Category Archives: Greg Dulli

THE DEMISE OF THE MASK (VOL. 8)__Bread & Circus ___

__

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=

—  –   ————-______________ ->

demise_cvr_8

__________———

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—

Hello All.

Welcome to Volume Eight of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)-

I’ve got quite a treat MixTape here for you as this one features a triple-play by Hamilton Leithauser: first there’s “We Can’t Be Beat” from the last album by his always fantastic group The Walkmen, 2012’s Heaven; then there’s a selection from Leithauser’s 2014 debut solo studio album, Black Hours; and finally there’s the song “When The Truth Is…” from last year’s stunning record I Had a Dream That You Were Mine, which is a collaborative work with Rostam Batmanglij (the former multi-instrumentalist and producer of Vampire Weekend).

You’ll also hear Aretha Franklin, some Beastie Boys, the lovely “Rainbows In Gasoline” by the duo of Sean Lennon and Charlotte Kemp Muhl who record together under the moniker of The Ghost of a Saber Tooth Tiger (or GOASTT), and a fine example of why John Lennon was one of the greatest of rock ‘n’ roll vocalists with The Beatles‘ tune “All I’ve Got To Do.”

As well, there are two selections from the Parliament-Funkadelic collective: first there’s a cover of The Beatles by incendiary yet so sweet guitarist Eddie Hazel from his 1977 solo debut Game, Dames and Guitar Thangs, which features incredible vocals by The Brides of Funkenstein (the duo of Dawn Silva and Lynn Mabry, who prior to joining the P-Funk collective were members of Sly and the Family Stone); later on you’ll catch the revolving, kaleidoscopic groove of “Supergroovalisticprosifunkstication” from Parliament‘s 1975 masterpiece, Mothership Connection.

Oh and I can’t forget to mention the rendition of Magic Sam‘s All Of Your Love” done with grit and precision by The Rolling Stones and taken from their joyous record of blues covers released at the end of last year, Blue & Lonesome.

Among a whole bunch of other great sounds this mix also features two figures who are perhaps the most poetic recording artists of Uruguayan music: Jaime Roos and Eduardo Mateo. The song “Viviendo” is from Roos’ third record, Aquello released in 1981. There is a translation done by my father below for those that are interested:

Viviendo (Living) by Jaime Roos [translated by Julio Calero]
I remember you
You’re the One
Who could understand  it
No big deal
That we do not love each other
You could understand it
.
Friend, where abouts may you be?
What seas may you be sailing?
Soon we’ll cross paths
And I’ll find you
Living
You’ll find me
Living
.
You’ll hear
The world was
And will be a marvel, I already know
It could be
My voice
Coming out of a nightmare that’s gone
.
Friend, where abouts may you be?
What seas may you be sailing?
Soon we’ll cross paths
And I’ll find you
Living
where abouts may you be?
Living
Alone, perhaps
Living

Throughout his long career Jaime Roos has continued to make an interesting mix of rock and folk with the more traditional sounds of Uruguay like candombe, milonga, tango and murga. He’s still out there performing and I highly recommend that if you ever have the opportunity you should definitely catch his show!

 Eduardo Mateo‘s “Niña” is a sweet tune done by a pure musician, and its recording comes with an interesting story. By the time Mateo’s phenomenal band El Kinto had officially disintegrated in the early part of 1970 most of Mateo’s friends and associates were already convinced that he had gone completely insane. Despite the fact that these same people viewed him as a musical genius, they did not know what to make of his habits of disappearing for days at a time, either to lock himself up somewhere in a rented room to explore new realms on his instrument while searching for spiritual enlightenment through chemicals, or to wander the streets with nothing but pajamas and a guitar—there was always a guitar, a rare constant in this man’s unhinged life. Once, my uncle saw him walking the streets at night with one foot aligned with the curb, the other with the gutter, so that he was forced to maintain an awkward and drastic limp to his gait—how’s that for a metaphor?!

Speaking of this period in Mateo’s life, Uruguayan singer Verónica Indart had this story to tell:

“The last time I saw him was in the first years of the 1970s. I was

with Héctor, my husband, and Mateo arrived. He entered, he took

up the guitar, and he sat down to play by the window, looking at the

sea for a long while. We listened to him. When he finished, he got up,

he set down the guitar and he went out the door without a greeting.

That was Mateo. He arrived, gave us his music and went on without

greeting us, because it was not necessary” (Lion Production, 2006).

In 1971, for those who were fortunate to have heard Mateo play there was no doubt of that man’s overwhelming talent—mental illness or not; however, beyond a handful of tracks there existed little recorded evidence of it. This would soon change due to the influence of talented singer Diane Denoir, and through the dedication and passion of producer Carlos Píriz. Píriz, a recording technician who had worked for the live, music television show Discodromo had recently started the record label De la Planta along with Jorge “Coyo” Abuchalja, guitarist for the group Los Delfines. The ethos behind this venture was to maintain a Uruguayan label that was dedicated to Uruguayan musicians, providing them with better production, recording techniques, and better distribution than the then norm. Fortunately, through Píriz’s connections, they were able to secure regular studio time at ION Studios in Buenos Aires, Argentina, where the recording technology was far superior to that found in their native country (four tracks as opposed to two at most, for example).

In October of 1971 one such artist they chose to present to the public was the singer Diane Denoir. As she was recording a fair amount of Mateo’s material for her De la Planta debut, she felt it was only appropriate that the artist himself accompany her on some of the tracks. Having convinced Mateo to take the trip, Píriz quickly took advantage of the rare opportunity by persuading him to stay and record a solo LP for the label. However, in spite of Píriz’s optimistic plans to complete the recording in one week, he soon found that dealing with this erratic artist would be an ultimate test of endurance and patience.

The sessions went like this: Mateo had an alphabetic notebook,

and stuck in each page he had bar napkins upon which his songs

were written. If he knew the first letter of the title of the song he

wished to play, he would find the correct napkin, which would help

him remember the melody, so that he could recreate the original idea

he had envisioned when he had composed the song in the first place.

Remembering the songs was only the first obstacle […]. Mateo

would record songs one day, and erase them the next. “The first day

he recorded three or four things,” Píriz recalled. “The following day

he came in and said, ‘erase them. For Mateo, they are all wrong.’

We erased them. And that process of erasing the previous day’s work

continued for four or five days. At that moment, I understood that this

would be the system for the whole disc […]. I decided that I will be the

person who says what was well-recorded, or not, and I began to keep

all the material.”

On other days, Mateo went to ION studios only to say that he was not

inspired, and would return the next day. Then there were the days that

he appeared at the studio, and asked, “What time do we record tomorrow?”

“The same as today, at four o’clock,” Píriz would say. “Okay I am going,

until tomorrow,” was Mateo’s only reply (Lion Production, 2006).

