Category Archives: Muddy Waters

A.M.O.P. PRESENTS: THAT BLACK TWIST IN THE GUTS THAT ATTEMPTS TO TELL YOU SOMETHING

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

I never really know how these MixTapes are received on your end of things, but I’ll say this one was created with three beers, a free afternoon, and boy did I feel like a kid again!

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—————–======ENJOY YOURSELF____———–

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[original illustration, Pater Sato, 1978]

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A.M.O.P. Presents: __That Black Twist In The Guts That Attempts To Tell You Something
  • La Grabuge (Pop Theme) – Andrzej Korzyński
  • Right – David Bowie
  • Gillian Was A Horse – Damien Jurado
  • No Place to Go – Howlin’ Wolf (rec. March 1954 in Chicago, IL; Howlin’ Wolf, voc, # hca; Otis Spann, p; Lee Cooper, g; Willie Dixon, b; Earl Phillips, dr.)
  • Date Night – Father John Misty
  • Get Up & Get Out – Iggy Pop
  • Hickory Dichotomy – Stone Temple Pilots
  • Can’t Wait (alternate Time Out Of Mind demo version) – Bob Dylan
  • The Same Thing – Muddy Waters
  • The Fool – Elvis Presley
  • Hot as Sun/Glasses – Paul McCartney
  • Time – Sly & The Family Stone
  • I’m Gonna Love You Just A Little More Baby – The Cecil Holmes Soulful Sounds (Barry White cover)
  • I Feel So Bad – Chuck Wills
  • We’ll Make It – Paul White
  • Take This Hammer – Dan Zanes & Friends (Featuring Valerie June)
  • Black Flower – Piero Piccioni
  • You Ain’t That Young Kid – Hamilton Leithauser + Rostam
  • Up To Me (Blood on the Tracks outtake) – Bob Dylan
  • Dear Landlord – Joan Baez (Bob Dylan cover)
  • Pearls – Piero Piccioni
  • Dead Flowers – The Rolling Stones
  • Wild Ceaseless Song – Alela Diane
  • Can’t Wait  – Bob Dylan

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La Grabuge (Pop Theme) – Andrzej Korzyński [from the film Le Grabuge aka Hung Up, Dir. by Édouard Luntz)

Right – David Bowie (photos by Steve Schapiro, 1974)

Gillian Was A Horse – Damien Jurado

No Place to Go – Howlin’ Wolf

Date Night – Father John Misty [Photo by Emma Elizabeth Tillman, for Violet Magazine]

Get Up & Get Out – Iggy Pop [photo 2 February 1980 by Virginia Turbett]

Hickory Dichotomy – Stone Temple Pilots [photo by Marc Hom, 2010]

Can’t Wait (alternate Time Out Of Mind demo version) – Bob Dylan
[photo by Mark Seliger]

The Same Thing – Muddy Waters [illustration by Michael Cho]

The Fool – Elvis Presley

Hot as Sun/Glasses – Paul McCartney

Time – Sly & The Family Stone

I’m Gonna Love You Just A Little More Baby – The Cecil Holmes Soulful Sounds (Barry White cover)

I Feel So Bad – Chuck Wills

We’ll Make It – Paul White [photo by Lottie Turner]

Take This Hammer – Dan Zanes & Friends (Featuring Valerie June)

Black Flower – Piero Piccioni

You Ain’t That Young Kid – Hamilton Leithauser + Rostam [photo by Josh Goleman]

Up To Me (Blood on the Tracks outtake) – Bob Dylan [photo by Amalie R. Rothschild, 1974]

Dear Landlord – Joan Baez (Bob Dylan cover)

Pearls – Piero Piccioni

Dead Flowers – The Rolling Stones

Wild Ceaseless Song – Alela Diane

Can’t Wait – Bob Dylan

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS: WALLOP (VOL. 2)

