Category Archives: Paul McCartney

THE DEMISE OF THE MASK (VOL 12)__VEHICLES OF CONVEYANCE___

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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__The Demise Of The Mask (Vol 12)__Vehicles of Conveyance___
  • India – Roxy Music
  • 3 Legs (Thrillington version) – Percy “Thrills” Thrillington (Paul McCartney)
  • Higher – Rihanna
  • Cheshire Cat Cry – Yoko Ono Plastic Ono Band
  • Wayward – Anon (aka Wynn)
  • It Is Obvious – Syd Barrett
  • 3 Legs – Paul & Linda McCartney
  • The Terror/You Are Alone/Butterfly, How Long It Takes To Die – The Flaming Lips
  • The Best Is Yet To Come – Bob Dylan (composed by Cy Coleman, lyrics by Carolyn Leigh)
  • Let Me Be – Parliament
  • Steer Your Way – Leonard Cohen
  • Sister I Need Wine – Guided By Voices
  • Cool Papa Bell – Paul Simon
  • Fekete Beat – Sarolta Zalatnay
  • Big Black Monster – Scott Weiland
  • Star Dream Girl – David Lynch
  • Wampyr (finale) – Goblin
  • Beware Of Darkness – Leon Russell (George Harrison cover)
  • Bluebird of Delhi (Mynah) – Duke Ellington And His Famous Orchestra
  • The Day I Tried To Live – Soundgarden 
  • Goodbye – Anon (aka Wynn)
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Hello All.

Welcome to Volume Twelve of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)__(Volume Eight here)__(Volume Nine here)__(Volume Ten here)__(Volume Eleven here)-

I do hope you dig this here MixTape as it features some fine, fine music! There’s a couple of selections from the album Universe. Envisioned and created by an artist that alternately goes by the monikers Wynn, W.Y.N.N., and ANON, Universe is an assemblage of brief bursts, soundscapes, scrapes, sodden ambiance, demented little diddies, digital bumps, bedroom tapes, and soft moments of sweeping beauty. These fragmented tracks all seem to step on each-other’s toes as often as they rub elbows. You can catch Wynn playing live on Sat. June 3rd, 2017 around 9PM at the gallery/performance space Orgy Park:

Located in Bushwick Brooklyn between Wilson and Knickerbocker Ave
237 Jefferson Street 1B
Brooklyn, NY 11237
929 234 1277 (p)
orgypark(at)gmail.com
 Elsewhere on the mix there’s the incredibly funky “Cheshire Cat Cry” by then 80 year old Yoko Ono, featuring Lenny Kravitz and her fluid group Plastic Ono Band helmed by her supremely talented son Sean Lennon. “Cool Papa Bell” comes from Paul Simon‘s last record, the fantastic Stranger to Stranger released  a year ago in June of 2016. I highly recommend picking that one up! You’ll also hear  Leon Russell‘s re-imagining of the great George Harrison tune, “Beware of Darkness.” This version closes out Russell’s second solo album Leon Russell and the Shelter People, released in May of 1971. Along with Russell’s inventive, kinetic take there are Harrison’s incredible lyrics, like:
Watch out now, take care
Beware of soft shoe shufflers
Dancing down the sidewalks
As each unconscious sufferer
Wanders aimlessly
Beware of Maya
 and:
Watch out now, take care
Beware of greedy leaders
They take you where you should not go
While Weeping Atlas Cedars
They just want to grow, grow and grow
Beware of darkness

You’ll also hear two versions of the Paul McCartney diddy “3 Legs.” There’s the original from the 1971 Paul and Linda McCartney record Ram, and then there’s the orchestral Percy “Thrills” Thrillington version. Under this pseudonym, and alongside arranger Richard Anthony Hewson, McCartney served as producer for the record Thrillington, which is an instrumental cover version of the entire album of Ram recorded during the sessions for the album proper itself in 1971. It would be released with little notice 6 years later in 1977, but I think it’s a ton of fun! This mix has got “Fekete Beat” (Black Beat) which can be found on the compilation of Hungarian star Sarolta Zalatnay‘s finest work of the seventies, put out in 2007 by one of my favorite record labels, Finders Keepers and their US distribution arm, B-Music.

Featured here as well is a long, unnerving triptych by The Flaming Lips from their 2013 LP, The Terror. On this record the group strip their usual sound of vivid squiggles and leave it as something skeletal—shards of brittle metal made tactile with silver glitter and a patina of chemical compounds. Lead vocalist Wayne Coyne described the album’s general idea as thus:

“We want, or wanted, to believe that without love we would disappear, that love, somehow, would save us that, yeah, if we have love, give love and know love, we are truly alive and if there is no love, there would be no life. The Terror is, we know now, that even without love, life goes on… we just go on… there is no mercy killing.”

The group’s multi-instrumentalist Steven Drozd explained its premise with:

““The terror is that internal feeling you get that you and everyone you love is going to die.””

Yes, this record is not a pleasant listen, yet I still think it’s an incredible piece of work. You can find the lyrics for the three The Terror selections below:

The Terror
However long they love you, we are all standing alone
The terror’s in our heads, they don’t control the controls
I turn to face the sun, we are still standing alone
At last we’ll stand by the terror, it helps us take the controls
We’ll save the last sunshine, the way I long to go
We’ll save the love, you’ll still love, we’re searching through the dark
We’ll save the last sunshine, the way I long to go
We’ll save the love, you’ll still love, we’re searching through the dark
We’ve all tried to come through
We’ve always tried to come through
We all stretched to come to this
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You Are Alone
Hold on, we long for the bell
Our time is showing our respect
Can I handle the decision needed?
And I have to lay on reality’s dream
Oh-oh, oh-oh, oh-oh, oh-oh
Just as I want your ecstasy appear
Just enough to make me wanna feel
Through the love we sacrifice now
It’s the only sound of your own fear
Oh-oh, oh-oh, oh-oh, oh-oh
You’re not alone, you are alone
You’re not alone, you are alone
Oh-oh, oh-oh, oh-oh, oh-oh
Oh-oh, oh-oh, oh-oh, oh-oh
You’re not alone, you are alone
You’re not alone, you are alone
Oh-oh, oh-oh, oh-oh
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Butterfly, How Long It Takes To Die
If you’ve ever really seen the sun rise
You will see how many times it tries
If you’ve ever really seen the sun set
You will see how long it takes to die
You can see the butterfly has landed
Landed on your prison plates, you’re out
You can feel it’s trouble making a teardrop
You will see how long it takes to fly
You can see the universe beginning
Making all the sun and the sky
You can see the universe is ending
Making love darker than the night
The penultimate song here on this MixTape is one that has long been one of my favorites by the band Soundgarden: “The Day I Tried to Live.” Recently departed frontman Chris Cornell (R.I.P.) has seemingly always been praised for his stunning vocals, however, I feel that he’s never received the deserved respect for his gifts with phrasing, melody, and poetic craft in terms of his lyrics. These are all on powerful display here on this song released in 1994 as the second single from the band’s fourth studio album, Superunknown. Just listen to the adroit manner in which he curves and pulls the song’s attention grabbing opening of:
I woke the same as any other day
except a voice was in my head.
It said, “Seize the day, pull the trigger,
drop the blade and watch the rolling heads.”

 This song to me (and so appropriately for a fourteen-year-old boy in NYC) has always seemed to be about someone struggling to overcome their anti-social behaviors and the perverse superiority complexes that blossom from them—perverse in that they stem from a territory of mental anguish and depression turned vicious even if withdrawn. It’s a belief that, no, you are not better than anyone, but yes, they are worse than you. (Now that I think of it, this might have been the predominant mood of adolescents in the early 90s, and of the culture that appealed to them, such as supposed Grunge music). The singer here summons the courage to “one more time” go out and “try to live,” even if that life requires him to “wallow[…] in the blood and mud with all the other pigs.” Yes, even if he detests the society he is attempting to join, one that leaves him declaring with a shout:

The day I tried to win
I dangled from the power lines
And let the martyrs stretch
 Even though it all seems so pointless and futile, because:
Words you say
Never seem to live up to the ones inside your head
The lives we make
Never seem to ever get us anywhere but dead
Yes, even though this attempt at life leads to an awful confrontation, a realization that he confesses with:
I learned that I was a liar…just like you…
 Yes, even despite all this the singer tries to live, because the alternative is always and only just a lonesome anguish with your own abysmal brain. Yes, even though at the end of the day he will fail “to live” and dismally wail:
I woke the same as any other day you know
I should have stayed in bed
Yet, you get the sense that the singer will try again tomorrow, that tomorrow it will again be:
One more time around
(Might do it)
One more time around
(I might make it)
This is truly a stunning song on a phenomenal album. The experimentation in musicality, narratives, and odd melodies featured throughout Superunknown are pushed even further on their next record, which has always been (unfashionably, I know) my favorite by them: Down on the Upside. If  down in my basement I can find my copy of both that and Cornell’s first solo studio album, the beautiful Euphoria Morning released in 1999, well then I’ll certainly be featuring them on future mixes in tribute of a talented, sensitive artist that succumbed way too young.
On a somewhat more silly yet no less earnest or appreciative note; at sixteen-years-old as soon as the thin whiskers on my face began to grow a bit thicker and dark I started to shape them with a razor into a disconnected mustache and a sloped tuft on the chin that ran tight along the jaw line, curving up to meet the sideburns. Essentially this is a scruffier version of what is known in Queens by the dysphemism of Puerto Rican Chin Strap. I have more or less sported this same look for roughly twenty years. I would guess that my adolescent friends assumed that this was a result of my admiration (infatuation, I’m sure they’d tease) for the actor Johnny Depp. When news broke of Cornell”s suicide on the morning of May 18, 2017, I suddenly recalled how as an awkward sixteen-year-old boy (as I’m now sure they all are) I really wanted to be sexy and cool (as I’m now sure they all do). From March to November of 1996 (I turned 16 in July) Soundgarden released three music videos to accompany songs used to promote the record Down on the Upside: “Pretty Noose;” “Burden in My Hand;” and “Blow Up the Outside World.”

