Category Archives: Movies

A.M.O.P. PRESENTS: WE ROT BEST

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

Not done done but close enough as I am on my way!

so please press play and…as always…

 

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[Etching by Attila Sassy (1880–1967) for his Opium Dreams, 1909. Published under the pseudonym Aiglon.]

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A.M.O.P. Presents: __We Rot Best
 
 
  • I’ve Been Loving You Too Long – Ike & Tina Turner
  • I Would Be Your Slave  – David Bowie
  • Bloom, Baby, Bloom! – Dan Zanes
  • “Texture” – David Lynch
  • Tears – Giorgio Moroder
  • Strays Of The World – Prince (recorded circa 1993)
  • Mission Desire – Jane Weaver
  • Motorik Matching – Madlib
  • Sweatpants – Childish Gambino
  • 6ix – The Lemonheads
  • Sell-Out Agitation Waltz – Mimi & Richard Fariña
  • Let Me Be Good To You – Carla Thomas
  • Suede –  NxWorries ( Knxwledge & Anderson .Paak)
  • Peaches & Cream – Beck
  • Dopping 2000 – Gabriele Ducros
  • Florence-Jean – Damien Jurado
  • Good Day – Frances England
  • Suffer – Smashing Pumpkins
  • Pumpkin – Tricky feat. Alison Goldfrapp
  • The Red Telephone – Love
  • Up The Creek – Tori Amos
  • Ex-Factor – Lauryn Hill
  • Tripwire – Elvis Costello & The Roots
  • Random Fearless – Damien Jurado
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All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS: OPEN BOXES (VOL. 4)

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

Welcome to what is likely the last post of the year (you never know). Yes it’s Volume 4 in the OPEN BOXES series of MixTapes!

(vol 1)

(vol 2)

(vol 3)

Along with a dope mix below you’ll also find a recommended list of things I read (or re-read) since January of this year, 2018. 

There’s a lot of fantastic children’s books featured on the list as well as I am both a father of a three-year-old and a children’s librarian. Whether you have a little one or not to read these to I’d still recommend that you every now and then toss a great children’s book into your reading pile; I guarantee you will be delighted.

So yes, these works listed here are all one’s that I truly enjoyed and/or loved; I highly recommend them all!

so please press play and…as always…

 

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A.M.O.P. Presents: __Open Boxes (Vol. 4)
 
  • Pills And Soap – Elvis Costello & The Attractions
  • Vibrate – Andre 3000 (Outkast)
  • Raise Vibration – Lenny Kravitz
  • Love Me – The Cramps (Jerry Lott a.k.a. Marty Lott a.k.a. The Phantom cover)
  • Tell Me A Story – Iggy Pop
  • Lost In The Tavern – Luboš Fišer
  • Get Bigger / Do U Luv – NxWorries ( Knxwledge & Anderson .Paak)
  • Teach the Newcomers (Interlude)/Dead On It (Remix)/Ants In My Pants/Monopoly on Soul/Drive That Funky Soul/No Compromise/Inspiration/Got That Feeling/Way You Make Me Feel (Remix) feat. M.J./Eddie Murphy Interlude – J.PERIOD x James Brown
  • Sexy MF – Prince & The New Power Generation
  • Nega Maluca/Billy Jean/Eleanor Rigby – Caetano Veloso (Michael Jackson/The Beatles cover)
  • Thriller – Speak Low (Michael Jackson cover)
  • Orgasm – Porno For Pyros
  • Fantastic Garden/Coraline Fly – Bruno Coulais
  • What Goes On – Elizabeth Mitchell (The Velvet Underground cover)
  • Ceiling Fan In My Spoon – The Lemonheads
  • California – Childish Gambino
  • Willow Weep For Me – Thelonious Monk (Bass – Al McKibbon; Drums – Art Blakey; Piano – Thelonious Monk; Vibraphone – Milt Jackson) [Composed by Ann Ronnell]
  • SpottieOttieGossip – Outkast feat Ludacris (J.PERIOD ReFix)
  • The Lecherous Love Seat – Damaged Tape
  • Brooklyn Zoo – Ol’ Dirty Bastard
  • Coochie – Blakroc (The Black Keys ft. Ludacris & Ol’ Dirty Bastard)
  • Wngs – NxWorries ( Knxwledge & Anderson .Paak)
  • Spink And Forcible – Bruno Coulais
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Pills And Soap – Elvis Costello & The Attractions [graphic design by Barney Bubbles]

Vibrate – Andre 3000 (Outkast)

Raise Vibration – Lenny Kravitz

Love Me – The Cramps

Tell Me A Story – Iggy Pop

Lost In The Tavern – Luboš Fišer

Get Bigger / Do U Luv – NxWorries ( Knxwledge & Anderson .Paak)

