Category Archives: Tricky

A.M.O.P. PRESENTS: HALIDOM

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

Hope you dig it…

…please press play and…as always…

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[Clip #00888: Seemannsleben (original US title unidentified, Selig): tinted & faded (Nitrate film frame clippings from the Turconi Collection)]

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-(Click to Listen or Right-Click-Save-As to Download)—

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__  _A.M.O.P. Presents: __Halidom

  • Sad Cinderella (’68 version) – Townes van Zandt
  • Norwegian Wood (This Bird Has Flown) – Hugo Montenegro (the Beatles cover)
  • Rejoicing In The Hands – Devendra Banhart ft. Vashti Bunyan
  • Goodbye Sadness – Yoko Ono
  • All Along the Watchtower – Eliades Ochoa (Bob Dylan cover)
  • Like A Drug – Desert Sessions (ft. Josh Homme & Brant Bjork)
  • Life’s Greatest Fool – Gene Clark
  • Jean Genie – Scott Weiland w/ Camp Freddy: Dave Navarro – Guitar; Billy Morrison – Guitar; Steve Stevens – Guitar; Chris Chaney – Bass; Matt Sorum – Drums) (David Bowie cover)
  • Kraan Arabia – Kraan
  • Groove Is In The Heart – The Brian Jonestown Massacre ft.Tess Parks
  • Why You Wanna Treat Me So Bad? – Prince
  • Open Minds Now Closed – The Brian Jonestown Massacre
  • Maniac – PJ Harvey
  • Early Bird – Tricky ft. Franky Riley aka Francesca Belmonte
  • I Have a Woman Inside My Soul – Yoko Ono
  • Don’t Let Me Down – Dillard & Clark (Gene Clark & Doug Dillard) (the Beatles cover)
  • Sad Cinderella (’72 version) – Townes van Zandt
  • A Supermarket in California – Allen Ginsberg 
 

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Sad Cinderella (’68 version) – Townes van Zandt [illustration by Paulette Poullet]

Norwegian Wood (This Bird Has Flown) – Hugo Montenegro (the Beatles cover)

Rejoicing In The Hands – Devendra Banhart ft. Vashti Bunyan

Goodbye Sadness – Yoko Ono

All Along the Watchtower – Eliades Ochoa (Bob Dylan cover)

Like A Drug – Desert Sessions (ft. Josh Homme & Brant Bjork)

Life’s Greatest Fool – Gene Clark

Jean Genie – Scott Weiland w/ Camp Freddy: Dave Navarro – Guitar; Billy Morrison – Guitar; Steve Stevens – Guitar; Chris Chaney – Bass; Matt Sorum – Drums) (David Bowie cover) [photo by Denise Truscello , 22 October, 2005]

Kraan Arabia – Kraan

Groove Is In The Heart – The Brian Jonestown Massacre ft. Tess Parks

Why You Wanna Treat Me So Bad? – Prince

Open Minds Now Closed – The Brian Jonestown Massacre

Maniac – PJ Harvey

Early Bird – Tricky ft. Franky Riley aka Francesca Belmonte

I Have a Woman Inside My Soul – Yoko Ono

Don’t Let Me Down – Dillard & Clark (Gene Clark & Doug Dillard) (the Beatles cover)

Sad Cinderella (’72 version) – Townes van Zandt

A Supermarket in California – Allen Ginsberg [illustration by Nathan Gelgud]

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All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

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A.M.O.P. PRESENTS: WE ROT BEST

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

Not done done but close enough as I am on my way!

so please press play and…as always…

 

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[Etching by Attila Sassy (1880–1967) for his Opium Dreams, 1909. Published under the pseudonym Aiglon.]

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A.M.O.P. Presents: __We Rot Best
 
 
  • I’ve Been Loving You Too Long – Ike & Tina Turner
  • I Would Be Your Slave  – David Bowie
  • Bloom, Baby, Bloom! – Dan Zanes
  • “Texture” – David Lynch
  • Tears – Giorgio Moroder
  • Strays Of The World – Prince (recorded circa 1993)
  • Mission Desire – Jane Weaver
  • Motorik Matching – Madlib
  • Sweatpants – Childish Gambino
  • 6ix – The Lemonheads
  • Sell-Out Agitation Waltz – Mimi & Richard Fariña
  • Let Me Be Good To You – Carla Thomas
  • Suede –  NxWorries ( Knxwledge & Anderson .Paak)
  • Peaches & Cream – Beck
  • Dopping 2000 – Gabriele Ducros
  • Florence-Jean – Damien Jurado
  • Good Day – Frances England
  • Suffer – Smashing Pumpkins
  • Pumpkin – Tricky feat. Alison Goldfrapp
  • The Red Telephone – Love
  • Up The Creek – Tori Amos
  • Ex-Factor – Lauryn Hill
  • Tripwire – Elvis Costello & The Roots
  • Random Fearless – Damien Jurado
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___________________))))))))))))))))
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS: WALLOP (VOL. 2)