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

I said well hello there. The last one had two tracks by Stockholm, Sweden band Mazarine Street from their second record, Thirteen Reasons to Believe. On this you’ll hear two from The Beast Of Mazarine Street, their 1996 debut. The little exotica noodle of “Rabbi” rolls right into their ballad “Let It Come Down,” which features guest vocals by Karin Dreijer who has gone on to achieve success with her solo project, Fever Ray. I’ve always loved the alloy of raunch and sadness expressed by this song’s lyrics, like:

 
So come down on my face
and I’ll eat you on the kitchen floor,
we get to the very core…
sick spirit and sticky teeth

You’ll also hear Big Mama Thornton doing her own gut-bucket, ass-kicking (literally) take on Memphis Minnie‘s “Black Rat Swing.” Big Mama Thornton was recorded in San Francisco on April 25, 1966, and is backed by Muddy Waters and his incredible band: James Cotton (harmonica), Otis Spann (piano), Sammy Lawhorn (guitar), Luther “Guitar Junior” Johnson (bass), and Francis Clay (drums). I recently read an incredible article on Big Mama Thornton written by Cynthia Shearer and published in the 18th annual Southern Music issue of The Oxford American. I highly recommend you give THE THINNING OF BIG MAMA a read.

[“Big Mama,” by Cathey Miller]

[Little Richard, by Charles Burns 1992]

You’ll also hear Little Richard backed by Johnny “Guitar” Watson and produced by Larry Williams. I’ll never understand why the material this incredible performer recorded for the Okeh label in 1966 & 1967 wasn’t a huge hit, as I think it’s all fantastic! For those who don’t quite understand the cultural significance of Richard Wayne Penniman I will share this little tid-bit:
In 1956, David Bowie was not yet ten and his father would bring home the recent hit singles that made bizarre but wholly thrilling rock ‘n’ roller Little Richard a star: “Tutti Frutti” and “Long Tall Sally.” Bowie later said that he had the sensational reaction of “My heart near­ly burst with excitement. I’d never heard anything even resembling this. It filled the room with energy and color and outrageous defiance. I had heard God.” Even as a little boy his ambition had been set to be “a white Little Richard…..or at least his saxophone player.”

Well, you’ll hear this as well as some fantastic Duke EllingtonIggy Pop with David Bowie and Simple Minds; something from Actor, the second album by St. Vincent, released in 2009; and a whole lot more! So…

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[cover illustration by Janusz Stanny]

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A.M.O.P. Presents: __Wallop (Vol. 2)
  • Deadweight [edit] – Beck (produced with The Dust Brothers)
  • Dead Record Player – Dr. Dog
  • The Bed – St. Vincent
  • The Mooche (July 1, 1952 Uptown version) – Duke Ellington
  • Peach Trees – Rufus Wainwright
  • The Dance – Prince
  • “Light Of The Self” – David Lynch
  • Profezia – Paolo Ferrara
  • Rabbi / Let It Come Down – Mazarine Street
  • I Had A Dream – Tricky (Ft. Francesca Belmonte)
  • Sweet Virginia – Jerry Lee Lewis (ft. Keith Richards) (Rolling Stones cover)
  • Do Right By Me – Margo Price
  • Echoes Of The Mind – Symmetry (Johnny Jewel & Nat Walker)
  • Pretty As You Feel – Caroleen Beatty & Mushroom (Jefferson Airplane cover)
  • Celebrate – Anderson .Paak
  • Baby I Love You – Machito and His Orchestra ( Aretha Franklin cover)
  • Play It Safe – Iggy Pop (feat. David Bowie, Simple Minds, & Glen Matlock)
  • Black Rat – Big Mama Thornton With Muddy Waters Blues Band
  • Heart-O-Matic Love – Bo Diddley
  • I Heard Your Voice In Dresden – Elvis Perkins
  • Theme From Les Etrangers – François De Roubaix
  • Can’t Live Without Your Love – Janelle Monáe
  • Never Gonna Let You Go – Little Richard
  • Curtains Up” – David Lynch

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Deadweight [edit] – Beck (produced with The Dust Brothers)