Teach the Newcomers (Interlude)/Dead On It (Remix)/Ants In My Pants/Monopoly on Soul/Drive That Funky Soul/No Compromise/Inspiration/Got That Feeling/Way You Make Me Feel (Remix) feat. M.J./Eddie Murphy Interlude – J.PERIOD x James Brown

Sexy MF – Prince & The New Power Generation

Nega Maluca/Billy Jean/Eleanor Rigby – Caetano Veloso (Michael Jackson/The Beatles cover)

Thriller – Speak Low (Michael Jackson cover)

Orgasm – Porno For Pyros [photo by Gie Knaeps; Pukkelpop Festival, Hasselt, Belgium, 28th August 1993.]

Fantastic Garden/Coraline Fly – Bruno Coulais [Illustration by Fredrik Edén]

What Goes On – Elizabeth Mitchell (The Velvet Underground cover)

Ceiling Fan In My Spoon – The Lemonheads

California – Childish Gambino [photo by David Burton]

Willow Weep For Me – Thelonious Monk (Bass – Al McKibbon; Drums – Art Blakey; Piano – Thelonious Monk; Vibraphone – Milt Jackson) [Composed by Ann Ronnell]

SpottieOttieGossip – Outkast feat Ludacris (J.PERIOD ReFix)

The Lecherous Love Seat – Damaged Tape

Brooklyn Zoo – Ol’ Dirty Bastard

Coochie – Blakroc (The Black Keys ft. Ludacris & Ol’ Dirty Bastard)

Wngs – NxWorries ( Knxwledge & Anderson .Paak) [illustration by ROBIN VELGHE aka rhymezlikedimez]

Spink And Forcible – Bruno Coulais

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2018 Reading List :________

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All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS: OPEN BOXES (VOL. 2)

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++.>+.+++++++..+++.>++.<<+++++++++++++++.>.+++.——.——–.>+.>.

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

This here mix features two songs from Walter Martin‘s two fantastic records of children’s music (2014’s We’re All Young Together and 2017’s My Kinda Music). Martin was the multi-instrumentalist from what just might be my favorite “NY” band, The Walkmen (I’ve seen them live at least a dozen times) and these “family albums” of his are a real joy to listen to.

You’ll also hear two from the newest and likely last record by Richard Swift, as sadly he died this past July 3rd from complications due to alcohol addiction. This stunning album was released on September 20th, a date that would have marked his and his wife’s 21st wedding anniversary.

Richard Swift was only 41 but he had already amassed an incredible and diverse body of work; sadly he leaves behind as well a wife and three daughters.

I paid tribute to his genius with a mix of his songs in August.

I believe the two songs featured here–the title track “The Hex” and “Dirty Jim“–are more fine examples of what made so much of his art so brilliant: it could be both incredibly playful and yet devastatingly heartbreaking, simultaneously. Take “Dirty Jim” with it’s lovely, jaunty bounce, but despite this ebullient ragtime melody it can twist your guts and that jaunt turns to substance-abused jitters with lines like: “Every daughter in my home, every one I’ve left alone/ Sorry for the tears I gave to you.”

I’ve always admired a man that can take pathos and mutate it into POP.

Somewhat in the same dolorous mode, the closing track “Lullaby” by Rhiannon Giddens backed by the Kronos Quartet seems so sweet and easy until you begin to understand the heartsore and shameful relationships being presented to you. I really believe Rhiannon Giddens is one of the best things American music has going for it these days.

In addition to its hints of slavery and more modern racial tensions this berceuse also brought to my mind how the poet Oliver Wendell Holmes suggested in 1872 that the cuckoo bird replace the bald eagle as the emblem of the United States of America, writing:

“We Americans are all cuckoos. We make our homes in the nests of other birds,”

In his 2011 book The Old, Weird America (originally released with the title, Invisible Republic) music journalist and cultural critic Greil Marcus expanded upon Holmes’ thought:

