Category Archives: Sean Lennon

A.M.O.P. PRESENTS:__ANOTHER MORNING/ANOTHER NIGHT

____________———-___=

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

—  –   ————-______________ ->

Hello All.

Welcome to the latest A.M.O.P. Mixtape:_ANOTHER MORNING/ANOTHER NIGHT

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

_________———

A.M.O.P. Presents: ANOTHER MORNING/ANOTHER NIGHT
  • Hyacinth House [Demo 1969, Krieger’s Home Studio] – The Doors
  • Death Is Not The End – Carl Broemel (Bob Dylan cover)
  • Dewel – Mulatu Astatke & The Heliocentrics
  • Green & Gold – Lianne La Havas
  • A Small Plot Of Land – David Bowie
  • Hiroshima (1945) – Miguel Y El Comite
  • Family Name / The Everlasting Now – Prince
  • Theme From Valhalla Dale – The Moonlandingz (ft. Sean Lennon; Adrian Flanagan and Dean Honer of the The Eccentronic Research Council; Lias Saoudi AKA Johnny Rocket and Saul Adamczewski of Fat White Family)
  • Everyone A Star – Damien Jurado (w/ Richard Swift)
  • Bloom – Yazz Ahmed (Radiohead cover)
  • Run Me Through – Perfume Genius
  • Parents (Interlude) / I’ll Take Care Of You – Gil Scott-Heron
  • Phantom Of Aleppoville – Benjamin Clementine
  • Saeta – Miles Davis & Gil Evans
  • Hyacinth House – The Doors

 

================__^__===================  ===  _ ===== == =   = =  _

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _

___    ______________—————__

Hyacinth House [Demo 1969, Krieger’s Home Studio] – The Doors

Death Is Not The End – Carl Broemel (Bob Dylan cover)

Dewel – Mulatu Astatke & The Heliocentrics

Green & Gold – Lianne La Havas

A Small Plot Of Land – David Bowie (photo by Enrique Badulescu, 1995).

Hiroshima (1945) – Miguel Y El Comite

Family Name / The Everlasting Now – Prince (photo by Nicole Nodland)

Theme From Valhalla Dale – The Moonlandingz

Everyone A Star – Damien Jurado (w/ Richard Swift)

Bloom – Yazz Ahmed (Radiohead cover)

Run Me Through – Perfume Genius (photo by Inez and Vinoodh)

Parents (Interlude) / I’ll Take Care Of You – Gil Scott-Heron
(photo by Gabriele Stabile)

Phantom Of Aleppoville – Benjamin Clementine (photo by David Uzochukwu)

Saeta – Miles Davis & Gil Evans

Hyacinth House – The Doors

___________________))))))))))))))))
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

Advertisements

A.M.O.P. PRESENTS:__LADDER UNDER HER; WATER EVERYWHERE

____________———-___=

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

—  –   ————-______________ ->

Hello All.

Welcome to the latest A.M.O.P. Mixtape:_Ladder Under Her; Water Everywhere

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

_________———

A.M.O.P. Presents: Ladder Under Her; Water Everywhere
  • Le Grand – Lilacs & Champagne
  • Vessels – The Moonlandingz (ft. Sean Lennon; Adrian Flanagan and Dean Honer of the The Eccentronic Research Council; Lias Saoudi AKA Johnny Rocket and Saul Adamczewski of Fat White Family)
  • Windswept – Johnny Jewel
  • St-Clementine-On-Tea-And-Croissants / Nemesis – Benjamin Clementine
  • You Ain’t Going Nowhere – The Byrds (Bob Dylan cover)
  • Rainbow Children / Muse 2 The Pharaoh – Prince
  • Ted, Just Admit It… – Jane’s Addiction
  • Twin Peaks: Fire Walk With Me – Fantômas (Mike Patton, Dave Lombardo, Buzz Osborne, Trevor Dunn)(written by David Lynch & Angelo Badalamenti)
  • Stolen Pictures (Mix) – David Lynch & Angelo Badalamenti; mixed by TWIN PEAKS SOUNDTRACK DESIGN
  • The Crimson Kiss – Johnny Jewel
  • You Don’t Miss Your Water (Gram Parsons vocal) – The Byrds (William Bell cover)
  • Someone I Know – Margo Guryan
  • Satellite Of Love – Lou Reed; ft. David Bowie
  • Shabby Doll – Elvis Costello & The Attractions
  • No More – Dean Hurley
  • You Don’t Miss Your Water – William Bell
  • Atonement – The Roots Feat. Jack Davey
  • Every Tear Disappears – St. Vincent
  • Crimson Escalation (34/370) – crush_DLX (Pop Levi & Bunny Holiday)