I can now clearly remember seeing the pensive and handsome Chris Cornell (and his beard) in those videos and thinking something along the lines of, “now that is a cool American male, now that is a sexy American male,” with all the poetic sensitivity yet artistic power and artistic aggression that I believed went into that. Now it might seem trivial or even disrespectful to discuss facial-hair fashion choices in the context of someone’s tragic death, but I will forever be grateful to this wonderful artist whose presence helped a suffering young man feel a little confidant, a little sexy and a little cool.

Again, Chris Cornell thank you and may you rest in peace.
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Well, there’s all this and a whole bunch of other fantastic sounds so go on down and press play !

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—————–======ENJOY YOURSELF____———–

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 12)__Vehicles of Conveyance___
  • India – Roxy Music
  • 3 Legs (Thrillington version) – Percy “Thrills” Thrillington (Paul McCartney)
  • Higher – Rihanna
  • Cheshire Cat Cry – Yoko Ono Plastic Ono Band
  • Wayward – Anon (aka Wynn)
  • It Is Obvious – Syd Barrett
  • 3 Legs – Paul & Linda McCartney
  • The Terror/You Are Alone/Butterfly, How Long It Takes To Die – The Flaming Lips
  • The Best Is Yet To Come – Bob Dylan (composed by Cy Coleman, lyrics by Carolyn Leigh)
  • Let Me Be – Parliament
  • Steer Your Way – Leonard Cohen
  • Sister I Need Wine – Guided By Voices
  • Cool Papa Bell – Paul Simon
  • Fekete Beat – Sarolta Zalatnay
  • Big Black Monster – Scott Weiland
  • Star Dream Girl – David Lynch
  • Wampyr (finale) – Goblin
  • Beware Of Darkness – Leon Russell
  • Bluebird of Delhi (Mynah) – Duke Ellington And His Famous Orchestra
  • The Day I Tried To Live – Soundgarden 
  • Goodbye – Anon (aka Wynn)

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[India – Roxy Music]

[3 Legs (Thrillington version) – Percy “Thrills” Thrillington (Paul McCartney)]

[Higher – Rihanna]

[Cheshire Cat Cry – Yoko Ono Plastic Ono Band]

[Wayward – Anon (aka Wynn)]

[It Is Obvious – Syd Barrett (art by Storm Thorgerson)]

[3 Legs – Paul & Linda McCartney]

[The Terror/You Are Alone/Butterfly, How Long It Takes To Die – The Flaming Lips (art by Steven Fiche)]

[The Best Is Yet To Come – Bob Dylan (composed by Cy Coleman, lyrics by Carolyn Leigh)]

[Let Me Be – Parliament]

[Steer Your Way – Leonard Cohen (art by Jenny Holzer)]

[Sister I Need Wine – Guided By Voices]

[Cool Papa Bell – Paul Simon]

[Fekete Beat – Sarolta Zalatnay]

[Big Black Monster – Scott Weiland (photo by Brie Childers, 2008)]

[Star Dream Girl – David Lynch]

[Wampyr (finale) – Goblin]

[Beware Of Darkness – Leon Russell]

[Bluebird of Delhi (Mynah) – Duke Ellington And His Famous Orchestra]

[The Day I Tried To Live – Soundgarden ]

[Goodbye – Anon (aka Wynn)]

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL 11)__GOOD MORNING GALLOWS___

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All.

Welcome to Volume Eleven of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)__(Volume Eight here)__(Volume Nine here)__(Volume Ten here)-

I do hope you dig this here MixTape as it features some fine, fine music! There’s some stuff from Harry Nilsson‘s gorgeous 1973 album of classic 20th-century standards, A Little Touch of Schmilsson in the Night, a great tune from Karen Elson (produced by her then husband, Jack White), and two from Bruce Springsteen‘s 1973 debut: Greetings from Asbury Park, N.J. To be honest it took me a long, long time to even give Springsteen a chance, until my buddy Matt Volz insisted that I listen to his first two records, and boy was he right! What a talent!

You’ll hear an 8-track demo outtake of John Lennon‘s powerful anthem, “God“, recording during the sessions for his first post-Beatles solo album, 1970’s John Lennon/Plastic Ono BandParliament is represented with “The Goose,” which features a favorite line of mine:

Now, I’m as happy as a monkey with a peanut machine
Since I found you
 Speaking of the Parliament-Funkadelic collective, their resident keyboard wizard Bernie Worrell is featured here with his project Baby Elephant, which was a collaboration with Stetsasonic member/De La Soul producer Prince Paul and longtime Paul associate Don Newkirk. The Steve Harley & Cockney Rebel song here on this MixTape contains another of my favorite lines:
My only vice is the fantastic prices I charge for being eaten alive. . .
 Oh and do yourself a favor and let yourself really sink in and groove with Polish jazz musician Michal Urbaniak‘s “Atma.” This is an artist I only got clued into from this song being sampled on Beastie Boys tune “The Scoop” on their brilliant 1994 LP Ill Communication. You’ll also hear Josh Tillman (aka Father John Misty) and his fantastic meditation on narcissism and self-medicating, “A Bigger Paper Bag,” off of his newest LP Pure Comedy, which I’ll go on record now in May and say is the best record of 2017.
Bob Dylan is here with one of his finest compositions, “Visions Of Johanna” and you’ll hear what I believe to be David Bowie‘s most terrifying song—released on his 2013 (and sadly penultimate) record The Next Day, here are the lyrics to  “If You Can See Me :
If you can see me I can see you
I could wear your new blue shoes
I should wear your old red dress
And walk to the crossroad, so take this knife
And meet me across the river
Just chutes and ladders
And this is the kiss
American Anna fantastic Alsatian
From nowhere to nothing
And I go way back
Children swarm like thousands of bugs
Towards the light
The beacons above the hill
The stars to the West, the South, the North
And to the East
Now you can say I’ve got a gift of sorts
A fear of rear windows and swinging doors
My love of violence and tenants’ sighs
If you can see me I can see you
If you can see me I can see you
I have seen these bairns wave their fists at God
Swear to destroy the beast, stamping the ground
In their excitement for tomorrow
I could wear your new blue shoes
I should wear your old red dress
And walk to the crossroad, so take this knife
And meet me across the river
I will take your lands and all that lays beneath
The dust of cold flowers, drizzle of dark ashes
I will slaughter your kind, descend from belief
I am the spirit of greed, the lord of theft
Burn all your books and the problems they make
If you can see me I can see you
If you can see me

Yes! There’s all this and a whole bunch of other good stuff so go on down and press play !