“We Americans are all cuckoos,” Oliver Wendell Holmes said in 1872. “We make our homes in the nests of other birds.” This is the starting point.
As long as seven hundred years ago,the English were singing that the cuckoo heralded the coming of summer, and yet the bird was hated. Its cry was reviled through the centuries as oppressive, repetitious, maniacally boring, a cry to drive you crazy, a cry that was already crazy, benefiting a bird that was insane. The cuckoo–the true, “parasitic” cuckoo, which despite Holmes’ choice of it for national bird is not found in the United States–lays its eggs in the nests of other birds. It is a kind of scavenger in reverse: violating the natural order of things, it is by its own nature an outsider, a creature that cannot belong. Depositing its orphans, leaving its progeny to be raised by others, to grow up as impostors in another’s house–as America filled itself up with slaves, indentured servants, convicts, hustlers, adventurers, the ambitious and the greedy, the fleeing and the hated, who took or were given new, impostors’ names–the cuckoo becomes the other and sees all other creatures as other. If the host bird removes a cuckoo’s egg from its nest, the cuckoo may take revenge, killing all of the host’s eggs or chicks; in the same manner, as new Americans drove out or exterminated the Indians, when the cuckoo egg hatches the newborn may drive out any other nestlings or destroy any other eggs. As a creature alienated from its own nature,the cuckoo serves as the specter of the alienation of each from all.
[…]
Here is a mystical body of the republic, a kind of public secret: a declaration of what sort of wishes and fears lie behind any public act, a declaration of a weird but clearly recognizable America within the America of the exercise of institutional majoritarian power. […] Here everyone calls upon the will and everyone believes in fate. It is a democracy of manners–a democracy, finally, of how people carry themselves, of how they appear in public. The ruling question of public life is not that of the distribution of material goods or the governance of moral affairs, but that of how people plumb their souls and then present their discoveries, their true selves, to others–unless, as happens here often enough, the fear of not belonging, or the wish for true proof that one does belong, takes over, and people assume the mask that makes them indistinguishable from anyone else. But [here] that mask never stays on for long.
God reigns here, but his rule can be refused. His gaze cannot be escaped; his hand, maybe. You can bet: you can stake a probably real exile on a probably imaginary homecoming. Or you can take yourself out of the game, and wait for a death God will ignore; then you, like so many others, already dead but still speaking, will take your place in the bend of a note in “The Coo Coo Bird.” It’s limbo, but it’s not bad: on the fourth day of July you get to holler.

OK, I assure you it’s not all sadness on the mix nor a visit to Norton Juster’s The Doldrums.

[some of the landscape of The Doldrums, inhabited by the Lethargarians, as depicted in animation legend Chuck Jones’ 1968 adaption of Juster’s 1961 children’s book The Phantom Tollbooth.

 No, not at all. There’s Jack White with a song that sounds like it could have been assembled by Malcolm McLaren in the 80s.
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There’s Judee Sill with one of her sweet sounding folk-tunes soaked in and thirsty for Christian mysticism; she categorized her own style of music as “country cult baroque.” 
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There’s a pretty diddy off of Uruguayan singer-songwriter Juan Wauters‘ 2014 record North American Poetry. I recall reading somewhere Wauters’ music described as alegría melancólica (melancholy joy) and that is an apt description of the mood that colors a good deal of his songs, which are delivered in silly little knots. Just as in modern times “silly” is a mode or attribute of this bizarre, aggregate thing we are that is often all too easily denigrated and dismissed, in my world “silly” is one of the highest compliments I can give. As a culture we really need to relearn how to truly be at play beside the tower.

You’ll hear something fun from Bobby Charles‘ eponymous 1972 record. Charles first made a name for himself back in the mid-1950s  when he wrote the songs “See You Later, Alligator” (becoming a hit for Bill Haley and His Comets), and “Walking to New Orleans” (becoming a hit for Fats Domino).

There’s something from the sole album by P, a short lived project involving Johnny Depp, front-man of the band Butthole Surfers Gibby Haynes, and others like Flea of Red Hot Chili Peppers. This album is in fact the first CD I ever purchased through the miraculous finding machine known as the “internets.”

There’s something from Canadian composer Doug Randle off his 1971 LP Songs For The New Industrial State. This whole bizarre, jingle-like record seems like something that would have been released in the world set-up in Robert Downey Sr.‘s cinematic masterpiece Putney Swope.

Oh and despite the opening title in the sequence of “Mexican Loneliness” to “March Of The Swivelheads,” this is a segue I first committed to cassette tape back in 1997 and 21 years later it still makes me both give a smug chuckle at my own cleverness and want to play hookie.

so please press play and…

 