================__^__===================  ===  _ ===== == =   = =  _

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
___    ______________—————__

[Le Grand – Lilacs & Champagne]

[Vessels – The Moonlandingz (photo by Silvia Saponaro)]

[Windswept – Johnny Jewel]

[St-Clementine-On-Tea-And-Croissants / Nemesis – Benjamin Clementine]

[You Ain’t Going Nowhere – The Byrds (Bob Dylan cover) (art by Jo Mora, 1932)]

[Rainbow Children / Muse 2 The Pharaoh – Prince]

[Ted, Just Admit It… – Jane’s Addiction]

[Twin Peaks: Fire Walk With Me – Fantômas (Mike Patton, Dave Lombardo, Buzz Osborne, Trevor Dunn)(written by David Lynch & Angelo Badalamenti)]

[Stolen Pictures (Mix) – David Lynch & Angelo Badalamenti; mixed by TWIN PEAKS SOUNDTRACK DESIGN]

[The Crimson Kiss – Johnny Jewel]

[You Don’t Miss Your Water (Gram Parsons vocal) – The Byrds (William Bell cover)]

[Someone I Know – Margo Guryan]

[Satellite Of Love – Lou Reed; ft. David Bowie (photo by Mick Rock)]

[Shabby Doll – Elvis Costello & The Attractions (cover art “Snakecharmer & Reclining Octopus” by Barney Bubbles)]

[No More – Dean Hurley]

[You Don’t Miss Your Water – William Bell]

[Atonement – The Roots Feat. Jack Davey]

[Every Tear Disappears – St. Vincent (photo by Kara Smarsh)]

[Crimson Escalation (34/370) – crush_DLX (Pop Levi & Bunny Holiday)]

___________________))))))))))))))))
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS__(DOMINION) SWORDS, CUPS, AND OTHER ACCOUTERMENTS

____________———-___=

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

—  –   ————-______________ ->

Hello All.

Welcome to the latest A.M.O.P. Mixtape: (Dominion) Swords, Cups, and Other Accouterments. I must say this and the prior ([A Crush Of Curtains]:) have been my favorite mixtapes I’ve created in awhile, in terms of feeling like I achieved a mood and texture I envisioned at the get-go. I think it’s pretty clear at this point that I don’t often use the platform of this blog to make party-mixes, but more likely create MixTapes to listen to when alone, such as driving, walking, or when attempting some form of artistic expression. I listened to today’s mix while driving through a beautiful but torrential downpour and I found it to be a great compliment. I hope you dig it and find a use for it too.

___=

Also below you’ll find an updated list of things I read (or re-read) so far since January of this year, 2017. You’ll find the more recent things towards the bottom. These are works that I truly enjoyed and/or loved. I highly recommend them all!

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

[original photo by Andrea Pun]