 –

This whole arduous process continued for two months, until one day when Mateo said to the producer that he was stepping out of the studio to buy a pack of cigarettes, and never came back. He had returned to his streets in Montevideo. Píriz was left holding hours of recordings of these fragmented sessions—the only proof that Mateo had even been there. A labor of love, Píriz would then spend the better part of a year assembling these into the album that would be released in December of 1972: Mateo Solo Bien Se Lame.

One of the thirteen brilliant compositions that Píriz extracted from the chaos is the twisted beauty that is “Niña.” Through his dedication, Píriz was able to capture on this record the complex sensitivity of this troubled artist. Seeing as how, other than a rare background vocal here and there, Mateo created every sound on this album himself, his essence truly shines through each composition. There is a translation of the lyrics done by me below:

Niña (Little Girl) by Eduardo Mateo [translated by Bobby Calero]
Little girl that always has a light
showing you what you do not want.
Do not fear the birds
if they say your life with their trills.
It should be that you understand;
that’s why what comes next is what has gone.
Always in a white dress,
you go but beware;
The devils in the guise of angels
will notice you talking.
Does it shame you that you don’t care
what has been soiled?
Yuu…yu-le-lé yu-lé.
__

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise_cvr_8

__________———

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 8)__Bread & Circus ___
  • Pick Pocket – Andy Votel
  • I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)
  • All I’ve Got To Do – The Beatles
  • Rock Steady – Aretha Franklin
  • Secondary Modern – Elvis Costello & The Attractions
  • Church On Tuesday – Stone Temple Pilots
  • Been & Gone – Annette Peacock
  • Royal Cream / I Am Fire – The Afghan Whigs
  • I Wish I Could Hear My Mother Pray Again – The Staple Singers
  • Medicine For A Nightmare – Sun Ra
  • Supergroovalisticprosifunkstication – Parliament
  • Kissing My Love – Afrique
  • Dub The Mic / Gratitude – Beastie Boys
  • All Of Your Love – The Rolling Stones (Magic Sam cover)
  • Viviendo – Jaime Roos
  • We Can’t Be Beat – The Walkmen
  • Alexandra – Hamilton Leithauser
  • When The Truth Is… – Hamilton Leithauser + Rostam
  • Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger
  • Que Tristeza – Cal Tjader
  • Niña – Eduardo Mateo
—————————————–================__^__===================  ===  _ ===== == =   = =  __  
bread-circus-1
bread-circus-2
__________—
___    ______________—————__
[Pick Pocket - Andy Votel]

[Pick Pocket – Andy Votel]

[I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)]

[I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)]

[All I’ve Got To Do – The Beatles]

[All I’ve Got To Do – The Beatles]

[Rock Steady – Aretha Franklin]

[Rock Steady – Aretha Franklin]

[Secondary Modern – Elvis Costello & The Attractions]

[Secondary Modern – Elvis Costello & The Attractions]

[Church On Tuesday – Stone Temple Pilots (photo by Mick Hutson)]

[Church On Tuesday – Stone Temple Pilots
(photo by Mick Hutson)]

[Been & Gone – Annette Peacock (photo by Richard Davis, 1972)]

[Been & Gone – Annette Peacock (photo by Richard Davis, 1972)]

[Royal Cream / I Am Fire – The Afghan Whigs (photo by Piper Ferguson, 2014)]

[Royal Cream / I Am Fire – The Afghan Whigs (photo by Piper Ferguson, 2014)]

[I Wish I Could Hear My Mother Pray Again – The Staple Singers]

[I Wish I Could Hear My Mother Pray Again – The Staple Singers]

[Medicine For A Nightmare – Sun Ra (art by Oliver Barrett)]

[Medicine For A Nightmare – Sun Ra (art by Oliver Barrett)]

[Supergroovalisticprosifunkstication – Parliament]

[Supergroovalisticprosifunkstication – Parliament]

[Kissing My Love – Afrique]

[Kissing My Love – Afrique]

[Dub The Mic / Gratitude – Beastie Boys]

[Dub The Mic / Gratitude – Beastie Boys]

[All Of Your Love – The Rolling Stones (Magic Sam cover) (photo by Kevin Winter, 2016)]

[All Of Your Love – The Rolling Stones (Magic Sam cover) (photo by Kevin Winter, 2016)]

[Viviendo – Jaime Roos]

[Viviendo – Jaime Roos]

[We Can't Be Beat - The Walkmen]

[We Can’t Be Beat – The Walkmen]

[Alexandra – Hamilton Leithauser]

[Alexandra – Hamilton Leithauser]

[When The Truth Is… – Hamilton Leithauser + Rostam]

[When The Truth Is… – Hamilton Leithauser + Rostam]

[Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger]

[Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger]

[Que Tristeza – Cal Tjader]

[Que Tristeza – Cal Tjader]

[Niña – Eduardo Mateo]

[Niña – Eduardo Mateo]

.
__________——————– =__^__=___________________———
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

Advertisements

THE DEMISE OF THE MASK (VOL 7)

–   ————-_______

__________—

Hello All.

Welcome to Volume Seven of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)-

This one features The Afghan Whigs‘ delicious cover of The Wizard of Oz highlight “If I Only Had A Heart“; Keith Richards‘ fantastic cover of Hank Williams‘ “You Win Again“; a burning 1973 cover of The Rolling Stones‘ “Gimme Shelter” done here by Amanda Ambrose; “Lucky” off of Devendra Banhart‘s latest record Ape in Pink Marble; as well as the stunning 2006 tune “Ain’t Talkin’” by Bob Dylan; the 1946 hit by Peggy Lee, “It’s All Over Now“; another beauty by Jane Weaver; and “Happy Phantom” (which contains the fantastic lyric, “And I’ll go wearin’ my naughties like a jewel”) from Tori Amos‘ great 1992 debut, Little Earthquakes. Yes, all this and a whole lot more! So scroll down and press play!

Oh and there’s George Harrison with this beautiful caveat:

Watch out now, take care
Beware of falling swingers
Dropping all around you
The pain that often mingles
In your fingertips
Beware of darkness
Watch out now, take care
Beware of the thoughts that linger
Winding up inside your head
The hopelessness around you
In the dead of night
Beware of sadness
It can hit you
It can hurt you
Make you sore and what is more
That is not what you are here for
Watch out now, take care
Beware of soft shoe shufflers
Dancing down the sidewalks
As each unconscious sufferer
Wanders aimlessly
Beware of Maya
Watch out now, take care
Beware of greedy leaders
They take you where you should not go
While Weeping Atlas Cedars
They just want to grow, grow and grow
Beware of darkness (beware of darkness)