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A.M.O.P. Presents: __Open Boxes (Vol. 2)
  • Child, the Man Said – Walter Martin
  • The Hex – Richard Swift 
  • The Lamb Ran Away With The Crown – Judee Sill
  • Mexican Loneliness – written by Jack Kerouac; performed by Matt Dillon with Joey Altruda, Joe Gonzalez & Pablo Calogero
  • March Of The Swivelheads – The English Beat
  • Street People – Bobby Charles
  • What Was It You Wanted – Bettye LaVette (Bob Dylan cover)
  • Make Love On The Wing II – Nico Fidenco
  • Me, Marlon Brando, Marlon Brando And I – R.E.M.
  • Michael Stipe – P (Gibby Haynes, Johnny Depp, Sal Jenco, Bill Carter, Flea)
  • Living Well Is The Best Revenge – R.E.M.
  • Escucho Mucho – Juan Wauters
  • That’s Life – James Brown (written by Dean Kay and Kelly Gordon)
  • Who Scared You – The Doors
  • Shut Paranoia – The Fine Machine (Oscar Lindok, aka Giacomo Dell’Orso; Proluton, aka Gianni Dell’Orso; Peter Donimak, aka Nico Fidenco; and Edda Dell’Orso)
  • Dirty Jim – Richard Swift 
  • Steam Heat – Barbara Moore
  • Vive la Company – Doug Randle
  • Corporation – Jack White
  • What We Gained In The Fire – The Mynabirds (produced by Richard Swift)
  • If I Were a Tiger – Walter Martin feat. Milan McAlevey, Nina Dhongia
  • Lullaby – Kronos Quartet & Rhiannon Giddens

 

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Child, the Man Said – Walter Martin

The Hex – Richard Swift

The Lamb Ran Away With The Crown – Judee Sill

Mexican Lonelieness – written by Jack Kerouac; performed by Matt Dillon With Joey Altruda, Joe Gonzalez & Pablo Calogero [photo by Michael Muller]

March Of The Swivelheads – The English Beat

Street People – Bobby Charles [photo by Michael Ochs, 1972]

What Was It You Wanted – Bettye LaVette (Bob Dylan cover)

Make Love On The Wing II – Nico Fidenco

Me, Marlon Brando, Marlon Brando And I – R.E.M. [Marlon Brando, 1948, photo by Ronny Jaques]

Michael Stipe – P (Gibby Haynes, Johnny Depp, Sal Jenco, Bill Carter, Flea)

Living Well Is The Best Revenge – R.E.M.

Escucho Mucho – Juan Wauters

That’s Life – James Brown (written by Dean Kay and Kelly Gordon)

Who Scared You – The Doors [Morrison in the closet of his room at LA’s Chateau Marmont hotel, May 1968, (photo by Art Kane).]

Shut Paranoia – The Fine Machine (Oscar Lindok, aka Giacomo Dell’Orso; Proluton, aka Gianni Dell’Orso; Peter Donimak, aka Nico Fidenco; and Edda Dell’Orso)

Dirty Jim – Richard Swift [photo by Richard Swift, Sept 5 2016]

Steam Heat – Barbara Moore

Vive la Company – Doug Randle

What We Gained In The Fire – The Mynabirds (produced by Richard Swift)

If I Were a Tiger – Walter Martin feat. Milan McAlevey, Nina Dhongia

Lullaby – Kronos Quartet & Rhiannon Giddens

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All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS: WALLOP (VOL. 3)

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

Man, I just can’t get enough of that affected lisp Tom Waits uses on “Jesus Gonna Be Here.” Well you’ll hear that and a whole lot more so scroll down, press play and

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A.M.O.P. Presents: __Wallop (Vol. 3)
  • Slow 30s Room – David Lynch & Dean Hurley
  • Dark Night Of The Soul – Danger Mouse & Sparklehorse Feat. David Lynch
  • Soul Cancer – Mazarine Street
  • Just Like A Baby – Sly & The Family Stone
  • You Left The Water Running – Maurice & Mac
  • Never Get Enough – Lianne La Havas
  • High Water (For Charley Patton) – Bob Dylan
  • High Water Everywhere, Pt. 1 – Charley Patton
  • Opetanie Five – Andrzej Korzyński
  • The Front Door – Valerie June
  • Bambole #2 – Bruno Nicolai (ft. vocal by Edda Dell’Orso)
  • If I Was The Devil – Justin Townes Earle
  • Jesus Gonna Be Here – Tom Waits
  • Ohmerica – The Claypool Lennon Delirium
  • Tr(n)igger – Saul Williams (produced by Trent Reznor)
  • Breaking Glass – David Bowie
  • Rattlesnake – St. Vincent
  • Coldwater Canyon – Dory Previn
  • Un Dollaro Bucato – Gianni Ferrio
  • Rare Birds – Jonathan Wilson
  • Bring My Baby Back / Swamp Descent / Engineer Says – Dr. Dog
  • It Takes A Lot To Laugh, It Takes A Train To Cry – Leon Russell (Bob Dylan cover)
  • Dreamwake – Pino Donaggio

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Slow 30s Room – David Lynch & Dean Hurley

Dark Night Of The Soul – Danger Mouse & Sparklehorse Feat. David Lynch [photo by David Lynch, 2016]

Soul Cancer – Mazarine Street

Just Like A Baby – Sly & The Family Stone [photo by Michael Ochs]

You Left The Water Running – Maurice & Mac

Never Get Enough – Lianne La Havas

High Water (For Charley Patton) – Bob Dylan

High Water Everywhere, Pt. 1 – Charley Patton

Opetanie Five – Andrzej Korzyński

The Front Door – Valerie June [photo by Dustin Cohen]

Bambole #2 – Bruno Nicolai (ft. vocal by Edda Dell’Orso)

If I Was The Devil – Justin Townes Earle [photo by Justin Borucki]

Jesus Gonna Be Here – Tom Waits [photo Paris, 1992 by Guido Harari.]