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—————–======ENJOY YOURSELF____———–

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 11)__Good Morning Gallows ___
  • Naked We Come – (written by Jim Morrison; read by Johnny Depp)
  • Let The Wind Blow – The Beach Boys
  • Does This Bus Stop At 82nd Street? / Lost In The Flood – Bruce Springsteen
  • If You Can See Me – David Bowie
  • Fred Berry – Baby Elephant (Bernie Worrell, Prince Paul, Newkirk)
  • Atma (Today, Tomorrow) – Michal Urbaniak
  • My Only Vice – Steve Harley & Cockney Rebel
  • Visions Of Johanna – Bob Dylan
  • Chilling Of The Evening – Arlo Guthrie 
  • I’m So Tired – The Beatles
  • Can’t Run But – Paul Simon
  • Mellow Blue Polka Dot – Damien Jurado
  • The Autopsy Garland – The Mountain Goats
  • Two Little Hitlers – Elvis Costello & The Attractions
  • The Goose – Parliament
  • Always / Makin’ Whoopee! – Harry Nilsson
  • A Bigger Paper Bag – Father John Misty
  • The Truth Is In The Dirt – Karen Elson
  • God (8-track John Lennon/Plastic Ono Band sessions outtake) – John Lennon

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[Naked We Come – (written by Jim Morrison; read by Johnny Depp)]

[Let The Wind Blow – The Beach Boys]

[Does This Bus Stop At 82nd Street? / Lost In The Flood – Bruce Springsteen]

[If You Can See Me – David Bowie]

[Fred Berry – Baby Elephant (Bernie Worrell, Prince Paul, Newkirk)]

[Michal Urbaniak ‎– Atma]

[My Only Vice – Steve Harley & Cockney Rebel]

[Visions Of Johanna – Bob Dylan (photo by Jerry Schatzberg, 1965)]

[Chilling Of The Evening – Arlo Guthrie (photo by Mary Ellen Mark)]

[I’m So Tired – The Beatles]

[Can’t Run But – Paul Simon]

[Mellow Blue Polka Dot – Damien Jurado (w/ Richard Swift)]

[The Autopsy Garland – The Mountain Goats]

[Two Little Hitlers – Elvis Costello & The Attractions (art by Barney Bubbles, 1979)]

[The Goose – Parliament]

[Always / Makin’ Whoopee! – Harry Nilsson]

[A Bigger Paper Bag – Father John Misty (photo by Austin Hargrave, 2017)]

[The Truth Is In The Dirt – Karen Elson]

[God (8-track John Lennon/Plastic Ono Band sessions outtake) – John Lennon]

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL. 9)__MEDICINE WHEEL___

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 9)__Medicine Wheel ___
  • La Via Della Droga (M2)  – Goblin
  • Regeneration – Stone Temple Pilots
  • The Clan – Geoff Bastow
  • Mama You Sweet – Lucinda Williams
  • Cold Roses – Ryan Adams & The Cardinals
  • Blue Eyes Crying In The Rain – Elvis Presley
  • Clouds Up – Air
  • Little Rain – The Rolling Stones (Jimmy Reed cover)
  • Hurry Sundown – Little Richard
  • Let’s Pretend It’s Summer – The Brian Jonestown Massacre
  • Earthquake Weather – Beck
  • Me And Jane Doe – Charlotte Gainsbourg (written, performed, & produced w/ Beck)
  • Blue Jay Way – The Beatles
  • Parade of Blood Red Sorrows – Jane Weaver
  • Diode – Andy Votel
  • Shade Lady – Quincy Jones
  • How’m I Gonna Keep Myself Together – Dory Previn
  • Upstairs By A Chinese Lamp / Map To The Treasure / Beads Of Sweat – Laura Nyro
  • I’ll Keep It With Mine – Nico (Bob Dylan cover)
  • 04/27/05 Wednesday – Fantômas (Mike Patton)
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Hello All.

Welcome to Volume Nine of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)__(Volume Eight here)-

I’ve got quite a treat MixTape here for you. This one features the Stone Temple Pilots‘ tune “Regeneration” from their 2001 record Shangri-La Dee Da; a song I’ve always appreciated for the prog embellishments given to their more typical style of whirl-with-a-sugared-crunch, and for the fact that Scott Weiland‘s vocals here remind me so much of my uncle’s but taken out of the context of his own Candombe-beat-rock-n-roll. You’ll also hear one of my favorite songs by the fantastic Lucinda Williams, “Mama You Sweet.” This is a song that I can marvel at with every listen, how with such precision she spirals through an aggregate of metaphors for grief–she navigates them as each feeds into the next–seemingly trapped but with the only release being to collapse out onto the total, simple truth of the titular phrase: “I love you, Mama you sweet.” Really, this is just stunning songwriting! You’ll also hear from one of my favorite songwriters, the always brilliant and honest Dory Previn; one song each from the married couple of Jane Weaver and DJ/producer Andy Votel; something from the work that Goblin did for the soundtrack of the 1977 film La via della droga (mainly exported as “The Heroine Busters” or “Dealer Connection”); something from one of Elvis Presley‘s final recording sessions, in the Jungle Room at Graceland on 7 February 1976; and The Rolling Stones with a Jimmy Reed cover taken from their joyous record of blues covers released at the end of last year, Blue & Lonesome. Oh, and along with a whole lot of other great tunes you’ll hear a three song portion of the second side of Laura Nyro‘s great LP of 1970, Christmas and the Beads of Sweat, featuring Alice Coltrane on harp and Duane Allman on guitar.

Also below you’ll find a list of things I read (or re-read) so far since January of this year. These are works that I truly enjoyed and/or loved. I highly recommend them all!

I’m currently half-way through The Complete Fiction of Bruno Schulz: The Street of Crocodiles, Sanatorium Under the Sign of the Hourglass, translated by Celina Wieniewska, and wow! Schulz’s language has repeatedly made me pause with wonder; it’s just stunning.

I had heard this writer’s name before but what compelled me to find this book down in the library’s basement is having seen The Hourglass Sanatorium (Sanatorium pod klepsydrą), a 1973 Polish film directed by Wojciech Jerzy Has, a beautiful phantasmagorical work, a cinematic poem, which was based on Bruno Schulz’s story collection. The film won the Jury Prize at the 1973 Cannes Film Festival, and has quickly become one of my favorite films of all time.

You can read about it here at the fantastic film blog 366 Weird Movies, and you can watch the whole thing here on Vimeo.

After I finish up this book I plan on picking up a work of literature by one of my favorite painters, Leonora Carrington (her 100th birthday would have been April 6th). Perhaps I’ll read her novella The Hearing Trumpet, or The Complete Stories of Leonora Carrington, which is just about to be published by the small press Dorothy.

And then I finally plan to commit to the brilliant Alan Moore‘s massive (1266 pages) novel: Jerusalem 

But as for what I have read and listed, I’d truly recommend anything you find below!

I do want to make special mention of the graphic novel/comic book biography Pablo by Julie Birmant & Clement Oubrerie, published by independent publishing house SelfMadeHero as part of their great “Art Masters Series.” Here Picasso’s formative years are narrated by his first great love and muse, the artists’ model Fernande Olivier, and the whole work is just beautiful with an intimacy biographies can often lack.

Oh, and remember this month is not only National Poetry Month, but as Mike Patton‘s Fantômas project reminds us, “April is national humor and anxiety month.”

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—————–======ENJOY YOURSELF____———–

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__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 9)__Medicine Wheel ___
  • La Via Della Droga (M2)  – Goblin
  • Regeneration – Stone Temple Pilots
  • The Clan – Geoff Bastow
  • Mama You Sweet – Lucinda Williams
  • Cold Roses – Ryan Adams & The Cardinals
  • Blue Eyes Crying In The Rain – Elvis Presley
  • Clouds Up – Air
  • Little Rain – The Rolling Stones (Jimmy Reed cover)
  • Hurry Sundown – Little Richard
  • Let’s Pretend It’s Summer – The Brian Jonestown Massacre
  • Earthquake Weather – Beck
  • Me And Jane Doe – Charlotte Gainsbourg (written, performed, & produced w/ Beck)
  • Blue Jay Way – The Beatles
  • Parade of Blood Red Sorrows – Jane Weaver
  • Diode – Andy Votel
  • Shade Lady – Quincy Jones
  • How’m I Gonna Keep Myself Together – Dory Previn
  • Upstairs By A Chinese Lamp / Map To The Treasure / Beads Of Sweat – Laura Nyro
  • I’ll Keep It With Mine – Nico (Bob Dylan cover)
  • 04/27/05 Wednesday – Fantômas (Mike Patton)
,
—————————————–================__^__===================  ===  _ ===== == =   = =  __
medicine-wheel  
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___    ______________—————__

[La Via Della Droga (M2) – Goblin]

[Regeneration – Stone Temple Pilots]

[The Clan – Geoff Bastow]

[Mama You Sweet – Lucinda Williams (photo by Annie Leibovitz)]

[Cold Roses – Ryan Adams & The Cardinals (photo by David Black)]

[Blue Eyes Crying In The Rain – Elvis Presley]

[Clouds Up – Air]

[Little Rain – The Rolling Stones (Jimmy Reed cover)]

[Hurry Sundown – Little Richard]

[Let’s Pretend It’s Summer – The Brian Jonestown Massacre]

[Earthquake Weather – Beck (photo by Autumn de Wilde, 2005)]

[Me And Jane Doe – Charlotte Gainsbourg (written, performed, & produced w/ Beck)]

[Blue Jay Way – The Beatles]

[Parade of Blood Red Sorrows – Jane Weaver]

[Diode – Andy Votel (Water color of Andy by Saydan Aksit)]

[Shade Lady – Quincy Jones]

[How’m I Gonna Keep Myself Together – Dory Previn]

[Upstairs By A Chinese Lamp / Map To The Treasure / Beads Of Sweat – Laura Nyro]

[I’ll Keep It With Mine – Nico (Bob Dylan cover). (photo by Lisa Law, Los Angeles, CA 1967)]

[04/27/05 Wednesday – Fantômas (Mike Patton)]

The Umbrella Academy, Vol. 1: Apocalypse Suite / The Umbrella Academy, Vol. 2: Dallas by Gerard Way & Gabriel Ba

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL. 8)__Bread & Circus ___

__

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=

—  –   ————-______________ ->

demise_cvr_8

__________———

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__________—

Hello All.

