Category Archives: Matthew E. White

THE DEMISE OF THE MASK (VOL 5)

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Hello All.

Welcome to Volume Five of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)-

Featuring certain songs by Stevie WonderCurtis Mayfield, Al GreenDory Previn, and even featuring the title track from Bill Fay‘s brilliant but apocalyptic and oppressive record of 1971, Time of the Last Persecution–I’m sure that this MixTape is a somewhat result of a residue from our national nativity ceremony. I can recall once in Montréal someone made a derisive remark about religion while jerking a thump at the enormous neon crucifix hung in the night sky. Quickly but calmly, my good friend Frankie responded: “Hey, some people need that…and that’s a real thing, y’know?…some people need that to get by.”

At that moment I thought: “fair enough.”

Well, among a whole lot of other good tunes The Demise Of The Mask (Vol. 5) also features the songs “Misbehave” &  “She Might Get Shot” both taken from  Juan Wauters‘ fantastic 2015 record,  Who Me? I know he’s got a new one coming up someday soon so be sure to keep your ears open for that because I can tell you it’s a beauty!

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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—————–======ENJOY YOURSELF____———–

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 5)__Aubade ___
  • Looking For Satellites – David Bowie
  • I Should Watch TV – David Byrne & St. Vincent
  • Gone Away – Matthew E. White
  • All Along The Watchtower – Brothers & Sisters
  • Have A Talk With God – Stevie Wonder
  • Jesus – Curtis Mayfield
  • Jesus Is Waiting – Al Green
  • Did Jesus Have a Baby Sister? – Dory Previn
  • Time Of The Last Persecution – Bill Fay
  • Tower Of Song –  Leonard Cohen & U2
  • Never Be Afraid! [edit] – Entrance
  • I Dreamed I Saw St. Augustine – Bob Dylan
  • Saturn – Damon Albarn
  • Rings Of Saturn – Nick Cave & The Bad Seeds
  • My Body – Perfume Genius
  • Rebirth Of The Flesh – Prince (as Camille)
  • Misbehave / She Might Get Shot – Juan Wauters
  • Hood Politics / How Much A Dollar Cost – Kendrick Lamar ft. James Fauntleroy & Ronald Isley
  • Crippled Inside – John Lennon

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aubade

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[Looking For Satellites - David Bowie (photo "David Bowie, 1997" by Floria Sigismondi)]

[Looking For Satellites – David Bowie (photo “David Bowie, 1997” by Floria Sigismondi)]

[I Should Watch TV – David Byrne & St. Vincent]

[I Should Watch TV – David Byrne & St. Vincent]

[Gone Away – Matthew E. White, (photo by Cameron Charles Lewis)]

[Gone Away – Matthew E. White, (photo by Cameron Charles Lewis)]

[All ALong The Watchtower – Brothers & Sisters]

[All Along The Watchtower – Brothers & Sisters]

[Have A Talk With God – Stevie Wonder]

[Have A Talk With God – Stevie Wonder]

[Jesus – Curtis Mayfield (cover art recreated, in tinted form, from Margaret Bourke-White's 1937 monochrome original, 'At The Time Of The Louisville Flood', ]

[Jesus – Curtis Mayfield (cover art recreated, in tinted form, from Margaret Bourke-White’s 1937 monochrome original, “At The Time Of The Louisville Flood.” ]

[Jesus Is Waiting – Al Green, (photo by Bud Lee, 1972]

[Jesus Is Waiting – Al Green, (photo by Bud Lee, 1972)]

[Did Jesus Have a Baby Sister – Dory Previn]

[Did Jesus Have a Baby Sister? – Dory Previn]

[Time Of The Last Persecution – Bill Fay, (art by Erica Parrott)]

[Time Of The Last Persecution – Bill Fay, (art by Erica Parrott)]

[Tower Of Song - Leonard Cohen & U2]

[Tower Of Song – Leonard Cohen & U2]

[Never Be Afraid! [edit] – Entrance]

[Never Be Afraid! [edit] – Entrance]

[I Dreamed I Saw St. Augustine – Bob Dylan (photo: Bob Dylan, outside his Byrdcliffe home, infrared color film, Woodstock, NY, 1968. Photo By Elliott Landy)]

[I Dreamed I Saw St. Augustine – Bob Dylan
(photo: Bob Dylan, outside his Byrdcliffe home, infrared color film, Woodstock, NY, 1968. Photo By Elliott Landy)]

[Saturn – Damon Albarn]

[Saturn – Damon Albarn]

[Rings Of Saturn – Nick Cave & The Bad Seeds]