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise-cvr-7

__________———

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 7)__Naphthalene Magnolias #4___
  • It Catches Up With You – Trent Reznor & Atticus Ross
  • 9 Point Star – Damon Albarn
  • Don’t Take My Soul – Jane Weaver
  • Lucky – Devendra Banhart
  • Happy Phantom – Tori Amos
  • Fever – Alvin Robinson
  • The Pink Room – David Lynch & Fox Bat Strategy
  • Gimme Shelter – Amanda Ambrose (The Rolling Stones cover)
  • Northeast Texas Women – Willis Alan Ramsey
  • Your Southern Can is Mine – The White Stripes (Blind Willie McTell cover)
  • Don’t Let Him Ride – Mississippi Nightingales
  • Why Spend A Dark Night With Me? – Moondog
  • Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief – Radiohead
  • Beware Of Darkness – George Harrison
  • If I Only Had A Heart – The Afghan Whigs (by Harold Arlen & E.Y. Harburg)
  • Sea Diver – Mott The Hoople
  • Ain’t Talkin’ – Bob Dylan
  • Step Aside – The Staple Singers
  • You Win Again  – Keith Richards (Hank Williams cover)
  • Mean Old World – The Heavenly Gospel Singers
  • Sway – The Rolling Stones
  • It’s All Over Now – Peggy Lee
  • Goodbye America – (written by Jim Morrison; read by Johnny Depp)

—————————————–================__^__===================  ===  _ ===== == =   = =  __  

naphthalene-magnolias-1

naphthalene-magnolias-2

naphthalene-magnolias-3

naphthalene-magnolias-4

__________—
___    ______________—————__
[It Catches Up With You - Trent Reznor & Atticus Ross]

[It Catches Up With You – Trent Reznor & Atticus Ross]

[9 Point Star – Damon Albarn]

[9 Point Star – Damon Albarn]

[Don’t Take My Soul – Jane Weaver]

[Don’t Take My Soul – Jane Weaver]

[Lucky – Devendra Banhart]

[Lucky – Devendra Banhart]

little-earthquakes-banner

[Happy Phantom – Tori Amos]

[Fever – Alvin Robinson]

[Fever – Alvin Robinson]

[David Lynch & Fox Bat Strategy]

[The Pink Room – David Lynch & Fox Bat Strategy]

[Gimme Shelter – Amanda Ambrose]

[Gimme Shelter – Amanda Ambrose]

[Northeast Texas Women – Willis Alan Ramsey]

[Northeast Texas Women – Willis Alan Ramsey]

[Your Southern Can is Mine – The White Stripes]

[Your Southern Can is Mine – The White Stripes]

fire-in-my-bones

[Don’t Let Him Ride – Mississippi Nightingales]

[Why Spend A Dark Night With Me – Moondog]

[Why Spend A Dark Night With Me? – Moondog]

[Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief – Radiohead (art by Thom Yorke & Stanley Donwood)]

[Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief – Radiohead (art by Thom Yorke & Stanley Donwood)]

[Beware Of Darkness – George Harrison]

[Beware Of Darkness – George Harrison]

[If I Only Had A Heart – The Afghan Whigs (by Harold Arlen & E.Y. Harburg)]

[If I Only Had A Heart – The Afghan Whigs (by Harold Arlen & E.Y. Harburg)]

[Sea Diver – Mott The Hoople]

[Sea Diver – Mott The Hoople]

[Ain’t Talkin’ – Bob Dylan (art, "Two Sisters" by Bob Dylan]

[Ain’t Talkin’ – Bob Dylan (art, “Two Sisters” by Bob Dylan]

[Step Aside – The Staple Singers]

[Step Aside – The Staple Singers]

[You Win Again – Keith Richards (photo by Patrick Demarchelier, New York, 2000

[You Win Again – Keith Richards (Hank Williams cover)(photo by Patrick Demarchelier, New York, 2000]

[Mean Old World – The Heavenly Gospel Singers]

[Mean Old World – The Heavenly Gospel Singers]

[Sway – The Rolling Stones]

[Sway – The Rolling Stones (photo by David Montgomery, 1971)]

[It’s All Over Now – Peggy Lee]

[It’s All Over Now – Peggy Lee]

[Goodbye America – (written by Jim Morrison; read by Johnny Depp) (photo, one of the last known of Morrison, a poloroid shot within his paris apt., March-June, 1971)]

[Goodbye America – (written by Jim Morrison; read by Johnny Depp) (photo, one of the last known of Morrison, a Polaroid shot within his Paris apt., March-June, 1971)]

__________——————– =__^__=___________________———
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

Hello all,

and welcome to what will be the last post for the summer! I’ve got a special triptych-mixtape for you all today! About a week back a good friend of mine asked that I produce a few mixes for a gathering the night before his wedding. Unfortunately (like, whatever, y’know) due to technical difficulties they could not be played that evening (the entire wedding weekend, however, was absolutely fantastic!). Anyway, not one to let a good MixTape go to waste, I present them to you here. I do believe them to be real nice & easy, and tons of fun, with some great tunes that have been featured here in these pages before and some that I was planning on getting to someday.

May these serve you well here at the tail-end of the summer! So sit back, roll forward, and enjoy!

But above all–ENJOY YOURSELF!__

Nuptials-cvr___________________

Volume I—Click here to listen & Download——-

_____________________

Volume II—Click here to listen & Download——-

_________________________________

Volume III—Click here to listen & Download——-

_________________________________________________

__

A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

VOLUME ONE:

  1. Pre-Nump – Outkast
  2. When You’re Smiling and Astride Me – Father John Misty
  3. Here I Am (Come And Take Me) – Al Green
  4. Happy – The Rolling Stones
  5. Alright, Okay, You Win – Peggy Lee
  6. You Make Loving Fun – Fleetwood Mac
  7. Baby It’s You – The Beatles
  8. Let Me Be Good To You – Carla Thomas
  9. Try (Just A Little Bit Harder) – Janis Joplin
  10. River Deep – Mountain High – Harry Nilsson
  11. Beautiful Girl – INXS
  12. Over The Hills And Far Away – Led Zeppelin
  13. The Brides Have Hit Glass – Guided By Voices
  14. What A Woman – Howlin’ Wolf
  15. The Spy – The Doors
  16. Light My Fire – Al Green
  17. Shake Your Hips – The Rolling Stones
  18. We Can Work It Out – Stevie Wonder
  19. CREEP – Afghan Whigs
  20. Tenement Lady – T.Rex
  21. John, I’m Only Dancing – David Bowie
  22. Fool I Am – Pat Ferguson
  23. I Just Want To Make Love To You – Etta James
  24. Let Me Roll It – Paul McCartney & Wings

VOLUME TWO:

  1. Your Southern Can is Mine – The White Stripes
  2. When I Look In Your Eyes – André 3000
  3. Lady Madonna – Fats Domino
  4. Loving Cup – The Rolling Stones
  5. Ring Of Fire – Ray Charles
  6. Rag Mama Rag – The Band
  7. Pretty Thing – Bo Diddley
  8. Tee Pees 1-12 – Father John Misty
  9. Would You – Richard Swift
  10. Andy’s Chest – Lou Reed
  11. Milkcow Blues Boogie – Elvis Presley
  12. Slow Down – Backbeat Band
  13. Rip It Up/ Ready Teddy – John Lennon
  14. Surprise Surprise (Sweet Bird Of Paradox) – John Lennon
  15. Live with Me – The Rolling Stones
  16. Planet Queen – T.Rex
  17. She Belongs To Me – Bob Dylan
  18. Black Is the Color – Rhiannon Giddens
  19. I Gotta Know – Wanda Jackson
  20. Love Having You Around – Stevie Wonder
  21. Right – David Bowie
  22. Oh! Darling – The Beatles
  23. Call On Me – Big Brother And The Holding Company (feat. Janis Joplin)
  24. Candy – Iggy Pop