Welcome to Volume Eight of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)-

I’ve got quite a treat MixTape here for you as this one features a triple-play by Hamilton Leithauser: first there’s “We Can’t Be Beat” from the last album by his always fantastic group The Walkmen, 2012’s Heaven; then there’s a selection from Leithauser’s 2014 debut solo studio album, Black Hours; and finally there’s the song “When The Truth Is…” from last year’s stunning record I Had a Dream That You Were Mine, which is a collaborative work with Rostam Batmanglij (the former multi-instrumentalist and producer of Vampire Weekend).

You’ll also hear Aretha Franklin, some Beastie Boys, the lovely “Rainbows In Gasoline” by the duo of Sean Lennon and Charlotte Kemp Muhl who record together under the moniker of The Ghost of a Saber Tooth Tiger (or GOASTT), and a fine example of why John Lennon was one of the greatest of rock ‘n’ roll vocalists with The Beatles‘ tune “All I’ve Got To Do.”

As well, there are two selections from the Parliament-Funkadelic collective: first there’s a cover of The Beatles by incendiary yet so sweet guitarist Eddie Hazel from his 1977 solo debut Game, Dames and Guitar Thangs, which features incredible vocals by The Brides of Funkenstein (the duo of Dawn Silva and Lynn Mabry, who prior to joining the P-Funk collective were members of Sly and the Family Stone); later on you’ll catch the revolving, kaleidoscopic groove of “Supergroovalisticprosifunkstication” from Parliament‘s 1975 masterpiece, Mothership Connection.

Oh and I can’t forget to mention the rendition of Magic Sam‘s All Of Your Love” done with grit and precision by The Rolling Stones and taken from their joyous record of blues covers released at the end of last year, Blue & Lonesome.

Among a whole bunch of other great sounds this mix also features two figures who are perhaps the most poetic recording artists of Uruguayan music: Jaime Roos and Eduardo Mateo. The song “Viviendo” is from Roos’ third record, Aquello released in 1981. There is a translation done by my father below for those that are interested:

Viviendo (Living) by Jaime Roos [translated by Julio Calero]
I remember you
You’re the One
Who could understand  it
No big deal
That we do not love each other
You could understand it
.
Friend, where abouts may you be?
What seas may you be sailing?
Soon we’ll cross paths
And I’ll find you
Living
You’ll find me
Living
.
You’ll hear
The world was
And will be a marvel, I already know
It could be
My voice
Coming out of a nightmare that’s gone
.
Friend, where abouts may you be?
What seas may you be sailing?
Soon we’ll cross paths
And I’ll find you
Living
where abouts may you be?
Living
Alone, perhaps
Living

Throughout his long career Jaime Roos has continued to make an interesting mix of rock and folk with the more traditional sounds of Uruguay like candombe, milonga, tango and murga. He’s still out there performing and I highly recommend that if you ever have the opportunity you should definitely catch his show!

 Eduardo Mateo‘s “Niña” is a sweet tune done by a pure musician, and its recording comes with an interesting story. By the time Mateo’s phenomenal band El Kinto had officially disintegrated in the early part of 1970 most of Mateo’s friends and associates were already convinced that he had gone completely insane. Despite the fact that these same people viewed him as a musical genius, they did not know what to make of his habits of disappearing for days at a time, either to lock himself up somewhere in a rented room to explore new realms on his instrument while searching for spiritual enlightenment through chemicals, or to wander the streets with nothing but pajamas and a guitar—there was always a guitar, a rare constant in this man’s unhinged life. Once, my uncle saw him walking the streets at night with one foot aligned with the curb, the other with the gutter, so that he was forced to maintain an awkward and drastic limp to his gait—how’s that for a metaphor?!

Speaking of this period in Mateo’s life, Uruguayan singer Verónica Indart had this story to tell:

“The last time I saw him was in the first years of the 1970s. I was

with Héctor, my husband, and Mateo arrived. He entered, he took

up the guitar, and he sat down to play by the window, looking at the

sea for a long while. We listened to him. When he finished, he got up,

he set down the guitar and he went out the door without a greeting.

That was Mateo. He arrived, gave us his music and went on without

greeting us, because it was not necessary” (Lion Production, 2006).

In 1971, for those who were fortunate to have heard Mateo play there was no doubt of that man’s overwhelming talent—mental illness or not; however, beyond a handful of tracks there existed little recorded evidence of it. This would soon change due to the influence of talented singer Diane Denoir, and through the dedication and passion of producer Carlos Píriz. Píriz, a recording technician who had worked for the live, music television show Discodromo had recently started the record label De la Planta along with Jorge “Coyo” Abuchalja, guitarist for the group Los Delfines. The ethos behind this venture was to maintain a Uruguayan label that was dedicated to Uruguayan musicians, providing them with better production, recording techniques, and better distribution than the then norm. Fortunately, through Píriz’s connections, they were able to secure regular studio time at ION Studios in Buenos Aires, Argentina, where the recording technology was far superior to that found in their native country (four tracks as opposed to two at most, for example).

In October of 1971 one such artist they chose to present to the public was the singer Diane Denoir. As she was recording a fair amount of Mateo’s material for her De la Planta debut, she felt it was only appropriate that the artist himself accompany her on some of the tracks. Having convinced Mateo to take the trip, Píriz quickly took advantage of the rare opportunity by persuading him to stay and record a solo LP for the label. However, in spite of Píriz’s optimistic plans to complete the recording in one week, he soon found that dealing with this erratic artist would be an ultimate test of endurance and patience.

The sessions went like this: Mateo had an alphabetic notebook,

and stuck in each page he had bar napkins upon which his songs

were written. If he knew the first letter of the title of the song he

wished to play, he would find the correct napkin, which would help

him remember the melody, so that he could recreate the original idea

he had envisioned when he had composed the song in the first place.

Remembering the songs was only the first obstacle […]. Mateo

would record songs one day, and erase them the next. “The first day

he recorded three or four things,” Píriz recalled. “The following day

he came in and said, ‘erase them. For Mateo, they are all wrong.’

We erased them. And that process of erasing the previous day’s work

continued for four or five days. At that moment, I understood that this

would be the system for the whole disc […]. I decided that I will be the

person who says what was well-recorded, or not, and I began to keep

all the material.”

On other days, Mateo went to ION studios only to say that he was not

inspired, and would return the next day. Then there were the days that

he appeared at the studio, and asked, “What time do we record tomorrow?”

“The same as today, at four o’clock,” Píriz would say. “Okay I am going,

until tomorrow,” was Mateo’s only reply (Lion Production, 2006).

 –

This whole arduous process continued for two months, until one day when Mateo said to the producer that he was stepping out of the studio to buy a pack of cigarettes, and never came back. He had returned to his streets in Montevideo. Píriz was left holding hours of recordings of these fragmented sessions—the only proof that Mateo had even been there. A labor of love, Píriz would then spend the better part of a year assembling these into the album that would be released in December of 1972: Mateo Solo Bien Se Lame.

