Category Archives: Funkadelic

THE DEMISE OF THE MASK (VOL 12)__VEHICLES OF CONVEYANCE___

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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__The Demise Of The Mask (Vol 12)__Vehicles of Conveyance___
  • India – Roxy Music
  • 3 Legs (Thrillington version) – Percy “Thrills” Thrillington (Paul McCartney)
  • Higher – Rihanna
  • Cheshire Cat Cry – Yoko Ono Plastic Ono Band
  • Wayward – Anon (aka Wynn)
  • It Is Obvious – Syd Barrett
  • 3 Legs – Paul & Linda McCartney
  • The Terror/You Are Alone/Butterfly, How Long It Takes To Die – The Flaming Lips
  • The Best Is Yet To Come – Bob Dylan (composed by Cy Coleman, lyrics by Carolyn Leigh)
  • Let Me Be – Parliament
  • Steer Your Way – Leonard Cohen
  • Sister I Need Wine – Guided By Voices
  • Cool Papa Bell – Paul Simon
  • Fekete Beat – Sarolta Zalatnay
  • Big Black Monster – Scott Weiland
  • Star Dream Girl – David Lynch
  • Wampyr (finale) – Goblin
  • Beware Of Darkness – Leon Russell (George Harrison cover)
  • Bluebird of Delhi (Mynah) – Duke Ellington And His Famous Orchestra
  • The Day I Tried To Live – Soundgarden 
  • Goodbye – Anon (aka Wynn)
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Hello All.

Welcome to Volume Twelve of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)__(Volume Eight here)__(Volume Nine here)__(Volume Ten here)__(Volume Eleven here)-

I do hope you dig this here MixTape as it features some fine, fine music! There’s a couple of selections from the album Universe. Envisioned and created by an artist that alternately goes by the monikers Wynn, W.Y.N.N., and ANON, Universe is an assemblage of brief bursts, soundscapes, scrapes, sodden ambiance, demented little diddies, digital bumps, bedroom tapes, and soft moments of sweeping beauty. These fragmented tracks all seem to step on each-other’s toes as often as they rub elbows. You can catch Wynn playing live on Sat. June 3rd, 2017 around 9PM at the gallery/performance space Orgy Park:

Located in Bushwick Brooklyn between Wilson and Knickerbocker Ave
237 Jefferson Street 1B
Brooklyn, NY 11237
929 234 1277 (p)
orgypark(at)gmail.com
 Elsewhere on the mix there’s the incredibly funky “Cheshire Cat Cry” by then 80 year old Yoko Ono, featuring Lenny Kravitz and her fluid group Plastic Ono Band helmed by her supremely talented son Sean Lennon. “Cool Papa Bell” comes from Paul Simon‘s last record, the fantastic Stranger to Stranger released  a year ago in June of 2016. I highly recommend picking that one up! You’ll also hear  Leon Russell‘s re-imagining of the great George Harrison tune, “Beware of Darkness.” This version closes out Russell’s second solo album Leon Russell and the Shelter People, released in May of 1971. Along with Russell’s inventive, kinetic take there are Harrison’s incredible lyrics, like:
Watch out now, take care
Beware of soft shoe shufflers
Dancing down the sidewalks
As each unconscious sufferer
Wanders aimlessly
Beware of Maya
 and:
Watch out now, take care
Beware of greedy leaders
They take you where you should not go
While Weeping Atlas Cedars
They just want to grow, grow and grow
Beware of darkness

You’ll also hear two versions of the Paul McCartney diddy “3 Legs.” There’s the original from the 1971 Paul and Linda McCartney record Ram, and then there’s the orchestral Percy “Thrills” Thrillington version. Under this pseudonym, and alongside arranger Richard Anthony Hewson, McCartney served as producer for the record Thrillington, which is an instrumental cover version of the entire album of Ram recorded during the sessions for the album proper itself in 1971. It would be released with little notice 6 years later in 1977, but I think it’s a ton of fun! This mix has got “Fekete Beat” (Black Beat) which can be found on the compilation of Hungarian star Sarolta Zalatnay‘s finest work of the seventies, put out in 2007 by one of my favorite record labels, Finders Keepers and their US distribution arm, B-Music.

Featured here as well is a long, unnerving triptych by The Flaming Lips from their 2013 LP, The Terror. On this record the group strip their usual sound of vivid squiggles and leave it as something skeletal—shards of brittle metal made tactile with silver glitter and a patina of chemical compounds. Lead vocalist Wayne Coyne described the album’s general idea as thus:

“We want, or wanted, to believe that without love we would disappear, that love, somehow, would save us that, yeah, if we have love, give love and know love, we are truly alive and if there is no love, there would be no life. The Terror is, we know now, that even without love, life goes on… we just go on… there is no mercy killing.”

The group’s multi-instrumentalist Steven Drozd explained its premise with:

““The terror is that internal feeling you get that you and everyone you love is going to die.””

Yes, this record is not a pleasant listen, yet I still think it’s an incredible piece of work. You can find the lyrics for the three The Terror selections below:

The Terror
However long they love you, we are all standing alone
The terror’s in our heads, they don’t control the controls
I turn to face the sun, we are still standing alone
At last we’ll stand by the terror, it helps us take the controls
We’ll save the last sunshine, the way I long to go
We’ll save the love, you’ll still love, we’re searching through the dark
We’ll save the last sunshine, the way I long to go
We’ll save the love, you’ll still love, we’re searching through the dark
We’ve all tried to come through
We’ve always tried to come through
We all stretched to come to this
———–
You Are Alone
Hold on, we long for the bell
Our time is showing our respect
Can I handle the decision needed?
And I have to lay on reality’s dream
Oh-oh, oh-oh, oh-oh, oh-oh
Just as I want your ecstasy appear
Just enough to make me wanna feel
Through the love we sacrifice now
It’s the only sound of your own fear
Oh-oh, oh-oh, oh-oh, oh-oh
You’re not alone, you are alone
You’re not alone, you are alone
Oh-oh, oh-oh, oh-oh, oh-oh
Oh-oh, oh-oh, oh-oh, oh-oh
You’re not alone, you are alone
You’re not alone, you are alone
Oh-oh, oh-oh, oh-oh
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Butterfly, How Long It Takes To Die
If you’ve ever really seen the sun rise
You will see how many times it tries
If you’ve ever really seen the sun set
You will see how long it takes to die
You can see the butterfly has landed
Landed on your prison plates, you’re out
You can feel it’s trouble making a teardrop
You will see how long it takes to fly
You can see the universe beginning
Making all the sun and the sky
You can see the universe is ending
Making love darker than the night
The penultimate song here on this MixTape is one that has long been one of my favorites by the band Soundgarden: “The Day I Tried to Live.” Recently departed frontman Chris Cornell (R.I.P.) has seemingly always been praised for his stunning vocals, however, I feel that he’s never received the deserved respect for his gifts with phrasing, melody, and poetic craft in terms of his lyrics. These are all on powerful display here on this song released in 1994 as the second single from the band’s fourth studio album, Superunknown. Just listen to the adroit manner in which he curves and pulls the song’s attention grabbing opening of:
I woke the same as any other day
except a voice was in my head.
It said, “Seize the day, pull the trigger,
drop the blade and watch the rolling heads.”

 This song to me (and so appropriately for a fourteen-year-old boy in NYC) has always seemed to be about someone struggling to overcome their anti-social behaviors and the perverse superiority complexes that blossom from them—perverse in that they stem from a territory of mental anguish and depression turned vicious even if withdrawn. It’s a belief that, no, you are not better than anyone, but yes, they are worse than you. (Now that I think of it, this might have been the predominant mood of adolescents in the early 90s, and of the culture that appealed to them, such as supposed Grunge music). The singer here summons the courage to “one more time” go out and “try to live,” even if that life requires him to “wallow[…] in the blood and mud with all the other pigs.” Yes, even if he detests the society he is attempting to join, one that leaves him declaring with a shout:

The day I tried to win
I dangled from the power lines
And let the martyrs stretch
 Even though it all seems so pointless and futile, because:
Words you say
Never seem to live up to the ones inside your head
The lives we make
Never seem to ever get us anywhere but dead
Yes, even though this attempt at life leads to an awful confrontation, a realization that he confesses with:
I learned that I was a liar…just like you…
 Yes, even despite all this the singer tries to live, because the alternative is always and only just a lonesome anguish with your own abysmal brain. Yes, even though at the end of the day he will fail “to live” and dismally wail:
I woke the same as any other day you know
I should have stayed in bed
Yet, you get the sense that the singer will try again tomorrow, that tomorrow it will again be:
One more time around
(Might do it)
One more time around
(I might make it)
This is truly a stunning song on a phenomenal album. The experimentation in musicality, narratives, and odd melodies featured throughout Superunknown are pushed even further on their next record, which has always been (unfashionably, I know) my favorite by them: Down on the Upside. If  down in my basement I can find my copy of both that and Cornell’s first solo studio album, the beautiful Euphoria Morning released in 1999, well then I’ll certainly be featuring them on future mixes in tribute of a talented, sensitive artist that succumbed way too young.
On a somewhat more silly yet no less earnest or appreciative note; at sixteen-years-old as soon as the thin whiskers on my face began to grow a bit thicker and dark I started to shape them with a razor into a disconnected mustache and a sloped tuft on the chin that ran tight along the jaw line, curving up to meet the sideburns. Essentially this is a scruffier version of what is known in Queens by the dysphemism of Puerto Rican Chin Strap. I have more or less sported this same look for roughly twenty years. I would guess that my adolescent friends assumed that this was a result of my admiration (infatuation, I’m sure they’d tease) for the actor Johnny Depp. When news broke of Cornell”s suicide on the morning of May 18, 2017, I suddenly recalled how as an awkward sixteen-year-old boy (as I’m now sure they all are) I really wanted to be sexy and cool (as I’m now sure they all do). From March to November of 1996 (I turned 16 in July) Soundgarden released three music videos to accompany songs used to promote the record Down on the Upside: “Pretty Noose;” “Burden in My Hand;” and “Blow Up the Outside World.”

