CVR 13

_______________________________   ——  —  ——–  _______________ –  __

 —  –   ————-______________\
——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

Paint It Black – Africa

Rasta Man Chant – Bob Marley & The Wailers

That’s It For The Other One: (Cryptical Envelopment/Quadlibet For Tender Feet/The Faster We Go, The Rounder We Get/ We Leave The Castle) – Grateful Dead

Git Up – Dirty Dozen Brass Band

Isfahan - Duke Ellington

Isfahan – Duke Ellington

La Mama Vieja – Eduardo Mateo [Mama Vieja y Gramillero by Guillermo Schenk, 2014]

Tondero/Secuencias de organillo y poliphon/El mundo revivido – El Polén (ft. Susana Baca)

In A Sentimental Mood – Duke Ellington and John Coltrane

In My Own Dream – Karen Dalton

Moons And Cattails – Linda Perhacs

Envelops The Bath Tub/Take Your Clothes Off – Frank Zappa & the Abnuceals Emuukha Electric Symphony Orchestra

Uncle Remus – Frank Zappa (ft. George Duke) [for further reading: Lain Shakespeare’s essay for The Wren’s Nest museum, Everything You’ve Heard About Uncle Remus Is Wrong, part. 1; part. 2; part. 3; part. 4; part. 5].

Le Roi Des Mouches Et La Confiture De Rouse (The King of the Flies and the Rose-Colored Jam) – Jean-Claude Vannier

Sweet Dreams/Psychomodo – Steve Harley & Cockney Rebel

Elijah – Alela Diane

Let Me Hear It From You – Sly & The Family Stone

Theme II – Miles Okazaki (w/ with Dan Weiss, Christof Knoche, Jon Flaugher, David Binney)

______________———-___=========================================  __=

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 13)

  • Paint It Black – Africa
  • Rasta Man Chant – Bob Marley & The Wailers
  • That’s It For The Other One: (Cryptical Envelopment/Quadlibet For Tender Feet/The Faster We Go, The Rounder We Get/ We Leave The Castle) – Grateful Dead
  • Git Up – Dirty Dozen Brass Band
  • Isfahan – Duke Ellington 
  • La Mama Vieja – Eduardo Mateo 
  • Tondero/Secuencias de organillo y poliphon/El mundo revivido – El Polén (ft. Susana Baca)
  • In A Sentimental Mood – Duke Ellington and John Coltrane
  • In My Own Dream – Karen Dalton
  • Moons And Cattails – Linda Perhacs
  • Envelops The Bath Tub/Take Your Clothes Off – Frank Zappa & the Abnuceals Emuukha Electric Symphony Orchestra
  • Uncle Remus – Frank Zappa (ft. George Duke) 
  • Le Roi Des Mouches Et La Confiture De Rouse (The King of the Flies and the Rose-Colored Jam) – Jean-Claude Vannier
  • Sweet Dreams/Psychomodo – Steve Harley & Cockney Rebel 
  • Elijah – Alela Diane
  • Let Me Hear It From You – Sly & The Family Stone
  • Theme II – Miles Okazaki (w/ with Dan Weiss, Christof Knoche, Jon Flaugher, David Binney)

<^>_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 12)

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________

_           _________________   _  ___   _ _________ __________

Of all twenty-six tracks split across two discs (twenty-seven if you were to count the automated monologue “[index 00]: Annex to Appendix to Enclosure A,” a ghost track hidden in a pregap that could only be heard if you cued to track one of disc two and then manually back-scanned through the song to its beginning) the next song sequenced to play was Mireille’s favorite. Despite even that, she felt bored and pressed the small round button printed with a square that signified Stop. Besides, she did not need to listen to hear it. It was there in her head. Situated as it is in this sprawl of a double LP, this track always felt to her like a little accidental thumb-smudge of color; something the artists’ pigment-wet hands left behind while busy crafting the other more obviously grand works. A song of uncomplicated fondness called “Queen Aubade,” it is presented by instruments that comport themselves like bright shapes with rounded edges.

 

 

You were carved

from the rime

of frost that gathers on

blue glass of windowpanes

from sugar cathedrals

and you are beautiful—

*

A gambol of diamonds

play games in your head.

An orchard of opals

dance within

your cerebellum and

your belly

is warm with a symphony of laughter.

