Category Archives: Porno For Pyros

A.M.O.P. PRESENTS: OPEN BOXES (VOL. 4)

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Hello All! Hello World!

Welcome to what is likely the last post of the year (you never know). Yes it’s Volume 4 in the OPEN BOXES series of MixTapes!

(vol 1)

(vol 2)

(vol 3)

Along with a dope mix below you’ll also find a recommended list of things I read (or re-read) since January of this year, 2018. 

There’s a lot of fantastic children’s books featured on the list as well as I am both a father of a three-year-old and a children’s librarian. Whether you have a little one or not to read these to I’d still recommend that you every now and then toss a great children’s book into your reading pile; I guarantee you will be delighted.

So yes, these works listed here are all one’s that I truly enjoyed and/or loved; I highly recommend them all!

so please press play and…as always…

 

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A.M.O.P. Presents: __Open Boxes (Vol. 4)
 
  • Pills And Soap – Elvis Costello & The Attractions
  • Vibrate – Andre 3000 (Outkast)
  • Raise Vibration – Lenny Kravitz
  • Love Me – The Cramps (Jerry Lott a.k.a. Marty Lott a.k.a. The Phantom cover)
  • Tell Me A Story – Iggy Pop
  • Lost In The Tavern – Luboš Fišer
  • Get Bigger / Do U Luv – NxWorries ( Knxwledge & Anderson .Paak)
  • Teach the Newcomers (Interlude)/Dead On It (Remix)/Ants In My Pants/Monopoly on Soul/Drive That Funky Soul/No Compromise/Inspiration/Got That Feeling/Way You Make Me Feel (Remix) feat. M.J./Eddie Murphy Interlude – J.PERIOD x James Brown
  • Sexy MF – Prince & The New Power Generation
  • Nega Maluca/Billy Jean/Eleanor Rigby – Caetano Veloso (Michael Jackson/The Beatles cover)
  • Thriller – Speak Low (Michael Jackson cover)
  • Orgasm – Porno For Pyros
  • Fantastic Garden/Coraline Fly – Bruno Coulais
  • What Goes On – Elizabeth Mitchell (The Velvet Underground cover)
  • Ceiling Fan In My Spoon – The Lemonheads
  • California – Childish Gambino
  • Willow Weep For Me – Thelonious Monk (Bass – Al McKibbon; Drums – Art Blakey; Piano – Thelonious Monk; Vibraphone – Milt Jackson) [Composed by Ann Ronnell]
  • SpottieOttieGossip – Outkast feat Ludacris (J.PERIOD ReFix)
  • The Lecherous Love Seat – Damaged Tape
  • Brooklyn Zoo – Ol’ Dirty Bastard
  • Coochie – Blakroc (The Black Keys ft. Ludacris & Ol’ Dirty Bastard)
  • Wngs – NxWorries ( Knxwledge & Anderson .Paak)
  • Spink And Forcible – Bruno Coulais
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Pills And Soap – Elvis Costello & The Attractions [graphic design by Barney Bubbles]

Vibrate – Andre 3000 (Outkast)

Raise Vibration – Lenny Kravitz

Love Me – The Cramps

Tell Me A Story – Iggy Pop

Lost In The Tavern – Luboš Fišer

Get Bigger / Do U Luv – NxWorries ( Knxwledge & Anderson .Paak)

Teach the Newcomers (Interlude)/Dead On It (Remix)/Ants In My Pants/Monopoly on Soul/Drive That Funky Soul/No Compromise/Inspiration/Got That Feeling/Way You Make Me Feel (Remix) feat. M.J./Eddie Murphy Interlude – J.PERIOD x James Brown

Sexy MF – Prince & The New Power Generation

Nega Maluca/Billy Jean/Eleanor Rigby – Caetano Veloso (Michael Jackson/The Beatles cover)

Thriller – Speak Low (Michael Jackson cover)

Orgasm – Porno For Pyros [photo by Gie Knaeps; Pukkelpop Festival, Hasselt, Belgium, 28th August 1993.]

Fantastic Garden/Coraline Fly – Bruno Coulais [Illustration by Fredrik Edén]

What Goes On – Elizabeth Mitchell (The Velvet Underground cover)

Ceiling Fan In My Spoon – The Lemonheads

California – Childish Gambino [photo by David Burton]

Willow Weep For Me – Thelonious Monk (Bass – Al McKibbon; Drums – Art Blakey; Piano – Thelonious Monk; Vibraphone – Milt Jackson) [Composed by Ann Ronnell]

SpottieOttieGossip – Outkast feat Ludacris (J.PERIOD ReFix)

The Lecherous Love Seat – Damaged Tape

Brooklyn Zoo – Ol’ Dirty Bastard

Coochie – Blakroc (The Black Keys ft. Ludacris & Ol’ Dirty Bastard)