———-______________ ->

_________———

== =   = =  __  _
(Dominion) Swords, Cups, and Other Accouterments
  • And Death Shall Have No Dominion / 5 Ghosts I – Dylan Thomas / Nine Inch Nails
  • Pitch To Voltage – Brian Eno & David Byrne
  • Take Me to the Land of Hell – Yoko Ono Plastic Ono Band
  • Concerning The UFO Sighting Near Highland, Illinois – Sufjan Stevens
  • Hanging In The Wire – PJ Harvey
  • Everybody Is A Star – Sly & The Family Stone
  • Star – The Roots
  • The Magician – Graham Bond 
  • Profondo Rosso – M31 (Profondo Rosso 1975) – Goblin
  • Why Am I Waiting – Karen Elson
  • Star Of Wonder – Tori Amos (w/ the Metropole Orchestra, conducted by Jules Buckley, arrangements by John Philip Shenale) 
  • 21 Ghosts III – Nine Inch Nails
  • THIS ISN’T THE PLACE – Nine Inch Nails
  • I Came for Fire – Elvis Perkins
  • LAURA PALMER’S THEME (dream man sax mix) – David Lynch & Angelo Badalamenti; mixed by TWIN PEAKS SOUNDTRACK DESIGN
  • Wrap Your Troubles In Dreams (and Dream Your Troubles Away) – Bill Evans; ft. Percy Heath – Bass; Philly Joe Jones – Drums; Jim Hall – guitar; Freddie Hubbard – trumpet (written by Harry Barris)
  • Enchanted Sky Machines – Judee Sill
  • So I’m Growing Old On Magic Mountain – Father John Misty
  • Mourner’s Dance – Devendra Banhart
  • And So I Know – Stone Temple Pilots
  • Suite For A Foggy Day (In London Town) – David Bowie & Angelo Badalamenti (composed by George Gershwin, with lyrics by Ira Gershwin)
================__^__===================  ===  _ ===== == =   = =  _
—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
________—
___    ______________—————__

[And Death Shall Have No Dominion / 5 Ghosts I – Dylan Thomas / Nine Inch Nails (woodcuts by Antonio Frasconi; photography by Phillip Graybill and Rob Sheridan)]

[Pitch To Voltage – Brian Eno & David Byrne]

[Take Me to the Land of Hell – Yoko Ono Plastic Ono Band]

[Concerning The UFO Sighting Near Highland, Illinois – Sufjan Stevens (illustration by Barbara Ana Gomez)]

[Hanging In The Wire – PJ Harvey (photo by Cat Stevens)]

[Everybody Is A Star – Sly & The Family Stone]

[Star – The Roots]

[The Magician – Graham Bond ]

[Profondo Rosso–M31  – Goblin (from Dario Argento’s film “Profondo Rosso,” 1975)]

[Why Am I Waiting – Karen Elson (photo by Heidi Ross)]

[Star Of Wonder – Tori Amos; (w/ the Metropole Orchestra, conducted by Jules Buckley, arrangements by  John Philip Shenale)  (photo by Danielle Levitt)]

[21 Ghosts III – Nine Inch Nails (photography by Phillip Graybill and Rob Sheridan)]

[THIS ISN’T THE PLACE – Nine Inch Nails]

[I Came for Fire – Elvis Perkins]

[LAURA PALMER’S THEME (dream man sax mix) – David Lynch & Angelo Badalamenti; mixed by TWIN PEAKS SOUNDTRACK DESIGN]

[Wrap Your Troubles In Dreams (and Dream Your Troubles Away) – Bill Evans; ft. Percy Heath – Bass; Philly Joe Jones – Drums; Jim Hall – guitar; Freddie Hubbard – trumpet (written by Harry Barris)]

[Enchanted Sky Machines – Judee Sill]

[So I’m Growing Old On Magic Mountain – Father John Misty]

[Mourner’s Dance – Devendra Banhart (photo by Osk Studio)]

[And So I Know – Stone Temple Pilots]

[Suite For A Foggy Day (In London Town) – David Bowie & Angelo Badalamenti (composed by George Gershwin, with lyrics by Ira Gershwin)]

-___________________))))))))))))))))
abraxas

Abraxas And The Earthman by Rick Veitch

cat

They All Saw a Cat by Brendan Wenzel

the-night-gardener

The Night Gardener by Terry Fan & Eric Fan.