*

Even now as an adult walking along a brick path that wound through scattered trees on the far-end of the college campus, Mireille could hear the song if she wished. This she could do without searching for it stored on or streamed through the mutterboX_6 currently slipped within a little zippered pocket inside her purse. She could hear it in memory even though she had not played that record in quite some time. In fact, she was now better equipped to comprehend the subtle chord sequence and pitch-shifts that caused the tune to wobble bold and slather like marmalade as does the constant dawn across the world—moment-by-moment. She still loved it.

With only a few more years on from her teenaged ones, this was music one could be embarrassed to have once enjoyed so much. Together with the musicians’ seeming earnest theatricality, the fact that you ever truly relished something to such an extent—the fact that you ever felt anything so intensely—its memory could leave you uncomfortable; or worse, uncool. But with a few more years piled on top of that, Mireille would come to recognize that there was a bizarre risibility inherent in these songs’ construction. No one would attempt such things without some weird sense of humor.

No, it was not strictly parody or irony, nor any of the other methods of detachment we put in play in order to protect us…“from what, laughter?” Yet there in the studio there simply must have been some measure of alacrity and a joyous appreciation for creation. Mireille didn’t think one can do something like […] Phantom Limbs […] and take themselves too seriously.

In terms of art (whatever that means), there is an essential intimacy between creator and creation. When shared with outside parties, all intimacy is ridiculous. Mireille supposed that the musicians of Locust Mirror must have been aware of how this transmutation occurs and that they played on this exchange in relationships. Yet, sometimes sweet hints of that initial intimacy could be seized and adored by the sensitive nodes of an other through a mutual delight, or perhaps, mutual delirium. Beyond mere limbic systems and mirror neurons—O what a small miracle is this communion when what can be such poor currencies is all we have to facilitate this equation.

___           – –      _________________       _         _________________ ___

dendrites cvr 12

_______________________________   ——  —  ——–  _______________ –  __

 —  –   ————-______________

——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

America [edit] – Allen Ginsberg [art by Christopher B Holmes]

Maria – Rage Against The Machine [art by Nedeljkovich, Brashich, & Kuharich, 1911]

I’m Satisfied – Otis Rush

Some Jive Ass Wasting My Time – Mushroom

Diamond Dancer – Bill Callahan

Coma Chameleon – Jamie Lidell (ft. Beck)

Lights Out – Menahan Street Band (ft. The Bushwick Philharmonic)

Picture Puzzle Piece – Shel Silverstein

Sensations – Lilacs & Champagne

Black & White Jingle #1 – Imani Coppola

Hyperbolicsyllabicsesquedalymistic – Isaac Hayes

Black & White Jingle #2 – Imani Coppola

Funny How Time Slips Away – Al Green (Willie Nelson cover)

Gold Dust Woman – Fleetwood Mac [self-portrait by Stevie Nicks]

Waking Up – Evan Dando (ft. Royston Langdon)

This Is Love – PJ Harvey

Mesmerizing – Liz Phair

Red Lady Too – George Harrison

Three Sisters – The Jim Carroll Band

Blue Pepper (Far East of The Blues) – Duke Ellington And His Famous Orchestra

All My Life – Run The Jewels

Paint It Black – The Soulful Strings

______________———-___=========================================  __=

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 12)

  • America [edit] – Allen Ginsberg 
  • Maria – Rage Against The Machine
  • I’m Satisfied – Otis Rush
  • Some Jive Ass Wasting My Time – Mushroom
  • Diamond Dancer – Bill Callahan
  • Coma Chameleon – Jamie Lidell (ft. Beck)
  • Lights Out – Menahan Street Band (ft. The Bushwick Philharmonic)
  • Picture Puzzle Piece – Shel Silverstein
  • Sensations – Lilacs & Champagne
  • Black & White Jingle #1 – Imani Coppola
  • Hyperbolicsyllabicsesquedalymistic – Isaac Hayes
  • Black & White Jingle #2 – Imani Coppola
  • Funny How Time Slips Away – Al Green (Willie Nelson cover)
  • Gold Dust Woman – Fleetwood Mac 
  • Waking Up – Evan Dando (ft. Royston Langdon)
  • This Is Love – PJ Harvey
  • Mesmerizing – Liz Phair
  • Red Lady Too – George Harrison
  • Three Sisters – The Jim Carroll Band
  • Blue Pepper (Far East of The Blues) – Duke Ellington And His Famous Orchestra
  • All My Life – Run The Jewels
  • Paint It Black – The Soulful Strings

<^>_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.