One of the thirteen brilliant compositions that Píriz extracted from the chaos is the twisted beauty that is “Niña.” Through his dedication, Píriz was able to capture on this record the complex sensitivity of this troubled artist. Seeing as how, other than a rare background vocal here and there, Mateo created every sound on this album himself, his essence truly shines through each composition. There is a translation of the lyrics done by me below:

Niña (Little Girl) by Eduardo Mateo [translated by Bobby Calero]
Little girl that always has a light
showing you what you do not want.
Do not fear the birds
if they say your life with their trills.
It should be that you understand;
that’s why what comes next is what has gone.
Always in a white dress,
you go but beware;
The devils in the guise of angels
will notice you talking.
Does it shame you that you don’t care
what has been soiled?
Yuu…yu-le-lé yu-lé.
__

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise_cvr_8

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 8)__Bread & Circus ___
  • Pick Pocket – Andy Votel
  • I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)
  • All I’ve Got To Do – The Beatles
  • Rock Steady – Aretha Franklin
  • Secondary Modern – Elvis Costello & The Attractions
  • Church On Tuesday – Stone Temple Pilots
  • Been & Gone – Annette Peacock
  • Royal Cream / I Am Fire – The Afghan Whigs
  • I Wish I Could Hear My Mother Pray Again – The Staple Singers
  • Medicine For A Nightmare – Sun Ra
  • Supergroovalisticprosifunkstication – Parliament
  • Kissing My Love – Afrique
  • Dub The Mic / Gratitude – Beastie Boys
  • All Of Your Love – The Rolling Stones (Magic Sam cover)
  • Viviendo – Jaime Roos
  • We Can’t Be Beat – The Walkmen
  • Alexandra – Hamilton Leithauser
  • When The Truth Is… – Hamilton Leithauser + Rostam
  • Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger
  • Que Tristeza – Cal Tjader
  • Niña – Eduardo Mateo
—————————————–================__^__===================  ===  _ ===== == =   = =  __  
bread-circus-1
bread-circus-2
__________—
___    ______________—————__
[Pick Pocket - Andy Votel]

[Pick Pocket – Andy Votel]

[I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)]

[I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)]

[All I’ve Got To Do – The Beatles]

[All I’ve Got To Do – The Beatles]

[Rock Steady – Aretha Franklin]

[Rock Steady – Aretha Franklin]

[Secondary Modern – Elvis Costello & The Attractions]

[Secondary Modern – Elvis Costello & The Attractions]

[Church On Tuesday – Stone Temple Pilots (photo by Mick Hutson)]

[Church On Tuesday – Stone Temple Pilots
(photo by Mick Hutson)]

[Been & Gone – Annette Peacock (photo by Richard Davis, 1972)]

[Been & Gone – Annette Peacock (photo by Richard Davis, 1972)]

[Royal Cream / I Am Fire – The Afghan Whigs (photo by Piper Ferguson, 2014)]

[Royal Cream / I Am Fire – The Afghan Whigs (photo by Piper Ferguson, 2014)]

[I Wish I Could Hear My Mother Pray Again – The Staple Singers]

[I Wish I Could Hear My Mother Pray Again – The Staple Singers]

[Medicine For A Nightmare – Sun Ra (art by Oliver Barrett)]

[Medicine For A Nightmare – Sun Ra (art by Oliver Barrett)]

[Supergroovalisticprosifunkstication – Parliament]

[Supergroovalisticprosifunkstication – Parliament]

[Kissing My Love – Afrique]

[Kissing My Love – Afrique]

[Dub The Mic / Gratitude – Beastie Boys]

[Dub The Mic / Gratitude – Beastie Boys]

[All Of Your Love – The Rolling Stones (Magic Sam cover) (photo by Kevin Winter, 2016)]

[All Of Your Love – The Rolling Stones (Magic Sam cover) (photo by Kevin Winter, 2016)]

[Viviendo – Jaime Roos]

[Viviendo – Jaime Roos]

[We Can't Be Beat - The Walkmen]

[We Can’t Be Beat – The Walkmen]

[Alexandra – Hamilton Leithauser]

[Alexandra – Hamilton Leithauser]

[When The Truth Is… – Hamilton Leithauser + Rostam]

[When The Truth Is… – Hamilton Leithauser + Rostam]

[Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger]

[Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger]

[Que Tristeza – Cal Tjader]

[Que Tristeza – Cal Tjader]

[Niña – Eduardo Mateo]

[Niña – Eduardo Mateo]

.
__________——————– =__^__=___________________———
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL 6)

–   ————-_______

__________—

Hello All.

Welcome to Volume Six of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)-

This one features some fine tunes by the likes of Paul Simon; Childish GambinoPop Levi; (producer/arranger of Chess Records subsidiary label Cadet Records) Richard Evans with his late ’60s studio project The Soulful Strings; something from Paul McCartney‘s side-project with Youth under the moniker of The Fireman; something from MegapussDevendra Banhart‘s 2008 side-project with the wonderfully talented Gregory Rogove, Fabrizio Moretti & Noah Georgeson; and a long groove by one of the greatest groups of all time, Parliament-Funkadelic! Oh and you’ll hear a captivating alternate take of the 2005 song Bob Dylan wrote and recorded for the North Country Soundtrack, “Tell Ol’ Bill” and the mid-’70s track “Mary Long” by Indian psych rock band Atomic Forest. There’s also a triple-play from The Flaming Lips‘ stunning 2009 record, Embryonic. I am particularly fond of the nervous respect given to the power of creativity that is conveyed in the third of these tunes, “Powerless“:

“Honey, you’re just paranoid
“You should do what you enjoy
“No one is ever really powerless”
That’s what she said and she gave me a kiss
“No one is ever really powerless”
Now I think I know what that really is
 –
It only happens if you try
Pain and pleasure both get you high
“No one is ever really powerless”
That’s what she said, now I can’t forget
“No one is ever really powerless”
Now I think I know what that really is

____________—

You’ll hear all this and more so press play and enjoy yourself!

 

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise-cvr-6

__________———

 
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__________—
A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 6)__Automobile Pets ___
  • Mommy, What’s A Funkadelic? – Funkadelic
  • Terrifying [Starlight & Wonder Version] – Pop Levi
  • Me And Your Mama – Childish Gambino
  • Older Lives – Megapuss (Devendra Banhart, Gregory Rogove, Fabrizio Moretti & Noah Georgeson)
  • Skin I’m In – Sly & The Family Stone
  • Terrifying (For Kenneth Anger) – Pop Levi
  • Severed Crossed Fingers – St. Vincent
  • Illusion – Keith Richards, ft. Norah Jones
  • Tell Ol’ Bill – Bob Dylan
  • Sometimes I Feel Like A Motherless Child – The Soulful Strings
  • God Bless The Child – Cal Tjader & Mary Stallings
  • Travelling Light – The Fireman (Paul McCartney & Youth)
  • Gemini Syringes / Your Bats / Powerless – The Flaming Lips, ft. Thorsten Wörmann & Karen O
  • Mary Long – Atomic Forest
  • The Obvious Child – Paul Simon
  • Rebong – Andrew McGraw
  • Believe – Annabel (lee)
  • Kiss Me – Tom Waits
  • Steel Dreams [Part 2] – crush_DLX (Pop Levi & Bunny Holiday)
—————————————–================__^__===================  ===  _ ===== == =   = =  __  
automobile-pets
__________—
___    ______________—————__
[Mommy, What’s A Funkadelic? – Funkadelic (art by Dan Lish)]

[Mommy, What’s A Funkadelic? – Funkadelic (art by Dan Lish)]

[Terrifying [Starlight & Wonder Version] – Pop Levi]

[Terrifying [Starlight & Wonder version] – Pop Levi]

[Me And Your Mama – Childish Gambino (art by Nando Maglutac)]

[Me And Your Mama – Childish Gambino (art by Nando Maglutac)]

[Older Lives – Megapuss (Devendra Banhart, Gregory Rogove, Fabrizio Moretti & Noah Georgeson (art by Travis Millard and Mel Kadel)]

[Older Lives – Megapuss (Devendra Banhart, Gregory Rogove, Fabrizio Moretti & Noah Georgeson (art by Travis Millard and Mel Kadel)]

[Skin I’m In – Sly & The Family Stone]

[Skin I’m In – Sly & The Family Stone]

[Terrifying (For Kenneth Anger) – Pop Levi]

[Terrifying (For Kenneth Anger) – Pop Levi]

[Severed Crossed Fingers – St. Vincent]

[Severed Crossed Fingers – St. Vincent]

[Illusion – Keith Richards, ft. Norah Jones]

[Illusion – Keith Richards, ft. Norah Jones]

[Tell Ol’ Bill – Bob Dylan]

[Tell Ol’ Bill – Bob Dylan]

[Sometimes I Feel Like A Motherless Child – The Soulful Strings]

[Sometimes I Feel Like A Motherless Child – The Soulful Strings]

[God Bless The Child – Cal Tjader & Mary Stallings]

[God Bless The Child – Cal Tjader & Mary Stallings]

[Travelling Light – The Fireman (Paul McCartney & Youth)]

[Travelling Light – The Fireman (Paul McCartney & Youth)]

[Gemini Syringes / Your Bats / Powerless – The Flaming Lips, ft. Thorsten Wörmann & Karen O (art from Wayne Coyne's comic "The Sun Is Sick")]

[Gemini Syringes / Your Bats / Powerless – The Flaming Lips, ft. Thorsten Wörmann & Karen O (art from Wayne Coyne’s comic “The Sun Is Sick“)]

[Mary Long – Atomic Forest]

[Mary Long – Atomic Forest]

[The Obvious Child – Paul Simon]

[The Obvious Child – Paul Simon]

[Rebong – Andrew McGraw]

[Rebong – Andrew McGraw]

[Believe – Annabel (lee)]

[Believe – Annabel (lee)]

[Kiss Me – Tom Waits (photo by Michael O'Brien)]

[Kiss Me – Tom Waits (photo by Michael O’Brien)]

[Steel Dreams [Part 2] – crush_DLX (Pop Levi & Bunny Holiday)]

[Steel Dreams [Part 2] – crush_DLX (Pop Levi & Bunny Holiday)]

__________——————– =__^__=___________________———
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL 2)

Hello All.