Before Morning by Joyce Sidman

Before Morning by Joyce Sidman

NamelessTP-1

Nameless by Grant Morrison & Chris Burnham

We Stand on Guard by Brian K Vaughan Steve Skroce & Matt Hollingsworth

League-Vol-2

The League of Extraordinary Gentlemen, Vol. 2 by Alan Moore & Kevin O’Neill

Black Dossier

The League of Extraordinary Gentlemen: The Black Dossier by Alan Moore & Kevin O’Neill

loegv3centurybc-fc_sm_lg

The League of Extraordinary Gentlemen (Volume III): Century by Alan Moore & Kevin O’Neill

nemo-covers-1000_lg

Nemo Trilogy: Heart of Ice; The Roses of Berlin; River of Ghosts by Alan Moore and Kevin O’Neill

allkinds

All Kinds of Kisses by Heather Swain & Steven Henry

harbinger

Star Wars Vol. 4: Last Flight of the Harbinger (Star Wars (Marvel) by Jason Aaron

hansolo

Star Wars: Han Solo (Star Wars (Marvel) by Marjorie Liu & Mark Brooks

The White Cat and the Monk

The White Cat and the Monk: A Retelling of the Poem “Pangur Bán” by Jo Ellen Bogart & Sydney Smith

thoreau

Thoreau: A Sublime Life by A. Dan & Maximilien Le Roy

House_on_the_Borderland

The House on the Borderland by William Hope Hodgson

neonomicon_

Neonomicon Paperback by Alan Moore & Jacen Burrows

pinocchio

Pinocchio: The Origin Story by Alessandro Sanna

pablo

Pablo: Art Masters Series by Julie Birmant & Clement Oubrerie

bloody

The Bloody Chamber and Other Stories by Angela Carter

Umbrella Academy

The Umbrella Academy, Vol. 1: Apocalypse Suite / The Umbrella Academy, Vol. 2: Dallas by Gerard Way & Gabriel Ba

gus

Gus & Me: The Story of My Granddad and My First Guitar by Keith Richards & Theodora Richards

dc-the-new-frontier

DC: The New Frontier by Darwyn Cooke

Baudoin, Dali

Dalí: Art Masters Series by Edmond Baudoin

radiantchild

Radiant Child: The Story of Young Artist Jean-Michel Basquiat by Javaka Steptoe

bruno

The Street of Crocodiles and Other Stories by Bruno Schulz (Author), Celina Wieniewska (Translator).

dark disciple

Star Wars: Dark Disciple by Christie Golden and Katie Lucas

Empire-1

Star Wars Legends Epic Collection: The Empire, Vol. 1 – by John Ostrander, Randy Stradley, Haden Blackman, Alexander Freed, Luke Ross, Douglas Wheatley, Jim Hall, Chris Scalf

Empire-2

Star Wars Epic Collection: The Empire Vol. 2 – by Randy Stradley, Dave Ross, Douglas Wheatley

Empire-3

Star Wars Legends Epic Collection: The Empire Vol. 3 – by Haden Blackman, Randy Stradley, Tim Siedell, Agustin Alessio, Gabriel Guzman, Douglas Wheatley, Stephen Thompson, Ivan Fernandez

rise of the sith

Star Wars Epic Collection: Rise of the Sith Vol. 1 – by Scott Allie, Mike Kennedy, Ryder Windham, Randy Stradley, Mahmud Asrar, Lucas Marangon, Ramon Bachs, Davide Fabbri

Ahsoka_novel_cover

Star Wars: Ahsoka by E.K. Johnston

Leonora Carrington

The Complete Stories of Leonora Carrington by Leonora Carrington (published by Dorothy, a publishing project)

What Is a Witch book Text by Pam Grossman Images by Tin Can For

What Is A Witch by Pam Grossman and Tin Can Forest

Tom Waits

Tom Waits on Tom Waits: Interviews and Encounters by Paul Maher Jr. (Editor)

ariver1

A River by Marc Martin

alphabet in bloom

An Alphabet in Bloom by Nathalie Trovato

OONA & BABA

Good Night, Beautiful Moon: An Oona and Baba Adventure (Puffin Rock)

jean-michel-basquiat

Life Doesn’t Frighten Me poem by Maya Angelou, illustrated by Jean-Michel Basquiat

The Shape of Things to Come

American Berserk: Bill Pullman’s Face, and American Pastoral: Sheryl Lee As Laura Palmer; 2 sections from The Shape of Things to Come: Prophecy and the American Voice by Greil Marcus

___________________))))))))))))))))
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

THE DEMISE OF THE MASK (VOL. 8)__Bread & Circus ___

__

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=

—  –   ————-______________ ->

demise_cvr_8

__________———

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—

Hello All.

