Category Archives: Karen Dalton

THE DEMISE OF THE MASK (VOL 13)__WAITIN’ AT THE HARBOR___

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Hello All.

Welcome to Volume Thirteen of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)__(Volume Eight here)__(Volume Nine here)__(Volume Ten here)__(Volume Eleven here)__(Volume Twelve here)-

Not only is this the thirteenth volume but it is also the very last in the series. So there you now have a total of seventeen hours and seventeen minutes of music! It all together makes a great soundtrack if you have to spend a day painting the blades of grass in your backyard or something of that nature. I do hope you dig it!

Also below you’ll find an updated list of things I read (or re-read) so far since January of this year. You’ll find the more recent things towards the bottom. These are works that I truly enjoyed and/or loved. I highly recommend them all!

I do want to make special mention of two books here that I believe are real healthy for your sense of reality: Tom Waits on Tom Waits: Interviews and Encounters by Paul Maher Jr. (Editor), and The Complete Stories of Leonora Carrington, with its incredible, twisted beauties like The Happy Corpse Story and How To Start A Pharmaceuticals Business!

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Oh and my son and I fell in love with Marc Martin’s A River

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Well I do hope you dig it all and if you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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—————–======ENJOY YOURSELF____———–

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__The Demise Of The Mask (Vol 12)__Waitin’ At The Harbor___
  • This Is I – Juan Wauters
  • – David Bowie
  • Museum Of Sex – Robyn Hitchcock & The Venus 3
  • In A Parade – Paul Simon
  • Son Of Your Father – Elton John
  • Pillow of Your Bones – Chris Cornell 
  • To Kingdom Come – The Band
  • In My Own Dream – Karen Dalton
  • The Passage of the Black Gene – Elvis Perkins
  • Cuckoo Cocoon – Genesis
  • 22 Ghosts III – Nine Inch Nails
  • Dear World, – Nine Inch Nails
  • Lonely Planet Boy – New York Dolls
  • Fundamentally Loathsome – Marilyn Manson
  • Dear Friend – Jonathan Wilson
  • Cluster Ghosts – Madlib
  • Modern Kosmology – Jane Weaver
  • I Can’t Sleep At Night – Gary Higgins
  • The Way That You Sleep – nature films
  • I Guess I Should Go To Sleep – Jack White
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[This Is I – Juan Wauters]

[★ – David Bowie (illustration by Helen Green)]

[Museum Of Sex – Robyn Hitchcock & The Venus 3]

[In A Parade – Paul Simon (art by Chuck Close)]

[Son Of Your Father – Elton John]

[Pillow of Your Bones – Chris Cornell ]

[To Kingdom Come – The Band]

[In My Own Dream – Karen Dalton]

[The Passage of the Black Gene – Elvis Perkins]

[Cuckoo Cocoon – Genesis]

[22 Ghosts III – Nine Inch Nails (photography by Phillip Graybill and Rob Sheridan )]

[Dear World, – Nine Inch Nails]

[Lonely Planet Boy – New York Dolls (art by Greg “Stainboy” Reinel)]

[Fundamentally Loathsome – Marilyn Manson (photo by Mark Seliger, 1998)]

[Dear Friend – Jonathan Wilson]

[Cluster Ghosts – Madlib]

[Modern Kosmology – Jane Weaver]

[I Can’t Sleep At Night – Gary Higgins]

[The Way That You Sleepnature films]

[I Guess I Should Go To Sleep – Jack White (art by Methane Studios)]

Umbrella Academy

The Umbrella Academy, Vol. 1: Apocalypse Suite / The Umbrella Academy, Vol. 2: Dallas by Gerard Way & Gabriel Ba

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All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 15)

_If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

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Each snug within the confines of their own category—altogether most pop music seems to intimate an insular fear of an anonymous other. What is it but another manifestation of man’s ludicrous grasp for total control? Yes, as a teenager—and in all the turmoil that that entails—it was Locust Mirror’s seeming open seriousness that initially allured Mireille’s taste towards that band’s music. She was sure they mattered and cared.

About what?

She was never sure enough to put into words. Their music felt mysterious and smart, dangerous and true, romantic and sexy…creative. Weird—It hinted at opportunities.

