Category Archives: U2

A.M.O.P. PRESENTS: Settle Down Amongst The Blossoms

++++++++++[>+++++++>++++++++++>+++>+<<<<-]

++.>+.+++++++..+++.>++.<<+++++++++++++++.>.+++.——.——–.>+.>.

____________———-___=

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

—  –   ————-______________ ->

Hello All! Hello World!

Well hello there, who needs the Spoofity app when you’ve got another hour and 20 minutes of music from A Mouthful Of Pennies? So come   _Settle Down Amongst The Blossoms_ the latest A.M.O.P. Mixtape!

 

This one features two fantastic tunes by Dolly Parton (one covered by the incredible singer Bettye LaVette). I just read about Parton’s Imagination Library program, which has donated 100 million books to children over the last 23 years! So good on her! She sure is talented. You’ll also hear Erykah Badu, two from Karen Dalton’s 1971, Harvey Brooks produced LP In My Own Time, and one of my favorite Bono vocal performances from back in 1999-2000. Speaking of vocals there’s an amazing one by Tina Turner (alongside her then husband Ike) doing a rendition of the Beatles’ 1969 single, Get Back. On a personal side-note (and it’s my blog so the whole thing is sort of a personal side-note) Tina Turner is the first woman I can remember being really physically attracted to, when I saw her as The Acid Queen in Ken Russell’s 1975 film based upon The Who’s 1969 rock opera album Tommy.

I must have been about 8 years old. What that says about me and my arrow I just don’t know, but it might at least explain why Beyond Thunderdome has always been my favorite of the Mad Max films.

Oh and there’s what to me is a delightful work by the brilliant artist Dory Previn. Along the same lines of Carolyn Elliott praising Jesus Christ as a “queer witch,” which really sounds nice to me; Previn sings:

Jesus was a androgyne
Jesus was a he and she
Jesus was a freako baby
Just like you and me
Jesus was a pagan
Jesus was a priest
Jesus was a beauty
Jesus was a beast

 

Well, there’s all this and a whole lot more! So…

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

_________———

== =   = =  __  _
A.M.O.P. Presents: __Settle Down Amongst The Blossoms_
  • Funny Face / Dancin’ Shoes – Bono & The MDH Band (Greg Cohen, bass;  Brian Blade, drums;  Bill Frisell &  Daniel Lanois, guitars;  Brad Mehldau, piano; Adam Dorn, synths; Jon Hassell, trumpet)
  • Katie Cruel – Karen Dalton (produced by Harvey Brooks)
  • Sittin’ On Top Of The World – Jack White (ft. Mike Compton, Mandolin; produced by T Bone Burnett)
  •  Reconsider baby – Elvis Presley (ft. Boots Randolph on saxophone)
  • Time Stopped (Instrumental) – Adrian Younge
  • I Just Want To Make Love To You – Etta James (w/ The Riley Hampton Orchestra; written by Willie Dixon)
  • Get Back – Ike & Tina Turner (The Beatles cover)
  • Arrow Through Me – Paul McCartney & Wings
  • Gone Baby, Don’t Be Long – Erykah Badu
  • Ophis Le Serpentaire – Vincent Geminiani
  • One Night of Love – Karen Dalton (produced by Harvey Brooks)
  • Morning Fog (Interlude) – Danger Mouse & Daniele Luppi
  • Beyond The Horizon – Bob Dylan
  • New Speedway Boogie – Grateful Dead
  •  Sitting On Top Of The World (1970 London version) –  Howlin’ Wolf (ft. Jeffrey Carp – harmonica; Hubert Sumlin – rhythm guitar; Eric Clapton – lead guitar; Lafayette Leake – piano; Bill Wyman – bass; Charlie Watts – drums).
  • Jesus Is Sweet To Me – Sensational Skylights
  • Jesus Was An Androgyne / Anima/Animus – Dory Previn
  • Can’t Let Go – Lucinda Williams
  • How Many Times Have You Broken My Heart? – Norah Jones (written by Hank Williams &  Norah Jones)
  • Little Sparrow – Bettye LaVette (ft. Lisa Coleman on electric piano) (Dolly Parton cover) 
  • Down From Dover – Dolly Parton 
  • Speak Of The Devil – Chris Isaak
  • Closed to the Public – Carter Burwell
  • I Prefer Your Love – St. Vincent
  • Everyday – Fiona Apple & Jon Brion (Buddy Holly cover)