Welcome to Volume Eight of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)-

I’ve got quite a treat MixTape here for you as this one features a triple-play by Hamilton Leithauser: first there’s “We Can’t Be Beat” from the last album by his always fantastic group The Walkmen, 2012’s Heaven; then there’s a selection from Leithauser’s 2014 debut solo studio album, Black Hours; and finally there’s the song “When The Truth Is…” from last year’s stunning record I Had a Dream That You Were Mine, which is a collaborative work with Rostam Batmanglij (the former multi-instrumentalist and producer of Vampire Weekend).

You’ll also hear Aretha Franklin, some Beastie Boys, the lovely “Rainbows In Gasoline” by the duo of Sean Lennon and Charlotte Kemp Muhl who record together under the moniker of The Ghost of a Saber Tooth Tiger (or GOASTT), and a fine example of why John Lennon was one of the greatest of rock ‘n’ roll vocalists with The Beatles‘ tune “All I’ve Got To Do.”

As well, there are two selections from the Parliament-Funkadelic collective: first there’s a cover of The Beatles by incendiary yet so sweet guitarist Eddie Hazel from his 1977 solo debut Game, Dames and Guitar Thangs, which features incredible vocals by The Brides of Funkenstein (the duo of Dawn Silva and Lynn Mabry, who prior to joining the P-Funk collective were members of Sly and the Family Stone); later on you’ll catch the revolving, kaleidoscopic groove of “Supergroovalisticprosifunkstication” from Parliament‘s 1975 masterpiece, Mothership Connection.

Oh and I can’t forget to mention the rendition of Magic Sam‘s All Of Your Love” done with grit and precision by The Rolling Stones and taken from their joyous record of blues covers released at the end of last year, Blue & Lonesome.

Among a whole bunch of other great sounds this mix also features two figures who are perhaps the most poetic recording artists of Uruguayan music: Jaime Roos and Eduardo Mateo. The song “Viviendo” is from Roos’ third record, Aquello released in 1981. There is a translation done by my father below for those that are interested:

Viviendo (Living) by Jaime Roos [translated by Julio Calero]
I remember you
You’re the One
Who could understand  it
No big deal
That we do not love each other
You could understand it
.
Friend, where abouts may you be?
What seas may you be sailing?
Soon we’ll cross paths
And I’ll find you
Living
You’ll find me
Living
.
You’ll hear
The world was
And will be a marvel, I already know
It could be
My voice
Coming out of a nightmare that’s gone
.
Friend, where abouts may you be?
What seas may you be sailing?
Soon we’ll cross paths
And I’ll find you
Living
where abouts may you be?
Living
Alone, perhaps
Living

Throughout his long career Jaime Roos has continued to make an interesting mix of rock and folk with the more traditional sounds of Uruguay like candombe, milonga, tango and murga. He’s still out there performing and I highly recommend that if you ever have the opportunity you should definitely catch his show!

 Eduardo Mateo‘s “Niña” is a sweet tune done by a pure musician, and its recording comes with an interesting story. By the time Mateo’s phenomenal band El Kinto had officially disintegrated in the early part of 1970 most of Mateo’s friends and associates were already convinced that he had gone completely insane. Despite the fact that these same people viewed him as a musical genius, they did not know what to make of his habits of disappearing for days at a time, either to lock himself up somewhere in a rented room to explore new realms on his instrument while searching for spiritual enlightenment through chemicals, or to wander the streets with nothing but pajamas and a guitar—there was always a guitar, a rare constant in this man’s unhinged life. Once, my uncle saw him walking the streets at night with one foot aligned with the curb, the other with the gutter, so that he was forced to maintain an awkward and drastic limp to his gait—how’s that for a metaphor?!