Welcome to Volume Two of my new series of MixTapes: The Demise Of The Mask. –(Volume One here)__.

Here you’ll hear the suite of songs that open what was one of the best albums of 2014, The Silver Globe by Jane Weaver; and something from real honky-tonk talent Margo Price and her 2016 debut record Midwest Farmer’s Daughter (recorded at Sun Studio in Memphis and released on Jack White‘s Third Man Recordshere’s that pair performing together on “A Prairie Home Companion” back in October). You can groove as well to some of my favorite tunes by The Byrds, John LennonThe Brian Jonestown Massacre, Danny BrownSteve Harley & Cockney Rebel, and a whole lot more. Speaking of Cockney Rebel, there’s also a long prog workout by that group’s keyboardist Duncan Mackay, “12 Tone Nostalgia,” taken from his 1974 solo debut Chimera. Kevin Barnes‘ group of Montreal provide one of my favorite lyrics with their chorus of:

These amphibian days they will not heel to you
You can’t defy the defining flaw of your generation

Oh and for those who are left wondering just what words are used to create the hypnotic mantra in Moondog‘s 1971 round, “You The Vandal“:

you, the vandal, plunder the village as you will.
the earthworm will pillage you, the vandal, when you are under

 –   ————-_______

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise_2_cvr

__________———
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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 2)__Mercury Returns To Me___
  • The Silver Globe/Argent/The Electric Mountain – Jane Weaver
  • Funky Fly – Kid Congo & The Pink Monkey Birds
  • Corridors of Power II  – Lilacs & Champagne
  • You The Vandal – Moondog
  • These Days – Nico
  • Jonathan – Fiona Apple
  • Time Is Honey (So Cut The Shit)/Teleflows 5 Vs. Amplification/Nevertheless – The Brian Jonestown Massacre
  • 12 Tone Nostalgia  – Duncan MacKay 
  • Mirror Freak – Steve Harley & Cockney Rebel
  • Lonely – Danny Brown
  • Amphibian Days – of Montreal
  • This Town Gets Around – Margo Price
  • Woman Is The Nigger Of The World – John Lennon & Yoko Ono
  • She Said She Said – The Beatles
  • St. Michael – Richard Swift
  • Hungry Planet – The Byrds
  • The World (Interlude) – Danger Mouse & Daniele Luppi
—————————————–================__^__===================  ===  _ ===== == =   = =  __  
mercury-returns-to-me
__________—
___    ______________—————__
_
[The Silver Globe/Argent/The Electric Mountain - Jane Weaver]

[The Silver Globe/Argent/The Electric Mountain – Jane Weaver]

[Funky Fly - Kid Congo & The Pink Monkey Birds]

[Funky Fly – Kid Congo & The Pink Monkey Birds]

[Corridors of Power II - Lilacs & Champagne]

[Corridors of Power II – Lilacs & Champagne]

[You The Vandal - Moondog]

[You The Vandal – Moondog]

[These Days - Nico]

[These Days – Nico]

[Jonathan - Fiona Apple]

[Jonathan – Fiona Apple]

[Time Is Honey (So Cut The Shit)/Teleflows 5 Vs. Amplification/Nevertheless - The Brian Jonestown Massacre]

[Time Is Honey (So Cut The Shit)/Teleflows 5 Vs. Amplification/Nevertheless – The Brian Jonestown Massacre]

[12 Tone Nostalgia - Duncan MacKay]

[12 Tone Nostalgia – Duncan MacKay]

[Mirror Freak - Steve Harley & Cockney Rebel]

[Mirror Freak – Steve Harley & Cockney Rebel]

[Lonely - Danny Brown]

[Lonely – Danny Brown]

[Amphibian Days - of Montreal]

[Amphibian Days – of Montreal]

[This Town Gets Around - Margo Price]

[This Town Gets Around – Margo Price]

[Woman Is The Nigger Of The World - John Lennon & Yoko Ono]

[Woman Is The Nigger Of The World – John Lennon & Yoko Ono]

[She Said She Said - The Beatles]

[She Said She Said – The Beatles]

[St. Michael - Richard Swift]

[St. Michael – Richard Swift]

[Hungry Planet - The Byrds]

[Hungry Planet – The Byrds]

[The World (Interlude) - Danger Mouse & Daniele Luppi]

[The World (Interlude) – Danger Mouse & Daniele Luppi]

__________——————– =__^__=___________________———

___________________))))))))))))))))

All the best—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you digaparticular artist then please support them and go out and pick up some of their stuff.

_           _________________   _  ___   _ _________ __________->

Some Situation and Sunder During Days Eight Thru Fourteen On The Abundant Earth

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff.

_

Hello All! Here’s a quick one for The Fall.

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

some-situation-and-sunder-during-days-eight-thru-fourteen-on-the-abundant-earth_cover

__________———
-_
—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
Some Situation and Sunder During Days Eight Thru Fourteen On The Abundant Earth
  • Rubber Ducky – Quincy Jones
  • U KNOW – Prince
  • Falling Into Grace – Red Hot Chili Peppers
  • Babylon Wrong – Ashanti Waugh
  • Give Me Power – The Stingers (produced by Lee “Scratch” Perry)
  • People– J Dilla
  • For What It’s Worth – Staple Singers (Buffalo Springfield Cover)
  • Let Me Be Good To You – Carla Thomas
  • Baby, Let’s Play House – Elvis Presley
  • Lady – tUnE-yArDs, ?Uestlove, Angelique Kidjo, Akua Naru (Fela Kuti cover)
  • Golden Years – David Bowie
  • Heart Of The Country – Paul & Linda McCartney
  • Medley: Sun King / Mean Mr. Mustard / Polythene Pam / She Came In Through The Bathroom Window / I Want You (She’s So Heavy) – Booker T. & The MG’s (Beatles cover)
  • Ohio Machine Gun – The Isley Brothers (Neil Young / Jimi Hendrix cover)
  • Water No Get Enemy – Fela Kuti
  • Mean Old World – Sam Cooke
  • Nobody Knows You When You’re Down And Out – Nina Simone
  • If Somebody Told You – Anna King
  • I Can’t Give Everything Away – David Bowie

__________——————– =__^__=___________________———

_________________________________________________

Some Situation and Sunder During Days Eight  

         Thru Fourteen On The Abundant Earth

.——————–

The recluse,

in his swollen tower,

sings of the indigo evenings and the soft hour

our

lives are spent searching thirsty for.

.

Leaning over the parapet

of his tower, the recluse gets

irate at this metropolis

of candles lit, and so, with lips

pursed, he spits, this done with the hopes

to extinguish at least one single flame tethered by a black wick.

.

D

O

W

N

.

.

.

Out in the field, beasts of the earth consume vegetable meat;

Lilith completes another cruel labor, amniotic

fluid and blood splattered on her ankles, on her bare feet.

Anticipating from Adam an alimony check,

she lies prostrate in the dust, braids her raven tresses, waits,

and proceeds to procreate her sundown breed

within vision of Eden’s combustion gate .

.

Bill Whistle

and The Skeleton Crew

sketch, with fingers broken,

undergarments below

emerald gowns

on

the ladies of passing fashion.

.

Poor Lester

gets his rest while within

the convalescent tents

pitched amongst the vapor

caravans

that

roll along a paper trail of tears.

He is hoping for a cure

for his tuberculosis.

Still, when asked “how’s it goin?” he’ll say

“Everything is coming up roses.”

.

Thessaly

entered the gallery

with her wardrobe bible

tucked under her left arm,

while all the double-parked cars sat idle

in the warm sunset soot of monoxide armor.

.

She possessed

elaborate aesthetics,

like an ornate train wreck,

meticulous design,

down to each

fine

detail: her eyes, blue steel off the rail;

all else, fluid limbs of collision flames;

curves of metal awry, out of reach.

                                                           The cathedral bells knell for Monday morning mass

Preserved in

fluids, a scorpion

serves as a belt buckle,

where her two thumbs are hooked

over the amber glass.

One and all

look.

She ensnares every pliant eye

in the iron of her gestures.

.

The Recluse drops his cowboy boot’s wooden heel upon a cockroach

.

Poor Lester

coughs blossoms of blood from the lungs when he sees this blonde disaster.

The skeletal cool kids abscond behind a magazine curtain,

where they all paint their sex organs with the scent of neon cologne.

Bill’s jaw drops as his lips fall slack, and he remains stuck uncertain.

He could not help but rubberneck and question the motives, divine,

in the bedlam of her approach.