Dead Record Player – Dr. Dog

The Bed – St. Vincent [photo by Ray Lego, 2009]

The Mooche (July 1, 1952 Uptown version) – Duke Ellington

Peach Trees – Rufus Wainwright

The Dance– Prince [photo by Randee St Nicholas, 2007]

“Light Of The Self” – David Lynch [Lynch’s diagram of Transcendental Meditation]

Profezia – Paolo Ferrara

Rabbi / Let It Come Down – Mazarine Street

I Had A Dream – Tricky (Ft. Francesca Belmonte)

Sweet Virginia – Jerry Lee Lewis (ft. Keith Richards) (Rolling Stones cover)

Do Right By Me – Margo Price [photo by Andrew White, 2018]

Echoes Of The Mind – Symmetry (Johnny Jewel & Nat Walker)

Pretty As You Feel – Caroleen Beatty & Mushroom (Jefferson Airplane cover)

Celebrate – Anderson .Paak

Baby I Love You – Machito and His Orchestra ( Aretha Franklin cover)

Play It Safe – Iggy Pop (feat. David Bowie, Simple Minds, & Glen Matlock)

Black Rat – Big Mama Thornton With Muddy Waters Blues Band

Heart-O-Matic Love – Bo Diddley

I Heard Your Voice In Dresden – Elvis Perkins

Theme From Les Etrangers – François De Roubaix

Can’t Live Without Your Love – Janelle Monáe [photo by Christina Lessa, 2013]

Never Gonna Let You Go – Little Richard

“Curtains Up” – David Lynch

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS: TOSS-UP

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

I said well hello there, who knew that Doomsday would fall anywhere near a Tuesday, and who needs the Spoofity app when you’ve got another hour and 20 minutes of music from A Mouthful Of Pennies? So here’s   _Toss-Up_ the latest A.M.O.P. Mixtape!

This one feature’s “Lemonade” the closing song of Blind Melon’s 1995 (and technically final) record Soup.
This is an album that I’ve always held as one of the most brilliant and most under-appreciated of the nineties. I return to it again and again. Featuring funky riffs with a cosmic hillbilly tweak and a Dixie-twist, odd changes in time signatures, and Shannon Hoon’s sweet and sour lysergic lyrics that deliver their sentiments with a pin-point precision of images, it’s a real work of art. Speaking of delivery, I adore Hoon’s vocals with their giddy rasp as if his lungs were delirious to sing these songs. The album was recorded in New Orleans in 1994 with gifted producer/mixer/engineer Andy Wallace (that’s him eating soup on the LP cover). As this was after Hoon’s multiple stints in drug rehabilitation programs the city might not necessarily have been a healthy choice but it certainly lent itself to a truly dynamic body of work. This LP might be the closest the nineties ever came to producing something akin to the Rolling Stones’ Exile On Main St. It was truly adventurous with sound; shamefully they were not rewarded for it. Sadly, two months after the album’s release, Hoon was found dead in the band’s tour bus. This is a work that is dark and yet a delight to sing and dance along to. For example there’s the hopped-up banjo and kazoo jam “Skinned” written from the perspective of serial killer Ed Gein, and the haunting, melodic “Car Seat (God’s Presents)” about Susan Smith, who killed her children by driving her car into a lake in Union, South Carolina. Then there are these 3 fantastic singles (note that the”Galaxie” video features psychologist, writer, and psychedelic advocate Timothy Leary as the mad scientist,aka “Mr Time Warp”).