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

I said well hello there. The last one had two tracks by Stockholm, Sweden band Mazarine Street from their second record, Thirteen Reasons to Believe. On this you’ll hear two from The Beast Of Mazarine Street, their 1996 debut. The little exotica noodle of “Rabbi” rolls right into their ballad “Let It Come Down,” which features guest vocals by Karin Dreijer who has gone on to achieve success with her solo project, Fever Ray. I’ve always loved the alloy of raunch and sadness expressed by this song’s lyrics, like:

 
So come down on my face
and I’ll eat you on the kitchen floor,
we get to the very core…
sick spirit and sticky teeth

You’ll also hear Big Mama Thornton doing her own gut-bucket, ass-kicking (literally) take on Memphis Minnie‘s “Black Rat Swing.” Big Mama Thornton was recorded in San Francisco on April 25, 1966, and is backed by Muddy Waters and his incredible band: James Cotton (harmonica), Otis Spann (piano), Sammy Lawhorn (guitar), Luther “Guitar Junior” Johnson (bass), and Francis Clay (drums). I recently read an incredible article on Big Mama Thornton written by Cynthia Shearer and published in the 18th annual Southern Music issue of The Oxford American. I highly recommend you give THE THINNING OF BIG MAMA a read.

[“Big Mama,” by Cathey Miller]

[Little Richard, by Charles Burns 1992]

You’ll also hear Little Richard backed by Johnny “Guitar” Watson and produced by Larry Williams. I’ll never understand why the material this incredible performer recorded for the Okeh label in 1966 & 1967 wasn’t a huge hit, as I think it’s all fantastic! For those who don’t quite understand the cultural significance of Richard Wayne Penniman I will share this little tid-bit:
In 1956, David Bowie was not yet ten and his father would bring home the recent hit singles that made bizarre but wholly thrilling rock ‘n’ roller Little Richard a star: “Tutti Frutti” and “Long Tall Sally.” Bowie later said that he had the sensational reaction of “My heart near­ly burst with excitement. I’d never heard anything even resembling this. It filled the room with energy and color and outrageous defiance. I had heard God.” Even as a little boy his ambition had been set to be “a white Little Richard…..or at least his saxophone player.”

Well, you’ll hear this as well as some fantastic Duke EllingtonIggy Pop with David Bowie and Simple Minds; something from Actor, the second album by St. Vincent, released in 2009; and a whole lot more! So…

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[cover illustration by Janusz Stanny]

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A.M.O.P. Presents: __Wallop (Vol. 2)
  • Deadweight [edit] – Beck (produced with The Dust Brothers)
  • Dead Record Player – Dr. Dog
  • The Bed – St. Vincent
  • The Mooche (July 1, 1952 Uptown version) – Duke Ellington
  • Peach Trees – Rufus Wainwright
  • The Dance – Prince
  • “Light Of The Self” – David Lynch
  • Profezia – Paolo Ferrara
  • Rabbi / Let It Come Down – Mazarine Street
  • I Had A Dream – Tricky (Ft. Francesca Belmonte)
  • Sweet Virginia – Jerry Lee Lewis (ft. Keith Richards) (Rolling Stones cover)
  • Do Right By Me – Margo Price
  • Echoes Of The Mind – Symmetry (Johnny Jewel & Nat Walker)
  • Pretty As You Feel – Caroleen Beatty & Mushroom (Jefferson Airplane cover)
  • Celebrate – Anderson .Paak
  • Baby I Love You – Machito and His Orchestra ( Aretha Franklin cover)
  • Play It Safe – Iggy Pop (feat. David Bowie, Simple Minds, & Glen Matlock)
  • Black Rat – Big Mama Thornton With Muddy Waters Blues Band
  • Heart-O-Matic Love – Bo Diddley
  • I Heard Your Voice In Dresden – Elvis Perkins
  • Theme From Les Etrangers – François De Roubaix
  • Can’t Live Without Your Love – Janelle Monáe
  • Never Gonna Let You Go – Little Richard
  • Curtains Up” – David Lynch

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Deadweight [edit] – Beck (produced with The Dust Brothers)

Dead Record Player – Dr. Dog

The Bed – St. Vincent [photo by Ray Lego, 2009]

The Mooche (July 1, 1952 Uptown version) – Duke Ellington

Peach Trees – Rufus Wainwright

The Dance– Prince [photo by Randee St Nicholas, 2007]

“Light Of The Self” – David Lynch [Lynch’s diagram of Transcendental Meditation]

Profezia – Paolo Ferrara

Rabbi / Let It Come Down – Mazarine Street

I Had A Dream – Tricky (Ft. Francesca Belmonte)

Sweet Virginia – Jerry Lee Lewis (ft. Keith Richards) (Rolling Stones cover)

Do Right By Me – Margo Price [photo by Andrew White, 2018]

Echoes Of The Mind – Symmetry (Johnny Jewel & Nat Walker)

Pretty As You Feel – Caroleen Beatty & Mushroom (Jefferson Airplane cover)

Celebrate – Anderson .Paak

Baby I Love You – Machito and His Orchestra ( Aretha Franklin cover)

Play It Safe – Iggy Pop (feat. David Bowie, Simple Minds, & Glen Matlock)

Black Rat – Big Mama Thornton With Muddy Waters Blues Band

Heart-O-Matic Love – Bo Diddley

I Heard Your Voice In Dresden – Elvis Perkins

Theme From Les Etrangers – François De Roubaix

Can’t Live Without Your Love – Janelle Monáe [photo by Christina Lessa, 2013]

Never Gonna Let You Go – Little Richard

“Curtains Up” – David Lynch

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS: TOSS-UP

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

I said well hello there, who knew that Doomsday would fall anywhere near a Tuesday, and who needs the Spoofity app when you’ve got another hour and 20 minutes of music from A Mouthful Of Pennies? So here’s   _Toss-Up_ the latest A.M.O.P. Mixtape!