—————————————–================__^__===================  ===  _ ===== == =   = =  __  _
__________—
___

[Rubber Ducky - Quincy Jones]

[Rubber Ducky – Quincy Jones]

[U KNOW - Prince]

[U KNOW – Prince]

[Falling Into Grace - Red Hot Chili Peppers]

[Falling Into Grace – Red Hot Chili Peppers]

[Babylon Wrong - Ashanti Waugh]

[Babylon Wrong – Ashanti Waugh]

[Give Me Power - The Stingers ]

[Give Me Power – The Stingers ] (produced by Lee “Scratch” Perry)

[People- J Dilla]

[People– J Dilla]

[For What It's Worth - Staple Singers]

[For What It’s Worth – Staple Singers]

[Let Me Be Good To You - Carla Thomas]

[Let Me Be Good To You – Carla Thomas]

[Baby, Let's Play House - Elvis Presley]

[Baby, Let’s Play House – Elvis Presley]

[Lady - tUnE-yArDs, ?Uestlove, Angelique Kidjo, Akua Naru (Fela Kuti cover)]

[Lady – tUnE-yArDs, ?Uestlove, Angelique Kidjo, Akua Naru (Fela Kuti cover)]

[Golden Years - David Bowie]

[Golden Years – David Bowie]

[Heart Of The Country - Paul & Linda McCartney]

[Heart Of The Country – Paul & Linda McCartney]

[Medley: Sun King / Mean Mr. Mustard / Polythene Pam / She Came In Through The Bathroom Window / I Want You (She's So Heavy) - Booker T. & The MG's]

[Medley: Sun King / Mean Mr. Mustard / Polythene Pam / She Came In Through The Bathroom Window / I Want You (She’s So Heavy) – Booker T. & The MG’s]

[Ohio Machine Gun - The Isley Brothers (Neil Young / Jimi Hendrix cover)]

[Ohio Machine Gun – The Isley Brothers (Neil Young / Jimi Hendrix cover)]

[Water No Get Enemy - Fela Kuti]

[Water No Get Enemy – Fela Kuti]

[Mean Old World - Sam Cooke]

[Mean Old World – Sam Cooke]

[Nobody Knows You When You're Down And Out - Nina Simone]

[Nobody Knows You When You’re Down And Out – Nina Simone]

[If Somebody Told You - Anna King]

[If Somebody Told You – Anna King]

[I Can't Give Everything Away - David Bowie]

[I Can’t Give Everything Away – David Bowie]

___________________))))))))))))))))

All the best—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you digaparticular artist then please support them and go out and pick up some of their stuff.

_           _________________   _  ___   _ _________ __________->

MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 16)

_If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________ ->

Hello All & Welcome to the last MixTape of the year! Yes, it’s installment 16 in the Dendrites series of mixtapes!

 Here you’ll hear two tunes by the psyche-folk, all female american trio, Sunforest. Recorded in 1969 with producer Vic Coppersmith-Heaven (engineer for The Rolling Stones’ Let It Bleed and Black Sabbath’s Vol. 4)  Sunforest wrote whimsical Medieval Times & Renaissance Faire type arrangements and twisted them quite a bit with a swinging London sense of acid-pop and style. First up and opening the mix is the instrumental “Overture to the Sun” which is one of two songs by the group selected by Stanley Kubrick and featured in his 1971 brutal masterpiece, A Clockwork Orange. Later on from this trio you’ll hear the incredibly funky “Magician In The Mountain,” with its slinky groove tones put across perfectly by two musicians from the Jean-Claude Vannier Orchestra (responsible for the music on Serge Gainsbourg’s erotic magnum opus Histoire de Melody Nelson and featured by me on Dendrites Volume 13). With session-guitarist extraordinaire Big Jim Sullivan and Herbie Flowers (whose interlocked, double-tracked upright bass and bass guitar carried Lou Reed’s “Walk on the Wild Side” into brilliance) to my mind “Magician In The Mountain is the stand-out track on Sound of Sunforest.
You’ll also get to hear two more tracks by recently deceased Scott Weiland (R.I.P.). First up from him is “Son” which was a highlight for me on his 1998 solo debut, 12 Bar Blues.  (Here you can watch a video of Weiland performing the tune acoustically on MTV’s “120 Minutes” back in 1998).
With its raw pop blister rubbing up against a confused glam swirl, this LP still remains my favorite of all Weiland’s work. Featuring contributions from multi-instrumentalist Victor Indrizzo, phenomenal pianist Brad Mehldau, Martyn LeNoble and Peter DiStefano (bass & guitar for Porno For Pyros!), as well as additional work from Daniel Lanois (production-collaborator for Brian Eno, U2, and Bob Dylan)–this is an album with a genuine sense of exploration and–despite its obvious postures–honest artistic expression. In “Son” Weiland mostly employs a slender vocal in the honeyed upper registers with a lightly-narcotized rasp to its delivery. This perfectly gets across the melancholia that served as its inspiration. As Weiland would not have any children until at least two years later, the song serves as a rumination on a terminated pregnancy he and his girlfriend chose, and what might have been (an emotional topic he previously touched upon with Stone Temple Pilots in the closing track for their sophomore record, Purple: “Kitchenware & Candy Bars“).
Later on down the mix you will hear Weiland with his band mates in Stone Temple Pilots on what has always been one of my favorite tracks by this group: “Lounge Fly.” With its elliptic lyrics pushed up from a hungry gut only to be buried again, and pushed up again–a cycle–and the music coiled and percussive–this is not so much circling, but the sound of a man prowling around a drain…and all the while Weiland insisting that you know, “this is really happening to me.” “Lounge Fly” is followed by yet another song concerning sex and the desperate search for emotional connection: “Chloe In The Afternoon” by St. Vincent. Borrowing its title from the 1972 French film by Éric Rohmer (which was much later remade into the Chris Rock comedy I Think I Love My Wife) this song is an amazing display of corroded textures and strange syncopation.
There’s also some D’Angelo; some Elvis; some Mark Lanegan; a dry collaboration between William S. Burroughs and R.E.M from the 1996 collection, Songs in the Key of X – Music From And Inspired By “The X-Files; Matthew E. White and his marvelous Spacebomb crew demonstrating how a tune bled of vigor (and guitar) can still be so damn funky…albeit a drowsy funk; and you’ll hear one of my favorite vocalists, Martina Topley-Bird doing a stripped down version of her own, Snowman” (you can watch a lovely 2012 live performance of it and more here).
Well, enjoy and I hope you are all still listening in the New Year!
All the best to you & yours,
Bobby Calero

___           – –      _________________   _-    _         _________________ ___

Dendrites-16-CVR

 —  –   ————-______________\/\/\/\/\/\/\/\/\/\/\/
——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

Overture to The Sun – Sunforest [art by Robin Celebi]

Son – Scott Weiland

Star Me Kitten – R.E.M. & William S. Burroughs [art: “Lust” by William S. Burroughs, 1991]

Silver Timothy – Damien Jurado (w/ Richard Swift) [Photo by Sarah Jurado]

Magician In the Mountain – Sunforest

“Trouble”/The Wasp (Texas Radio And The Big Beat) – The Doors [photo by Frank Lisciandro, 1970]

Scarlet Town – Bob Dylan [art: Train Tracks (Red) by Bob Dylan, 2012]

 

The Golden Fang – Jonny Greenwood

tumblr_n1o7zfalhj1qzei6po1_1280

Signature Move – Matthew E. White [photo by Shawn Brackbill]

Lounge Fly – Stone Temple Pilots

Chloe In The Afternoon – St. Vincent [photo by Tina Tyrell, 2011]

Leaning Into Afternoons – Pablo Neruda [read by Wesley Snipes, music by Luis Enríquez Bacalov] [art from Pablo Neruda: Poet of the People, written by Monica Brown and illustrated by Julie Paschkis]

Sugah Daddy – D’Angelo & The Vanguard [Photo by Greg Harris]

Trying To Get To You – Elvis Presley

Trying To Forget You – Howlin’ Wolf

solid-soul

San-Ho-Zay – Willie Mitchell

Knockin’ Myself Out – Jean Brady & Big Bill Broonzy [image from the film Low Light And Blue Smoke]

Like Little Willie John – Mark Lanegan Band

The Endless Sea – Iggy Pop

Cry Baby Cry – The Beatles [photo by Don McCullin, 7/28/68]

Snowman – Martina Topley-Bird

04/16/05 Saturday/04/19/05 Tuesday – Fantômas

_
______________———-___=========================================  __=

MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 16)