I do recall that in my younger days “Lemonade” served as a bit of a mantra or an ethos (not necessarily a healthy one) to help me navigate through the world:
There’s such a thing as self opinion
And this far down South I have no self-control
If anbody else feels like a nobody
Well then your gonna have to look out for you
I’ll color green everything believed in
But I keep screaming for my glass of lemonade
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I walk around and it feels good to be movin’
The breeze that’s blowin’ through cannot be found
Jump on the trolley that’s headed for all the hollering
And then you’re gonna have to look out for you
In desperate need of a little more religion
To nurse your God like point of view…
 –
Fool on the sheetroof you gotta lay down in your ruins
The river flowin’ by, is way too big to bound
If I should speak up, and say hello Mr. Uppercut
Oh, how nice to have avoided you
I’ll bloody bleed on everything I’m seeing
But I keep screaming for that glass of lemonade
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Too much, too much, too much Lemonade
Too much, too much, too much Lemonade
Too much, too much, too much Lemonade
Too much, too much, too much Lemonade
Too much, too much, too much Lemonade
On the MixTape there’s also “Buoyant” from Alela Diane’s brand new and truly wonderful record, Cusp.
Of the record she has said,“This music is about motherhood. Even just by saying that, it feels like people will write you off. It’s like you’ve suddenly lost the charm of being youthful and even attainable––you’ve been commoditized as available. There is not a big place in the music industry for 30-something women with kids making music. Maybe we can create that space.” I highly recommend this one.
You’ll also hear “Trafalgar Square” from Jonathan Wilson’s new record Rare Birds.
You might be more familiar with Wilson as the brilliant producer of the 3 Father John Misty records as well as the great Double Roses by Karen Elson released last year. Wilson’s own albums are most definitely worth checking out as well. So do that.

Well, there’s all this and a whole lot more! So…

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A.M.O.P. Presents: __Toss-UP
  • Hello, Goodbye – Blind Melon
  • Slow Doomsday – Elvis Perkins In Dearland
  • Black Noise – Rotary Connection
  • Lemonade – Blind Melon
  • Well Well Well – Lucinda Williams (ft. Charlie Louvin & Jim Lauderdale on Backing Vocals)
  • I Really Don’t Want To Know – Les Paul & Mary Ford
  • Buoyant – Alela Diane
  • Trafalgar Square – Jonathan Wilson
  • Mystic Lady – T.Rex
  • Angels And Sailors – Jim Morrison & The Doors
  • Petit Suite movement 1: En Bateau (On a Boat) – written by Claude Debussy; performed by Paul Paray conducting the Detroit Symphony Orchestra
  • Lifeboat – Lovage (Dan the Automator, Mike Patton, Jennifer Charles, & Kid Koala)
  • Strange Fruit (Tricky Remix) – Billie Holiday 
  • Trampled Rose – Tom Waits
  • Funny How Time Slips Away – Elvis Presley (Willie Nelson cover)
  • If And – Valerie June
  • I Will Never Be Untrue – The Doors
  • Big Leg Woman – Muddy Waters
  • Valentine – Martina Topley-Bird (produced by Danger Mouse)
  • Most Of What I Know / Buildings In America – Richard Swift
  • Doomsday – Elvis Perkins In Dearland

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Hello, Goodbye – Blind Melon

Slow Doomsday – Elvis Perkins In Dearland

Black Noise – Rotary Connection

Lemonade – Blind Melon

Well Well Well – Lucinda Williams (ft. Charlie Louvin & Jim Lauderdale on Backing Vocals)  [art by Peter Pontiac]

I Really Don’t Want To Know – Les Paul & Mary Ford

Buoyant – Alela Diane [photo by Jaclyn Campanaro]

Trafalgar Square – Jonathan Wilson

Mystic Lady – T.Rex

Angels And Sailors – Jim Morrison & The Doors
[photo by Paul Ferrara, 1968]

En Bateau (On a Boat) – written by Claude Debussy; performed by Paul Paray conducting the Detroit Symphony Orchestra

Lifeboat – Lovage (Dan the Automator, Mike Patton, Jennifer Charles, & Kid Koala)

Strange Fruit (Tricky Remix) – Billie Holiday

Trampled Rose – Tom Waits [art by Jacob Read]

Funny How Time Slips Away – Elvis Presley (Willie Nelson cover)

If And – Valerie June [photo by Jacob Blickenstaff]

I Will Never Be Untrue – The Doors [photo by Ed Caraeff, 21 July 1969].