VOLUME THREE:

  1. Mystify – INXS
  2. Be Kind – Devendra Banhart
  3. Didn’t I – Darondo
  4. Mind Games – George Clinton
  5. Dear Prudence – The Beatles
  6. Little Red Rooster – Sam Cooke
  7. Sweet Feeling – Candi Staton
  8. Idlewild Blue (Don’t Chu Worry ‘Bout Me) – André 3000
  9. Rusty Cage – Johnny Cash
  10. Can You Get To That? – Funkadelic
  11. Yazoo Street Scandal – The Band
  12. Police & Thieves – The Clash
  13. Do Unto Others – Pee Wee Crayton
  14. Goin’ To Acapulco – Jim James & Calexico
  15. Candela – Buena Vista Social Club
  16. Momma Miss America – Paul McCartney
  17. Got To Get You Into My Life – Chris Clark
  18. Wah-Wah – George Harrison
  19. Mean To Me – Dean Martin
  20. This Magic Moment – Lou Reed
  21. Be My Baby – John Lennon

______________________________________

It’s Good to Feel you are Close to Me

It’s good to feel you are close to me in the night, love,
invisible in your sleep, intently nocturnal,
while I untangle my worries
as if they were twisted nets.

Withdrawn, your heart sails through dream,
but your body, relinquished so, breathes
seeking me without seeing me perfecting my dream
like a plant that seeds itself in the dark.

Rising, you will be that other, alive in the dawn,
but from the frontiers lost in the night,
from the presence and the absence where we meet ourselves,

something remains, drawing us into the light of life
as if the sign of the shadows had sealed
its secret creatures with flame.

__________

Pablo Neruda, from Cien Sonetos de Amor (1959).

______________

All the best to you & yours,

(Oh, and J2 & Dana, despite this entry in Ambrose Bierce’s The Unabridged Devil’s Dictionary, “Love, noun. A temporary insanity curable by marriage;” I love you guys, wish you well, and know you will make and remain a fine union in the light of life),

Bobby Calero

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 8)

http://investinlibraries.org/

_________________           _           _________________   _  ___

When a frustrated teenager, Mireille herself flirted with atheism. Or was it agnosticism? She couldn’t recall now what proud label she might have boasted of back then if she weren’t always so shy. In a series of sudden increments and entanglements with the outside, young Mireille had come to a form of realization that she could at the time encapsulate in the phrase “this world is bullshit!”

With so many angles at which to aim angst, that dour fury for a deceitful world presented to her daily would first find it’s big target with both the concept of God and how sanction houses implemented that concept upon us. As time went on, however, Mireille’s perception of “bullshit” refined. Yes, she came to realize, it was all that, in the sense that the bulk of our world was made up. Yet, she couldn’t say that it wasn’t “real.” She felt it. Everday.

So, if it all was real and likewise made up: “well then what does that say about the nature of reality?” she had questioned; “well then what does that say about me?” Does existence possess a complex geometry where opposed sides fold simply to be true and false simultaneously; where one should negate the other and thus both but don’t and in fact supports them together and perhaps much more? Like many teens she started to harbor these suspicions, but without the luxury of much of a lexicon to crowd them into shape, into an ethos—and so there was: this world is bullshit! Mireille began to feel that The World was nothing but ideas made manifest; condensed into a solid; a tangible vibration; a consequence of narratives; a frequency captured by the little shell of the ear; the collection of light by the adjustable assembly of lenses, tunics, apertures that is the eye; and all those other instruments; implemented in systems we’re born in and learn to inhabit…like currency for example…or race. As time went on, however, she came to realize that she could appositely replace the word “implemented” with that of “manipulated.”

At the age of seventeen she had spent the majority of one particular November afternoon at her local public library working on a report for school that pertained to the causes and outcomes of The Cold War. Seated at a laminate table crowded with splayed textbooks and a marble notebook, she fell away from the task at hand. After hours of study and note jotting she had grown bored by the “death strip” of the Berlin Wall, bored of dead Kennedy, bored of Premier Khrushchev, bored of primate-patriarch Reagan, and bored even by chants of “Tor auf!” (“Open the gate!”). The focus of her vision blurred towards the white between the printed words before her.

_______________________        -_-      _________________       _         _________________

Dendrites 8 CVR

_______________________________   ——  —  ——–  _______________ –  __

 

——————————-(Click to Listen or Right-Click-Save-As to Download)—————–

================____===================  ===  _ ===== == =    ==    =   __ – _

Another Part of You/Panic Struck – Souls Of Mischief & Adrian Younge

Boxcar – Jawbreaker

Black Ballerina – Ariel Pink [image by Леонид Калядин]

Little Ballerina/Ballerina’s Reprise – Emile Haynie (ft. Rufus Wainwright, Father John Misty, & Julia Holter)

Gold – Mikal Cronin [photo by Ward Robinson]

Hot Hot HotMatthew E. White

Windows – Deafheaven

God Knows Why – Nneka (ft. Black Thought)

Things That Are Bad For Me (Pt. I & II) – Colleen Green

Be Sweet – The Afghan Whigs

It Is What It Is – Blood Orange

Find Your Wings – Tyler, The Creator

Death Of A Party – Blur

Fkn Dead/Never Catch Me – Flying Lotus (ft. Kendrick Lamar) [image by Hiro Murai]

Shattered Winds – The Budos Band

Both Alive – Tall Tales And The Silver Lining

Last Year – Best Coast

How Come U Don’t Call Me Anymore – (♀)

______________———-___=========================================  __=

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 8)

  • Another Part of You/Panic Struck – Souls Of Mischief & Adrian Younge
  • Boxcar – Jawbreaker
  • Black Ballerina – Ariel Pink 
  • Little Ballerina/Ballerina’s Reprise – Emile Haynie (ft. Rufus Wainwright, Father John Misty, & Julia Holter)
  • Gold – Mikal Cronin
  • Hot Hot Hot – Matthew E. White
  • Windows – Deafheaven
  • God Knows Why – Nneka (ft. Black Thought)
  • Things That Are Bad For Me (Pt. I & II) – Colleen Green
  • Be Sweet – The Afghan Whigs
  • It Is What It Is – Blood Orange
  • Find Your Wings – Tyler, The Creator
  • Death Of A Party – Blur
  • Fkn Dead/Never Catch Me – Flying Lotus (ft. Kendrick Lamar)
  • Shattered Winds – The Budos Band
  • Both Alive – Tall Tales And The Silver Lining
  • Last Year – Best Coast
  • How Come U Don’t Call Me Anymore – (♀)

_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their albums.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 7)

_ _____________________       _   _  _________________       _       _________________   _

It was not avoidance of some problem that she was advocating, but only a proper approach and perspective: understanding what truly was a problem and what was not. Where and when it could be found, she was for the compassion of laughter. Mireille pondered over the predominate perpetrators of violence on this planet and wondered if the males’ faculty for a certain aspect of acceptance had been frustrated and underdeveloped. Perhaps “acceptance” wasn’t the word she wanted, for enough of them seemed to be in love with a fallen world. No, maybe it was “reception,” or “tolerance,” or some other such word having to do with communication?