I can now clearly remember seeing the pensive and handsome Chris Cornell (and his beard) in those videos and thinking something along the lines of, “now that is a cool American male, now that is a sexy American male,” with all the poetic sensitivity yet artistic power and artistic aggression that I believed went into that. Now it might seem trivial or even disrespectful to discuss facial-hair fashion choices in the context of someone’s tragic death, but I will forever be grateful to this wonderful artist whose presence helped a suffering young man feel a little confidant, a little sexy and a little cool.

Again, Chris Cornell thank you and may you rest in peace.
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Well, there’s all this and a whole bunch of other fantastic sounds so go on down and press play !

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—————–======ENJOY YOURSELF____———–

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 12)__Vehicles of Conveyance___
  • India – Roxy Music
  • 3 Legs (Thrillington version) – Percy “Thrills” Thrillington (Paul McCartney)
  • Higher – Rihanna
  • Cheshire Cat Cry – Yoko Ono Plastic Ono Band
  • Wayward – Anon (aka Wynn)
  • It Is Obvious – Syd Barrett
  • 3 Legs – Paul & Linda McCartney
  • The Terror/You Are Alone/Butterfly, How Long It Takes To Die – The Flaming Lips
  • The Best Is Yet To Come – Bob Dylan (composed by Cy Coleman, lyrics by Carolyn Leigh)
  • Let Me Be – Parliament
  • Steer Your Way – Leonard Cohen
  • Sister I Need Wine – Guided By Voices
  • Cool Papa Bell – Paul Simon
  • Fekete Beat – Sarolta Zalatnay
  • Big Black Monster – Scott Weiland
  • Star Dream Girl – David Lynch
  • Wampyr (finale) – Goblin
  • Beware Of Darkness – Leon Russell
  • Bluebird of Delhi (Mynah) – Duke Ellington And His Famous Orchestra
  • The Day I Tried To Live – Soundgarden 
  • Goodbye – Anon (aka Wynn)

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[India – Roxy Music]

[3 Legs (Thrillington version) – Percy “Thrills” Thrillington (Paul McCartney)]

[Higher – Rihanna]

[Cheshire Cat Cry – Yoko Ono Plastic Ono Band]

[Wayward – Anon (aka Wynn)]

[It Is Obvious – Syd Barrett (art by Storm Thorgerson)]

[3 Legs – Paul & Linda McCartney]

[The Terror/You Are Alone/Butterfly, How Long It Takes To Die – The Flaming Lips (art by Steven Fiche)]

[The Best Is Yet To Come – Bob Dylan (composed by Cy Coleman, lyrics by Carolyn Leigh)]

[Let Me Be – Parliament]

[Steer Your Way – Leonard Cohen (art by Jenny Holzer)]

[Sister I Need Wine – Guided By Voices]

[Cool Papa Bell – Paul Simon]

[Fekete Beat – Sarolta Zalatnay]

[Big Black Monster – Scott Weiland (photo by Brie Childers, 2008)]

[Star Dream Girl – David Lynch]

[Wampyr (finale) – Goblin]

[Beware Of Darkness – Leon Russell]

[Bluebird of Delhi (Mynah) – Duke Ellington And His Famous Orchestra]

[The Day I Tried To Live – Soundgarden ]

[Goodbye – Anon (aka Wynn)]

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

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THE DEMISE OF THE MASK (VOL 11)__GOOD MORNING GALLOWS___

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All.

Welcome to Volume Eleven of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)__(Volume Eight here)__(Volume Nine here)__(Volume Ten here)-

I do hope you dig this here MixTape as it features some fine, fine music! There’s some stuff from Harry Nilsson‘s gorgeous 1973 album of classic 20th-century standards, A Little Touch of Schmilsson in the Night, a great tune from Karen Elson (produced by her then husband, Jack White), and two from Bruce Springsteen‘s 1973 debut: Greetings from Asbury Park, N.J. To be honest it took me a long, long time to even give Springsteen a chance, until my buddy Matt Volz insisted that I listen to his first two records, and boy was he right! What a talent!

You’ll hear an 8-track demo outtake of John Lennon‘s powerful anthem, “God“, recording during the sessions for his first post-Beatles solo album, 1970’s John Lennon/Plastic Ono BandParliament is represented with “The Goose,” which features a favorite line of mine:

Now, I’m as happy as a monkey with a peanut machine
Since I found you
 Speaking of the Parliament-Funkadelic collective, their resident keyboard wizard Bernie Worrell is featured here with his project Baby Elephant, which was a collaboration with Stetsasonic member/De La Soul producer Prince Paul and longtime Paul associate Don Newkirk. The Steve Harley & Cockney Rebel song here on this MixTape contains another of my favorite lines:
My only vice is the fantastic prices I charge for being eaten alive. . .
 Oh and do yourself a favor and let yourself really sink in and groove with Polish jazz musician Michal Urbaniak‘s “Atma.” This is an artist I only got clued into from this song being sampled on Beastie Boys tune “The Scoop” on their brilliant 1994 LP Ill Communication. You’ll also hear Josh Tillman (aka Father John Misty) and his fantastic meditation on narcissism and self-medicating, “A Bigger Paper Bag,” off of his newest LP Pure Comedy, which I’ll go on record now in May and say is the best record of 2017.
Bob Dylan is here with one of his finest compositions, “Visions Of Johanna” and you’ll hear what I believe to be David Bowie‘s most terrifying song—released on his 2013 (and sadly penultimate) record The Next Day, here are the lyrics to  “If You Can See Me :
If you can see me I can see you
I could wear your new blue shoes
I should wear your old red dress
And walk to the crossroad, so take this knife
And meet me across the river
Just chutes and ladders
And this is the kiss
American Anna fantastic Alsatian
From nowhere to nothing
And I go way back
Children swarm like thousands of bugs
Towards the light
The beacons above the hill
The stars to the West, the South, the North
And to the East
Now you can say I’ve got a gift of sorts
A fear of rear windows and swinging doors
My love of violence and tenants’ sighs
If you can see me I can see you
If you can see me I can see you
I have seen these bairns wave their fists at God
Swear to destroy the beast, stamping the ground
In their excitement for tomorrow
I could wear your new blue shoes
I should wear your old red dress
And walk to the crossroad, so take this knife
And meet me across the river
I will take your lands and all that lays beneath
The dust of cold flowers, drizzle of dark ashes
I will slaughter your kind, descend from belief
I am the spirit of greed, the lord of theft
Burn all your books and the problems they make
If you can see me I can see you
If you can see me

Yes! There’s all this and a whole bunch of other good stuff so go on down and press play !