Big Leg Woman – Muddy Waters

Valentine – Martina Topley-Bird (produced by Danger Mouse)

Most Of What I Know / Buildings In America – Richard Swift

Doomsday – Elvis Perkins In Dearland

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

 

A.M.O.P. PRESENTS__[A CRUSH OF CURTAINS]:

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Hello All.

Welcome to A Mouthful Of Pennies! This here MixTape [A CRUSH OF CURTAINS]: is the soundtrack to a film that screened in my skull. __Well I do hope you dig it all and if you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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—————–======ENJOY YOURSELF____———–

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__A..M.O.P. Presents:__[A Crush Of Curtains]:

  • Mr. Bumble – Sunforest
  • I’ll Be Your Baby Tonight – Brothers & Sisters (Dylan cover)
  • Why Don’t You Do Right? – Cal Tjader Feat. Mary Stallings (written by Joseph “Kansas Joe” McCoy)
  • Another Man’s Vine – Tom Waits
  • Open The Door [Skeleton Key Version] – Otis Redding
  • Open The Door, Homer – Bob Dylan & The Band (take 1; The Basement Tapes)
  • Love In Vain – The Rolling Stones (Robert Johnson cover)
  • Cry One More Time – Gram Parsons (J. Geils Band cover)
  • Then You Can Tell Me Goodbye – Bettye Swann (The Casinos cover; written by John D. Loudermilk)
  • Drifter’s Escape – Joan Baez (Dylan cover)
  • Red Walls – crush_DLX (Pop Levi & Bunny Holiday)
  • Stopover Bombay – Alice Coltrane; ft. Pharoah Sanders
  • Lonely Little G-String – Sonny Lester & His Orchestra
  • Clang Boom Steam / Make It Rain – Tom Waits
  • Star Eyes (I Can’t Catch It) – Danger Mouse & Sparklehorse Feat. David Lynch
  • Open The Door Homer – Bob Dylan & The Band (take 2; The Basement Tapes)
  • Wicked Messenger – Bob Dylan
  • Raven – Karen Elson
  • Speak Low – Lotte Lenya (written by Kurt Weill & Ogden Nash; from Broadway musical One Touch of Venus (1943))
  • You Can’t Lose What You Ain’t Never Had – Muddy Waters; ft. Otis Spann on piano, Francis Clay on drums, Willie Dixon on bass, and some combination of Sammy Lawhorn, Pee Wee Madison, and Buddy Guy (on acoustic) on guitar.)
  • The Perfect Drug – Nine Inch Nails
  • Karmacoma – Massive Attack; ft. Tricky
  • Sweet & Pungent – Duke Ellington
  • Overcome – Tricky; ft.  Martina Topley-Bird 
  • Benjamin – Steven Bernstein
  • Altarwise By Owl Light (1st Verse) / A Pair Of Doves – Dylan Thomas / Trent Reznor & Atticus Ross
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[Mr. Bumble – Sunforest]

[I’ll Be Your Baby Tonight – Brothers & Sisters (Dylan cover)]

[Why Don’t You Do Right? – Cal Tjader Feat. Mary Stallings (written by Joseph “Kansas Joe” McCoy)]

[Another Man’s Vine – Tom Waits]

[Open The Door [Skeleton Key Version] – Otis Redding]

[Open The Door, Homer – Bob Dylan & The Band (take 1; The Basement Tapes)]

[Love In Vain – The Rolling Stones (Robert Johnson cover)]

(Cry One More Time – Gram Parsons (J. Geils Band cover)]

[Then You Can Tell Me Goodbye – Bettye Swann (The Casinos cover; written by John D. Loudermilk)]

[Drifter’s Escape – Joan Baez (Dylan cover)]

[Red Walls – crush_DLX (Pop Levi & Bunny Holiday)]

[Stopover Bombay – Alice Coltrane; ft. Pharoah Sanders]

[Lonely Little G-String – Sonny Lester & His Orchestra]

[Clang Boom Steam / Make It Rain – Tom Waits (photo by Anton Corbijn, 2004)]