She couldn’t find it then but regardless questioned, “why not then let these thoughts inform and foster some work of art: a painting; song; or stand-up routine? At the very least they should let us laugh as they pass on by.” She believed that too few artists are encouraged in our world, and their work too quickly inspected for external utility or market potential. Comedians are poked to placate our revulsion. Our role as creator is repressed and in its stead we labor over cruel acts. “It’s like we’re prohibited from changing anything, really.” Beholden to a moribund heritage, we suffer in the name of habit and being consistent; “…being practical…but…practical for whose protocol? Don’t ask, you’ll suffer more.” We suffer for order.

For order we suffer.

“We are held hostage in someone else’s head…and in the end…and in our own. Regret will only get you ugly in the end.”

        She considered the device currently slipped within a little zippered pocket inside her purse: plastic, glass, semiconductor chips of silicon, and rare earth minerals molded and arranged into a slim rectangle of circuit boards and a touchscreen with a friendly graphic user interface…”a friendly gooey.” Contemplating all it was capable of—all of its known, numerous applications, the ones she hasn’t figured out yet and the ones she didn’t care to—she asked herself:

“We’re already living in the future…aren’t we? …Or as far as this future is gonna go, really. From here-on-out and for awhile now it’s all just restatements of a theme. Sure with a few innovative variations and tempo changes thrown in to keep us back-slap-smiling, ‘gee–whiz, how neat, this cutting-edge changes everything! Science will save us!’ But, shouldn’t we be somewhere else. Shouldn’t we be building biodegradable citadels for music, poetry, or, hell, a cathedral for aromatherapy…anything else really? All I see is thinner televisions. All I see are more heads bowed towards screens.

“Geez-Louise, I sound like an old lady…’back in my day we didn’t have all these fancy smellular phones and wifi-telebones, we had to use a drum!’…but…Shouldn’t we be busy with some other great work by this point? Why do we all feel excused from this? Why are so many of us excluded from this?

“Didn’t they tell us so long ago that we’ll be taking it easy from here-on-out? Aren’t they still selling that line?” For far too long now we’ve been trapped in this false landscape of muscles and dollars, this unsustainable sham of a one-way line stretched unhindered towards infinite and plastic futures—attributed to Darwin, healthy competition, and hard-earned progress. “Everything always backed by Darwin.” All those that suffer or benefit from the drought and locusts of a debt market so that a ham and cheese sandwich wrapped in cellophane might exist on some chain-restaurant’s theme-park counter could always seek solace, dismissal, and script in the arms of Saint Darwin. She felt sad for all those slighted people with Holy Daddy and/or Holy Mommy issues: who smugly announce themselves as atheists; who declare with a moral superior air, “I believe in science.”

“Yeah…well who doesn’t?”

_ _____________________                        _________________            _________________   _

Dendrites 7 CVR

-_______________________________   ——  —  ——–  _______________ –  __

 

——————————-(Click to Listen or Download)—————–

================____====  \^/  ============  ===  _ ===== == =    ==    =   __ – _>

Zeno’s Law Of High-Heeled Shoes – Jim Carroll

Numbers – FKA Twigs

Rich – Yeah Yeah Yeahs

Forty Days & Forty Nights – Muddy Waters

Every Season – Tony Allen (ft. Damon Albarn & Ty)

Wonderwall To Be Here – George Harrison

Lost In The Woods – The Afghan Whigs

The One-Eye Two-Step – The Blackbyrds

Me And The Devil – Gil Scott-Heron (Robert Johnson cover)

The Water – BLKHRTS

Misbehave/She Might Get Shot – Juan Wauters

Cocaine Habit Blues – Memphis Jug Band featuring Hattie Hart [Art by: Robert Crumb]

Yassassin (Long Live) – David Bowie

Ysabel’s Table Dance – Charles Mingus

Black Skin Blue Eyed Boys – Equals

Breed – Nirvana

She Said She Said – The Beatles

When Your Number Isn’t Up – Mark Lanegan Band

Good God’s:// Urge! – Porno For Pyros

I Know We Could Be So Happy Baby (If We Wanted to Be) – Jeff Buckley (TheSpaceBubbles mix)

Farewell, Angelina – Bob Dylan (Bringing it All Back Home outtake) [photo by Jerry Schatzberg]

Niña – Eduardo Mateo [photo by Francesca Woodman]

My translation, feel free to comment if youv’e got a better one:

Little girl that always has a light
showing you what you do not want.

Do not fear the birds
if they say your life with their trills.

It should be that you understand;
that’s why what comes next is what has gone.

Always in a white dress,
you go but beware;

The devils in the guise of angels
will notice you talking.

Does it shame you that you don’t care
what has been soiled?

Yuu…yu-le-lé yu-lé.

….===================================  ======== == =    ==    =    = – __

_ _ _ __=========================================     ______
A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 7)
  • Zeno’s Law Of High-Heeled Shoes – Jim Carroll
  • Numbers – FKA Twigs
  • Rich – Yeah Yeah Yeahs
  • Forty Days & Forty Nights – Muddy Waters
  • Every Season – Tony Allen (ft. Damon Albarn & Ty)
  • Wonderwall To Be Here – George Harrison
  • Lost In The Woods – The Afghan Whigs
  • The One-Eye Two-Step – The Blackbyrds
  • Me And The Devil – Gil Scott-Heron (Robert Johnson cover)
  • The Water – BLKHRTS
  • Misbehave/She Might Get Shot – Juan Wauters
  • Cocaine Habit Blues – Memphis Jug Band featuring Hattie Hart
  • Yassassin (Long Live) – David Bowie
  • Ysabel’s Table Dance – Charles Mingus
  • Black Skin Blue Eyed Boys – Equals
  • Breed – Nirvana
  • She Said She Said – The Beatles
  • When Your Number Isn’t Up – Mark Lanegan Band
  • Good God’s:// Urge! – Porno For Pyros
  • I Know We Could Be So Happy Baby (If We Wanted to Be) – Jeff Buckley (TheSpaceBubbles mix)
  • Farewell, Angelina – Bob Dylan (Bringing it All Back Home outtake)
  • Niña – Eduardo Mateo

_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their albums.

A MOUTHFUL OF PENNIES PRESENTS: AZ— VOLUME 2

Hello All,

Welcome to the second volume of my AZ project! Hopefully you got something from the first.