This one feature’s “Lemonade” the closing song of Blind Melon’s 1995 (and technically final) record Soup.
This is an album that I’ve always held as one of the most brilliant and most under-appreciated of the nineties. I return to it again and again. Featuring funky riffs with a cosmic hillbilly tweak and a Dixie-twist, odd changes in time signatures, and Shannon Hoon’s sweet and sour lysergic lyrics that deliver their sentiments with a pin-point precision of images, it’s a real work of art. Speaking of delivery, I adore Hoon’s vocals with their giddy rasp as if his lungs were delirious to sing these songs. The album was recorded in New Orleans in 1994 with gifted producer/mixer/engineer Andy Wallace (that’s him eating soup on the LP cover). As this was after Hoon’s multiple stints in drug rehabilitation programs the city might not necessarily have been a healthy choice but it certainly lent itself to a truly dynamic body of work. This LP might be the closest the nineties ever came to producing something akin to the Rolling Stones’ Exile On Main St. It was truly adventurous with sound; shamefully they were not rewarded for it. Sadly, two months after the album’s release, Hoon was found dead in the band’s tour bus. This is a work that is dark and yet a delight to sing and dance along to. For example there’s the hopped-up banjo and kazoo jam “Skinned” written from the perspective of serial killer Ed Gein, and the haunting, melodic “Car Seat (God’s Presents)” about Susan Smith, who killed her children by driving her car into a lake in Union, South Carolina. Then there are these 3 fantastic singles (note that the”Galaxie” video features psychologist, writer, and psychedelic advocate Timothy Leary as the mad scientist,aka “Mr Time Warp”).

I do recall that in my younger days “Lemonade” served as a bit of a mantra or an ethos (not necessarily a healthy one) to help me navigate through the world:
There’s such a thing as self opinion
And this far down South I have no self-control
If anbody else feels like a nobody
Well then your gonna have to look out for you
I’ll color green everything believed in
But I keep screaming for my glass of lemonade
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I walk around and it feels good to be movin’
The breeze that’s blowin’ through cannot be found
Jump on the trolley that’s headed for all the hollering
And then you’re gonna have to look out for you
In desperate need of a little more religion
To nurse your God like point of view…
 –
Fool on the sheetroof you gotta lay down in your ruins
The river flowin’ by, is way too big to bound
If I should speak up, and say hello Mr. Uppercut
Oh, how nice to have avoided you
I’ll bloody bleed on everything I’m seeing
But I keep screaming for that glass of lemonade
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Too much, too much, too much Lemonade
Too much, too much, too much Lemonade
Too much, too much, too much Lemonade
Too much, too much, too much Lemonade
Too much, too much, too much Lemonade
On the MixTape there’s also “Buoyant” from Alela Diane’s brand new and truly wonderful record, Cusp.
Of the record she has said,“This music is about motherhood. Even just by saying that, it feels like people will write you off. It’s like you’ve suddenly lost the charm of being youthful and even attainable––you’ve been commoditized as available. There is not a big place in the music industry for 30-something women with kids making music. Maybe we can create that space.” I highly recommend this one.
You’ll also hear “Trafalgar Square” from Jonathan Wilson’s new record Rare Birds.
You might be more familiar with Wilson as the brilliant producer of the 3 Father John Misty records as well as the great Double Roses by Karen Elson released last year. Wilson’s own albums are most definitely worth checking out as well. So do that.

Well, there’s all this and a whole lot more! So…

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A.M.O.P. Presents: __Toss-UP
  • Hello, Goodbye – Blind Melon
  • Slow Doomsday – Elvis Perkins In Dearland
  • Black Noise – Rotary Connection
  • Lemonade – Blind Melon
  • Well Well Well – Lucinda Williams (ft. Charlie Louvin & Jim Lauderdale on Backing Vocals)
  • I Really Don’t Want To Know – Les Paul & Mary Ford
  • Buoyant – Alela Diane
  • Trafalgar Square – Jonathan Wilson
  • Mystic Lady – T.Rex
  • Angels And Sailors – Jim Morrison & The Doors
  • Petit Suite movement 1: En Bateau (On a Boat) – written by Claude Debussy; performed by Paul Paray conducting the Detroit Symphony Orchestra
  • Lifeboat – Lovage (Dan the Automator, Mike Patton, Jennifer Charles, & Kid Koala)
  • Strange Fruit (Tricky Remix) – Billie Holiday 
  • Trampled Rose – Tom Waits
  • Funny How Time Slips Away – Elvis Presley (Willie Nelson cover)
  • If And – Valerie June
  • I Will Never Be Untrue – The Doors
  • Big Leg Woman – Muddy Waters
  • Valentine – Martina Topley-Bird (produced by Danger Mouse)
  • Most Of What I Know / Buildings In America – Richard Swift
  • Doomsday – Elvis Perkins In Dearland