Ohmerica – The Claypool Lennon Delirium

Tr(n)igger – Saul Williams (produced by Trent Reznor)

Breaking Glass – David Bowie [photo by Norman Parkinson, 1977]

Rattlesnake – St. Vincent

Coldwater Canyon – Dory Previn

Un Dollaro Bucato – Gianni Ferrio

Rare Birds – Jonathan Wilson

Bring My Baby Back / Swamp Descent / Engineer Says – Dr. Dog

It Takes A Lot To Laugh, It Takes A Train To Cry – Leon Russell (Bob Dylan cover)

Dreamwake - Pino Donaggio

Dreamwake – Pino Donaggio

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS: WALLOP (VOL. 2)

++++++++++[>+++++++>++++++++++>+++>+<<<<-]

++.>+.+++++++..+++.>++.<<+++++++++++++++.>.+++.——.——–.>+.>.

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

I said well hello there. The last one had two tracks by Stockholm, Sweden band Mazarine Street from their second record, Thirteen Reasons to Believe. On this you’ll hear two from The Beast Of Mazarine Street, their 1996 debut. The little exotica noodle of “Rabbi” rolls right into their ballad “Let It Come Down,” which features guest vocals by Karin Dreijer who has gone on to achieve success with her solo project, Fever Ray. I’ve always loved the alloy of raunch and sadness expressed by this song’s lyrics, like:

 
So come down on my face
and I’ll eat you on the kitchen floor,
we get to the very core…
sick spirit and sticky teeth

You’ll also hear Big Mama Thornton doing her own gut-bucket, ass-kicking (literally) take on Memphis Minnie‘s “Black Rat Swing.” Big Mama Thornton was recorded in San Francisco on April 25, 1966, and is backed by Muddy Waters and his incredible band: James Cotton (harmonica), Otis Spann (piano), Sammy Lawhorn (guitar), Luther “Guitar Junior” Johnson (bass), and Francis Clay (drums). I recently read an incredible article on Big Mama Thornton written by Cynthia Shearer and published in the 18th annual Southern Music issue of The Oxford American. I highly recommend you give THE THINNING OF BIG MAMA a read.

[“Big Mama,” by Cathey Miller]

[Little Richard, by Charles Burns 1992]

You’ll also hear Little Richard backed by Johnny “Guitar” Watson and produced by Larry Williams. I’ll never understand why the material this incredible performer recorded for the Okeh label in 1966 & 1967 wasn’t a huge hit, as I think it’s all fantastic! For those who don’t quite understand the cultural significance of Richard Wayne Penniman I will share this little tid-bit:
In 1956, David Bowie was not yet ten and his father would bring home the recent hit singles that made bizarre but wholly thrilling rock ‘n’ roller Little Richard a star: “Tutti Frutti” and “Long Tall Sally.” Bowie later said that he had the sensational reaction of “My heart near­ly burst with excitement. I’d never heard anything even resembling this. It filled the room with energy and color and outrageous defiance. I had heard God.” Even as a little boy his ambition had been set to be “a white Little Richard…..or at least his saxophone player.”

Well, you’ll hear this as well as some fantastic Duke EllingtonIggy Pop with David Bowie and Simple Minds; something from Actor, the second album by St. Vincent, released in 2009; and a whole lot more! So…

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—————–======ENJOY YOURSELF____———–

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[cover illustration by Janusz Stanny]