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—————–======ENJOY YOURSELF____———–

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 11)__Good Morning Gallows ___
  • Naked We Come – (written by Jim Morrison; read by Johnny Depp)
  • Let The Wind Blow – The Beach Boys
  • Does This Bus Stop At 82nd Street? / Lost In The Flood – Bruce Springsteen
  • If You Can See Me – David Bowie
  • Fred Berry – Baby Elephant (Bernie Worrell, Prince Paul, Newkirk)
  • Atma (Today, Tomorrow) – Michal Urbaniak
  • My Only Vice – Steve Harley & Cockney Rebel
  • Visions Of Johanna – Bob Dylan
  • Chilling Of The Evening – Arlo Guthrie 
  • I’m So Tired – The Beatles
  • Can’t Run But – Paul Simon
  • Mellow Blue Polka Dot – Damien Jurado
  • The Autopsy Garland – The Mountain Goats
  • Two Little Hitlers – Elvis Costello & The Attractions
  • The Goose – Parliament
  • Always / Makin’ Whoopee! – Harry Nilsson
  • A Bigger Paper Bag – Father John Misty
  • The Truth Is In The Dirt – Karen Elson
  • God (8-track John Lennon/Plastic Ono Band sessions outtake) – John Lennon

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[Naked We Come – (written by Jim Morrison; read by Johnny Depp)]

[Let The Wind Blow – The Beach Boys]

[Does This Bus Stop At 82nd Street? / Lost In The Flood – Bruce Springsteen]

[If You Can See Me – David Bowie]

[Fred Berry – Baby Elephant (Bernie Worrell, Prince Paul, Newkirk)]

[Michal Urbaniak ‎– Atma]

[My Only Vice – Steve Harley & Cockney Rebel]

[Visions Of Johanna – Bob Dylan (photo by Jerry Schatzberg, 1965)]

[Chilling Of The Evening – Arlo Guthrie (photo by Mary Ellen Mark)]

[I’m So Tired – The Beatles]

[Can’t Run But – Paul Simon]

[Mellow Blue Polka Dot – Damien Jurado (w/ Richard Swift)]

[The Autopsy Garland – The Mountain Goats]

[Two Little Hitlers – Elvis Costello & The Attractions (art by Barney Bubbles, 1979)]

[The Goose – Parliament]

[Always / Makin’ Whoopee! – Harry Nilsson]

[A Bigger Paper Bag – Father John Misty (photo by Austin Hargrave, 2017)]

[The Truth Is In The Dirt – Karen Elson]

[God (8-track John Lennon/Plastic Ono Band sessions outtake) – John Lennon]

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL. 8)__Bread & Circus ___

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=

—  –   ————-______________ ->

demise_cvr_8

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Hello All.

Welcome to Volume Eight of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)-

I’ve got quite a treat MixTape here for you as this one features a triple-play by Hamilton Leithauser: first there’s “We Can’t Be Beat” from the last album by his always fantastic group The Walkmen, 2012’s Heaven; then there’s a selection from Leithauser’s 2014 debut solo studio album, Black Hours; and finally there’s the song “When The Truth Is…” from last year’s stunning record I Had a Dream That You Were Mine, which is a collaborative work with Rostam Batmanglij (the former multi-instrumentalist and producer of Vampire Weekend).

You’ll also hear Aretha Franklin, some Beastie Boys, the lovely “Rainbows In Gasoline” by the duo of Sean Lennon and Charlotte Kemp Muhl who record together under the moniker of The Ghost of a Saber Tooth Tiger (or GOASTT), and a fine example of why John Lennon was one of the greatest of rock ‘n’ roll vocalists with The Beatles‘ tune “All I’ve Got To Do.”

As well, there are two selections from the Parliament-Funkadelic collective: first there’s a cover of The Beatles by incendiary yet so sweet guitarist Eddie Hazel from his 1977 solo debut Game, Dames and Guitar Thangs, which features incredible vocals by The Brides of Funkenstein (the duo of Dawn Silva and Lynn Mabry, who prior to joining the P-Funk collective were members of Sly and the Family Stone); later on you’ll catch the revolving, kaleidoscopic groove of “Supergroovalisticprosifunkstication” from Parliament‘s 1975 masterpiece, Mothership Connection.

Oh and I can’t forget to mention the rendition of Magic Sam‘s All Of Your Love” done with grit and precision by The Rolling Stones and taken from their joyous record of blues covers released at the end of last year, Blue & Lonesome.

Among a whole bunch of other great sounds this mix also features two figures who are perhaps the most poetic recording artists of Uruguayan music: Jaime Roos and Eduardo Mateo. The song “Viviendo” is from Roos’ third record, Aquello released in 1981. There is a translation done by my father below for those that are interested:

Viviendo (Living) by Jaime Roos [translated by Julio Calero]
I remember you
You’re the One
Who could understand  it
No big deal
That we do not love each other
You could understand it
.
Friend, where abouts may you be?
What seas may you be sailing?
Soon we’ll cross paths
And I’ll find you
Living
You’ll find me
Living
.
You’ll hear
The world was
And will be a marvel, I already know
It could be
My voice
Coming out of a nightmare that’s gone
.
Friend, where abouts may you be?
What seas may you be sailing?
Soon we’ll cross paths
And I’ll find you
Living
where abouts may you be?
Living
Alone, perhaps
Living

Throughout his long career Jaime Roos has continued to make an interesting mix of rock and folk with the more traditional sounds of Uruguay like candombe, milonga, tango and murga. He’s still out there performing and I highly recommend that if you ever have the opportunity you should definitely catch his show!

 Eduardo Mateo‘s “Niña” is a sweet tune done by a pure musician, and its recording comes with an interesting story. By the time Mateo’s phenomenal band El Kinto had officially disintegrated in the early part of 1970 most of Mateo’s friends and associates were already convinced that he had gone completely insane. Despite the fact that these same people viewed him as a musical genius, they did not know what to make of his habits of disappearing for days at a time, either to lock himself up somewhere in a rented room to explore new realms on his instrument while searching for spiritual enlightenment through chemicals, or to wander the streets with nothing but pajamas and a guitar—there was always a guitar, a rare constant in this man’s unhinged life. Once, my uncle saw him walking the streets at night with one foot aligned with the curb, the other with the gutter, so that he was forced to maintain an awkward and drastic limp to his gait—how’s that for a metaphor?!

Speaking of this period in Mateo’s life, Uruguayan singer Verónica Indart had this story to tell:

“The last time I saw him was in the first years of the 1970s. I was

with Héctor, my husband, and Mateo arrived. He entered, he took

up the guitar, and he sat down to play by the window, looking at the

sea for a long while. We listened to him. When he finished, he got up,

he set down the guitar and he went out the door without a greeting.

That was Mateo. He arrived, gave us his music and went on without

greeting us, because it was not necessary” (Lion Production, 2006).

In 1971, for those who were fortunate to have heard Mateo play there was no doubt of that man’s overwhelming talent—mental illness or not; however, beyond a handful of tracks there existed little recorded evidence of it. This would soon change due to the influence of talented singer Diane Denoir, and through the dedication and passion of producer Carlos Píriz. Píriz, a recording technician who had worked for the live, music television show Discodromo had recently started the record label De la Planta along with Jorge “Coyo” Abuchalja, guitarist for the group Los Delfines. The ethos behind this venture was to maintain a Uruguayan label that was dedicated to Uruguayan musicians, providing them with better production, recording techniques, and better distribution than the then norm. Fortunately, through Píriz’s connections, they were able to secure regular studio time at ION Studios in Buenos Aires, Argentina, where the recording technology was far superior to that found in their native country (four tracks as opposed to two at most, for example).

In October of 1971 one such artist they chose to present to the public was the singer Diane Denoir. As she was recording a fair amount of Mateo’s material for her De la Planta debut, she felt it was only appropriate that the artist himself accompany her on some of the tracks. Having convinced Mateo to take the trip, Píriz quickly took advantage of the rare opportunity by persuading him to stay and record a solo LP for the label. However, in spite of Píriz’s optimistic plans to complete the recording in one week, he soon found that dealing with this erratic artist would be an ultimate test of endurance and patience.

The sessions went like this: Mateo had an alphabetic notebook,

and stuck in each page he had bar napkins upon which his songs

were written. If he knew the first letter of the title of the song he

wished to play, he would find the correct napkin, which would help

him remember the melody, so that he could recreate the original idea

he had envisioned when he had composed the song in the first place.

Remembering the songs was only the first obstacle […]. Mateo

would record songs one day, and erase them the next. “The first day

he recorded three or four things,” Píriz recalled. “The following day

he came in and said, ‘erase them. For Mateo, they are all wrong.’

We erased them. And that process of erasing the previous day’s work

continued for four or five days. At that moment, I understood that this

would be the system for the whole disc […]. I decided that I will be the

person who says what was well-recorded, or not, and I began to keep

all the material.”

On other days, Mateo went to ION studios only to say that he was not

inspired, and would return the next day. Then there were the days that

he appeared at the studio, and asked, “What time do we record tomorrow?”

“The same as today, at four o’clock,” Píriz would say. “Okay I am going,

until tomorrow,” was Mateo’s only reply (Lion Production, 2006).

 –

This whole arduous process continued for two months, until one day when Mateo said to the producer that he was stepping out of the studio to buy a pack of cigarettes, and never came back. He had returned to his streets in Montevideo. Píriz was left holding hours of recordings of these fragmented sessions—the only proof that Mateo had even been there. A labor of love, Píriz would then spend the better part of a year assembling these into the album that would be released in December of 1972: Mateo Solo Bien Se Lame.