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Hello, Goodbye – Blind Melon

Slow Doomsday – Elvis Perkins In Dearland

Black Noise – Rotary Connection

Lemonade – Blind Melon

Well Well Well – Lucinda Williams (ft. Charlie Louvin & Jim Lauderdale on Backing Vocals)  [art by Peter Pontiac]

I Really Don’t Want To Know – Les Paul & Mary Ford

Buoyant – Alela Diane [photo by Jaclyn Campanaro]

Trafalgar Square – Jonathan Wilson

Mystic Lady – T.Rex

Angels And Sailors – Jim Morrison & The Doors
[photo by Paul Ferrara, 1968]

En Bateau (On a Boat) – written by Claude Debussy; performed by Paul Paray conducting the Detroit Symphony Orchestra

Lifeboat – Lovage (Dan the Automator, Mike Patton, Jennifer Charles, & Kid Koala)

Strange Fruit (Tricky Remix) – Billie Holiday

Trampled Rose – Tom Waits [art by Jacob Read]

Funny How Time Slips Away – Elvis Presley (Willie Nelson cover)

If And – Valerie June [photo by Jacob Blickenstaff]

I Will Never Be Untrue – The Doors [photo by Ed Caraeff, 21 July 1969].

Big Leg Woman – Muddy Waters

Valentine – Martina Topley-Bird (produced by Danger Mouse)

Most Of What I Know / Buildings In America – Richard Swift

Doomsday – Elvis Perkins In Dearland

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

 

A.M.O.P. PRESENTS__[A CRUSH OF CURTAINS]:

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Hello All.

Welcome to A Mouthful Of Pennies! This here MixTape [A CRUSH OF CURTAINS]: is the soundtrack to a film that screened in my skull. __Well I do hope you dig it all and if you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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—————–======ENJOY YOURSELF____———–

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__A..M.O.P. Presents:__[A Crush Of Curtains]:

  • Mr. Bumble – Sunforest
  • I’ll Be Your Baby Tonight – Brothers & Sisters (Dylan cover)
  • Why Don’t You Do Right? – Cal Tjader Feat. Mary Stallings (written by Joseph “Kansas Joe” McCoy)
  • Another Man’s Vine – Tom Waits
  • Open The Door [Skeleton Key Version] – Otis Redding
  • Open The Door, Homer – Bob Dylan & The Band (take 1; The Basement Tapes)
  • Love In Vain – The Rolling Stones (Robert Johnson cover)
  • Cry One More Time – Gram Parsons (J. Geils Band cover)
  • Then You Can Tell Me Goodbye – Bettye Swann (The Casinos cover; written by John D. Loudermilk)
  • Drifter’s Escape – Joan Baez (Dylan cover)
  • Red Walls – crush_DLX (Pop Levi & Bunny Holiday)
  • Stopover Bombay – Alice Coltrane; ft. Pharoah Sanders
  • Lonely Little G-String – Sonny Lester & His Orchestra
  • Clang Boom Steam / Make It Rain – Tom Waits
  • Star Eyes (I Can’t Catch It) – Danger Mouse & Sparklehorse Feat. David Lynch
  • Open The Door Homer – Bob Dylan & The Band (take 2; The Basement Tapes)
  • Wicked Messenger – Bob Dylan
  • Raven – Karen Elson
  • Speak Low – Lotte Lenya (written by Kurt Weill & Ogden Nash; from Broadway musical One Touch of Venus (1943))
  • You Can’t Lose What You Ain’t Never Had – Muddy Waters; ft. Otis Spann on piano, Francis Clay on drums, Willie Dixon on bass, and some combination of Sammy Lawhorn, Pee Wee Madison, and Buddy Guy (on acoustic) on guitar.)
  • The Perfect Drug – Nine Inch Nails
  • Karmacoma – Massive Attack; ft. Tricky
  • Sweet & Pungent – Duke Ellington
  • Overcome – Tricky; ft.  Martina Topley-Bird 
  • Benjamin – Steven Bernstein
  • Altarwise By Owl Light (1st Verse) / A Pair Of Doves – Dylan Thomas / Trent Reznor & Atticus Ross
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[Mr. Bumble – Sunforest]

[I’ll Be Your Baby Tonight – Brothers & Sisters (Dylan cover)]

[Why Don’t You Do Right? – Cal Tjader Feat. Mary Stallings (written by Joseph “Kansas Joe” McCoy)]

[Another Man’s Vine – Tom Waits]

[Open The Door [Skeleton Key Version] – Otis Redding]

[Open The Door, Homer – Bob Dylan & The Band (take 1; The Basement Tapes)]

[Love In Vain – The Rolling Stones (Robert Johnson cover)]

(Cry One More Time – Gram Parsons (J. Geils Band cover)]