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A.M.O.P. Presents: __Wallop (Vol. 2)
  • Deadweight [edit] – Beck (produced with The Dust Brothers)
  • Dead Record Player – Dr. Dog
  • The Bed – St. Vincent
  • The Mooche (July 1, 1952 Uptown version) – Duke Ellington
  • Peach Trees – Rufus Wainwright
  • The Dance – Prince
  • “Light Of The Self” – David Lynch
  • Profezia – Paolo Ferrara
  • Rabbi / Let It Come Down – Mazarine Street
  • I Had A Dream – Tricky (Ft. Francesca Belmonte)
  • Sweet Virginia – Jerry Lee Lewis (ft. Keith Richards) (Rolling Stones cover)
  • Do Right By Me – Margo Price
  • Echoes Of The Mind – Symmetry (Johnny Jewel & Nat Walker)
  • Pretty As You Feel – Caroleen Beatty & Mushroom (Jefferson Airplane cover)
  • Celebrate – Anderson .Paak
  • Baby I Love You – Machito and His Orchestra ( Aretha Franklin cover)
  • Play It Safe – Iggy Pop (feat. David Bowie, Simple Minds, & Glen Matlock)
  • Black Rat – Big Mama Thornton With Muddy Waters Blues Band
  • Heart-O-Matic Love – Bo Diddley
  • I Heard Your Voice In Dresden – Elvis Perkins
  • Theme From Les Etrangers – François De Roubaix
  • Can’t Live Without Your Love – Janelle Monáe
  • Never Gonna Let You Go – Little Richard
  • Curtains Up” – David Lynch

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Deadweight [edit] – Beck (produced with The Dust Brothers)

Dead Record Player – Dr. Dog

The Bed – St. Vincent [photo by Ray Lego, 2009]

The Mooche (July 1, 1952 Uptown version) – Duke Ellington

Peach Trees – Rufus Wainwright

The Dance– Prince [photo by Randee St Nicholas, 2007]

“Light Of The Self” – David Lynch [Lynch’s diagram of Transcendental Meditation]

Profezia – Paolo Ferrara

Rabbi / Let It Come Down – Mazarine Street

I Had A Dream – Tricky (Ft. Francesca Belmonte)

Sweet Virginia – Jerry Lee Lewis (ft. Keith Richards) (Rolling Stones cover)

Do Right By Me – Margo Price [photo by Andrew White, 2018]

Echoes Of The Mind – Symmetry (Johnny Jewel & Nat Walker)

Pretty As You Feel – Caroleen Beatty & Mushroom (Jefferson Airplane cover)

Celebrate – Anderson .Paak

Baby I Love You – Machito and His Orchestra ( Aretha Franklin cover)

Play It Safe – Iggy Pop (feat. David Bowie, Simple Minds, & Glen Matlock)

Black Rat – Big Mama Thornton With Muddy Waters Blues Band

Heart-O-Matic Love – Bo Diddley

I Heard Your Voice In Dresden – Elvis Perkins

Theme From Les Etrangers – François De Roubaix

Can’t Live Without Your Love – Janelle Monáe [photo by Christina Lessa, 2013]

Never Gonna Let You Go – Little Richard

“Curtains Up” – David Lynch

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS: WALLOP (VOL. 1)

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++.>+.+++++++..+++.>++.<<+++++++++++++++.>.+++.——.——–.>+.>.

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

—  –   ————-______________ ->

Hello All! Hello World!

I said well hello there. When I was in high-school one of my all-time favorite bands was one almost no one ever heard of. At the time I didn’t know nor cared about the cultural, hipster cachet that could be angled from that fact; I just thought they made amazing music! I remember spending hours dancing and singing along to their records alone in my bedroom. Mazarine Street were from Stockholm, Sweden and my best friend’s uncle, Gene Kraut, was their manager and as their 3 records would come out (in 1996; 1997; and 2001) he would mail them over to the U.S. for him. (Gene would also come to manage Arthur Lee of the amazing sixties, Los Angeles based band Love, which is how I discovered them as well, and even saw Lee & Love perform for his Forever Changes Concerts at Warsaw in Brooklyn, on October 23, 2003…incredible!). If I had to describe Mazarine Street as akin to another sound I guess I would say they were something like nineties Beck tackling the thick rock & roll and rough blues of The Rolling Stones. There was something incredibly playful to their blues bravado and alcohol swagger. This good-humored gusto I think can be heard clearly on one of the two songs featured here and taken from their second record, Thirteen Reasons to Believe. With “One More Day” they present a traditional-sounding field holler blues but tweak it with the odd trill and wobble of a theremin.

On this mix you’ll also hear Beastie Boys‘ sonic tribute to Miles Davis‘ record On The Corner, with their very own “Bobo On The Corner,” which features percussionist Eric “Bobo” Correa (the son of famed Latin and jazz percussionist Willie Bobo, who is also featured elsewhere on the mix). This rolls right into the Beastie Boys’ oh-so-fun single of 1995 “Root Down,” which utilizes a sample from Jimmy Smith‘s “Root Down (And Get It)” (a song that was featured in these pages way back on April 11th 2014 on my triptych party-mix On The Good Blood).