One of the thirteen brilliant compositions that Píriz extracted from the chaos is the twisted beauty that is “Niña.” Through his dedication, Píriz was able to capture on this record the complex sensitivity of this troubled artist. Seeing as how, other than a rare background vocal here and there, Mateo created every sound on this album himself, his essence truly shines through each composition. There is a translation of the lyrics done by me below:

Niña (Little Girl) by Eduardo Mateo [translated by Bobby Calero]
Little girl that always has a light
showing you what you do not want.
Do not fear the birds
if they say your life with their trills.
It should be that you understand;
that’s why what comes next is what has gone.
Always in a white dress,
you go but beware;
The devils in the guise of angels
will notice you talking.
Does it shame you that you don’t care
what has been soiled?
Yuu…yu-le-lé yu-lé.
__

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise_cvr_8

__________———

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 8)__Bread & Circus ___
  • Pick Pocket – Andy Votel
  • I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)
  • All I’ve Got To Do – The Beatles
  • Rock Steady – Aretha Franklin
  • Secondary Modern – Elvis Costello & The Attractions
  • Church On Tuesday – Stone Temple Pilots
  • Been & Gone – Annette Peacock
  • Royal Cream / I Am Fire – The Afghan Whigs
  • I Wish I Could Hear My Mother Pray Again – The Staple Singers
  • Medicine For A Nightmare – Sun Ra
  • Supergroovalisticprosifunkstication – Parliament
  • Kissing My Love – Afrique
  • Dub The Mic / Gratitude – Beastie Boys
  • All Of Your Love – The Rolling Stones (Magic Sam cover)
  • Viviendo – Jaime Roos
  • We Can’t Be Beat – The Walkmen
  • Alexandra – Hamilton Leithauser
  • When The Truth Is… – Hamilton Leithauser + Rostam
  • Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger
  • Que Tristeza – Cal Tjader
  • Niña – Eduardo Mateo
—————————————–================__^__===================  ===  _ ===== == =   = =  __  
bread-circus-1
bread-circus-2
__________—
___    ______________—————__
[Pick Pocket - Andy Votel]

[Pick Pocket – Andy Votel]

[I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)]

[I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)]

[All I’ve Got To Do – The Beatles]

[All I’ve Got To Do – The Beatles]

[Rock Steady – Aretha Franklin]

[Rock Steady – Aretha Franklin]

[Secondary Modern – Elvis Costello & The Attractions]

[Secondary Modern – Elvis Costello & The Attractions]

[Church On Tuesday – Stone Temple Pilots (photo by Mick Hutson)]

[Church On Tuesday – Stone Temple Pilots
(photo by Mick Hutson)]

[Been & Gone – Annette Peacock (photo by Richard Davis, 1972)]

[Been & Gone – Annette Peacock (photo by Richard Davis, 1972)]

[Royal Cream / I Am Fire – The Afghan Whigs (photo by Piper Ferguson, 2014)]

[Royal Cream / I Am Fire – The Afghan Whigs (photo by Piper Ferguson, 2014)]

[I Wish I Could Hear My Mother Pray Again – The Staple Singers]

[I Wish I Could Hear My Mother Pray Again – The Staple Singers]

[Medicine For A Nightmare – Sun Ra (art by Oliver Barrett)]

[Medicine For A Nightmare – Sun Ra (art by Oliver Barrett)]

[Supergroovalisticprosifunkstication – Parliament]

[Supergroovalisticprosifunkstication – Parliament]

[Kissing My Love – Afrique]

[Kissing My Love – Afrique]

[Dub The Mic / Gratitude – Beastie Boys]

[Dub The Mic / Gratitude – Beastie Boys]

[All Of Your Love – The Rolling Stones (Magic Sam cover) (photo by Kevin Winter, 2016)]

[All Of Your Love – The Rolling Stones (Magic Sam cover) (photo by Kevin Winter, 2016)]

[Viviendo – Jaime Roos]

[Viviendo – Jaime Roos]

[We Can't Be Beat - The Walkmen]

[We Can’t Be Beat – The Walkmen]

[Alexandra – Hamilton Leithauser]

[Alexandra – Hamilton Leithauser]

[When The Truth Is… – Hamilton Leithauser + Rostam]

[When The Truth Is… – Hamilton Leithauser + Rostam]

[Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger]

[Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger]

[Que Tristeza – Cal Tjader]

[Que Tristeza – Cal Tjader]

[Niña – Eduardo Mateo]

[Niña – Eduardo Mateo]

.
__________——————– =__^__=___________________———
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL 6)

–   ————-_______

__________—

Hello All.

Welcome to Volume Six of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)-

This one features some fine tunes by the likes of Paul Simon; Childish GambinoPop Levi; (producer/arranger of Chess Records subsidiary label Cadet Records) Richard Evans with his late ’60s studio project The Soulful Strings; something from Paul McCartney‘s side-project with Youth under the moniker of The Fireman; something from MegapussDevendra Banhart‘s 2008 side-project with the wonderfully talented Gregory Rogove, Fabrizio Moretti & Noah Georgeson; and a long groove by one of the greatest groups of all time, Parliament-Funkadelic! Oh and you’ll hear a captivating alternate take of the 2005 song Bob Dylan wrote and recorded for the North Country Soundtrack, “Tell Ol’ Bill” and the mid-’70s track “Mary Long” by Indian psych rock band Atomic Forest. There’s also a triple-play from The Flaming Lips‘ stunning 2009 record, Embryonic. I am particularly fond of the nervous respect given to the power of creativity that is conveyed in the third of these tunes, “Powerless“:

“Honey, you’re just paranoid
“You should do what you enjoy
“No one is ever really powerless”
That’s what she said and she gave me a kiss
“No one is ever really powerless”
Now I think I know what that really is
 –
It only happens if you try
Pain and pleasure both get you high
“No one is ever really powerless”
That’s what she said, now I can’t forget
“No one is ever really powerless”
Now I think I know what that really is

____________—

You’ll hear all this and more so press play and enjoy yourself!

 

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise-cvr-6

__________———

 
—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 6)__Automobile Pets ___
  • Mommy, What’s A Funkadelic? – Funkadelic
  • Terrifying [Starlight & Wonder Version] – Pop Levi
  • Me And Your Mama – Childish Gambino
  • Older Lives – Megapuss (Devendra Banhart, Gregory Rogove, Fabrizio Moretti & Noah Georgeson)
  • Skin I’m In – Sly & The Family Stone
  • Terrifying (For Kenneth Anger) – Pop Levi
  • Severed Crossed Fingers – St. Vincent
  • Illusion – Keith Richards, ft. Norah Jones
  • Tell Ol’ Bill – Bob Dylan
  • Sometimes I Feel Like A Motherless Child – The Soulful Strings
  • God Bless The Child – Cal Tjader & Mary Stallings
  • Travelling Light – The Fireman (Paul McCartney & Youth)
  • Gemini Syringes / Your Bats / Powerless – The Flaming Lips, ft. Thorsten Wörmann & Karen O
  • Mary Long – Atomic Forest
  • The Obvious Child – Paul Simon
  • Rebong – Andrew McGraw
  • Believe – Annabel (lee)
  • Kiss Me – Tom Waits
  • Steel Dreams [Part 2] – crush_DLX (Pop Levi & Bunny Holiday)
—————————————–================__^__===================  ===  _ ===== == =   = =  __  
automobile-pets
__________—
___    ______________—————__
[Mommy, What’s A Funkadelic? – Funkadelic (art by Dan Lish)]

[Mommy, What’s A Funkadelic? – Funkadelic (art by Dan Lish)]

[Terrifying [Starlight & Wonder Version] – Pop Levi]

[Terrifying [Starlight & Wonder version] – Pop Levi]

[Me And Your Mama – Childish Gambino (art by Nando Maglutac)]

[Me And Your Mama – Childish Gambino (art by Nando Maglutac)]

[Older Lives – Megapuss (Devendra Banhart, Gregory Rogove, Fabrizio Moretti & Noah Georgeson (art by Travis Millard and Mel Kadel)]

[Older Lives – Megapuss (Devendra Banhart, Gregory Rogove, Fabrizio Moretti & Noah Georgeson (art by Travis Millard and Mel Kadel)]

[Skin I’m In – Sly & The Family Stone]

[Skin I’m In – Sly & The Family Stone]

[Terrifying (For Kenneth Anger) – Pop Levi]

[Terrifying (For Kenneth Anger) – Pop Levi]

[Severed Crossed Fingers – St. Vincent]

[Severed Crossed Fingers – St. Vincent]

[Illusion – Keith Richards, ft. Norah Jones]

[Illusion – Keith Richards, ft. Norah Jones]

[Tell Ol’ Bill – Bob Dylan]

[Tell Ol’ Bill – Bob Dylan]

[Sometimes I Feel Like A Motherless Child – The Soulful Strings]

[Sometimes I Feel Like A Motherless Child – The Soulful Strings]

[God Bless The Child – Cal Tjader & Mary Stallings]

[God Bless The Child – Cal Tjader & Mary Stallings]

[Travelling Light – The Fireman (Paul McCartney & Youth)]