[Rings Of Saturn – Nick Cave & The Bad Seeds]

[My Body – Perfume Genius (photo: Perfume Genius as Egon Schiele's portrait as St Sebastian by Steven Miller, 2015)]

[My Body – Perfume Genius (photo: Perfume Genius as Egon Schiele’s portrait as St Sebastian by Steven Miller, 2015)]

[Rebirth Of The Flesh - Prince (as Camille)]

[Rebirth Of The Flesh – Prince (as Camille)]

[Misbehave / She Might Get Shot – Juan Wauters (art by Matt Volz)]

[Misbehave / She Might Get Shot – Juan Wauters (art by Matt Volz)]

[Hood Politics / How Much A Dollar Cost – Kendrick Lamar ft. James Fauntleroy & Ronald Isley (art by DJNowGraphics)]

[Hood Politics / How Much A Dollar Cost – Kendrick Lamar ft. James Fauntleroy & Ronald Isley (art by DJNowGraphics)]

[Crippled Inside – John Lennon (photo by Michael Putland, 1971)]

[Crippled Inside – John Lennon (photo by Michael Putland, 1971)]

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___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

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MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 16)

_If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________ ->

Hello All & Welcome to the last MixTape of the year! Yes, it’s installment 16 in the Dendrites series of mixtapes!

 Here you’ll hear two tunes by the psyche-folk, all female american trio, Sunforest. Recorded in 1969 with producer Vic Coppersmith-Heaven (engineer for The Rolling Stones’ Let It Bleed and Black Sabbath’s Vol. 4)  Sunforest wrote whimsical Medieval Times & Renaissance Faire type arrangements and twisted them quite a bit with a swinging London sense of acid-pop and style. First up and opening the mix is the instrumental “Overture to the Sun” which is one of two songs by the group selected by Stanley Kubrick and featured in his 1971 brutal masterpiece, A Clockwork Orange. Later on from this trio you’ll hear the incredibly funky “Magician In The Mountain,” with its slinky groove tones put across perfectly by two musicians from the Jean-Claude Vannier Orchestra (responsible for the music on Serge Gainsbourg’s erotic magnum opus Histoire de Melody Nelson and featured by me on Dendrites Volume 13). With session-guitarist extraordinaire Big Jim Sullivan and Herbie Flowers (whose interlocked, double-tracked upright bass and bass guitar carried Lou Reed’s “Walk on the Wild Side” into brilliance) to my mind “Magician In The Mountain is the stand-out track on Sound of Sunforest.
You’ll also get to hear two more tracks by recently deceased Scott Weiland (R.I.P.). First up from him is “Son” which was a highlight for me on his 1998 solo debut, 12 Bar Blues.  (Here you can watch a video of Weiland performing the tune acoustically on MTV’s “120 Minutes” back in 1998).
With its raw pop blister rubbing up against a confused glam swirl, this LP still remains my favorite of all Weiland’s work. Featuring contributions from multi-instrumentalist Victor Indrizzo, phenomenal pianist Brad Mehldau, Martyn LeNoble and Peter DiStefano (bass & guitar for Porno For Pyros!), as well as additional work from Daniel Lanois (production-collaborator for Brian Eno, U2, and Bob Dylan)–this is an album with a genuine sense of exploration and–despite its obvious postures–honest artistic expression. In “Son” Weiland mostly employs a slender vocal in the honeyed upper registers with a lightly-narcotized rasp to its delivery. This perfectly gets across the melancholia that served as its inspiration. As Weiland would not have any children until at least two years later, the song serves as a rumination on a terminated pregnancy he and his girlfriend chose, and what might have been (an emotional topic he previously touched upon with Stone Temple Pilots in the closing track for their sophomore record, Purple: “Kitchenware & Candy Bars“).
Later on down the mix you will hear Weiland with his band mates in Stone Temple Pilots on what has always been one of my favorite tracks by this group: “Lounge Fly.” With its elliptic lyrics pushed up from a hungry gut only to be buried again, and pushed up again–a cycle–and the music coiled and percussive–this is not so much circling, but the sound of a man prowling around a drain…and all the while Weiland insisting that you know, “this is really happening to me.” “Lounge Fly” is followed by yet another song concerning sex and the desperate search for emotional connection: “Chloe In The Afternoon” by St. Vincent. Borrowing its title from the 1972 French film by Éric Rohmer (which was much later remade into the Chris Rock comedy I Think I Love My Wife) this song is an amazing display of corroded textures and strange syncopation.
There’s also some D’Angelo; some Elvis; some Mark Lanegan; a dry collaboration between William S. Burroughs and R.E.M from the 1996 collection, Songs in the Key of X – Music From And Inspired By “The X-Files; Matthew E. White and his marvelous Spacebomb crew demonstrating how a tune bled of vigor (and guitar) can still be so damn funky…albeit a drowsy funk; and you’ll hear one of my favorite vocalists, Martina Topley-Bird doing a stripped down version of her own, Snowman” (you can watch a lovely 2012 live performance of it and more here).
Well, enjoy and I hope you are all still listening in the New Year!
All the best to you & yours,
Bobby Calero