Speaking of this period in Mateo’s life, Uruguayan singer Verónica Indart had this story to tell:

“The last time I saw him was in the first years of the 1970s. I was

with Héctor, my husband, and Mateo arrived. He entered, he took

up the guitar, and he sat down to play by the window, looking at the

sea for a long while. We listened to him. When he finished, he got up,

he set down the guitar and he went out the door without a greeting.

That was Mateo. He arrived, gave us his music and went on without

greeting us, because it was not necessary” (Lion Production, 2006).

In 1971, for those who were fortunate to have heard Mateo play there was no doubt of that man’s overwhelming talent—mental illness or not; however, beyond a handful of tracks there existed little recorded evidence of it. This would soon change due to the influence of talented singer Diane Denoir, and through the dedication and passion of producer Carlos Píriz. Píriz, a recording technician who had worked for the live, music television show Discodromo had recently started the record label De la Planta along with Jorge “Coyo” Abuchalja, guitarist for the group Los Delfines. The ethos behind this venture was to maintain a Uruguayan label that was dedicated to Uruguayan musicians, providing them with better production, recording techniques, and better distribution than the then norm. Fortunately, through Píriz’s connections, they were able to secure regular studio time at ION Studios in Buenos Aires, Argentina, where the recording technology was far superior to that found in their native country (four tracks as opposed to two at most, for example).

In October of 1971 one such artist they chose to present to the public was the singer Diane Denoir. As she was recording a fair amount of Mateo’s material for her De la Planta debut, she felt it was only appropriate that the artist himself accompany her on some of the tracks. Having convinced Mateo to take the trip, Píriz quickly took advantage of the rare opportunity by persuading him to stay and record a solo LP for the label. However, in spite of Píriz’s optimistic plans to complete the recording in one week, he soon found that dealing with this erratic artist would be an ultimate test of endurance and patience.

The sessions went like this: Mateo had an alphabetic notebook,

and stuck in each page he had bar napkins upon which his songs

were written. If he knew the first letter of the title of the song he

wished to play, he would find the correct napkin, which would help

him remember the melody, so that he could recreate the original idea

he had envisioned when he had composed the song in the first place.

Remembering the songs was only the first obstacle […]. Mateo

would record songs one day, and erase them the next. “The first day

he recorded three or four things,” Píriz recalled. “The following day

he came in and said, ‘erase them. For Mateo, they are all wrong.’

We erased them. And that process of erasing the previous day’s work

continued for four or five days. At that moment, I understood that this

would be the system for the whole disc […]. I decided that I will be the

person who says what was well-recorded, or not, and I began to keep

all the material.”

On other days, Mateo went to ION studios only to say that he was not

inspired, and would return the next day. Then there were the days that

he appeared at the studio, and asked, “What time do we record tomorrow?”

“The same as today, at four o’clock,” Píriz would say. “Okay I am going,

until tomorrow,” was Mateo’s only reply (Lion Production, 2006).

 –

This whole arduous process continued for two months, until one day when Mateo said to the producer that he was stepping out of the studio to buy a pack of cigarettes, and never came back. He had returned to his streets in Montevideo. Píriz was left holding hours of recordings of these fragmented sessions—the only proof that Mateo had even been there. A labor of love, Píriz would then spend the better part of a year assembling these into the album that would be released in December of 1972: Mateo Solo Bien Se Lame.