[Travelling Light – The Fireman (Paul McCartney & Youth)]

[Gemini Syringes / Your Bats / Powerless – The Flaming Lips, ft. Thorsten Wörmann & Karen O (art from Wayne Coyne's comic "The Sun Is Sick")]

[Gemini Syringes / Your Bats / Powerless – The Flaming Lips, ft. Thorsten Wörmann & Karen O (art from Wayne Coyne’s comic “The Sun Is Sick“)]

[Mary Long – Atomic Forest]

[Mary Long – Atomic Forest]

[The Obvious Child – Paul Simon]

[The Obvious Child – Paul Simon]

[Rebong – Andrew McGraw]

[Rebong – Andrew McGraw]

[Believe – Annabel (lee)]

[Believe – Annabel (lee)]

[Kiss Me – Tom Waits (photo by Michael O'Brien)]

[Kiss Me – Tom Waits (photo by Michael O’Brien)]

[Steel Dreams [Part 2] – crush_DLX (Pop Levi & Bunny Holiday)]

[Steel Dreams [Part 2] – crush_DLX (Pop Levi & Bunny Holiday)]

__________——————– =__^__=___________________———
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL 3)

demise-cvr-3

__________———
—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 3)__  ___
  • And I Was Blue – Sunforest
  • Fantastic Voyage – David Bowie
  • Defriended – Beck
  • The Bogus Man – Roxy Music
  • The Bogus Man – The Bryan Ferry Orchestra
  • Solid Wall Of Sound / Dis Generation – A Tribe Called Quest
  • Yes Indeed – Ron Carter With Eric Dolphy & Mal Waldron
  • Abbaon Fat Tracks – Tricky ft. Martina Topley-Bird
  • Downward Spiral – Danny Brown
  • Think Like They Book Say – Saul Williams
  • Ful Stop – Radiohead
  • Re Run – Kamasi Washington
  • Don’t Hurt Yourself – Beyoncé (ft.. Jack White)
  • Shoo-B-Doop and Cop Him – Betty Davis
  • Jersey Yo! – Redman
  • I Wanna Know If It’s Good to You? – Funkadelic
  • Pass The Mic – Beastie Boys
  • Stirring – Flying Lotus

__________—

Hello All.

Welcome to Volume Three of my new series of MixTapes: The Demise Of The Mask. –(Volume One here)__(Volume Two here)-.

Although the MixTape features what I find to be many fine songs, I did want to make special mention of David Bowie‘s 1979 track “Fantastic Voyage” as I think this odd pop work is one of the greatest songs to tackle just what it feels like for We The People to live under Nationalism and the soul distortion of patriotic rhetoric. In particular it captures the peculiar and ambiguous but very human emotion of volatile resignation when under absurd power structures or abandoned and made vulnerable in what he describes as both “this criminal world” and “a very modern world.”

“Loyalty is valuable…” Bowie sings, “…but our lives are valuable too.”

As Chris O’Leary wrote on his fantastic blog Pushing Ahead of the Dame (published in part as the book Rebel Rebel):

David Bowie will likely never tour again, may never even sing live again. If so, the last song that he ever performed on stage was “Fantastic Voyage,” a neglected song from a neglected record. It’s a fitting choice. “Fantastic Voyage,” though sequenced as Lodger‘s lead-off track, could have easily served as its closer, and it also works as Bowie’s final statement, a cranky humanist manifesto.

In “Voyage” there’s a striking change of tone from the other Berlin records or Station to Station: Bowie’s no longer at a remove. He’s on the ground, restored to humanity, admitting his powerlessness, reduced to observing and making asides. He sounds both warmer (the slow, generous phrasing of the opening lines) and less calculating; he lets scattered, volatile emotions overrun his song.

Bowie had once seemed to welcome the apocalypse, as it held the potential for transformation. Now in “Fantastic Voyage” he seems older and generally pissed off (“think of us as fatherless scum“), with such delusions drummed out of him. He’s grasped a peasant realism: we are largely governed by killers and fools, our lives hang on their arbitrary mercies.

________

“Fantastic Voyage”

In the event
that this fantastic voyage
Should turn to erosion
and we never get old
Remember it’s true, dignity is valuable
But our lives are valuable too
We’re learning to live with somebody’s depression
And I don’t want to live with somebody’s depression
We’ll get by, I suppose
It’s a very modern world,
but nobody’s perfectIt’s a moving world,
but that’s no reason
To shoot some of those missiles
Think of us as fatherless scum
It won’t be forgotten
‘Cause we’ll never say anything nice again, will we?And the wrong words make you listen
In this criminal world
Remember it’s true, loyalty is valuable
But our lives are valuable tooWe’re learning to live with somebody’s depression
And I don’t want to live with somebody’s depression
We’ll get by I suppose
But any sudden movement I’ve got to write it down
They wipe out an entire race and I’ve got to write it down
But I’m still getting educated but I’ve got to write it down
And it won’t be forgotten
‘Cause I’ll never say anything nice again, how can I?

_____

The mix also features a bit of music off of just some of my favorite albums of 2016, like Saul Williams‘s MartyrLoserKing, A Tribe Called Quest‘s long awaited reunion We got it from Here… Thank You 4 Your service, Radiohead‘s A Moon Shaped Pool, and Beyoncé‘s collaboration with Jack White from her album Lemonade. (Jack White is having quite a year appearing on both Beyoncé’s and A Tribe Called Quest’s records, as well as releasing the great double-album compilation Acoustic Recordings 1998–2016 and his label Third Man Records being responsible for the release of  Margo Price‘s impressive debut, Midwest Farmer’s Daughter).

I know I’ve been a bit slow this year to dig in to new music as I spent the majority of the year mourning two of my all time favorites, with the first half of the year listening to David Bowie’s discography and the latter half listening to Prince’s. 

However, this MixTape additionally features “Downward Spiral” by Danny Brown, which is the opening track to his beautifully disturbed record Atrocity Exhibition. No, not necessarily an easy listening experience; this is a record that certainly lands on my top ten releases of 2016 (falling closer to the #1 spot than 10). Making me think of some anxious black tar mutation between Tricky, Talking Heads, and the ridiculous Trap music everyone blasts from their cars in my neighborhood, Atrocity Exhibition still remains one of the most idiosyncratic works in a genre that often seems to enforce and celebrate the homogeneous with a false smile.

As for what is my #1 record of 2016, well that without a doubt belongs to Blackstar by David Bowie. Or as Danny Brown perfectly put it himself in an interview with the online music magazine Pitchfork:

Blackstar is definitely the biggest album to me this year. That album is fucking creepy. It scares the shit out of me. And those videos. Fuck. I kind of relate to it, to him. When you put that much of your life into music, can’t nobody ever take that—you can’t rate that. You can’t review this. He died for this. This is his life right here. When people talk about the best albums of the year, I be like, “Y’all don’t realized Bowie’s album came out this year and he fucking died? What is y’all talking about?” We should hands-down know what the best album of this year is. Shouldn’t be talk of nothing else.

–   ————-_______

Also below you’ll find a long list of things I read (or re-read) this year that I truly enjoyed and/or loved. I highly recommend them all! These are not necessarily things that were published this past year but more likely just things I got around to reading since January 2016. When not working on my long, sprawling meditation on the extraordinary and inspiring art of recently deceased David Bowie (R.I.P.) or reading the stunning and always stirring blog Brain Pickings by Maria Popova, I did spend a good deal of my reading time this year immersed in various news articles and such but I wont inundate you with those. I was pretty delighted that the Village Voice had a big upswing in terms of quality, and super excited to find that the entire 1967 to 1973 run of the magazine OZ had been completely digitized.

However, I must list and make honorable mention of what I found to be perhaps the best article I’ve read all year, the Pulitzer Prize winning article “An Unbelievable Story of Rape,” published in December 2015 and written by Pro Publica‘s senior reporter T. Christian Miller in partnership with The Marshall Project‘s Ken Armstrong.

As for the books listed, they are in no particular order of preference except for the graphic novel memoir Becoming Unbecoming by Una, which I can say was one of the most impressive things I’ve read all year and actually brought me to tears. This year I also became a huge fan of the philosopher Simon Critchley through his slim work Bowie and of writer Angela Carter through her fantastic 1972 novel The Infernal Desire Machines of Doctor Hoffman. Samuel R. Delany‘s 1973 novel of hardcore erotica and cartoon, occult pornography must get special mention as the most disgusting thing I’ve ever read that is still yet a thing of exquisite language and beauty: Equinox. In its introduction he describes it as thus:

“This is an artificial, extravagant, and pretentious book […]. But it is honest before its artifice; and in this age of extravagant expressions, honesty is the last pretension.”

This year I also re-read (and not for the first time) two comic book series that I can never recommend enough for those in need of a shift in consciousness (and who is not in need?): Promethea by Alan Moore and The Invisibles by Grant Morrison.