Wngs – NxWorries ( Knxwledge & Anderson .Paak) [illustration by ROBIN VELGHE aka rhymezlikedimez]

Spink And Forcible – Bruno Coulais

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2018 Reading List :________

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All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS: WALLOP (VOL. 1)

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

I said well hello there. When I was in high-school one of my all-time favorite bands was one almost no one ever heard of. At the time I didn’t know nor cared about the cultural, hipster cachet that could be angled from that fact; I just thought they made amazing music! I remember spending hours dancing and singing along to their records alone in my bedroom. Mazarine Street were from Stockholm, Sweden and my best friend’s uncle, Gene Kraut, was their manager and as their 3 records would come out (in 1996; 1997; and 2001) he would mail them over to the U.S. for him. (Gene would also come to manage Arthur Lee of the amazing sixties, Los Angeles based band Love, which is how I discovered them as well, and even saw Lee & Love perform for his Forever Changes Concerts at Warsaw in Brooklyn, on October 23, 2003…incredible!). If I had to describe Mazarine Street as akin to another sound I guess I would say they were something like nineties Beck tackling the thick rock & roll and rough blues of The Rolling Stones. There was something incredibly playful to their blues bravado and alcohol swagger. This good-humored gusto I think can be heard clearly on one of the two songs featured here and taken from their second record, Thirteen Reasons to Believe. With “One More Day” they present a traditional-sounding field holler blues but tweak it with the odd trill and wobble of a theremin.

On this mix you’ll also hear Beastie Boys‘ sonic tribute to Miles Davis‘ record On The Corner, with their very own “Bobo On The Corner,” which features percussionist Eric “Bobo” Correa (the son of famed Latin and jazz percussionist Willie Bobo, who is also featured elsewhere on the mix). This rolls right into the Beastie Boys’ oh-so-fun single of 1995 “Root Down,” which utilizes a sample from Jimmy Smith‘s “Root Down (And Get It)” (a song that was featured in these pages way back on April 11th 2014 on my triptych party-mix On The Good Blood).

This MixTape also features a Blind Melon tune I mentioned a few posts back, the hopped-up banjo and kazoo jam “Skinned” written from the perspective of serial killer Ed Gein (and what I always took as lead singer and lyricist Shannon Hoon‘s somewhat demented, metaphorical commentary on his own issues with addiction and substance abuse). Elswhere you’ll hear Blind Melon’s “Dumptruck,” where Hoon sings with more than a hint of anxiety: “New York City soothing my itchy itchy month of May.”

Oh and I can’t go without making mention of a song that has been a favorite of mine for decades: “Manifold de Amour” by Latin Playboys. Latin Playboys was an experimental group comprising David Hidalgo, Louie Pérez (from the band Los Lobos) ,along with the production partners of Mitchell Froom and Tchad Blake. Taken from their 1994, self-titled debut album, I translate the hypnotic lyrics of “Manifold de Amour” as:

I’m going to sail
To the port of the soul
Crossing the sea,
Until I arrive

 

Well, there’s all this and a whole lot more! So…

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—————–======ENJOY YOURSELF____———–

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A.M.O.P. Presents: __Wallop (Vol. 1)
  • Satisfied – Prince
  • All Your Goodies Are Gone – Parliament
  • One More Day – Mazarine Street
  • “Desire” – David Lynch
  • Good God’s:// Urge! – Porno For Pyros
  • Suena Blanca Espuma – El Kinto
  • To Come Of Age / Black Polished Chrome / Latino Chrome – Jim Morrison & The Doors
  • Power – Ray Barretto (w/ Bass – Andy Gonzales; Bongos – Tony Fuentes; Piano – Louis Cruz; Timbales – Orestes Vilato; Trumpets – Papy Roman, Rene Lopez, Roberto Rodriguez)
  • Bobo On The Corner / Root Down – Beastie Boys (ft. Eric Bobo & Money Mark Nishita; Produced by Mario Caldato Jr.)
  • Broasted Or Fried  – Willie Bobo & The Bo Gents (w/ Bass – Ernie McDaniel; Congas – Victor Pantoja; Drums – Jimmy Smith; Electric Piano – Reggie Andrews; Flute, Tenor Saxophone – Ron Starr; Trumpet, Flugelhorn – Steve Huffsteter)
  • Dumptruck – Blind Melon
  • Manifold de Amour – Latin Playboys (David Hidalgo, Louie Pérez, Mitchell Froom, Tchad Blake)
  • Lady, Your Roof Brings Me Down – Scott Weiland (ft. Accordion – Sheryl Crow; Bass – Martyn LeNoble; Cello – Susie Katayama; Viola – Novi Novog; Violin – Joel Derouin, Robin Lorentz; Piano, Guitar, Drums, Vocals, String Arrangements – Victor Indrizzo)
  • Violets For Your Furs – Billie Holiday With Ray Ellis And His Orchestra (written by Tom Adair & Matt Dennis)
  • Rocks In My Bed – Allen Toussaint With Rhiannon Giddens (written by Duke Ellington)
  • Extraordinary Machine – Fiona Apple (Produced with Jon Brion)
  • Nightschool – Mazarine Street
  • Sweet Virginia – The Rolling Stones
  • Skinned – Blind Melon
  • I Got A Woman – Elvis Presley (Written by Ray Charles)
  • Don’t Let The Sun Catch You Cryin’ – Ray Charles (Written by Joe Greene)
  • Deadweight – Beck (produced with The Dust Brothers)