Again, I am creating this series of MixTapes by selecting songs to represent each artist’s work up on my CD shelf. Yes, that is from an actual physical CD–as for now I won’t attempt to tackle the 10,000-plus “items” stored up digitally on my computers.

Taking this on from A and continuing through the entirety of the alphabet until I touch down upon Z, this certainly provides direction and a forward momentum of its own. However, the challenge lies in selection and finding a flow to thread it all together.

Although every song found on these might not be what I normally would present on a mix, or even be something I’d typically recommend, I’m positive the results will at least be more interesting than a standard music block on your radio. I must admit that in the case of some of this music I might not have listened to it in about two decades, and I’m sure that there will be a few I’ve actually never listened to more than once if at all. However, in my opinion, so far so good.

So here on volume two we’ve got Ar to Bal.

Oh and in case you missed it from the first volume, a little explanation on all the inserted scribbles:

In addition to the mix, I plan on pairing each song with a line or two of quick poetic impression. Utilizing each track as a mandala—a target for focus—or perhaps as a prism to refract thought, I think of this aspect of the AZ project as a Solitaire variation on the Surrealists’ game of Exquisite Corpse.  Hopefully in the end I’ll have a few good poems to show or at least a good line or two, but even that concept of “good” doesn’t seem all that important for this project. A psychic investigation and a form of exercise to keep my imagination limber and help the creative juices to continue to flow: sure this may all be a bit self-indulgent, but hell, what isn’t in this world?

Anyway, once all that is completed my intention is to present them stitched and somewhat refined in structure at the bottom of the post.

Oh, I invite you all to create your own and if you like feel free to post them in the comments section below.

Anyways, Come on and click below to continue on what is sure to be a long, long, long and bumpy ride.

…as always,

–ENJOY YOURSELF–

Oh, and as somewhat of an aside, I must say that I’ve never heard a rhyme more perfect and playful than Ira Gershwin’s:

 

Yes, Jonah, he lived in a whale,
Oh Jonah, he lived in a whale,
he made his home in
that fish ab-domen.
Oh Jonah, he lived in a whale.

 

 

AZ- volume 2

—————————(CLICK TO LISTEN & DOWNLOAD)————————

 

AZ— VOLUME 2

  • It Ain’t Necessarily So – Louis Armstrong (ft. Ella Fitzgerald) (from What A Wonderful World)
  • Broken Mouth Blues – Nic Armstrong & The Thieves (from The Greatest White Liar)
  • They Don’t Make Love Like They Used To – Eddy Arnold (from Last Of The Love Song Singers: Then And Now)
  • Children Play With Earth – Arrested Development (from 3 Years, 5 Months & 2 Days In The Life Of…)
  • On A Beach – Richard Ashcroft (from Alone With Everybody)
  • Extra Kings – The Avalanches (from Since I Left You)
  • Chest’ è l’africa – Enzo Avitabile & Bottari (feat. Hugh Masekala) (from Salvamm’o munno)
  • Even Stranger – Baby Elephant (Bernie Worrell, Prince Paul, Newkirk) (from Turn My Teeth Up!)
  • Listen To Me – Baby Huey and the Babysitters (from The Baby Huey Story)
  • The Medicine – Baby Lemonade (from 68% Pure Imagination)
  • La Belle Et La Bête – Babyshambles (from Down In Albion)
  • Slow Down – Backbeat Band (Greg Dulli, Thurston Moore, Don Fleming, Mike Mills, Dave Grohl) (from Backbeat Original Soundtrack)
  • Stone On The Water – Badly Drawn Boy (from The Hour Of The Bewilderbeast)
  • Long Gone – Syd Barrett (from The Madcap Laughs)
  • Individual – Bad Religion (from Stranger Than Fiction)
  • Danger/Think Twice/World Keeps Turning (Outro) – Erykah Badu (feat. China Black & Roy Hargrove) (from Worldwide Underground)
  • Tears Of Rage – Joan Baez (from Any Day Now)
  • I’d Like To – Corinne Bailey Rae (from Corinne Bailey Rae)
  • Who Loves – Matteah Baim (feat. Devendra Banhart) (from Death Of The Sun)
  • Meboli – Balkan Beat Box (feat. Vlada Tomova) (from Balkan Beat Box)

A——————————————————  — —     — ————- ———Z

——————–  – –  —   —– — –    – –   ——-  — — —————  —    –

They’ll tell you that there are only a few avenues, four perhaps, through which to take it and go:

swallow, spit, smile, or chew.

But it’s not true, and much more likely some confluence of those along with some other unknown element.

It Ain’t Necessarily SoLouis Armstrong (ft. Ella Fitzgerald) (from What A Wonderful World)

——————  —-  — –  ———————– – —– — —–    –

We take it on the arches only to return with feints, jabs, and other charms of learned behavior.

He’ll tell her that there are only five cognitive functions:

perception; memory; attention; language; and intelligence.

but I just don’t know about these ideological assumptions.

—“Is it getting better?”-“Are we getting worse?”-“What works?”—

And over the remote, row-upon-row of massive servers roaring away, adverts ask:

“Who will you be a year from now?”

Broken Mouth BluesNic Armstrong & The Thieves (from The Greatest White Liar)

———————–  — — – —————      –        —— – – ————–

Respire in the subtle all.

They’ll point out to a portion of the fluid and shout:

“Look! New moving parts!”

But some of us focus on

the alchemy in stomata and lungs;

trading in diamonds and coal.

“What works?”

With this ring

I thee wed;

with these songs

We will make it work.

They Don’t Make Love Like They Used ToEddy Arnold (from Last Of The Love Song Singers: Then And Now)

—————– —– ——–        — — – – – – — – —————      ——— –

So we dig out and dig in:

O Great Creator

Let us now water our gardens in the morning

Let us now join in play in the dirt for another afternoon

And in the evening, let us supper together

before we join in on that other dig…dig?

Children Play With EarthArrested Development (from 3 Years, 5 Months & 2 Days In The Life Of…)

—       –           –                    –              –      ——————————— — – –     –

Suicide at a cellular level.

and as we arrive to a point where we think there’s nothing left but all this & perhaps a bit of all that,

We point,

We tell ourselves stories.

We know there’s something more.

On A BeachRichard Ashcroft (from Alone With Everybody)

————– — — ———–  —-  — — ———————–  —- – –

The familiar game of catch-and-kiss-and-jealous-and-kiss-and-release—

Someone will get you.

Extra KingsThe Avalanches (from Since I Left You)

——— –           –            –          – —————- – – – – – – – – – –  –

Enjoy your meal

The four courses have been prepared

Enjoy your meal

Chest’ è l’africaEnzo Avitabile & Bottari (feat. Hugh Masekala) (from Salvamm’o munno)

————– — — — – – – – —- – ———

We dance with callous…

…before we unveil the soft orbit of our hearts

Even StrangerBaby Elephant (Bernie Worrell, Prince Paul, Newkirk) (from Turn My Teeth Up!)