One of the thirteen brilliant compositions that Píriz extracted from the chaos is the twisted beauty that is “Niña.” Through his dedication, Píriz was able to capture on this record the complex sensitivity of this troubled artist. Seeing as how, other than a rare background vocal here and there, Mateo created every sound on this album himself, his essence truly shines through each composition. There is a translation of the lyrics done by me below:

Niña (Little Girl) by Eduardo Mateo [translated by Bobby Calero]
Little girl that always has a light
showing you what you do not want.
Do not fear the birds
if they say your life with their trills.
It should be that you understand;
that’s why what comes next is what has gone.
Always in a white dress,
you go but beware;
The devils in the guise of angels
will notice you talking.
Does it shame you that you don’t care
what has been soiled?
Yuu…yu-le-lé yu-lé.
__

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise_cvr_8

__________———

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 8)__Bread & Circus ___
  • Pick Pocket – Andy Votel
  • I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)
  • All I’ve Got To Do – The Beatles
  • Rock Steady – Aretha Franklin
  • Secondary Modern – Elvis Costello & The Attractions
  • Church On Tuesday – Stone Temple Pilots
  • Been & Gone – Annette Peacock
  • Royal Cream / I Am Fire – The Afghan Whigs
  • I Wish I Could Hear My Mother Pray Again – The Staple Singers
  • Medicine For A Nightmare – Sun Ra
  • Supergroovalisticprosifunkstication – Parliament
  • Kissing My Love – Afrique
  • Dub The Mic / Gratitude – Beastie Boys
  • All Of Your Love – The Rolling Stones (Magic Sam cover)
  • Viviendo – Jaime Roos
  • We Can’t Be Beat – The Walkmen
  • Alexandra – Hamilton Leithauser
  • When The Truth Is… – Hamilton Leithauser + Rostam
  • Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger
  • Que Tristeza – Cal Tjader
  • Niña – Eduardo Mateo
—————————————–================__^__===================  ===  _ ===== == =   = =  __  
bread-circus-1
bread-circus-2
__________—
___    ______________—————__
[Pick Pocket - Andy Votel]

[Pick Pocket – Andy Votel]

[I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)]

[I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)]

[All I’ve Got To Do – The Beatles]

[All I’ve Got To Do – The Beatles]

[Rock Steady – Aretha Franklin]

[Rock Steady – Aretha Franklin]

[Secondary Modern – Elvis Costello & The Attractions]

[Secondary Modern – Elvis Costello & The Attractions]

[Church On Tuesday – Stone Temple Pilots (photo by Mick Hutson)]

[Church On Tuesday – Stone Temple Pilots
(photo by Mick Hutson)]

[Been & Gone – Annette Peacock (photo by Richard Davis, 1972)]

[Been & Gone – Annette Peacock (photo by Richard Davis, 1972)]

[Royal Cream / I Am Fire – The Afghan Whigs (photo by Piper Ferguson, 2014)]

[Royal Cream / I Am Fire – The Afghan Whigs (photo by Piper Ferguson, 2014)]

[I Wish I Could Hear My Mother Pray Again – The Staple Singers]

[I Wish I Could Hear My Mother Pray Again – The Staple Singers]

[Medicine For A Nightmare – Sun Ra (art by Oliver Barrett)]

[Medicine For A Nightmare – Sun Ra (art by Oliver Barrett)]

[Supergroovalisticprosifunkstication – Parliament]

[Supergroovalisticprosifunkstication – Parliament]

[Kissing My Love – Afrique]

[Kissing My Love – Afrique]

[Dub The Mic / Gratitude – Beastie Boys]

[Dub The Mic / Gratitude – Beastie Boys]

[All Of Your Love – The Rolling Stones (Magic Sam cover) (photo by Kevin Winter, 2016)]

[All Of Your Love – The Rolling Stones (Magic Sam cover) (photo by Kevin Winter, 2016)]

[Viviendo – Jaime Roos]

[Viviendo – Jaime Roos]

[We Can't Be Beat - The Walkmen]

[We Can’t Be Beat – The Walkmen]

[Alexandra – Hamilton Leithauser]

[Alexandra – Hamilton Leithauser]

[When The Truth Is… – Hamilton Leithauser + Rostam]

[When The Truth Is… – Hamilton Leithauser + Rostam]

[Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger]

[Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger]

[Que Tristeza – Cal Tjader]

[Que Tristeza – Cal Tjader]

[Niña – Eduardo Mateo]

[Niña – Eduardo Mateo]

.
__________——————– =__^__=___________________———
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->