================__^__===================  ===  _ ===== == =   = =  _

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _

___    ______________—————__

Funny Face / Dancin’ Shoes – Bono & The MDH Band (Greg Cohen, bass; Brian Blade, drums; Bill Frisell & Daniel Lanois, guitars; Brad Mehldau, piano; Adam Dorn, synths; Jon Hassell, trumpet)

Katie Cruel – Karen Dalton (produced by Harvey Brooks)

Sittin’ On Top Of The World – Jack White (ft. Mike Compton, Mandolin; produced by T Bone Burnett)

 Reconsider baby – Elvis Presley (ft. Boots Randolph on saxophone)

Time Stopped (Instrumental) – Adrian Younge

I Just Want To Make Love To You – Etta James (w/ The Riley Hampton Orchestra; written by Willie Dixon)

Get Back – Ike & Tina Turner (The Beatles cover)

Arrow Through Me – Paul McCartney & Wings

Gone Baby, Don’t Be Long – Erykah Badu [photo by Theo Wenner, 2014]

Ophis Le Serpentaire – Vincent Geminiani

One Night of Love – Karen Dalton (produced by Harvey Brooks)

Morning Fog (Interlude) – Danger Mouse & Daniele Luppi

Beyond The Horizon – Bob Dylan [photo by Matthew Rolston, 2006]

New Speedway Boogie – Grateful Dead

Sitting On Top Of The World (1970 London version) – Howlin’ Wolf (ft. Jeffrey Carp – harmonica; Hubert Sumlin – rhythm guitar; Eric Clapton – lead guitar; Lafayette Leake – piano; Bill Wyman – bass; Charlie Watts – drums).

Jesus Is Sweet To Me – Sensational Skylights

Jesus Was An Androgyne / Anima/Animus – Dory Previn

Can’t Let Go – Lucinda Williams

How Many Times Have You Broken My Heart? – Norah Jones (written by Hank Williams & Norah Jones)

Little Sparrow – Bettye LaVette (ft. Lisa Coleman on electric piano) (Dolly Parton cover)

Down From Dover – Dolly Parton

Speak Of The Devil – Chris Isaak

Closed to the Public – Carter Burwell

I Prefer Your Love – St. Vincent

Everyday – Fiona Apple & Jon Brion (Buddy Holly cover)
[photo by Autumn de Wilde, 2008]

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

 

THE DEMISE OF THE MASK (VOL 5)

–   ————-_______

__________—

Hello All.

Welcome to Volume Five of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)-

Featuring certain songs by Stevie WonderCurtis Mayfield, Al GreenDory Previn, and even featuring the title track from Bill Fay‘s brilliant but apocalyptic and oppressive record of 1971, Time of the Last Persecution–I’m sure that this MixTape is a somewhat result of a residue from our national nativity ceremony. I can recall once in Montréal someone made a derisive remark about religion while jerking a thump at the enormous neon crucifix hung in the night sky. Quickly but calmly, my good friend Frankie responded: “Hey, some people need that…and that’s a real thing, y’know?…some people need that to get by.”

At that moment I thought: “fair enough.”

Well, among a whole lot of other good tunes The Demise Of The Mask (Vol. 5) also features the songs “Misbehave” &  “She Might Get Shot” both taken from  Juan Wauters‘ fantastic 2015 record,  Who Me? I know he’s got a new one coming up someday soon so be sure to keep your ears open for that because I can tell you it’s a beauty!