[Then You Can Tell Me Goodbye – Bettye Swann (The Casinos cover; written by John D. Loudermilk)]

[Drifter’s Escape – Joan Baez (Dylan cover)]

[Red Walls – crush_DLX (Pop Levi & Bunny Holiday)]

[Stopover Bombay – Alice Coltrane; ft. Pharoah Sanders]

[Lonely Little G-String – Sonny Lester & His Orchestra]

[Clang Boom Steam / Make It Rain – Tom Waits (photo by Anton Corbijn, 2004)]

[Star Eyes (I Can’t Catch It) – Danger Mouse & Sparklehorse Feat. David Lynch (Dark Night of the Soul Photography by David Lynch )]

[Open The Door Homer – Bob Dylan & The Band (take 2; The Basement Tapes) (photo, Rick Danko and Bob Dylan in 1967, by Arie De Reus)]

[Wicked Messenger – Bob Dylan]

[Raven – Karen Elson (photo by Glen Luchford)]

[Speak Low – Lotte Lenya (written by Kurt Weill & Ogden Nash; from Broadway musical One Touch of Venus (1943))]

[You Can’t Lose What You Ain’t Never Had – Muddy Waters; ft. Otis Spann on piano, Francis Clay on drums, Willie Dixon on bass, and some combination of Sammy Lawhorn, Pee Wee Madison, and Buddy Guy (on acoustic) on guitar.)]

[The Perfect Drug – Nine Inch Nails (images by Mark Romanek)]

[Karmacoma – Massive Attack; ft. Tricky]

[Sweet & Pungent – Duke Ellington]

[Overcome – Tricky; ft. Martina Topley-Bird ]

[Benjamin – Steven Bernstein]

[Altarwise By Owl Light (1st Verse) / A Pair Of Doves – Dylan Thomas / Trent Reznor & Atticus Ross (woodcuts by Antonio Frasconi)]

-___________________))))))))))))))))
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

THE DEMISE OF THE MASK (VOL 3)

demise-cvr-3

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 3)__  ___
  • And I Was Blue – Sunforest
  • Fantastic Voyage – David Bowie
  • Defriended – Beck
  • The Bogus Man – Roxy Music
  • The Bogus Man – The Bryan Ferry Orchestra
  • Solid Wall Of Sound / Dis Generation – A Tribe Called Quest
  • Yes Indeed – Ron Carter With Eric Dolphy & Mal Waldron
  • Abbaon Fat Tracks – Tricky ft. Martina Topley-Bird
  • Downward Spiral – Danny Brown
  • Think Like They Book Say – Saul Williams
  • Ful Stop – Radiohead
  • Re Run – Kamasi Washington
  • Don’t Hurt Yourself – Beyoncé (ft.. Jack White)
  • Shoo-B-Doop and Cop Him – Betty Davis
  • Jersey Yo! – Redman
  • I Wanna Know If It’s Good to You? – Funkadelic
  • Pass The Mic – Beastie Boys
  • Stirring – Flying Lotus

__________—

Hello All.

Welcome to Volume Three of my new series of MixTapes: The Demise Of The Mask. –(Volume One here)__(Volume Two here)-.

Although the MixTape features what I find to be many fine songs, I did want to make special mention of David Bowie‘s 1979 track “Fantastic Voyage” as I think this odd pop work is one of the greatest songs to tackle just what it feels like for We The People to live under Nationalism and the soul distortion of patriotic rhetoric. In particular it captures the peculiar and ambiguous but very human emotion of volatile resignation when under absurd power structures or abandoned and made vulnerable in what he describes as both “this criminal world” and “a very modern world.”

“Loyalty is valuable…” Bowie sings, “…but our lives are valuable too.”

As Chris O’Leary wrote on his fantastic blog Pushing Ahead of the Dame (published in part as the book Rebel Rebel):

David Bowie will likely never tour again, may never even sing live again. If so, the last song that he ever performed on stage was “Fantastic Voyage,” a neglected song from a neglected record. It’s a fitting choice. “Fantastic Voyage,” though sequenced as Lodger‘s lead-off track, could have easily served as its closer, and it also works as Bowie’s final statement, a cranky humanist manifesto.

In “Voyage” there’s a striking change of tone from the other Berlin records or Station to Station: Bowie’s no longer at a remove. He’s on the ground, restored to humanity, admitting his powerlessness, reduced to observing and making asides. He sounds both warmer (the slow, generous phrasing of the opening lines) and less calculating; he lets scattered, volatile emotions overrun his song.

Bowie had once seemed to welcome the apocalypse, as it held the potential for transformation. Now in “Fantastic Voyage” he seems older and generally pissed off (“think of us as fatherless scum“), with such delusions drummed out of him. He’s grasped a peasant realism: we are largely governed by killers and fools, our lives hang on their arbitrary mercies.