[Star Eyes (I Can’t Catch It) – Danger Mouse & Sparklehorse Feat. David Lynch (Dark Night of the Soul Photography by David Lynch )]

[Open The Door Homer – Bob Dylan & The Band (take 2; The Basement Tapes) (photo, Rick Danko and Bob Dylan in 1967, by Arie De Reus)]

[Wicked Messenger – Bob Dylan]

[Raven – Karen Elson (photo by Glen Luchford)]

[Speak Low – Lotte Lenya (written by Kurt Weill & Ogden Nash; from Broadway musical One Touch of Venus (1943))]

[You Can’t Lose What You Ain’t Never Had – Muddy Waters; ft. Otis Spann on piano, Francis Clay on drums, Willie Dixon on bass, and some combination of Sammy Lawhorn, Pee Wee Madison, and Buddy Guy (on acoustic) on guitar.)]

[The Perfect Drug – Nine Inch Nails (images by Mark Romanek)]

[Karmacoma – Massive Attack; ft. Tricky]

[Sweet & Pungent – Duke Ellington]

[Overcome – Tricky; ft. Martina Topley-Bird ]

[Benjamin – Steven Bernstein]

[Altarwise By Owl Light (1st Verse) / A Pair Of Doves – Dylan Thomas / Trent Reznor & Atticus Ross (woodcuts by Antonio Frasconi)]

-___________________))))))))))))))))
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 7)

_ _____________________       _   _  _________________       _       _________________   _

It was not avoidance of some problem that she was advocating, but only a proper approach and perspective: understanding what truly was a problem and what was not. Where and when it could be found, she was for the compassion of laughter. Mireille pondered over the predominate perpetrators of violence on this planet and wondered if the males’ faculty for a certain aspect of acceptance had been frustrated and underdeveloped. Perhaps “acceptance” wasn’t the word she wanted, for enough of them seemed to be in love with a fallen world. No, maybe it was “reception,” or “tolerance,” or some other such word having to do with communication?

She couldn’t find it then but regardless questioned, “why not then let these thoughts inform and foster some work of art: a painting; song; or stand-up routine? At the very least they should let us laugh as they pass on by.” She believed that too few artists are encouraged in our world, and their work too quickly inspected for external utility or market potential. Comedians are poked to placate our revulsion. Our role as creator is repressed and in its stead we labor over cruel acts. “It’s like we’re prohibited from changing anything, really.” Beholden to a moribund heritage, we suffer in the name of habit and being consistent; “…being practical…but…practical for whose protocol? Don’t ask, you’ll suffer more.” We suffer for order.

For order we suffer.

“We are held hostage in someone else’s head…and in the end…and in our own. Regret will only get you ugly in the end.”

        She considered the device currently slipped within a little zippered pocket inside her purse: plastic, glass, semiconductor chips of silicon, and rare earth minerals molded and arranged into a slim rectangle of circuit boards and a touchscreen with a friendly graphic user interface…”a friendly gooey.” Contemplating all it was capable of—all of its known, numerous applications, the ones she hasn’t figured out yet and the ones she didn’t care to—she asked herself:

“We’re already living in the future…aren’t we? …Or as far as this future is gonna go, really. From here-on-out and for awhile now it’s all just restatements of a theme. Sure with a few innovative variations and tempo changes thrown in to keep us back-slap-smiling, ‘gee–whiz, how neat, this cutting-edge changes everything! Science will save us!’ But, shouldn’t we be somewhere else. Shouldn’t we be building biodegradable citadels for music, poetry, or, hell, a cathedral for aromatherapy…anything else really? All I see is thinner televisions. All I see are more heads bowed towards screens.

“Geez-Louise, I sound like an old lady…’back in my day we didn’t have all these fancy smellular phones and wifi-telebones, we had to use a drum!’…but…Shouldn’t we be busy with some other great work by this point? Why do we all feel excused from this? Why are so many of us excluded from this?