–        –    –     ——— — – – ——————– – – —-     –

If there be anyone who still feels

they still have something left to say

still

listen and speak

why not when

after all

We’ve been falling all this time

Listen To MeBaby Huey and the Babysitters (from The Baby Huey Story)

————— – —————–  ——      —————- – —-

Particularly those that please,

All volatile chemicals are symbols,

through which we come to understand,

given enough time.

Let us now have time enough

for all this & perhaps a bit of all that.

The Medicine Baby Lemonade (from 68% Pure Imagination)

——— —– — – —    –     – – – — —    –   – — – –   –    –      –      –            –

Beauty & The Beast & Bread & Circus

That familiar game…the clip-clop of horse-hooves & heartbeats

La Belle Et La BêteBabyshambles (from Down In Albion)

———– ————– ————– ———— ——– ———– –

“Slow Down”

:in all things, no better words of advice were ever passed from lips:

“slow down”

Slow DownBackbeat Band (Greg Dulli, Thurston Moore, Don Fleming, Mike Mills, Dave Grohl) (from Backbeat Original Soundtrack)

—— —- – –  – — — —    — – – – – – – –  – ———-   –     –      –          –

We go

headlong into the dissolve we go

We go

but it need not be frightening for no one

Sad

Sure

we remember sometimes

We go

Stone On The WaterBadly Drawn Boy (from The Hour Of The Bewilderbeast)

———— ———- —- – – —- — — — —- — — ——————–

Return,

to what?

Drop the feint and jab of your mad bird act

long enough for our orbits

to go

where they will

Long GoneSyd Barrett (from The Madcap Laughs)

—————————————–    —     ———————- – – – – – – –

Let us now fall through the cracks together

Who cares for forgot

or remembered?

Let us now fall through the cracks together

IndividualBad Religion (from Stranger Than Fiction)

— — — — — — — —– —– —– —– —– —– —– —– —– —– – – – —— —————

—(you’ve got me feeling-some-type-of-way/I’ve got you feeling-some-type-of-way)—

Danger/Think Twice/World Keeps Turning (Outro)Erykah Badu (feat. China Black & Roy Hargrove) (from Worldwide Underground)

——— —————- —————— —————— —— ———————

Betrayal?

Sure

Forgiven

Hurt?

Still Here

We Go On

—I Love You—

Tears Of RageJoan Baez (from Any Day Now)

—— – —— – –     – — — –     — – – ——————– – –  —- —- – — – – ———

tender orbit

touch

tender orbit

I’d Like ToCorinne Bailey Rae (from Corinne Bailey Rae)

— — –            ——– —              – —               –                     —

Return,

to who?

Who loves you, baby?

Who LovesMatteah Baim (feat. Devendra Banhart) (from Death Of The Sun) [photo by Lauren Dukoff]

— — — — — — — — — — — — — — — — ——————

—I Love You—

MeboliBalkan Beat Box (feat. Vlada Tomova) (from Balkan Beat Box)

————————–  — —    –  ——- – –       –     –     –   —————– – – –

BAL (Ballast Tank Prayers For Those In Love, and Other Dialogues With God)

 

They’ll tell you that there are only a few avenues, four perhaps, through which to take it and go:

swallow, spit, smile, or chew.

But it’s not true, and much more likely some confluence of those along with some other unknown element.

We take it on the arches only to return with feints, jabs, and other charms of learned behavior.

He’ll tell her that there are only five cognitive functions:

perception; memory; attention; language; and intelligence.

But I just don’t know about these ideological assumptions.

 

—“Is it getting better?”-“Are we getting worse?”-“What works?”—

 

And over the remote, row-upon-row of massive servers roaring away, adverts ask:

“Who will you be a year from now?”

 

Respire in the subtle all.

They’ll point out to a portion of the fluid and shout:

“Look! New moving parts!”

but some of us focus on

The alchemy in stomata and lungs;

trading in diamonds and coal.

“What works?”

With this ring

I thee wed;

With these songs

We will make it work.

 

So we dig out and dig in:

O Great Creator

Let us now water our gardens in the morning

Let us now join in play in the dirt for another afternoon

And in the evening, let us supper together

before we join in on that other dig…dig?

 

Suicide at a cellular level.

and as we arrive to a point where we think there’s nothing left but all this and

perhaps a bit of all that,

We point,

We tell ourselves stories.

We know there’s something more.

 

The familiar game of catch-and-kiss-and-jealous-and-kiss-and-release—

Someone will get you.

 

Enjoy your meal

            The four courses have been prepared

            Enjoy your meal

 

We dance with callous…

…before we unveil the soft orbit of our hearts

 

If there be anyone who still feels

They still have something left to say

still

listen and speak

why not when

after all

We’ve been falling all this time

 

Particularly those that please,

All volatile chemicals are symbols,

through which we come to understand,

given enough time.

Let us now have time enough

for all this & perhaps a bit of all that.

Beauty & The Beast & Bread & Circus

That Familiar game…the clip-clop of horse-hooves & heartbeats

 

“Slow Down”

 

:in all things, no better words of advice were ever passed from lips:

 

“slow down”

We go

headlong into the dissolve we go

We go

Sad

Sure

but it need not be frightening for no one

we remember sometimes

We go

Return,

to what?

Drop the feint and jab of your mad bird act

long enough for our orbits

to go

where they will

 

Let us now fall through the cracks together

Who cares for forgot

or remembered?

Let us now fall through the cracks together

 

—(you’ve got me feeling-some-type-of-way/I’ve got you feeling-some-type-of-way)—

 

Betrayal?

Sure

Forgiven

Hurt?

Still Here

We Go On

 

—I Love You—

 

tender orbit

touch

tender orbit

Return,

to who?

Who Loves you, baby?

 

—I Love You—

 .—————————————————-

—     —————————–

——–Bobby Calero———————————————–

A MOUTHFUL OF PENNIES PRESENTS: AZ— VOLUME 1

Hello all,

Welcome to the first post of what is set to be quite a long form MixTape. With a whole other slew of priorities and projects currently occupying both my plate and back-burner, here is my solution to keep this blog going steady and fun for the moment. This is something I see as a perfect medley of autopilot and challenge. I am creating this AZ series of mixtapes by selecting one song to represent each artist’s work up on my CD shelf. Yes, that is from an actual physical CD–as for now I won’t attempt to tackle the 10,000-plus “items” stored up digitally on my computers.

Taking this on from A and continuing through the entirety of the alphabet until I touch down upon Z, this certainly provides direction and a forward momentum of its own. However, the challenge lies in selection and finding a flow to thread it all together. In a pursuit for clarity I am going to skip all the various compilations, soundtracks, tribute albums, genre box-sets, and the like that I own on CD. Perhaps I’ll create one for just those someday.