________

“Fantastic Voyage”

In the event
that this fantastic voyage
Should turn to erosion
and we never get old
Remember it’s true, dignity is valuable
But our lives are valuable too
We’re learning to live with somebody’s depression
And I don’t want to live with somebody’s depression
We’ll get by, I suppose
It’s a very modern world,
but nobody’s perfectIt’s a moving world,
but that’s no reason
To shoot some of those missiles
Think of us as fatherless scum
It won’t be forgotten
‘Cause we’ll never say anything nice again, will we?And the wrong words make you listen
In this criminal world
Remember it’s true, loyalty is valuable
But our lives are valuable tooWe’re learning to live with somebody’s depression
And I don’t want to live with somebody’s depression
We’ll get by I suppose
But any sudden movement I’ve got to write it down
They wipe out an entire race and I’ve got to write it down
But I’m still getting educated but I’ve got to write it down
And it won’t be forgotten
‘Cause I’ll never say anything nice again, how can I?

_____

The mix also features a bit of music off of just some of my favorite albums of 2016, like Saul Williams‘s MartyrLoserKing, A Tribe Called Quest‘s long awaited reunion We got it from Here… Thank You 4 Your service, Radiohead‘s A Moon Shaped Pool, and Beyoncé‘s collaboration with Jack White from her album Lemonade. (Jack White is having quite a year appearing on both Beyoncé’s and A Tribe Called Quest’s records, as well as releasing the great double-album compilation Acoustic Recordings 1998–2016 and his label Third Man Records being responsible for the release of  Margo Price‘s impressive debut, Midwest Farmer’s Daughter).

I know I’ve been a bit slow this year to dig in to new music as I spent the majority of the year mourning two of my all time favorites, with the first half of the year listening to David Bowie’s discography and the latter half listening to Prince’s. 

However, this MixTape additionally features “Downward Spiral” by Danny Brown, which is the opening track to his beautifully disturbed record Atrocity Exhibition. No, not necessarily an easy listening experience; this is a record that certainly lands on my top ten releases of 2016 (falling closer to the #1 spot than 10). Making me think of some anxious black tar mutation between Tricky, Talking Heads, and the ridiculous Trap music everyone blasts from their cars in my neighborhood, Atrocity Exhibition still remains one of the most idiosyncratic works in a genre that often seems to enforce and celebrate the homogeneous with a false smile.

As for what is my #1 record of 2016, well that without a doubt belongs to Blackstar by David Bowie. Or as Danny Brown perfectly put it himself in an interview with the online music magazine Pitchfork:

Blackstar is definitely the biggest album to me this year. That album is fucking creepy. It scares the shit out of me. And those videos. Fuck. I kind of relate to it, to him. When you put that much of your life into music, can’t nobody ever take that—you can’t rate that. You can’t review this. He died for this. This is his life right here. When people talk about the best albums of the year, I be like, “Y’all don’t realized Bowie’s album came out this year and he fucking died? What is y’all talking about?” We should hands-down know what the best album of this year is. Shouldn’t be talk of nothing else.

–   ————-_______

Also below you’ll find a long list of things I read (or re-read) this year that I truly enjoyed and/or loved. I highly recommend them all! These are not necessarily things that were published this past year but more likely just things I got around to reading since January 2016. When not working on my long, sprawling meditation on the extraordinary and inspiring art of recently deceased David Bowie (R.I.P.) or reading the stunning and always stirring blog Brain Pickings by Maria Popova, I did spend a good deal of my reading time this year immersed in various news articles and such but I wont inundate you with those. I was pretty delighted that the Village Voice had a big upswing in terms of quality, and super excited to find that the entire 1967 to 1973 run of the magazine OZ had been completely digitized.

However, I must list and make honorable mention of what I found to be perhaps the best article I’ve read all year, the Pulitzer Prize winning article “An Unbelievable Story of Rape,” published in December 2015 and written by Pro Publica‘s senior reporter T. Christian Miller in partnership with The Marshall Project‘s Ken Armstrong.

As for the books listed, they are in no particular order of preference except for the graphic novel memoir Becoming Unbecoming by Una, which I can say was one of the most impressive things I’ve read all year and actually brought me to tears. This year I also became a huge fan of the philosopher Simon Critchley through his slim work Bowie and of writer Angela Carter through her fantastic 1972 novel The Infernal Desire Machines of Doctor Hoffman. Samuel R. Delany‘s 1973 novel of hardcore erotica and cartoon, occult pornography must get special mention as the most disgusting thing I’ve ever read that is still yet a thing of exquisite language and beauty: Equinox. In its introduction he describes it as thus:

“This is an artificial, extravagant, and pretentious book […]. But it is honest before its artifice; and in this age of extravagant expressions, honesty is the last pretension.”

This year I also re-read (and not for the first time) two comic book series that I can never recommend enough for those in need of a shift in consciousness (and who is not in need?): Promethea by Alan Moore and The Invisibles by Grant Morrison.

I didn’t read too much poetry this year but wanted to mention the work of one poet I had never heard of that I really thought was absolutely great: Dark Sparkler by Amber Tamblyn. I look forward to reading other work by her.