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Dendrites-16-CVR

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Overture to The Sun – Sunforest [art by Robin Celebi]

Son – Scott Weiland

Star Me Kitten – R.E.M. & William S. Burroughs [art: “Lust” by William S. Burroughs, 1991]

Silver Timothy – Damien Jurado (w/ Richard Swift) [Photo by Sarah Jurado]

Magician In the Mountain – Sunforest

“Trouble”/The Wasp (Texas Radio And The Big Beat) – The Doors [photo by Frank Lisciandro, 1970]

Scarlet Town – Bob Dylan [art: Train Tracks (Red) by Bob Dylan, 2012]

 

The Golden Fang – Jonny Greenwood

tumblr_n1o7zfalhj1qzei6po1_1280

Signature Move – Matthew E. White [photo by Shawn Brackbill]

Lounge Fly – Stone Temple Pilots

Chloe In The Afternoon – St. Vincent [photo by Tina Tyrell, 2011]

Leaning Into Afternoons – Pablo Neruda [read by Wesley Snipes, music by Luis Enríquez Bacalov] [art from Pablo Neruda: Poet of the People, written by Monica Brown and illustrated by Julie Paschkis]

Sugah Daddy – D’Angelo & The Vanguard [Photo by Greg Harris]

Trying To Get To You – Elvis Presley

Trying To Forget You – Howlin’ Wolf

solid-soul

San-Ho-Zay – Willie Mitchell

Knockin’ Myself Out – Jean Brady & Big Bill Broonzy [image from the film Low Light And Blue Smoke]

Like Little Willie John – Mark Lanegan Band

The Endless Sea – Iggy Pop

Cry Baby Cry – The Beatles [photo by Don McCullin, 7/28/68]

Snowman – Martina Topley-Bird

04/16/05 Saturday/04/19/05 Tuesday – Fantômas

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MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 16)

  • Overture to The Sun – Sunforest
  • Son – Scott Weiland
  • Star Me Kitten – R.E.M. & William S. Burroughs
  • Silver Timothy – Damien Jurado (w/ Richard Swift)
  • Magician In the Mountain – Sunforest
  • “Trouble”/The Wasp (Texas Radio And The Big Beat) – The Doors
  • Scarlet Town – Bob Dylan
  • The Golden Fang – Jonny Greenwood
  • Signature Move – Matthew E. White 
  • Lounge Fly – Stone Temple Pilots
  • Chloe In The Afternoon – St. Vincent 
  • Leaning Into Afternoons – Pablo Neruda [read by Wesley Snipes, music by Luis Enríquez Bacalov] 
  • Sugah Daddy – D’Angelo & The Vanguard
  • Trying To Get To You – Elvis Presley
  • Trying To Forget You – Howlin’ Wolf
  • San-Ho-Zay – Willie Mitchell
  • Knockin’ Myself Out – Jean Brady & Big Bill Broonzy
  • Like Little Willie John – Mark Lanegan Band
  • The Endless Sea – Iggy Pop
  • Cry Baby Cry – The Beatles 
  • Snowman – Martina Topley-Bird
  • 04/16/05 Saturday/04/19/05 Tuesday – Fantômas

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The interview with Heath began on the opposite page. However, Mireille could not get herself to concentrate. She could only skim and skip across the paragraphs; if momentarily of a similar mental bent, you should of course feel free to do the same:


TURN-TURN 1

TURN-TURN 2

TURN-TURN 3

TURN-TURN 4

TURN-TURN 5

TURN-TURN 6

TURN-TURN 7

TURN-TURN 8

TURN-TURN 9

TURN-TURN 10

TURN-TURN 11

TURN-TURN 12

TURN-TURN 13

TURN-TURN 14

TURN-TURN 15

TURN-TURN 16

TURN-TURN 17

TURN-TURN 18

TURN-TURN 19

TURN-TURN 20

TURN-TURN 21

TURN-TURN 22

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BOBBY CALERO

 

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 11)