This MixTape also features a Blind Melon tune I mentioned a few posts back, the hopped-up banjo and kazoo jam “Skinned” written from the perspective of serial killer Ed Gein (and what I always took as lead singer and lyricist Shannon Hoon‘s somewhat demented, metaphorical commentary on his own issues with addiction and substance abuse). Elswhere you’ll hear Blind Melon’s “Dumptruck,” where Hoon sings with more than a hint of anxiety: “New York City soothing my itchy itchy month of May.”

Oh and I can’t go without making mention of a song that has been a favorite of mine for decades: “Manifold de Amour” by Latin Playboys. Latin Playboys was an experimental group comprising David Hidalgo, Louie Pérez (from the band Los Lobos) ,along with the production partners of Mitchell Froom and Tchad Blake. Taken from their 1994, self-titled debut album, I translate the hypnotic lyrics of “Manifold de Amour” as:

I’m going to sail
To the port of the soul
Crossing the sea,
Until I arrive

 

Well, there’s all this and a whole lot more! So…

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—————–======ENJOY YOURSELF____———–

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A.M.O.P. Presents: __Wallop (Vol. 1)
  • Satisfied – Prince
  • All Your Goodies Are Gone – Parliament
  • One More Day – Mazarine Street
  • “Desire” – David Lynch
  • Good God’s:// Urge! – Porno For Pyros
  • Suena Blanca Espuma – El Kinto
  • To Come Of Age / Black Polished Chrome / Latino Chrome – Jim Morrison & The Doors
  • Power – Ray Barretto (w/ Bass – Andy Gonzales; Bongos – Tony Fuentes; Piano – Louis Cruz; Timbales – Orestes Vilato; Trumpets – Papy Roman, Rene Lopez, Roberto Rodriguez)
  • Bobo On The Corner / Root Down – Beastie Boys (ft. Eric Bobo & Money Mark Nishita; Produced by Mario Caldato Jr.)
  • Broasted Or Fried  – Willie Bobo & The Bo Gents (w/ Bass – Ernie McDaniel; Congas – Victor Pantoja; Drums – Jimmy Smith; Electric Piano – Reggie Andrews; Flute, Tenor Saxophone – Ron Starr; Trumpet, Flugelhorn – Steve Huffsteter)
  • Dumptruck – Blind Melon
  • Manifold de Amour – Latin Playboys (David Hidalgo, Louie Pérez, Mitchell Froom, Tchad Blake)
  • Lady, Your Roof Brings Me Down – Scott Weiland (ft. Accordion – Sheryl Crow; Bass – Martyn LeNoble; Cello – Susie Katayama; Viola – Novi Novog; Violin – Joel Derouin, Robin Lorentz; Piano, Guitar, Drums, Vocals, String Arrangements – Victor Indrizzo)
  • Violets For Your Furs – Billie Holiday With Ray Ellis And His Orchestra (written by Tom Adair & Matt Dennis)
  • Rocks In My Bed – Allen Toussaint With Rhiannon Giddens (written by Duke Ellington)
  • Extraordinary Machine – Fiona Apple (Produced with Jon Brion)
  • Nightschool – Mazarine Street
  • Sweet Virginia – The Rolling Stones
  • Skinned – Blind Melon
  • I Got A Woman – Elvis Presley (Written by Ray Charles)
  • Don’t Let The Sun Catch You Cryin’ – Ray Charles (Written by Joe Greene)
  • Deadweight – Beck (produced with The Dust Brothers)

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Satisfied – Prince [photo by Randee St Nicholas 2007]

All Your Goodies Are Gone – Parliament

One More Day – Mazarine Street

“Desire” – David Lynch [art; Plume Of Desire by David Lynch]

Good God’s:// Urge! – Porno For Pyros

Suena Blanca Espuma – El Kinto

To Come Of Age / Black Polished Chrome / Latino Chrome – Jim Morrison & The Doors

Power – Ray Barretto (w/ Bass – Andy Gonzales; Bongos – Tony Fuentes; Piano – Louis Cruz; Timbales – Orestes Vilato; Trumpets – Papy Roman, Rene Lopez, Roberto Rodriguez)

Bobo On The Corner / Root Down – Beastie Boys (ft. Eric Bobo & Mark Nishita; Produced by Mario Caldato Jr.)