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise-cvr-5

__________———

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 5)__Aubade ___
  • Looking For Satellites – David Bowie
  • I Should Watch TV – David Byrne & St. Vincent
  • Gone Away – Matthew E. White
  • All Along The Watchtower – Brothers & Sisters
  • Have A Talk With God – Stevie Wonder
  • Jesus – Curtis Mayfield
  • Jesus Is Waiting – Al Green
  • Did Jesus Have a Baby Sister? – Dory Previn
  • Time Of The Last Persecution – Bill Fay
  • Tower Of Song –  Leonard Cohen & U2
  • Never Be Afraid! [edit] – Entrance
  • I Dreamed I Saw St. Augustine – Bob Dylan
  • Saturn – Damon Albarn
  • Rings Of Saturn – Nick Cave & The Bad Seeds
  • My Body – Perfume Genius
  • Rebirth Of The Flesh – Prince (as Camille)
  • Misbehave / She Might Get Shot – Juan Wauters
  • Hood Politics / How Much A Dollar Cost – Kendrick Lamar ft. James Fauntleroy & Ronald Isley
  • Crippled Inside – John Lennon

—————————————–================__^__===================  ===  _ ===== == =   = =  __  

aubade

__________—
___    ______________—————__
[Looking For Satellites - David Bowie (photo "David Bowie, 1997" by Floria Sigismondi)]

[Looking For Satellites – David Bowie (photo “David Bowie, 1997” by Floria Sigismondi)]

[I Should Watch TV – David Byrne & St. Vincent]

[I Should Watch TV – David Byrne & St. Vincent]

[Gone Away – Matthew E. White, (photo by Cameron Charles Lewis)]

[Gone Away – Matthew E. White, (photo by Cameron Charles Lewis)]

[All ALong The Watchtower – Brothers & Sisters]

[All Along The Watchtower – Brothers & Sisters]

[Have A Talk With God – Stevie Wonder]

[Have A Talk With God – Stevie Wonder]

[Jesus – Curtis Mayfield (cover art recreated, in tinted form, from Margaret Bourke-White's 1937 monochrome original, 'At The Time Of The Louisville Flood', ]

[Jesus – Curtis Mayfield (cover art recreated, in tinted form, from Margaret Bourke-White’s 1937 monochrome original, “At The Time Of The Louisville Flood.” ]

[Jesus Is Waiting – Al Green, (photo by Bud Lee, 1972]

[Jesus Is Waiting – Al Green, (photo by Bud Lee, 1972)]

[Did Jesus Have a Baby Sister – Dory Previn]

[Did Jesus Have a Baby Sister? – Dory Previn]

[Time Of The Last Persecution – Bill Fay, (art by Erica Parrott)]

[Time Of The Last Persecution – Bill Fay, (art by Erica Parrott)]

[Tower Of Song - Leonard Cohen & U2]

[Tower Of Song – Leonard Cohen & U2]

[Never Be Afraid! [edit] – Entrance]

[Never Be Afraid! [edit] – Entrance]

[I Dreamed I Saw St. Augustine – Bob Dylan (photo: Bob Dylan, outside his Byrdcliffe home, infrared color film, Woodstock, NY, 1968. Photo By Elliott Landy)]

[I Dreamed I Saw St. Augustine – Bob Dylan
(photo: Bob Dylan, outside his Byrdcliffe home, infrared color film, Woodstock, NY, 1968. Photo By Elliott Landy)]

[Saturn – Damon Albarn]

[Saturn – Damon Albarn]

[Rings Of Saturn – Nick Cave & The Bad Seeds]

[Rings Of Saturn – Nick Cave & The Bad Seeds]

[My Body – Perfume Genius (photo: Perfume Genius as Egon Schiele's portrait as St Sebastian by Steven Miller, 2015)]