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From here the album is washed over in a pixelated aurora borealis, which competes for nearly three minutes against steel brackets that attempt to contain it. This being the third song of disc two, “Press: Tattle-Tape,” the band’s tone poem musing on a culture of mass surveillance and spectacle. With a roll and quivering drone to Heath’s voice, the tune drifts along with a slush and spun mantra of:

tattletape

With a yank of the wires Mireille pulled the little stereo buds from her ear canals and let them drop to the laminate table top. For the moment she felt bored by her favorite album by what was then her favorite band. While at the time she was yet to be so heavily embedded in the wireless two-way access and feed of such things, Mireille’s opinion was still much in line with those of the dominant music journalists of “Alt-Culture” at that time. Much of that year’s accolades and critical praise would be heaped upon […]Phantom Limbs[…]. Yet, even those that gave it perfect stars and the top spot on year-end review lists were sure to use the term “self-indulgent” in their opinion columns.

Coinciding with the album’s release on October 24th the prior year, deputy music editor James DePrecato wrote a piece of criticism for Turn-Turn Magazine entitled “Baroque or Bloat.” In this four out of five star review he wrote:

For all of its synthesized ornaments and gloom, Locust Mirror’s last LP, The Misshapen Pearl was still anchored in enough racket to still sell as a fairly standard rock album. Here in the substantial bulk of their new record the band has been uprooted to flail about countless styles, some pleasant, lenient, and wholly mesmerizing, others odious in their sincerity, or worse when occasionally the indulgences plunge into self parody. And yet for all its theatrical abandon, Phantom Limbs (etc. etc. etc.) is one of the finest double albums to be released on the marketplace by any artist in quite some time. Here you have a rare epic that is actually supported by its content.

From here the review careens off into some digression on former Mayor John Lindsay’s Fun City era New York, White Flight, and this quote by French poet Stéphane Mallarmé: To name an object is to suppress three-fourths of the enjoyment of the poem, which is composed of the pleasure of guessing little by little: to suggest…that is the dream. All that before concluding with: “From its sepulchral folk to the fluid-fuzz of its ambitious ballads this is the work of a group resolute in pursuing any and every artistic impulse…wherever they might lead. But above all that it is a triumph of the will and imagination.” But still it was there, “self-indulgent.”

“Well,” Mireille would later question, “what act of creation in this world couldn’t be rerouted back and subjected to that snub? Even charity. Even community. ”

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dendrites cvr 11

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(problem) – Eat the document Soundtrack

Thaeter – Marilyn Manson [art, The Golden Age (Mother 4) by Gottfried Helnwein, 2003]

Newspaper Spoons – Viet Cong

Sweet Cream Ladies, Forward March – The Box Tops

You And Whose Army? – Radiohead [art by Stanley Donwood]

Why Don’t You Believe in Me – Natalie Prass [photo by Laura D’art]

Is It Love or Desire – Betty Davis

One And One – Miles Davis

Keep On Keeping On – NF Porter

Every Planet We Reach Is Dead – Gorillaz

Learning To Live Together/The Revolution Will Not Be Televised, But It Will Be Auctioned Off On Ebay – Mushroom (with Gary Floyd)

Birdland Patti Smith (Photo by Linda Smith Bianucci)

 

E-Bow The Letter – R.E.M.

mrp011lp

Fire Shed In My Bones – Boyd Rivers

I’m So Bored With The U.S.A. – The Clash [painting: The Last Rally, Mort Kunstler (1865)]

Love Me – The Phantom

Big Love – Matthew E. White

Kangaroo – Big Star

Estocadas – of Montreal

Hope – R.E.M.

The-Band-Color-F13A_web

When You Awake – The Band [photo by Norman Seeff, 1969]

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 11)

  • (problem) – Eat the document Soundtrack
  • Thaeter – Marilyn Manson 
  • Newspaper Spoons – Viet Cong
  • Sweet Cream Ladies, Forward March – The Box Tops
  • You And Whose Army? – Radiohead
  • Why Don’t You Believe in Me – Natalie Prass 
  • Is It Love or Desire – Betty Davis
  • One And One – Miles Davis
  • Keep On Keeping On – NF Porter
  • Every Planet We Reach Is Dead – Gorillaz
  • Learning To Live Together/The Revolution Will Not Be Televised, But It Will Be Auctioned Off On Ebay – Mushroom with Gary Floyd
  • Birdland – Patti Smith 
  • E-Bow The Letter – R.E.M.
  • Fire Shed in My Bones – Boyd Rivers
  • I’m So Bored With The U.S.A. – The Clash
  • Love Me – The Phantom
  • Big Love – Matthew E. White
  • Kangaroo – Big Star
  • Estocadas – of Montreal
  • Hope – R.E.M.
  • When You Awake – The Band 

_ _ _ __=========================================     <^>______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their albums.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 8)

http://investinlibraries.org/

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When a frustrated teenager, Mireille herself flirted with atheism. Or was it agnosticism? She couldn’t recall now what proud label she might have boasted of back then if she weren’t always so shy. In a series of sudden increments and entanglements with the outside, young Mireille had come to a form of realization that she could at the time encapsulate in the phrase “this world is bullshit!”