Speaking of poetry, I did want to share this fantastic piece called Moving Into A Period, which I read in Leonard Cohen‘s 2006 work Book of Longing:

We are moving into a period of bewilderment, a curious moment in which people find light in the midst of despair, and vertigo at the summit of their hopes. It is a religious moment also, and here is the danger. People will want to obey the voice of Authority, and many strange constructs of just what Authority is will arise in every mind. The family will appear again as the Foundation, much honoured, much praised, but those of us who have been pierced by other possibilities, we will merely go through the motions, albeit the motions of love. The public yearning for Order will invite many stubborn uncompromising persons to impose it. The sadness of the zoo will fall upon society.
You and I, who yearn for blameless intimacy, we will be unwilling to speak even the first words of inquisitive delight, for fear of reprisals. Everything desperate will live behind a joke. But I swear that I will stand within the range of your perfume.
How severe seems the moon tonight, like the face of an Iron Maiden, instead of the usual indistinct idiot.
If you think Freud is dishonoured now, and Einstein, and Hemingway, just wait and see what is to be done with all that white hair, by those who come after me.
But there will be a Cross, a sign, that some will understand; a secret meeting, a warning, a Jerusalem hidden in Jerusalem. I will be wearing white clothes, as usual, and I will enter The Innermost Place as I have done generation upon generation, to entreat, to plead, to justify. I will enter the chamber of the Bride and Bridegroom, and no one will follow me.
Have no doubt, in the near future we will be seeing and hearing much more of this sort of thing from people like myself.

You’ll see that there is a lot of Star Wars related material listed (I didn’t get to see The Force Awakens until it was released on DVD midway through this year) and If I had to pick just one to recommend I’d have to go with the novel Star Wars: Lords of the Sith by Paul S. Kemp.

For the sake of full disclosure I have included in the list the two books that I am currently reading: The Diary of a Teenage Girl by Phoebe Gloeckner, and the collection of brilliant essays Cultural Amnesia: Necessary Memories from History and the Arts by Clive JamesAlthough only a little more than halfway through both I know now that I’d easily recommend them as they are just great.

But again, I’d truly recommend anything you find below.

_——_______

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise-cvr-3

__________———
—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 3)__  ___
  • And I Was Blue – Sunforest
  • Fantastic Voyage – David Bowie
  • Defriended – Beck
  • The Bogus Man – Roxy Music
  • The Bogus Man – The Bryan Ferry Orchestra
  • Solid Wall Of Sound / Dis Generation – A Tribe Called Quest
  • Yes Indeed – Ron Carter With Eric Dolphy & Mal Waldron
  • Abbaon Fat Tracks – Tricky ft. Martina Topley-Bird
  • Downward Spiral – Danny Brown
  • Think Like They Book Say – Saul Williams
  • Ful Stop – Radiohead
  • Re Run – Kamasi Washington
  • Don’t Hurt Yourself – Beyoncé (ft.. Jack White)
  • Shoo-B-Doop and Cop Him – Betty Davis
  • Jersey Yo! – Redman
  • I Wanna Know If It’s Good to You? – Funkadelic
  • Pass The Mic – Beastie Boys
  • Stirring – Flying Lotus

—————————————–================__^__===================  ===  _ ===== == =   = =  __  

2016 Reading List:________

__________—
___    ______________—————__
_[play]
[And I Was Blue - Sunforest]

[And I Was Blue – Sunforest]

[Fantastic Voyage - David Bowie]

[Fantastic Voyage – David Bowie]

[Defriended - Beck]

[Defriended – Beck]

[The Bogus Man - Roxy Music]

[The Bogus Man – Roxy Music]

[The Bogus Man - The Bryan Ferry Orchestra]

[The Bogus Man – The Bryan Ferry Orchestra]

[Solid Wall Of Sound / Dis Generation - A Tribe Called Quest]

[Solid Wall Of Sound / Dis Generation – A Tribe Called Quest]

[Yes Indeed - Ron Carter With Eric Dolphy & Mal Waldron]

[Yes Indeed – Ron Carter With Eric Dolphy & Mal Waldron]

[Abbaon Fat Tracks - Tricky ft. Martina Topley-Bird]

[Abbaon Fat Tracks – Tricky ft. Martina Topley-Bird]

[Downward Spiral - Danny Brown]

[Downward Spiral – Danny Brown]

[Think Like They Book Say - Saul Williams]

[Think Like They Book Say – Saul Williams]

[Ful Stop - Radiohead]

[Ful Stop – Radiohead]

[Re Run - Kamasi Washington]

[Re Run – Kamasi Washington]

[Don't Hurt Yourself - Beyoncé (ft.. Jack White)]

[Don’t Hurt Yourself – Beyoncé (ft.. Jack White)]

[Shoo-B-Doop and Cop Him - Betty Davis]

[Shoo-B-Doop and Cop Him – Betty Davis]

[Jersey Yo! - Redman]

[Jersey Yo! – Redman]

[I Wanna Know If It's Good to You? - Funkadelic]

[I Wanna Know If It’s Good to You? – Funkadelic]

[Pass The Mic - Beastie Boys]

[Pass The Mic – Beastie Boys]

[Stirring - Flying Lotus]

[Stirring – Flying Lotus]

.

__________——————– =__^__=___________________———

___________________))))))))))))))))

All the best to you and yours & Happy New Year!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 4)

_________________                      _________________   _

What should we call it?