In addition, I plan on pairing each song with a line or two of quick poetic impression. Utilizing each track as a mandala—a target for focus—or perhaps as a prism to refract thought, I think of this aspect of the AZ project as a Solitaire variation on the Surrealists’ game of Exquisite Corpse. Once all that is completed my intention is to present them stitched and somewhat refined in structure at the bottom of the post. Hopefully in the end I’ll have a few good poems to show, but even that concept of “good” doesn’t seem all that important for this project. A psychic investigation and a form of exercise to keep my imagination limber and help the creative juices to continue to flow: sure this may all be a bit self-indulgent, but hell, what isn’t in this world?

Now I know that these scribbles may only serve to distance the listener from the core of these artists’ work, as opposed to hinting at a new lens to view them; so I invite you all to create your own and if you like feel free to post them in the comments section below.

Although every song found on these might not be what I normally would present on a mix, or even be something I’d typically recommend, I’m positive the results will at least be more interesting than a standard music block on your radio. I must admit that in the case of some of this music I might not have listened to it in over two decades, and I’m sure that there will be a few I’ve actually never listened to more than once if at all. However, I must say, I’m pretty pleased with how this first one came out.

So click below to commence what is sure to be a long, long, long and bumpy ride.

…and as always,

–ENJOY YOURSELF–

AZ-- Volume 1

————-(CLICK TO LISTEN & DOWNLOAD)———————-

AZ VOLUME 1

S.O.S. – ABBA (from The Millennium Collection)

Between The Bridge And The Chapel – The Actual (from In Stitches)

Nobody Girl – Ryan Adams (from Gold)

What It Takes – Aerosmith (from Pump)

When We Two Parted – The Afghan Whigs (from Gentlemen)

Five Star Life – Damon Albarn (from Democrazy)

Over Now – Alice In Chains (from Alice In Chains [Tripod])

Tricky Dick – Ben Allison (from Cowboy Justice)

Little Martha – The Allman Brothers Band (from Eat A Peach)

Color Humano – Almendra (from Almendra 1)

Do Fa Self – Apache (from Apache Ain’t Shit)

Slowly/Slowly (dub) – Aphrodesia (from Shackrobeat Vol. 1)

On The Bound – Fiona Apple (from When The Pawn…)

Talk To Her – India.Arie (from Voyage To India)

A——————————————————  — —     — ————- ———Z

O how the desperate learn to dance upon the decks by any means.

S.O.S. ABBA (from The Millennium Collection)

—————————————— — – –              —         —–   ——————–

The four-cornered barb is cast out with the twine unwound into the grit of young love.

Between The Bridge And The ChapelThe Actual (from In Stitches)

————————   —————  —  ————————                      —               —

some-come—some-go—some-come again—

some are forced to live forever

sealed-over under

the masks of Thalia and Melpomene.

Nobody GirlRyan Adams (from Gold)

———————————-      —- –     –     –       ————–   –     —-  ————-    –   —

Back then you could kick and feel

often

enough

but now all that’s been hammered so thin…like fine iron.

What It TakesAerosmith (from Pump)

———-   – ———————–  —  –       ——-  ——   –  –   —-  ——    ——    –   —      –

So we slip on in our robust costumes and roll forward; stumble from stoop to doorstep to pillow, but we don’t stop.

—Stop!

—Sleep!

When We Two PartedThe Afghan Whigs (from Gentlemen)

————-          –      ———————- — – –     —     —    –     —–   ——–  —   –  ———  –

Here we are in America, where the brittle are given some fluids to shine,

—nail polish and dentures—

and if they’re lucky, for a rare majority, their very own television show.

Five Star LifeDamon Albarn (from Democrazy)

– –    —     ————————  — — –    —————– —        –   –   –  –   –    ———————————— ———-

The seep and chime from pipes of lead, the stabbed then dead, the sop of thin blood,

—Stop!

—Sleep!

Over NowAlice In Chains (from Alice In Chains [Tripod])

———— —-    —————— ——     –   – – – ——        –        ———————   ———- —

Hormones may roil about us,

but I’ll make you love me one day on this boat from which we paddle.

Tricky Dick Ben Allison (from Cowboy Justice)

———–  – —       –        ———–    —-    –         – ————- —    – – ———    — –

We get clean, we get well, some-come-heaven—some-go-hell—

Little Martha The Allman Brothers Band (from Eat A Peach)

——————-   —   ——————————  —-       –      —     ———————-     —       ————————  –

The far river shore is boiled down to serve as a window of stained glass, through which we may peer out at the near river shore.

Color HumanoAlmendra (from Almendra 1)

——————————- —- ———-    —-          ————————- – –        ——- – –    —–

It’s all a juggle

of tinfoil balls that bounce, and hubris, and hurt…

Do Fa Self Apache (from Apache Ain’t Shit)

–          —             —            —        —   –        —- ——-      ———–  —     —    —    – –     ———  –

—slowly, slowly, slowly we bloom— slow we come towards the honest blossoms of orgasm.

Slowly/Slowly (dub)Aphrodesia (from Shackrobeat Vol. 1)

— – —————- —  — – – – – – – – – —————–     ———- — – – – — – ———————   –

We hunger for patterns on which we may spit the weight and fret of all our coils.

On The BoundFiona Apple (from When The Pawn…)

—- —- —  — —–   —– ——— ———- — – — ——-       —     ———- ————  —– — – — – – – – – – – – – – – – – –    —

…and spill and coil and spill and coil and spill and coil…and spill…and coil…and speak

Truth

with soil on our tongues…

…say so slowly…

Talk To HerIndia.Arie (from Voyage To India)

————— – ——————- —     —————- — — ————–  — ———

AR (Are We Still Swimming?)

O how the desperate learn to dance upon the decks by any means:

The four-cornered barb is cast out with the twine unwound into the grit of young love.

some-come—some-go—some-come again—

some are forced to live forever

sealed-over under

the masks of Thalia and Melpomene.

Back then you could kick and feel

often

enough

but now all that’s been hammered so thin…like fine iron.

So we slip on in our robust costumes and roll forward; stumble from stoop to doorstep to

pillow, but we don’t stop.

—Stop!

—Sleep!

Here we are in America, where the brittle are given some fluids to shine,

—nail polish and dentures—

and if they’re lucky, for a rare majority, their very own television show.

The seep and chime from pipes of lead, the stabbed, then dead, the sop of thin blood,

—Stop!

—Sleep!

Hormones may roil about us,

but I’ll make you love me one day on this boat from which we paddle.

We get clean, we get well, some-come-heaven—some-go-hell—

The far river shore is boiled down to serve as a window of stained glass,

through which we

may peer out at the near river shore.

It’s all a juggle

of tinfoil balls that bounce, and hubris, and hurt…

—slowly, slowly, slowly we bloom— slow we come towards the honest blossoms

of orgasm.

We hunger for patterns on which we may spit the weight and fret of all our coils…

…and spill and coil and spill and coil and spill and coil…and spill…and coil…and speak

Truth

with soil on our tongues…

                                   …say so slowly…

————————————    ————

———All the best to you and yours,

——————————Bobby Calero——————— — —