But at seventeen and seated in a public library—Mireille felt bored.

She shoveled the books aside with a swipe of her forearm. With its dust jacket wrapped and protected by a clear film of Polyethylene Terephthalate, she slid the hardbound copy of Peter Bennet’s Last Against The Wall (Berlin 1961-1989) towards her. From between its pages she pulled out the latest issue of Turn-Turn Magazine, which she had taken from a crowded rack as she entered the library and had been using as an oversized bookmark. There on the cover was Locust Mirror lead singer, Christian Heath.

Perhaps categorized as a “black & white” photograph, the image captured by Dutch photographer Anton Corbijn and partly produced through a thin coat of emulsion and a high contrast truly resides somewhere between mercury and the brown of mineral rich dirt. The picture had been additionally lightly hand-painted in places to mimic the Technicolor palate of old Hollywood. Such was the case with the scarlet backdrop pocked with pinpricks of blue starlight. His tousled blonde hair spilled from a battered fedora as strips of bleach and greased shadows. The one eye not obscured by that mess was a hazel glint—a warm gloss of amber resin on a fractured green stone with a dark core. Through the black metallic smudge of mascara—that eye was aimed directly at Mireille.

Heath had been seized in an obvious, somewhat sorority cover-girl affected pose made all the more effeminate as he had one hand positioned upon his own popped hip. White with a stitched print of little blue flowers along its lengths, he wore his shirt unbuttoned and loose about his waist. This epicene stance was accentuated by Heath’s slight frame, boyish facial features, and the chipped lacquer along the nails of his right hand, which clutched the smoldering stub of a cigarette. Despite these evidently queer feminine put-ons, the image truthfully conveyed that old rock & roll communiqué of “Oh me, I don’t give a fuck.” Pitch-colored stubble on his chin and upper lip, his teeth white with a slight crook—his mouth was presented in an open smile as if he had been caught mid-sentence.

Probing this photo with her blue eyes wide, Mireille felt the press of a little heat. No, not quite a burn that fans the knees open; but, yes, a press of a little heat. There was a small swell to all of her systems. The snapshot revealed the slim muscles of Heath’s abdomen right up to his small pectorals. She had a private impulse to lick the cover there.

She of course would not do this. Instead—thoughtlessly—her tongue curled, pressed between a little nibble of her teeth and planted itself into the corner of her open mouth. There from that perch it would loll along to wet her lips. She found him so handsome and odd.

Abruptly aware of her fat tongue; her mouth agape; her eyes agog; and all the grotesque rest—Mireille felt herself shrink as she chewed at her lower lip. Feeling fully like some pudgy blot of inane skin lumped around wilted guts, with a toad in mud for a hypothalamus, Mireille let a pinched groan loose from her throat. She then sent up a silent appreciation that there were no mirrors or other reflective surfaces about for her to witness the origin point for what must have been such a gross countenance: her face.

Mireille wrestled a smile from the grip of anxiety and brought it to her lips.

“God, I’m such a goon.”

Mireille steepled her fingers before her mouth at the thought: God, I’m such a goon. Opening the magazine she flipped past articles concerning what innovative gadgets would soon change our day-to-day; what bands were going back out on tour; what senior rocker was soon releasing a country-tinged comeback record; what winter-fashion inspirations could be taken from famous peoples’ red-carpet ensembles; and a feature titled, Real Jeanius! 30 Denim Lifestyles for #Authentic Men & Women. Arriving at page 74 she found another full page photo of Heath. This one had been composed with a much more conservative sense, as the subject here captured in full color was seated cross-legged on a wooden folding chair in a near-empty room, dressed in a grey suit with a blue shirt buttoned under a black tie. Atop the wooden barstool before him was the teal-painted, cold-rolled steel colossus of an antique typewriter. From this distance its white keys of molded plastic resembled orderly rows of button mushrooms. Tethered to the silver fin of the typewriter’s carriage release lever was a lavender string of curling ribbon, which ran crimped, up, to hold in place overhead a solitary purple balloon. Hair combed, Heath’s face here was plain, clean, and straight ahead like a passport photo. The slivers and shards of green, amber, golden brown, and blue hues that comprised his eyes seemed to whisper out to her: save me.