      What good is a glossary when we truly do not know inside from outside, this side from the other, or even where there’s a door; when we would not know our ass from our elbows if we could not reliably locate our head firmly lodged up one of those? More words. Words, which get us close but eventually send us careening off the slick circumference that surrounds the thing itself—like the cell wall fuzz of a mold spore. We apply more words in hopes of a secure hold. But instead of a firm handshake the results are usually just surplus grease on the heel.

It was words and their reception that turned Nimrod—a mighty hunter before God—into Elmer Fudd. It was words and one delirious cartoon.

    But what of the self itself, and all that still under the rose? The self spreads, makes contacts. Of the self is the self. Tendrils: they float just below the surface; they swim, and flail and coil and spill and touch. Some kiss, and taste what? Phantom limbs—some call it quits and commit suicide at a cellular level, which resembles something akin to shore erosion. Some armor-up. Some recover and want to tell you their story. Some sing together in jubilant counterpoint. Some dance callous through our days. Others caress all through the night. For well or ill, some fasten. Expand-and-contract. Contact. Speed-up-and-slow-down. Tendrils; curled lashes encounter the burn; seize ice; all the temperatures between.

We get closer and closer to the map; words crowd the margins. But there are territories that cartographers can never retire. Moments are movements: a series of soft collisions with the apparatus of arithmetic and of alphabet—we play—meat and bone and beating breast and milk and downpour and blood and beauty and beast and bread and circus and soil and sincerity and catch and kiss and jealous and catch and kiss and release and catch and kiss and taste what?—a whole vessel for familiar games…all this & perhaps a bit of all that.

We share secrets.

If a man love me, he will keep my words.

      We fondle nymphs, larvae, while awaiting the imago. Words. Words are sound. —Words— Words are vision. —Words and sound and vision—Words—Words and perception—Words—Words and perception and memory—Words and perception and memory and attention—Words and perception and memory and attention and intelligence. All these cognitive functions—ideological assumptions you just cannot be sure of. It all started with words, at least some say.

In the beginning was the Word, and the Word was with God, and the

Word was God.

            That word was neither an apology nor a demand for one.

_____________________                 _________________                      _________________   _ -_-   __

dendrites 4 cvr

_______________________________   ——  —  ——–  _______________ –  __

——————————-(Click to Listen or Download)—————–

================____===================  ===  _ ===== == =    ==    =   __ – _

(police cars and dogs) – Eat The Document soundtrack

The Ghost Of Tom Joad – Rage Against The Machine (Bruce Springsteen cover)

Close Your Eyes (And Count To Fuck) – Run The Jewels (ft. Zack De La Rocha)

Out & About – Richard Swift

Love Game – Eminem (ft. Kendrick Lamar)

Down On The Farm – Big Al Downing

Long Time Gone – Billie Joe Armstrong & Norah Jones

Razor Tongue – Martina Topley-Bird

My Ruins – Jim Carroll

Feeling Alright – Warpaint

Hooch – Kelis

When I Get This Feeling – Bobby Moore & the Rhythm Aces

Two Weeks – FKA Twigs

Endeavors For Never (The Last Time We Spoke You Said You Were Not Here; I Saw You Though.) – Shabazz Palaces

Makes Me Wanna Die – Tricky (ft. Martina Topley-Bird)

Chameleon/Death Trip – Steve Harley & Cockney Rebel

Bi-Polar Bear – Stone Temple Pilots

Scumbag – Jobriath

Left Hand Luke and The Beggar Boys – T.Rex

It’s Serious – Cooly G (ft. Karizma)

Outro – Martina Topley-Bird

 

______________———-___=========================================  __=

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 4)

  • (police cars and dogs)  – Eat The Document soundtrack
  • The Ghost Of Tom Joad – Rage Against The Machine (Bruce Springsteen cover)
  • Close Your Eyes (And Count To Fuck) – Run The Jewels (ft.  Zack De La Rocha)
  • Out & About – Richard Swift
  • Love Game – Eminem (ft. Kendrick Lamar)
  • Down On The Farm – Big Al Downing
  • Long Time Gone – Billie Joe Armstrong & Norah Jones
  • Razor Tongue – Martina Topley-Bird
  • My Ruins – Jim Carroll
  • Feeling Alright – Warpaint
  • Hooch – Kelis
  • When I Get This Feeling – Bobby Moore & the Rhythm Aces
  • Two Weeks – FKA Twigs
  • Endeavors For Never (The Last Time We Spoke You Said You Were Not Here; I Saw You Though.) – Shabazz Palaces
  • All Mine – Portishead 
  • Makes Me Wanna Die – Tricky (ft. Martina Topley-Bird)
  • Chameleon/Death Trip – Steve Harley & Cockney Rebel 
  • Bi-Polar Bear – Stone Temple Pilots
  • Scumbag – Jobriath
  • Left Hand Luke and The Beggar Boys – T.Rex
  • It’s Serious – Cooly G (ft. Karizma)
  • Outro – Martina Topley-Bird

__________—_–_________________     _   -_______

——————————————-BOBBY CALERO—————————–