I didn’t read too much poetry this year but wanted to mention the work of one poet I had never heard of that I really thought was absolutely great: Dark Sparkler by Amber Tamblyn. I look forward to reading other work by her.

Speaking of poetry, I did want to share this fantastic piece called Moving Into A Period, which I read in Leonard Cohen‘s 2006 work Book of Longing:

We are moving into a period of bewilderment, a curious moment in which people find light in the midst of despair, and vertigo at the summit of their hopes. It is a religious moment also, and here is the danger. People will want to obey the voice of Authority, and many strange constructs of just what Authority is will arise in every mind. The family will appear again as the Foundation, much honoured, much praised, but those of us who have been pierced by other possibilities, we will merely go through the motions, albeit the motions of love. The public yearning for Order will invite many stubborn uncompromising persons to impose it. The sadness of the zoo will fall upon society.
You and I, who yearn for blameless intimacy, we will be unwilling to speak even the first words of inquisitive delight, for fear of reprisals. Everything desperate will live behind a joke. But I swear that I will stand within the range of your perfume.
How severe seems the moon tonight, like the face of an Iron Maiden, instead of the usual indistinct idiot.
If you think Freud is dishonoured now, and Einstein, and Hemingway, just wait and see what is to be done with all that white hair, by those who come after me.
But there will be a Cross, a sign, that some will understand; a secret meeting, a warning, a Jerusalem hidden in Jerusalem. I will be wearing white clothes, as usual, and I will enter The Innermost Place as I have done generation upon generation, to entreat, to plead, to justify. I will enter the chamber of the Bride and Bridegroom, and no one will follow me.
Have no doubt, in the near future we will be seeing and hearing much more of this sort of thing from people like myself.

You’ll see that there is a lot of Star Wars related material listed (I didn’t get to see The Force Awakens until it was released on DVD midway through this year) and If I had to pick just one to recommend I’d have to go with the novel Star Wars: Lords of the Sith by Paul S. Kemp.

For the sake of full disclosure I have included in the list the two books that I am currently reading: The Diary of a Teenage Girl by Phoebe Gloeckner, and the collection of brilliant essays Cultural Amnesia: Necessary Memories from History and the Arts by Clive JamesAlthough only a little more than halfway through both I know now that I’d easily recommend them as they are just great.

But again, I’d truly recommend anything you find below.

_——_______

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise-cvr-3

__________———
—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 3)__  ___
  • And I Was Blue – Sunforest
  • Fantastic Voyage – David Bowie
  • Defriended – Beck
  • The Bogus Man – Roxy Music
  • The Bogus Man – The Bryan Ferry Orchestra
  • Solid Wall Of Sound / Dis Generation – A Tribe Called Quest
  • Yes Indeed – Ron Carter With Eric Dolphy & Mal Waldron
  • Abbaon Fat Tracks – Tricky ft. Martina Topley-Bird
  • Downward Spiral – Danny Brown
  • Think Like They Book Say – Saul Williams
  • Ful Stop – Radiohead
  • Re Run – Kamasi Washington
  • Don’t Hurt Yourself – Beyoncé (ft.. Jack White)
  • Shoo-B-Doop and Cop Him – Betty Davis
  • Jersey Yo! – Redman
  • I Wanna Know If It’s Good to You? – Funkadelic
  • Pass The Mic – Beastie Boys
  • Stirring – Flying Lotus

—————————————–================__^__===================  ===  _ ===== == =   = =  __  

2016 Reading List:________

__________—
___    ______________—————__
_[play]
[And I Was Blue - Sunforest]

[And I Was Blue – Sunforest]

[Fantastic Voyage - David Bowie]

[Fantastic Voyage – David Bowie]

[Defriended - Beck]

[Defriended – Beck]

[The Bogus Man - Roxy Music]

[The Bogus Man – Roxy Music]

[The Bogus Man - The Bryan Ferry Orchestra]

[The Bogus Man – The Bryan Ferry Orchestra]

[Solid Wall Of Sound / Dis Generation - A Tribe Called Quest]

[Solid Wall Of Sound / Dis Generation – A Tribe Called Quest]

[Yes Indeed - Ron Carter With Eric Dolphy & Mal Waldron]

[Yes Indeed – Ron Carter With Eric Dolphy & Mal Waldron]

[Abbaon Fat Tracks - Tricky ft. Martina Topley-Bird]

[Abbaon Fat Tracks – Tricky ft. Martina Topley-Bird]

[Downward Spiral - Danny Brown]

[Downward Spiral – Danny Brown]

[Think Like They Book Say - Saul Williams]

[Think Like They Book Say – Saul Williams]

[Ful Stop - Radiohead]

[Ful Stop – Radiohead]

[Re Run - Kamasi Washington]

[Re Run – Kamasi Washington]

[Don't Hurt Yourself - Beyoncé (ft.. Jack White)]

[Don’t Hurt Yourself – Beyoncé (ft.. Jack White)]

[Shoo-B-Doop and Cop Him - Betty Davis]

[Shoo-B-Doop and Cop Him – Betty Davis]

[Jersey Yo! - Redman]

[Jersey Yo! – Redman]

[I Wanna Know If It's Good to You? - Funkadelic]

[I Wanna Know If It’s Good to You? – Funkadelic]

[Pass The Mic - Beastie Boys]

[Pass The Mic – Beastie Boys]

[Stirring - Flying Lotus]

[Stirring – Flying Lotus]

.

__________——————– =__^__=___________________———

___________________))))))))))))))))

All the best to you and yours & Happy New Year!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

Hello all,

and welcome to what will be the last post for the summer! I’ve got a special triptych-mixtape for you all today! About a week back a good friend of mine asked that I produce a few mixes for a gathering the night before his wedding. Unfortunately (like, whatever, y’know) due to technical difficulties they could not be played that evening (the entire wedding weekend, however, was absolutely fantastic!). Anyway, not one to let a good MixTape go to waste, I present them to you here. I do believe them to be real nice & easy, and tons of fun, with some great tunes that have been featured here in these pages before and some that I was planning on getting to someday.

May these serve you well here at the tail-end of the summer! So sit back, roll forward, and enjoy!

But above all–ENJOY YOURSELF!__

Nuptials-cvr___________________

Volume I—Click here to listen & Download——-

_____________________

Volume II—Click here to listen & Download——-

_________________________________

Volume III—Click here to listen & Download——-

_________________________________________________

__

A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

VOLUME ONE:

  1. Pre-Nump – Outkast
  2. When You’re Smiling and Astride Me – Father John Misty
  3. Here I Am (Come And Take Me) – Al Green
  4. Happy – The Rolling Stones
  5. Alright, Okay, You Win – Peggy Lee
  6. You Make Loving Fun – Fleetwood Mac
  7. Baby It’s You – The Beatles
  8. Let Me Be Good To You – Carla Thomas
  9. Try (Just A Little Bit Harder) – Janis Joplin
  10. River Deep – Mountain High – Harry Nilsson
  11. Beautiful Girl – INXS
  12. Over The Hills And Far Away – Led Zeppelin
  13. The Brides Have Hit Glass – Guided By Voices
  14. What A Woman – Howlin’ Wolf
  15. The Spy – The Doors
  16. Light My Fire – Al Green
  17. Shake Your Hips – The Rolling Stones
  18. We Can Work It Out – Stevie Wonder
  19. CREEP – Afghan Whigs
  20. Tenement Lady – T.Rex
  21. John, I’m Only Dancing – David Bowie
  22. Fool I Am – Pat Ferguson
  23. I Just Want To Make Love To You – Etta James
  24. Let Me Roll It – Paul McCartney & Wings

VOLUME TWO:

  1. Your Southern Can is Mine – The White Stripes
  2. When I Look In Your Eyes – André 3000
  3. Lady Madonna – Fats Domino
  4. Loving Cup – The Rolling Stones
  5. Ring Of Fire – Ray Charles
  6. Rag Mama Rag – The Band
  7. Pretty Thing – Bo Diddley
  8. Tee Pees 1-12 – Father John Misty
  9. Would You – Richard Swift
  10. Andy’s Chest – Lou Reed
  11. Milkcow Blues Boogie – Elvis Presley
  12. Slow Down – Backbeat Band
  13. Rip It Up/ Ready Teddy – John Lennon
  14. Surprise Surprise (Sweet Bird Of Paradox) – John Lennon
  15. Live with Me – The Rolling Stones
  16. Planet Queen – T.Rex
  17. She Belongs To Me – Bob Dylan
  18. Black Is the Color – Rhiannon Giddens
  19. I Gotta Know – Wanda Jackson
  20. Love Having You Around – Stevie Wonder
  21. Right – David Bowie
  22. Oh! Darling – The Beatles
  23. Call On Me – Big Brother And The Holding Company (feat. Janis Joplin)
  24. Candy – Iggy Pop

VOLUME THREE:

  1. Mystify – INXS
  2. Be Kind – Devendra Banhart
  3. Didn’t I – Darondo
  4. Mind Games – George Clinton
  5. Dear Prudence – The Beatles
  6. Little Red Rooster – Sam Cooke
  7. Sweet Feeling – Candi Staton
  8. Idlewild Blue (Don’t Chu Worry ‘Bout Me) – André 3000
  9. Rusty Cage – Johnny Cash
  10. Can You Get To That? – Funkadelic
  11. Yazoo Street Scandal – The Band
  12. Police & Thieves – The Clash
  13. Do Unto Others – Pee Wee Crayton
  14. Goin’ To Acapulco – Jim James & Calexico
  15. Candela – Buena Vista Social Club
  16. Momma Miss America – Paul McCartney
  17. Got To Get You Into My Life – Chris Clark
  18. Wah-Wah – George Harrison
  19. Mean To Me – Dean Martin
  20. This Magic Moment – Lou Reed
  21. Be My Baby – John Lennon

______________________________________

It’s Good to Feel you are Close to Me

It’s good to feel you are close to me in the night, love,
invisible in your sleep, intently nocturnal,
while I untangle my worries
as if they were twisted nets.