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Satisfied – Prince [photo by Randee St Nicholas 2007]

All Your Goodies Are Gone – Parliament

One More Day – Mazarine Street

“Desire” – David Lynch [art; Plume Of Desire by David Lynch]

Good God’s:// Urge! – Porno For Pyros

Suena Blanca Espuma – El Kinto

To Come Of Age / Black Polished Chrome / Latino Chrome – Jim Morrison & The Doors

Power – Ray Barretto (w/ Bass – Andy Gonzales; Bongos – Tony Fuentes; Piano – Louis Cruz; Timbales – Orestes Vilato; Trumpets – Papy Roman, Rene Lopez, Roberto Rodriguez)

Bobo On The Corner / Root Down – Beastie Boys (ft. Eric Bobo & Mark Nishita; Produced by Mario Caldato Jr.)

Broasted Or Fried – Willie Bobo & The Bo Gents (w/ Bass – Ernie McDaniel; Congas – Victor Pantoja; Drums – Jimmy Smith; Electric Piano – Reggie Andrews; Flute, Tenor Saxophone – Ron Starr; Trumpet, Flugelhorn – Steve Huffsteter)

Dumptruck – Blind Melon [photo by Chris Cuffaro, 05.25.95]

Manifold de Amour – Latin Playboys (David Hidalgo, Louie Pérez, Mitchell Froom, Tchad Blake)

Lady, Your Roof Brings Me Down – Scott Weiland (ft. Accordion – Sheryl Crow; Bass – Martyn LeNoble; Cello – Susie Katayama; Viola – Novi Novog; Violin – Joel Derouin, Robin Lorentz; Piano, Guitar, Drums, Vocals, String Arrangements – Victor Indrizzo)

Violets For Your Furs – Billie Holiday With Ray Ellis And His Orchestra (written by Tom Adair & Matt Dennis)

Rocks In My Bed – Allen Toussaint With Rhiannon Giddens (written by Duke Ellington)

Extraordinary Machine – Fiona Apple (Produced with Jon Brion)

Nightschool – Mazarine Street [art by JAKOB KRAJCIK]

Sweet Virginia – The Rolling Stones

Skinned – Blind Melon [photo by Danny Clinch, 1995]

I Got A Woman – Elvis Presley (Written by Ray Charles)

Don’t Let The Sun Catch You Cryin’ – Ray Charles (Written by Joe Greene)

Deadweight – Beck (produced with The Dust Brothers) [photo by Andrea Giacobbe, 1997]

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 7)

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It was not avoidance of some problem that she was advocating, but only a proper approach and perspective: understanding what truly was a problem and what was not. Where and when it could be found, she was for the compassion of laughter. Mireille pondered over the predominate perpetrators of violence on this planet and wondered if the males’ faculty for a certain aspect of acceptance had been frustrated and underdeveloped. Perhaps “acceptance” wasn’t the word she wanted, for enough of them seemed to be in love with a fallen world. No, maybe it was “reception,” or “tolerance,” or some other such word having to do with communication?

She couldn’t find it then but regardless questioned, “why not then let these thoughts inform and foster some work of art: a painting; song; or stand-up routine? At the very least they should let us laugh as they pass on by.” She believed that too few artists are encouraged in our world, and their work too quickly inspected for external utility or market potential. Comedians are poked to placate our revulsion. Our role as creator is repressed and in its stead we labor over cruel acts. “It’s like we’re prohibited from changing anything, really.” Beholden to a moribund heritage, we suffer in the name of habit and being consistent; “…being practical…but…practical for whose protocol? Don’t ask, you’ll suffer more.” We suffer for order.

For order we suffer.

“We are held hostage in someone else’s head…and in the end…and in our own. Regret will only get you ugly in the end.”