Cute, she thought, little, something to keep and carry in your pocket, only to be taken out when wanting a cuddle or something to alter the mood of your blue stupor.

The interview with Heath began on the opposite page. However, Mireille could not get herself to concentrate. She could only skim and skip across the paragraphs; if momentarily of a similar mental bent, you should of course feel free to do the same:

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dendrites_cvr_15

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Hello Goodbye – Soulful Strings

Anything We Want – Fiona Apple

Soundview – Shabazz Palaces

In My Tree – Pearl Jam

So Soon – Staple Singers

So Soon – Little Axe & The Golden Echoes

You Can’t Run Away From Your Heart – Judy Clay

I Got the Blues – The Rolling Stones

Pensacola – Deerhunter [photo by Robert Semmer]

Autoluminescent – Rowland S. Howard

Rococo – Arcade Fire [art by Burlesque Design]

Tip The Scale – The Roots (ft. Dice Raw)

Lilacs – Lilacs & Champagne

Life’s A Gas – T.Rex

Easy Ride – The Doors

Beautiful Day (Learning To Drive) – Scott Weiland [photo by Trevor Ray Hart]

Fine And Mellow – Billie Holiday [live rehearsal 1957, The Sound of Jazz]

Avalon – The Bryan Ferry Orchestra

The Way We Fall – Alela Diane [photo by Guy Stephens]

Something On Your Mind – Karen Dalton

Anyhow – Leonard Cohen

Delia – Bob Dylan [photo by Ana María Vélez Wood]

Glad To Be Unhappy – Frank Sinatra

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 15)

  • Hello Goodbye – Soulful Strings
  • Anything We Want – Fiona Apple
  • Soundview – Shabazz Palaces  
  • In My Tree – Pearl Jam
  • So Soon – Staple Singers
  • So Soon – Little Axe & The Golden Echoes
  • You Can’t Run Away From Your Heart – Judy Clay
  • I Got the Blues – The Rolling Stones
  • Pensacola – Deerhunter 
  • Autoluminescent – Rowland S. Howard
  • Rococo – Arcade Fire
  • Tip The Scale – The Roots (ft. Dice Raw)
  • Lilacs  – Lilacs & Champagne
  • Life’s A Gas – T.Rex
  • Easy Ride  – The Doors
  • Beautiful Day – Scott Weiland 
  • Fine And Mellow – Billie Holiday [1957 The Sound of Jazz rehearsal ft.  
    • Ben Webster – tenor saxophone
      Lester Young – tenor saxophone
      Vic Dickenson – trombone
      Gerry Mulligan – baritone saxophone
      Coleman Hawkins – tenor saxophone
      Roy Eldridge – trumpet
      Doc Cheatham – trumpet
      Danny Barker – guitar
      Milt Hinton – double bass
      Mal Waldron – piano
      Osie Johnson – drums]
  • Avalon – The Bryan Ferry Orchestra
  • The Way We Fall – Alela Diane 
  • Something On Your Mind – Karen Dalton
  • Anyhow – Leonard Cohen
  • Delia – Bob Dylan 
  • Glad To Be Unhappy – Frank Sinatra

<^>_ _ _ __=========================================     ______BOBBY CALERO

Again, If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 13)