Withdrawn, your heart sails through dream,
but your body, relinquished so, breathes
seeking me without seeing me perfecting my dream
like a plant that seeds itself in the dark.

Rising, you will be that other, alive in the dawn,
but from the frontiers lost in the night,
from the presence and the absence where we meet ourselves,

something remains, drawing us into the light of life
as if the sign of the shadows had sealed
its secret creatures with flame.

__________

Pablo Neruda, from Cien Sonetos de Amor (1959).

______________

All the best to you & yours,

(Oh, and J2 & Dana, despite this entry in Ambrose Bierce’s The Unabridged Devil’s Dictionary, “Love, noun. A temporary insanity curable by marriage;” I love you guys, wish you well, and know you will make and remain a fine union in the light of life),

Bobby Calero

A MOUTHFUL OF PENNIES PRESENTS: RADIO DETRITUS

HELLO ALL! I’ve got a double mixtape here for you today, so you should be able to chew on this awhile! Keep an ear out, as these actually feature two of my all time favorite tunes: Harry Nilsson’s “The Moonbeam Song” and “All The King’s Horses” by Aretha Franklin (my, how I would have loved to have heard Jeff Buckley do a rendition of the latter). Oh and here across the 2 mixes there’s the whole Rolling Stones/Claudine Longet connection to dig.

Anyway, as always

—–ENJOY YOURSELF

Radio Detritus CVR

 

RADIO DETRITUS (VOL. I)

———————CLICK TO LISTEN (or RIGHT-CLICK-SAVE-AS TO DOWNLOAD)————- 

 ———————————————————————–   ——————-

RADIO DETRITUS (VOL. II)

 

———————CLICK TO LISTEN (or RIGHT-CLICK-SAVE-AS TO DOWNLOAD)————- 

 ——————————————-   —-   — – – –

——————————-

Radio Detritus 1

How Brittle The Bones – Trent Reznor & Atticus Ross

Saturday Bride – Quilt

Sunday – David Bowie

Dirt – The Stooges

Of Course – Jane’s Addiction

Moanin’ The Blues – Hank Williams [art by Marc Burckhardt]

Claudine – The Rolling Stones

Pumpkin – Tricky (ft. Alison Goldfrapp)

Sweet Sweet – Smashing Pumpkins

Don’t Think Twice – The Wonder Who (aka, The 4 Seasons )

Street Corner Love – Jobriath

I Got A Good Thing/Stoned To The Bone – James Brown

Diagram – Saul Williams

Mama Forgot To Tell Me – Willie “Little Beaver” Hale

One Room Paradise – The Raeletts

Belle Glade Missionaries – of Montreal

I’ll Bet You – Funkadelic

The Moonbeam Song – Harry Nilsson

Bring Me The Disco King – David Bowie

—————————————————- — — ———–   —

— — —    —

————————————–

Radio Detritus 2

Sunday Will Never Be the Same – Buffoons

Soul Vibrations – Dorothy Ashby

Ill Wind – Frank Sinatra

Where I End And You Begin (The Sky Is Falling In) – Radiohead

All The King’s Horses – Aretha Franklin

Last To Know - Priestbird [photo by Lauren Dukoff]

Last To Know – Priestbird [photo by Lauren Dukoff]

Prayer – D’Angelo & The Vanguard

Memory Camp – The Brian Jonestown Massacre

Never Get Old – David Bowie

JLH – Richard Swift

Sugar Mama – John Lee Hooker

Trust No Man – Ma Rainey

Mississippi (outtake version) – Bob Dylan

Let’s Spend The Night Together – Claudine Longet

Sweet Feeling – Candi Staton

Standing In The Rain – Al Green

I Don’t Need No Doctor – Ray Charles

Day Tripper – Vontastics

It's A Long Way Back To Germany- Ramones

It’s A Long Way Back To Germany– Ramones

Pretty Penny – Stone Temple Pilots

Labeling the World/Better Beware – Charles Eisenstein/Lilacs & Champagne (amop edit)

Lay Lady Lay – Brothers & Sisters (Dylan’s Gospel)

If I Only Had A Heart – Afghan Whigs

Ha Ha Suckers – Richard Swift [art by Richard Swift]

Radio Detritus 1

  • How Brittle The Bones – Trent Reznor & Atticus Ross
  • Saturday Bride – Quilt
  • Sunday – David Bowie
  • Dirt – The Stooges
  • Of Course – Jane’s Addiction
  • Moanin’ The Blues – Hank Williams
  • Claudine – The Rolling Stones
  • Pumpkin – Tricky (ft. Alison Goldfrapp)
  • Sweet Sweet – Smashing Pumpkins
  • Don’t Think Twice – The Wonder Who (aka, The 4 Seasons )
  • Street Corner Love – Jobriath
  • I Got A Good Thing/Stoned To The Bone – James Brown
  • Diagram – Saul Williams
  • Mama Forgot To Tell Me – Willie “Little Beaver” Hale
  • One Room Paradise – The Raeletts
  • Belle Glade Missionaries – of Montreal
  • I’ll Bet You – Funkadelic
  • The Moonbeam Song – Harry Nilsson
  • Bring Me The Disco King – David Bowie
 Radio Detritus 2
  • Sunday Will Never Be the Same – Buffoons
  • Soul Vibrations – Dorothy Ashby
  • Ill Wind – Frank Sinatra
  • Where I End And You Begin (The Sky Is Falling In) – Radiohead
  • All The King’s Horses – Aretha Franklin
  • Last To Know – Priestbird
  • Prayer – D’Angelo & The Vanguard
  • Memory Camp – The Brian Jonestown Massacre
  • Never Get Old – David Bowie
  • JLH – Richard Swift
  • Sugar Mama – John Lee Hooker
  • Trust No Man – Ma Rainey
  • Mississippi (outtake) – Bob Dylan
  • Let’s Spend The Night Together – Claudine Longet
  • Sweet Feeling – Candi Staton
  • Standing In The Rain – Al Green
  • I Don’t Need No Doctor – Ray Charles
  • Day Tripper – Vontastics
  • It’s A Long Way Back To Germany- Ramones
  • Pretty Penny – Stone Temple Pilots
  • Labeling the World/Better Beware – Charles Eisenstein/Lilacs & Champagne (amop edit)
  • Lay Lady Lay – Brothers & Sisters (Dylan’s Gospel)
  • If I Only Had A Heart – Afghan Whigs
  • Ha Ha Suckers – Richard Swift

— —   ———-   — – – –    –     –

——————————————-BOBBY CALERO—————————–

A MOUTHFUL OF PENNIES PRESENTS: OPEN SHOOK

Hello All, I had some minutes here and there to spare and I was in the mood–so here’s a new mixtape for your audio pleasure!

Enjoy Yourself–

 

OPEN-SHOOK-CVR

———————————————————————–(CLICK TO LISTEN or Right click save as to DOWNLOAD)——-

— —— — ——

Nature is a temple where living pillars

Let sometimes emerge confused words;

Man passes through forests of symbols

Which observe him with a familiar glance.

…She would not claim to understand this poem, but there was something she recognized. She received it as an echo emancipated from her own hidden hollows. She felt this poem as if it were a subtle worm—or a perfumed scent in search of form. It had fidgeted towards her lobes and passed her a little key tethered to a long, long thread. The digits of her thoughts felt too dull to guess the key’s true shape. Likewise, she was dumb to what lock it could correspond, or just where this strand might lead. Eager with pleasant confusion: she fondled at the tremors of little wet questions.