[My Body – Perfume Genius (photo: Perfume Genius as Egon Schiele’s portrait as St Sebastian by Steven Miller, 2015)]

[Rebirth Of The Flesh - Prince (as Camille)]

[Rebirth Of The Flesh – Prince (as Camille)]

[Misbehave / She Might Get Shot – Juan Wauters (art by Matt Volz)]

[Misbehave / She Might Get Shot – Juan Wauters (art by Matt Volz)]

[Hood Politics / How Much A Dollar Cost – Kendrick Lamar ft. James Fauntleroy & Ronald Isley (art by DJNowGraphics)]

[Hood Politics / How Much A Dollar Cost – Kendrick Lamar ft. James Fauntleroy & Ronald Isley (art by DJNowGraphics)]

[Crippled Inside – John Lennon (photo by Michael Putland, 1971)]

[Crippled Inside – John Lennon (photo by Michael Putland, 1971)]

__________——————– =__^__=___________________———

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 14)

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________

_           _________________   _  ___   _ _________ __________

Being the most up-front pop-oriented of them, if any representatives from the last of the commercial sub-genres listed above were ever to land a hit to temporarily dominate the charts for a season or two then it was likely penned, recorded (and often digitally assembled note-for-note, syllable-by-syllable) by a cabal of nine middle-aged Nordic men. Although their birth certificates stated names that would likely bring to the average American mind images of Vikings or monks, they were typically credited under monikers that were easily forgettable despite their frequent use of the letters Z and X and honorary titles, such as Dr. Cztarlab, Sir LapLux, Mr. Mixus, and Professor JaMeZ. Almost no one would really ever recall these writers’ professional pseudonyms or note the central role they played in the hits that were so pervasive in their lives. These facts of anonymity were by design, as they did not want to interfere with the ascendency and celebrity of the “artist” that was to sell their work to the masses.

Through focus-group brand testing and weeks-long song-writing “cook-outz” where the annual trajectory of a (largely absent) performer’s career could be plotted by the continuity of tunes assigned to them, this committee had perfected a formula for pop familiarity—and thus, top ten hits. Not to oversimplify their equation, but it could be described as so: the forward swirl and bright texture of say, ABBA’s “SOS” but manufactured in a manner that ensured it could effortlessly and cyclically give way to the emphatic gush and catch of an arena-sized shout-along, something akin to the big-rock, chest-thump chorus in Bon Jovi’s “Livin’ On A Prayer.” With these elements married and laid atop a plush bed of programmed beats (or beatz) borrowed from the latest fashions in re-heated Hip Hop and R&B, all that was needed to complete the job was the appropriate vehicle to deliver the song. Sold to a Star-Creation division operating in-house under one of the various record-label executives, the likely hit-song could then be allocated either to a veteran presence or one of the newer recruits from the pop-celebrity academies.

The sound was always bigger & brighter & brighter & bigger. The sound should have little trouble in filling a stadium. Yet, it rarely needed to fill a stadium, but the sound must fill a shopping complex daily. Yes, the genuine smash hit was truly achieved when it facilitated an easy browse along the aisles of capitalism—interrupting consumption only long enough for an involuntary duet between pop star and shopper, a reflex response from the teaser tinsel of the pre-chorus build and the persistent bass and treble hook of the chorus returning again and returning again. At times the production could be so seamless, so unremarkable, so successful that one could pause and ask themselves: How do I know this song? Have I always known it? Has this song always been here?

With these narrow options before her, what was a girl to listen to? There was the feminine powerhouses of the Divas; at least they were aggressively advertised as such. These “Queens” and “Ladies” were always presented in context to the objects in their orbits: the relationships new or sour; the clothes; the hair; the promotional tie-Ins; the prop outrage performed on an award ceremony stage; the boyfriends and husbands; their current positions on the charts; their current positions in the rotating feuds between the other Divas. Watching music videos one day after school with her best friend since ninth grade, Rebecca turned to her and said: “Ugh, these role-model bitches are always either selling church or snatch.” Mireille laughed until she snorted. It was true, those who were not peddling their brand with the accompanying image of Clean American could be found rolling their eyes, spreading their legs, and retailing their lives under a banner that read Liberated & Nasty. Purchased from the Nordic committee, they all currently had the pull of a melody that was so easy to babble-along to. The Divas’ singles could be fun, but listening to them, Mireille reasoned, would make her feel like merely some consequence of a premise.