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________

_           _________________   _  ___   _ _________ __________

At the time most music placed before her demographic as if a water dish was likely either a permitted and voluntary caricature of some ethnicity insistently listing their abundance of “strut and trade of charms/On the ivory stages” (as Dylan Thomas once put it); or only a more marketable rendition of yesterday’s latest underground scene and sound only now featuring trim, young, white men, glum in clean but rugged garments whining inconsiderately about girls and their own victimhood through a cold compress of sheet metal guitars and a firm verse-chorus-verse structure; or a costumed, European button-pusher simply content to get no more than an oblivious dance from a hormone-bleary crowd. Likewise there was the supposed hybrid: the novel blend of rap’s sing-song aggression with the puerile roar and motorized hoof of heavy rock, now down-tuned and bled of melody, delivered by chubby drop-outs that spent their tax-returns on new tattoos and hair-gel. In eight years time they could release their disintegration diaries, which would detail where the money was wasted, divorce, divorce, and how they overcame their dependence on Jägermeister mixed with stimulant thirst-quenchers. Then there was as a matter of course the ubiquitous discount product of synchronized teens; boys and girls grouped by what would have the most appeal on a poster. Many of their songs were sold exclusively through one burger franchise or various other thawed meat meal abattoir by-product outlets. With frosted tips and tart pastry appearance, some cleavage and practiced discotheque choreography—they had all undergone a cosmetic reduction of particulars to leave them propped up perfectly on the tedious axis of human symmetry. These units were always either sliding towards the camera through ballads drenched in warm milk and corn or performing a fastened pounce and jerk in unison to up-tempo pop-tunes with themes of puppy love that just might drop a hint or two to their pubescent audience about what pleasures await them: various configurations of hands, mouth, anus, scrotum, penis, ass, labia, clitoris, breasts, and vagina.

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DENDRITES CVR 13

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Paint It Black – Africa

Rasta Man Chant – Bob Marley & The Wailers

That’s It For The Other One: (Cryptical Envelopment/Quadlibet For Tender Feet/The Faster We Go, The Rounder We Get/ We Leave The Castle) – Grateful Dead

Git Up – Dirty Dozen Brass Band

Isfahan - Duke Ellington

Isfahan – Duke Ellington

La Mama Vieja – Eduardo Mateo [Mama Vieja y Gramillero by Guillermo Schenk, 2014]

Tondero/Secuencias de organillo y poliphon/El mundo revivido – El Polén (ft. Susana Baca)

In A Sentimental Mood – Duke Ellington and John Coltrane

In My Own Dream – Karen Dalton

Moons And Cattails – Linda Perhacs

Envelops The Bath Tub/Take Your Clothes Off – Frank Zappa & the Abnuceals Emuukha Electric Symphony Orchestra

Uncle Remus – Frank Zappa (ft. George Duke) [for further reading: Lain Shakespeare’s essay for The Wren’s Nest museum, Everything You’ve Heard About Uncle Remus Is Wrong, part. 1; part. 2; part. 3; part. 4; part. 5].

Le Roi Des Mouches Et La Confiture De Rouse (The King of the Flies and the Rose-Colored Jam) – Jean-Claude Vannier

Sweet Dreams/Psychomodo – Steve Harley & Cockney Rebel

Elijah – Alela Diane

Let Me Hear It From You – Sly & The Family Stone

Theme II – Miles Okazaki (w/ with Dan Weiss, Christof Knoche, Jon Flaugher, David Binney)

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 13)

  • Paint It Black – Africa
  • Rasta Man Chant – Bob Marley & The Wailers
  • That’s It For The Other One: (Cryptical Envelopment/Quadlibet For Tender Feet/The Faster We Go, The Rounder We Get/ We Leave The Castle) – Grateful Dead
  • Git Up – Dirty Dozen Brass Band
  • Isfahan – Duke Ellington 
  • La Mama Vieja – Eduardo Mateo 
  • Tondero/Secuencias de organillo y poliphon/El mundo revivido – El Polén (ft. Susana Baca)
  • In A Sentimental Mood – Duke Ellington and John Coltrane
  • In My Own Dream – Karen Dalton
  • Moons And Cattails – Linda Perhacs
  • Envelops The Bath Tub/Take Your Clothes Off – Frank Zappa & the Abnuceals Emuukha Electric Symphony Orchestra
  • Uncle Remus – Frank Zappa (ft. George Duke) 
  • Le Roi Des Mouches Et La Confiture De Rouse (The King of the Flies and the Rose-Colored Jam) – Jean-Claude Vannier
  • Sweet Dreams/Psychomodo – Steve Harley & Cockney Rebel 
  • Elijah – Alela Diane
  • Let Me Hear It From You – Sly & The Family Stone
  • Theme II – Miles Okazaki (w/ with Dan Weiss, Christof Knoche, Jon Flaugher, David Binney)

<^>_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.