Broasted Or Fried – Willie Bobo & The Bo Gents (w/ Bass – Ernie McDaniel; Congas – Victor Pantoja; Drums – Jimmy Smith; Electric Piano – Reggie Andrews; Flute, Tenor Saxophone – Ron Starr; Trumpet, Flugelhorn – Steve Huffsteter)

Dumptruck – Blind Melon [photo by Chris Cuffaro, 05.25.95]

Manifold de Amour – Latin Playboys (David Hidalgo, Louie Pérez, Mitchell Froom, Tchad Blake)

Lady, Your Roof Brings Me Down – Scott Weiland (ft. Accordion – Sheryl Crow; Bass – Martyn LeNoble; Cello – Susie Katayama; Viola – Novi Novog; Violin – Joel Derouin, Robin Lorentz; Piano, Guitar, Drums, Vocals, String Arrangements – Victor Indrizzo)

Violets For Your Furs – Billie Holiday With Ray Ellis And His Orchestra (written by Tom Adair & Matt Dennis)

Rocks In My Bed – Allen Toussaint With Rhiannon Giddens (written by Duke Ellington)

Extraordinary Machine – Fiona Apple (Produced with Jon Brion)

Nightschool – Mazarine Street [art by JAKOB KRAJCIK]

Sweet Virginia – The Rolling Stones

Skinned – Blind Melon [photo by Danny Clinch, 1995]

I Got A Woman – Elvis Presley (Written by Ray Charles)

Don’t Let The Sun Catch You Cryin’ – Ray Charles (Written by Joe Greene)

Deadweight – Beck (produced with The Dust Brothers) [photo by Andrea Giacobbe, 1997]

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS:__LADDER UNDER HER; WATER EVERYWHERE

____________———-___=

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

—  –   ————-______________ ->

Hello All.

Welcome to the latest A.M.O.P. Mixtape:_Ladder Under Her; Water Everywhere

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—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

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A.M.O.P. Presents: Ladder Under Her; Water Everywhere
  • Le Grand – Lilacs & Champagne
  • Vessels – The Moonlandingz (ft. Sean Lennon; Adrian Flanagan and Dean Honer of the The Eccentronic Research Council; Lias Saoudi AKA Johnny Rocket and Saul Adamczewski of Fat White Family)
  • Windswept – Johnny Jewel
  • St-Clementine-On-Tea-And-Croissants / Nemesis – Benjamin Clementine
  • You Ain’t Going Nowhere – The Byrds (Bob Dylan cover)
  • Rainbow Children / Muse 2 The Pharaoh – Prince
  • Ted, Just Admit It… – Jane’s Addiction
  • Twin Peaks: Fire Walk With Me – Fantômas (Mike Patton, Dave Lombardo, Buzz Osborne, Trevor Dunn)(written by David Lynch & Angelo Badalamenti)
  • Stolen Pictures (Mix) – David Lynch & Angelo Badalamenti; mixed by TWIN PEAKS SOUNDTRACK DESIGN
  • The Crimson Kiss – Johnny Jewel
  • You Don’t Miss Your Water (Gram Parsons vocal) – The Byrds (William Bell cover)
  • Someone I Know – Margo Guryan
  • Satellite Of Love – Lou Reed; ft. David Bowie
  • Shabby Doll – Elvis Costello & The Attractions
  • No More – Dean Hurley
  • You Don’t Miss Your Water – William Bell
  • Atonement – The Roots Feat. Jack Davey
  • Every Tear Disappears – St. Vincent
  • Crimson Escalation (34/370) – crush_DLX (Pop Levi & Bunny Holiday)

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[Le Grand – Lilacs & Champagne]

[Vessels – The Moonlandingz (photo by Silvia Saponaro)]

[Windswept – Johnny Jewel]

[St-Clementine-On-Tea-And-Croissants / Nemesis – Benjamin Clementine]

[You Ain’t Going Nowhere – The Byrds (Bob Dylan cover) (art by Jo Mora, 1932)]

[Rainbow Children / Muse 2 The Pharaoh – Prince]

[Ted, Just Admit It… – Jane’s Addiction]

[Twin Peaks: Fire Walk With Me – Fantômas (Mike Patton, Dave Lombardo, Buzz Osborne, Trevor Dunn)(written by David Lynch & Angelo Badalamenti)]

[Stolen Pictures (Mix) – David Lynch & Angelo Badalamenti; mixed by TWIN PEAKS SOUNDTRACK DESIGN]

[The Crimson Kiss – Johnny Jewel]

[You Don’t Miss Your Water (Gram Parsons vocal) – The Byrds (William Bell cover)]

[Someone I Know – Margo Guryan]

[Satellite Of Love – Lou Reed; ft. David Bowie (photo by Mick Rock)]

[Shabby Doll – Elvis Costello & The Attractions (cover art “Snakecharmer & Reclining Octopus” by Barney Bubbles)]

[No More – Dean Hurley]

[You Don’t Miss Your Water – William Bell]

[Atonement – The Roots Feat. Jack Davey]

[Every Tear Disappears – St. Vincent (photo by Kara Smarsh)]

[Crimson Escalation (34/370) – crush_DLX (Pop Levi & Bunny Holiday)]

___________________))))))))))))))))
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.