With so many angles at which to aim angst, that dour fury for a deceitful world presented to her daily would first find it’s big target with both the concept of God and how sanction houses implemented that concept upon us. As time went on, however, Mireille’s perception of “bullshit” refined. Yes, she came to realize, it was all that, in the sense that the bulk of our world was made up. Yet, she couldn’t say that it wasn’t “real.” She felt it. Everday.

So, if it all was real and likewise made up: “well then what does that say about the nature of reality?” she had questioned; “well then what does that say about me?” Does existence possess a complex geometry where opposed sides fold simply to be true and false simultaneously; where one should negate the other and thus both but don’t and in fact supports them together and perhaps much more? Like many teens she started to harbor these suspicions, but without the luxury of much of a lexicon to crowd them into shape, into an ethos—and so there was: this world is bullshit! Mireille began to feel that The World was nothing but ideas made manifest; condensed into a solid; a tangible vibration; a consequence of narratives; a frequency captured by the little shell of the ear; the collection of light by the adjustable assembly of lenses, tunics, apertures that is the eye; and all those other instruments; implemented in systems we’re born in and learn to inhabit…like currency for example…or race. As time went on, however, she came to realize that she could appositely replace the word “implemented” with that of “manipulated.”

At the age of seventeen she had spent the majority of one particular November afternoon at her local public library working on a report for school that pertained to the causes and outcomes of The Cold War. Seated at a laminate table crowded with splayed textbooks and a marble notebook, she fell away from the task at hand. After hours of study and note jotting she had grown bored by the “death strip” of the Berlin Wall, bored of dead Kennedy, bored of Premier Khrushchev, bored of primate-patriarch Reagan, and bored even by chants of “Tor auf!” (“Open the gate!”). The focus of her vision blurred towards the white between the printed words before her.

_______________________        -_-      _________________       _         _________________

Dendrites 8 CVR

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Another Part of You/Panic Struck – Souls Of Mischief & Adrian Younge

Boxcar – Jawbreaker

Black Ballerina – Ariel Pink [image by Леонид Калядин]

Little Ballerina/Ballerina’s Reprise – Emile Haynie (ft. Rufus Wainwright, Father John Misty, & Julia Holter)

Gold – Mikal Cronin [photo by Ward Robinson]

Hot Hot HotMatthew E. White

Windows – Deafheaven

God Knows Why – Nneka (ft. Black Thought)

Things That Are Bad For Me (Pt. I & II) – Colleen Green

Be Sweet – The Afghan Whigs

It Is What It Is – Blood Orange

Find Your Wings – Tyler, The Creator

Death Of A Party – Blur

Fkn Dead/Never Catch Me – Flying Lotus (ft. Kendrick Lamar) [image by Hiro Murai]

Shattered Winds – The Budos Band

Both Alive – Tall Tales And The Silver Lining

Last Year – Best Coast

How Come U Don’t Call Me Anymore – (♀)

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 8)

  • Another Part of You/Panic Struck – Souls Of Mischief & Adrian Younge
  • Boxcar – Jawbreaker
  • Black Ballerina – Ariel Pink 
  • Little Ballerina/Ballerina’s Reprise – Emile Haynie (ft. Rufus Wainwright, Father John Misty, & Julia Holter)
  • Gold – Mikal Cronin
  • Hot Hot Hot – Matthew E. White
  • Windows – Deafheaven
  • God Knows Why – Nneka (ft. Black Thought)
  • Things That Are Bad For Me (Pt. I & II) – Colleen Green
  • Be Sweet – The Afghan Whigs
  • It Is What It Is – Blood Orange
  • Find Your Wings – Tyler, The Creator
  • Death Of A Party – Blur
  • Fkn Dead/Never Catch Me – Flying Lotus (ft. Kendrick Lamar)
  • Shattered Winds – The Budos Band
  • Both Alive – Tall Tales And The Silver Lining
  • Last Year – Best Coast
  • How Come U Don’t Call Me Anymore – (♀)

_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their albums.