“Didn’t they tell us so long ago that we’ll be taking it easy from here-on-out? Aren’t they still selling that line?” For far too long now we’ve been trapped in this false landscape of muscles and dollars, this unsustainable sham of a one-way line stretched unhindered towards infinite and plastic futures—attributed to Darwin, healthy competition, and hard-earned progress. “Everything always backed by Darwin.” All those that suffer or benefit from the drought and locusts of a debt market so that a ham and cheese sandwich wrapped in cellophane might exist on some chain-restaurant’s theme-park counter could always seek solace, dismissal, and script in the arms of Saint Darwin. She felt sad for all those slighted people with Holy Daddy and/or Holy Mommy issues: who smugly announce themselves as atheists; who declare with a moral superior air, “I believe in science.”

“Yeah…well who doesn’t?”

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Dendrites 7 CVR

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——————————-(Click to Listen or Download)—————–

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Zeno’s Law Of High-Heeled Shoes – Jim Carroll

Numbers – FKA Twigs

Rich – Yeah Yeah Yeahs

Forty Days & Forty Nights – Muddy Waters

Every Season – Tony Allen (ft. Damon Albarn & Ty)

Wonderwall To Be Here – George Harrison

Lost In The Woods – The Afghan Whigs

The One-Eye Two-Step – The Blackbyrds

Me And The Devil – Gil Scott-Heron (Robert Johnson cover)

The Water – BLKHRTS

Misbehave/She Might Get Shot – Juan Wauters

Cocaine Habit Blues – Memphis Jug Band featuring Hattie Hart [Art by: Robert Crumb]

Yassassin (Long Live) – David Bowie

Ysabel’s Table Dance – Charles Mingus

Black Skin Blue Eyed Boys – Equals

Breed – Nirvana

She Said She Said – The Beatles

When Your Number Isn’t Up – Mark Lanegan Band

Good God’s:// Urge! – Porno For Pyros

I Know We Could Be So Happy Baby (If We Wanted to Be) – Jeff Buckley (TheSpaceBubbles mix)

Farewell, Angelina – Bob Dylan (Bringing it All Back Home outtake) [photo by Jerry Schatzberg]

Niña – Eduardo Mateo [photo by Francesca Woodman]

My translation, feel free to comment if youv’e got a better one:

Little girl that always has a light
showing you what you do not want.

Do not fear the birds
if they say your life with their trills.

It should be that you understand;
that’s why what comes next is what has gone.

Always in a white dress,
you go but beware;

The devils in the guise of angels
will notice you talking.

Does it shame you that you don’t care
what has been soiled?

Yuu…yu-le-lé yu-lé.

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_ _ _ __=========================================     ______
A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 7)
  • Zeno’s Law Of High-Heeled Shoes – Jim Carroll
  • Numbers – FKA Twigs
  • Rich – Yeah Yeah Yeahs
  • Forty Days & Forty Nights – Muddy Waters
  • Every Season – Tony Allen (ft. Damon Albarn & Ty)
  • Wonderwall To Be Here – George Harrison
  • Lost In The Woods – The Afghan Whigs
  • The One-Eye Two-Step – The Blackbyrds
  • Me And The Devil – Gil Scott-Heron (Robert Johnson cover)
  • The Water – BLKHRTS
  • Misbehave/She Might Get Shot – Juan Wauters
  • Cocaine Habit Blues – Memphis Jug Band featuring Hattie Hart
  • Yassassin (Long Live) – David Bowie
  • Ysabel’s Table Dance – Charles Mingus
  • Black Skin Blue Eyed Boys – Equals
  • Breed – Nirvana
  • She Said She Said – The Beatles
  • When Your Number Isn’t Up – Mark Lanegan Band
  • Good God’s:// Urge! – Porno For Pyros
  • I Know We Could Be So Happy Baby (If We Wanted to Be) – Jeff Buckley (TheSpaceBubbles mix)
  • Farewell, Angelina – Bob Dylan (Bringing it All Back Home outtake)
  • Niña – Eduardo Mateo

_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their albums.