___           – –      _________________       _         _________________ ___

dendrites_cvr_14

 —  –   ————-______________\
——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

Water or Bread (Raining) – Madlib

Metamorphosis – Miles Okazaki (w/ Dan Weiss, Christof Knoche, Jon Flaugher, Miguel Zenon, David Binney, and Chris Potter)

To Sheila – Smashing Pumpkins [photo by Yelena Yemchuk]

Sonic Armada – Air

Morning Fog – Danger Mouse & Daniele Luppi

Green Belly – Ty Segall

Hidee Hidee Ho #16 – The New Basement Tapes (ft. Rhiannon Giddens, Elvis Costello, Taylor Goldsmith, Jim James, Marcus Mumford, produced by T Bone Burnett) [lyrics by Bob Dylan]

Shaman’s Blues – The Doors (Jim Morrison in the closet of his room at LA’s Chateau Marmont hotel, by Art Kane, May 1968.) 

Paint a Lady – Susan Christie

Strawberry Wine – Ryan Adams [photo by Mark Seliger]

Crystals – Bennie Maupin

Synthesizer – Outkast (ft. George Clinton)

What I saw – Broadcast & The Focus Group

Twinkle/Master Teacher – Erykah Badu [photo by Timothy Saccenti, 2008]

Polly – Duke Ellington

The Silent Orchestra – Hamilton Leithauser

sinatra

I See Your Face Before Me – Frank Sinatra

Hidee Hidee Ho #11 – The New Basement Tapes (ft. Jim James, Rhiannon Giddens, Elvis Costello, Taylor Goldsmith, Marcus Mumford, Bo Koster, produced by T Bone Burnett) [lyrics by Bob Dylan]

Stay (Faraway, So Close!) – U2

Homme Lune – Air

Black Noise – Rotary Connection

______________———-___=========================================  __=

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 14)

  • Water or Bread (Raining) – Madlib
  • Metamorphosis – Miles Okazaki (w/ Dan Weiss, Christof Knoche, Jon Flaugher, Miguel Zenon, David Binney, and Chris Potter)
  • To Sheila – Smashing Pumpkins
  • Sonic Armada – Air
  • Morning Fog – Danger Mouse & Daniele Luppi
  • Green Belly – Ty Segall
  • Hidee Hidee Ho #16 – The New Basement Tapes (ft. Rhiannon Giddens, Elvis Costello, Taylor Goldsmith, Jim James, Marcus Mumford, produced by T Bone Burnett) [lyrics by Bob Dylan]
  • Shaman’s Blues – The Doors
  • Paint a Lady – Susan Christie
  • Strawberry Wine – Ryan Adams 
  • Crystals – Bennie Maupin
  • Synthesizer – Outkast (ft. George Clinton)
  • What I saw – Broadcast & The Focus Group
  • Twinkle/Master Teacher – Erykah Badu 
  • Polly – Duke Ellington
  • The Silent Orchestra – Hamilton Leithauser
  • I See Your Face Before Me – Frank Sinatra
  • Hidee Hidee Ho #11 – The New Basement Tapes (ft. Jim James, Rhiannon Giddens, Elvis Costello, Taylor Goldsmith,  Marcus Mumford, Bo Koster, produced by T Bone Burnett) [lyrics by Bob Dylan]
  • Stay (Faraway, So Close!) – U2
  • Homme Lune – Air
  • Black Noise – Rotary Connection

<^>_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.