        She considered the device currently slipped within a little zippered pocket inside her purse: plastic, glass, semiconductor chips of silicon, and rare earth minerals molded and arranged into a slim rectangle of circuit boards and a touchscreen with a friendly graphic user interface…”a friendly gooey.” Contemplating all it was capable of—all of its known, numerous applications, the ones she hasn’t figured out yet and the ones she didn’t care to—she asked herself:

“We’re already living in the future…aren’t we? …Or as far as this future is gonna go, really. From here-on-out and for awhile now it’s all just restatements of a theme. Sure with a few innovative variations and tempo changes thrown in to keep us back-slap-smiling, ‘gee–whiz, how neat, this cutting-edge changes everything! Science will save us!’ But, shouldn’t we be somewhere else. Shouldn’t we be building biodegradable citadels for music, poetry, or, hell, a cathedral for aromatherapy…anything else really? All I see is thinner televisions. All I see are more heads bowed towards screens.

“Geez-Louise, I sound like an old lady…’back in my day we didn’t have all these fancy smellular phones and wifi-telebones, we had to use a drum!’…but…Shouldn’t we be busy with some other great work by this point? Why do we all feel excused from this? Why are so many of us excluded from this?

“Didn’t they tell us so long ago that we’ll be taking it easy from here-on-out? Aren’t they still selling that line?” For far too long now we’ve been trapped in this false landscape of muscles and dollars, this unsustainable sham of a one-way line stretched unhindered towards infinite and plastic futures—attributed to Darwin, healthy competition, and hard-earned progress. “Everything always backed by Darwin.” All those that suffer or benefit from the drought and locusts of a debt market so that a ham and cheese sandwich wrapped in cellophane might exist on some chain-restaurant’s theme-park counter could always seek solace, dismissal, and script in the arms of Saint Darwin. She felt sad for all those slighted people with Holy Daddy and/or Holy Mommy issues: who smugly announce themselves as atheists; who declare with a moral superior air, “I believe in science.”

“Yeah…well who doesn’t?”

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Dendrites 7 CVR

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Zeno’s Law Of High-Heeled Shoes – Jim Carroll

Numbers – FKA Twigs

Rich – Yeah Yeah Yeahs

Forty Days & Forty Nights – Muddy Waters

Every Season – Tony Allen (ft. Damon Albarn & Ty)

Wonderwall To Be Here – George Harrison

Lost In The Woods – The Afghan Whigs

The One-Eye Two-Step – The Blackbyrds

Me And The Devil – Gil Scott-Heron (Robert Johnson cover)

The Water – BLKHRTS

Misbehave/She Might Get Shot – Juan Wauters

Cocaine Habit Blues – Memphis Jug Band featuring Hattie Hart [Art by: Robert Crumb]

Yassassin (Long Live) – David Bowie

Ysabel’s Table Dance – Charles Mingus

Black Skin Blue Eyed Boys – Equals

Breed – Nirvana

She Said She Said – The Beatles

When Your Number Isn’t Up – Mark Lanegan Band

Good God’s:// Urge! – Porno For Pyros

I Know We Could Be So Happy Baby (If We Wanted to Be) – Jeff Buckley (TheSpaceBubbles mix)

Farewell, Angelina – Bob Dylan (Bringing it All Back Home outtake) [photo by Jerry Schatzberg]

Niña – Eduardo Mateo [photo by Francesca Woodman]

My translation, feel free to comment if youv’e got a better one:

Little girl that always has a light
showing you what you do not want.

Do not fear the birds
if they say your life with their trills.

It should be that you understand;
that’s why what comes next is what has gone.

Always in a white dress,
you go but beware;

The devils in the guise of angels
will notice you talking.

Does it shame you that you don’t care
what has been soiled?

Yuu…yu-le-lé yu-lé.

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 7)
  • Zeno’s Law Of High-Heeled Shoes – Jim Carroll
  • Numbers – FKA Twigs
  • Rich – Yeah Yeah Yeahs
  • Forty Days & Forty Nights – Muddy Waters
  • Every Season – Tony Allen (ft. Damon Albarn & Ty)
  • Wonderwall To Be Here – George Harrison
  • Lost In The Woods – The Afghan Whigs
  • The One-Eye Two-Step – The Blackbyrds
  • Me And The Devil – Gil Scott-Heron (Robert Johnson cover)
  • The Water – BLKHRTS
  • Misbehave/She Might Get Shot – Juan Wauters
  • Cocaine Habit Blues – Memphis Jug Band featuring Hattie Hart
  • Yassassin (Long Live) – David Bowie
  • Ysabel’s Table Dance – Charles Mingus
  • Black Skin Blue Eyed Boys – Equals
  • Breed – Nirvana
  • She Said She Said – The Beatles
  • When Your Number Isn’t Up – Mark Lanegan Band
  • Good God’s:// Urge! – Porno For Pyros
  • I Know We Could Be So Happy Baby (If We Wanted to Be) – Jeff Buckley (TheSpaceBubbles mix)
  • Farewell, Angelina – Bob Dylan (Bringing it All Back Home outtake)
  • Niña – Eduardo Mateo

_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their albums.