A MOUTHFUL OF PENNIES PRESENTS: OPEN SHOOK

—————————————————— — –    –   –      ——

— —— — ——

Inside The Dream – Johnny Depp (Jim Morrison)

Alone Again and… – Lilacs & Champagne

Cold Winter Sun – Faine Jade

Moonlight Mile – The Rolling Stones

The Coming/The Dark (Trinity) – The Roots, ft. Mercedes Martinez, Dice Raw & Greg Porn

Silver Donna – Damien Jurado

Bowling Trophies – Foxygen

Gronlandic Edit – of Montreal

Suite IV Electric Overture/Givin Em What They Love – Janelle Monáe Feat. Prince

Insanely Jealous – The Soft Boys

When You’re Smiling and Astride Me – Father John Misty

Cecil Taylor – Jonathan Wilson, ft. David Crosby & Graham Nash

Turn Me On – Rotary Connection

Mommy, What’s A Funkadelic? – Funkadelic

The Things I Used To Do – Chuck Berry

I’m Lonesome – Ernie Chaffin

Let Me Hip You To Something – Juan Wauters [art by Matt Volz]

That Girl – Justin Timberlake

At Sea – San Fermin

 

—————————————————————————- — — – –       –     ————— —

 

  • Inside The Dream – Johnny Depp (Jim Morrison)
  • Alone Again and… – Lilacs & Champagne
  • Cold Winter Sun – Faine Jade
  • Moonlight Mile – The Rolling Stones
  • The Coming/The Dark (Trinity) – The Roots, ft. Mercedes Martinez, Dice Raw & Greg Porn
  • Silver Donna – Damien Jurado
  • Bowling Trophies – Foxygen
  • Gronlandic Edit – of Montreal
  • Suite IV Electric Overture/Givin Em What They Love – Janelle Monáe, ft. Prince
  • Insanely Jealous – The Soft Boys
  • When You’re Smiling and Astride Me – Father John Misty
  • Cecil Taylor – Jonathan Wilson, ft. David Crosby & Graham Nash
  • Turn Me On – Rotary Connection
  • Mommy, What’s A Funkadelic? – Funkadelic
  • The Things I Used To Do – Chuck Berry
  • I’m Lonesome – Ernie Chaffin
  • Let Me Hip You To Something – Juan Wauters
  • That Girl – Justin Timberlake
  • At Sea – San Fermin

———– — – —   – –  – — – — ———- –     – –     —-

——————–Bobby Calero    ——

A MOUTHFUL OF PENNIES PRESENTS: THE LONG ROLL THROUGH HIM TO HER

Hello All,

Just a quick pop-in to present a little audio roll for the month of August.

Now, I’m back off to some other projects I got goin’.

–Enjoy Yourself–

 

THE LONG ROLL THROUGH HIM TO HER

————-______________\/\/\/\/\/\/\/\/\/\/\/

——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

As always, if you dig any of the artists presented here I strongly encourage you to explore their work  further and pick up an album or two.

A MOUTHFUL OF PENNIES PRESENTS:

THE LONG ROLL THROUGH HIM TO HER

Embryo – Black Sabbath

Hello Sunshine – Damien Jurado & Richard Swift

Summertime Rolls – Jane’s Addiction

Hey Bulldog – The Beatles

Preso Voy – The Beets

Will O’ The Wisp – Miles Davis

Vernie – Blind Melon

A Visitation Of Energy – Johnny Depp (Jim Morrison)

Some More – Funkadelic

Midnight Sun – The Ghost Of A Saber Tooth Tiger

She’s Fine, She’s Mine – Bo Diddley

Cycle – Beck

Little Monkey (Live 3/19/04 at KVRX) – Devendra Banhart

House Carpenter – Bob Dylan (Self Portrait Outtake)

Hollywood Forever Cemetery Sings – Father John Misty

Penduli Pendulum – Bobbie Gentry

A Las Orillas Del Vilcanota – El Polen

Song for Aries – Cactus

Love – Country Joe & The Fish

Barabajagal – Donovan

You Can’t Beat Two People In Love – James Brown & Lyn Collins

Lay Lady Lay – Brothers & Sisters (Dylan)

Night Beat – Chuck Berry

The Floating Bed – Elliot Goldenthal

Blues In The Night – Frank Sinatra

Moonlight Lady – Iggy Pop

Tender Beasts Of The Spangled Night – Beck

————————————— — —   —–             –   ————  —-  – –

 

EmbryoBlack Sabbath

Hello SunshineDamien Jurado & Richard Swift

Summertime Rolls Jane’s Addiction

Hey BulldogThe Beatles

Preso VoyThe Beets [art by Matt Volz. 2011,

Will O’ The WispMiles Davis

VernieBlind Melon

A Visitation Of EnergyJohnny Depp (Jim Morrison)

Some MoreFunkadelic

Midnight Sun The Ghost Of A Saber Tooth Tiger

She’s Fine, She’s MineBo Diddley

CycleBeck

Little Monkey (Live 3/19/04 at KVRX) – Devendra Banhart

House CarpenterBob Dylan (Self Portrait Outtake)

Hollywood Forever Cemetery SingsFather John Misty

Penduli PendulumBobbie Gentry

A Las Orillas Del VilcanotaEl Polen [photo by Billoguo]

Song for AriesCactus

LoveCountry Joe & The Fish

BarabajagalDonovan

You Can’t Beat Two People In LoveJames Brown & Lyn Collins

Lay Lady LayBrothers & Sisters (Dylan)

Night BeatChuck Berry

The Floating BedElliot Goldenthal [El Sueño (La Cama) by Frida Kahlo, 1940]

Blues In The NightFrank Sinatra

Moonlight Lady Iggy Pop [cover by Charles Burns, 1990]

Tender Beasts Of The Spangled NightBeck

 

——————Bobby Calero————————-

A Mouthful Of Pennies Presents: HOMEBREAKER

Hello All,

Here’s a MixTape I wanted to post up before it got away from me. Just a little fun something I slapped together a couple of months back for my house-warming party; best enjoyed when accompanied by alcohol & laughter.

 

–Enjoy Yourself—

 

HomeBreaker cover

______________\/\/\/\/\/\/\/\/\/\/\/

——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

A Mouthful Of Pennies Presents:

HOMEBREAKER

  • A Peace Of Light – The Roots Feat. Amber Coffman, Angel Deradoorian & Haley Dekle
  • Fall In Love (Your Funeral) – Erykah Badu
  • Down Is Up – Moondog
  • Houses Of The Holy – Led Zeppelin
  • Refuse To Be Saved – Elvis Costello & The Roots
  • Drunken Praying Mantis Style – Beastie Boys (ft.Biz Markie)
  • Star – The Roots
  • Life Ain’t Ever Been Better Than It Is Now – Lenny Kravitz (ft. Trombone Shorty)
  • What Can You Bring Me – Charles Wright & The Watts 103rd Street Rhythm Band
  • Rockin It [edit] – The Fearless Four
  • Thank You Nation 1814 – Sly & The Family Stone/Janet Jackson (Dj Reset remix)
  • I Got A Stomach Ache – Junior Wells
  • Put On Train – Gene Harris
  • Ramble On – Led Zeppelin
  • “Your Blind Baby” – Flavor Flav
  • Can You Get To That? – Funkadelic
  • Bert’s Blues – Donovan
  • I’m A Ram – Al Green
  • Rent Party – Booker T. Jones
  • P. Control (Crystal Ball Club Mix) – Prince
  • Summertime – Bobby Womack & The Roots
  • Bold As Love – The Jimi Hendrix Experience
  • DillaTUDE: The Flight Of Titus (A.M.O.P. edit) – The Roots

————————-    — —    –    ——————————-

A Peace Of Light – The Roots Feat. Amber Coffman, Angel Deradoorian & Haley Dekle

Fall In Love (Your Funeral) – Erykah Badu

Down Is Up – Moondog

Houses Of The Holy – Led Zeppelin

Refuse To Be Saved – Elvis Costello & The Roots

Drunken Praying Mantis Style – Beatie Boys (ft. Biz Markie)

Star – The Roots

Life Ain’t Ever Been Better Than It Is Now – Lenny Kravitz (ft. Trombone Shorty)

What Can You Bring Me – Charles Wright & The Watts 103rd Street Rhythm Band

Rockin It [edit] – The Fearless Four

Thank You Nation 1814 – Sly & The Family Stone/Janet Jackson (Dj Reset remix)

I Got A Stomach Ache – Junior Wells

Put On Train – Gene Harris

Ramble On – Led Zeppelin

“Your Blind Baby” – Flavor Flav

Can You Get To That? – Funkadelic

Bert’s Blues – Donovan

I’m A Ram – Al Green

Rent Party – Booker T. Jones

P. Control (Crystal Ball Club Mix) – Prince

Summertime – Bobby Womack & The Roots

Bold As Love – The Jimi Hendrix Experience

DillaTUDE: The Flight Of Titus (A.M.O.P. edit) – The Roots

 

————————————–BOBBY CALERO———————————–