  • Overture to The Sun – Sunforest
  • Son – Scott Weiland
  • Star Me Kitten – R.E.M. & William S. Burroughs
  • Silver Timothy – Damien Jurado (w/ Richard Swift)
  • Magician In the Mountain – Sunforest
  • “Trouble”/The Wasp (Texas Radio And The Big Beat) – The Doors
  • Scarlet Town – Bob Dylan
  • The Golden Fang – Jonny Greenwood
  • Signature Move – Matthew E. White 
  • Lounge Fly – Stone Temple Pilots
  • Chloe In The Afternoon – St. Vincent 
  • Leaning Into Afternoons – Pablo Neruda [read by Wesley Snipes, music by Luis Enríquez Bacalov] 
  • Sugah Daddy – D’Angelo & The Vanguard
  • Trying To Get To You – Elvis Presley
  • Trying To Forget You – Howlin’ Wolf
  • San-Ho-Zay – Willie Mitchell
  • Knockin’ Myself Out – Jean Brady & Big Bill Broonzy
  • Like Little Willie John – Mark Lanegan Band
  • The Endless Sea – Iggy Pop
  • Cry Baby Cry – The Beatles 
  • Snowman – Martina Topley-Bird
  • 04/16/05 Saturday/04/19/05 Tuesday – Fantômas

—  –   ————-______________ ->

_           _________________   _  ___   _ _________ __________->

The interview with Heath began on the opposite page. However, Mireille could not get herself to concentrate. She could only skim and skip across the paragraphs; if momentarily of a similar mental bent, you should of course feel free to do the same:


TURN-TURN 1

TURN-TURN 2

TURN-TURN 3

TURN-TURN 4

TURN-TURN 5

TURN-TURN 6

TURN-TURN 7

TURN-TURN 8

TURN-TURN 9

TURN-TURN 10

TURN-TURN 11

TURN-TURN 12

TURN-TURN 13

TURN-TURN 14

TURN-TURN 15

TURN-TURN 16

TURN-TURN 17

TURN-TURN 18

TURN-TURN 19

TURN-TURN 20

TURN-TURN 21

TURN-TURN 22

—  –   ————-______________ ->

___           – –      _________________   _-    _         _________________ ___

BOBBY CALERO

 

A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

Hello all,

and welcome to what will be the last post for the summer! I’ve got a special triptych-mixtape for you all today! About a week back a good friend of mine asked that I produce a few mixes for a gathering the night before his wedding. Unfortunately (like, whatever, y’know) due to technical difficulties they could not be played that evening (the entire wedding weekend, however, was absolutely fantastic!). Anyway, not one to let a good MixTape go to waste, I present them to you here. I do believe them to be real nice & easy, and tons of fun, with some great tunes that have been featured here in these pages before and some that I was planning on getting to someday.

May these serve you well here at the tail-end of the summer! So sit back, roll forward, and enjoy!

But above all–ENJOY YOURSELF!__

Nuptials-cvr___________________

Volume I—Click here to listen & Download——-

_____________________

Volume II—Click here to listen & Download——-

_________________________________

Volume III—Click here to listen & Download——-

_________________________________________________

__

A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

VOLUME ONE:

  1. Pre-Nump – Outkast
  2. When You’re Smiling and Astride Me – Father John Misty
  3. Here I Am (Come And Take Me) – Al Green
  4. Happy – The Rolling Stones
  5. Alright, Okay, You Win – Peggy Lee
  6. You Make Loving Fun – Fleetwood Mac
  7. Baby It’s You – The Beatles
  8. Let Me Be Good To You – Carla Thomas
  9. Try (Just A Little Bit Harder) – Janis Joplin
  10. River Deep – Mountain High – Harry Nilsson
  11. Beautiful Girl – INXS
  12. Over The Hills And Far Away – Led Zeppelin
  13. The Brides Have Hit Glass – Guided By Voices
  14. What A Woman – Howlin’ Wolf
  15. The Spy – The Doors
  16. Light My Fire – Al Green
  17. Shake Your Hips – The Rolling Stones
  18. We Can Work It Out – Stevie Wonder
  19. CREEP – Afghan Whigs
  20. Tenement Lady – T.Rex
  21. John, I’m Only Dancing – David Bowie
  22. Fool I Am – Pat Ferguson
  23. I Just Want To Make Love To You – Etta James
  24. Let Me Roll It – Paul McCartney & Wings

VOLUME TWO:

  1. Your Southern Can is Mine – The White Stripes
  2. When I Look In Your Eyes – André 3000
  3. Lady Madonna – Fats Domino
  4. Loving Cup – The Rolling Stones
  5. Ring Of Fire – Ray Charles
  6. Rag Mama Rag – The Band
  7. Pretty Thing – Bo Diddley
  8. Tee Pees 1-12 – Father John Misty
  9. Would You – Richard Swift
  10. Andy’s Chest – Lou Reed
  11. Milkcow Blues Boogie – Elvis Presley
  12. Slow Down – Backbeat Band
  13. Rip It Up/ Ready Teddy – John Lennon
  14. Surprise Surprise (Sweet Bird Of Paradox) – John Lennon
  15. Live with Me – The Rolling Stones
  16. Planet Queen – T.Rex
  17. She Belongs To Me – Bob Dylan
  18. Black Is the Color – Rhiannon Giddens
  19. I Gotta Know – Wanda Jackson
  20. Love Having You Around – Stevie Wonder
  21. Right – David Bowie
  22. Oh! Darling – The Beatles
  23. Call On Me – Big Brother And The Holding Company (feat. Janis Joplin)
  24. Candy – Iggy Pop

VOLUME THREE:

  1. Mystify – INXS
  2. Be Kind – Devendra Banhart
  3. Didn’t I – Darondo
  4. Mind Games – George Clinton
  5. Dear Prudence – The Beatles
  6. Little Red Rooster – Sam Cooke
  7. Sweet Feeling – Candi Staton
  8. Idlewild Blue (Don’t Chu Worry ‘Bout Me) – André 3000
  9. Rusty Cage – Johnny Cash
  10. Can You Get To That? – Funkadelic
  11. Yazoo Street Scandal – The Band
  12. Police & Thieves – The Clash
  13. Do Unto Others – Pee Wee Crayton
  14. Goin’ To Acapulco – Jim James & Calexico
  15. Candela – Buena Vista Social Club
  16. Momma Miss America – Paul McCartney
  17. Got To Get You Into My Life – Chris Clark
  18. Wah-Wah – George Harrison
  19. Mean To Me – Dean Martin
  20. This Magic Moment – Lou Reed
  21. Be My Baby – John Lennon

______________________________________

It’s Good to Feel you are Close to Me

It’s good to feel you are close to me in the night, love,
invisible in your sleep, intently nocturnal,
while I untangle my worries
as if they were twisted nets.

Withdrawn, your heart sails through dream,
but your body, relinquished so, breathes
seeking me without seeing me perfecting my dream
like a plant that seeds itself in the dark.

Rising, you will be that other, alive in the dawn,
but from the frontiers lost in the night,
from the presence and the absence where we meet ourselves,

something remains, drawing us into the light of life
as if the sign of the shadows had sealed
its secret creatures with flame.

__________

Pablo Neruda, from Cien Sonetos de Amor (1959).

______________

All the best to you & yours,

(Oh, and J2 & Dana, despite this entry in Ambrose Bierce’s The Unabridged Devil’s Dictionary, “Love, noun. A temporary insanity curable by marriage;” I love you guys, wish you well, and know you will make and remain a fine union in the light of life),

Bobby Calero

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 9)

—  –   ————-______________

_           _________________   _  ___   _ _________ __________

Mireille was carried off through the siphon of her headphones by the maudlin tunes, prog rock, and panic attack psychedelia of the band Locust Mirror on their double LP, Empty Anodyne for The Learned Paralysis of Phantom Limbs (or just simply Phantom Limbs as it came to be called when discussed by fans and the press). Seemingly without thought she sunk into the lost-in-the-sauce lounge act that opens disc two of the album, “Now There’s Nothing So Savage As A Man Destroying Himself.” Despite the initial cabaret style of the song, it operates like burlesque in reverse. It begins with an exposed and solitary piano that adds garb as it sashays like a confused showgirl along its theatric course. Instead of feather boas and nipple tassels, however, it goes on to don a robe of sonic shrapnel that brings to one’s mind thoughts of silicon and dust mites.

The keys are fingered. At just over the two minute mark and with the arrival of what might well serve as an ersatz chorus (a wailed, “Repetition is true horror”), this song would finally acquire a rhythm section to usher it further into the froth and gauze swelling up on all sides. These knit accents and fills of bass and drums, however, come on as if composed of corroded rubber: it sure could still bounce like disco but seemed in peril of splitting open any moment now. Yet all these accouterments would have to wait to adhere to the ivory backbone of the tune until first the vocals set the melodic theme.

The emotive sphere of lead vocalist Christian Heath’s voice typically bows between something of a desperate caress seeking an empathic response, and an emphatic, stellar burst. Regardless of what side of that spectrum it leans on at any given time in any given tune, his voice seems to nearly always smear each lengthy line of the lyrics, so that they are made to meander through the arrangement as if a disembodied instrument. His voice is an intruding transmission that does not want to appear rude and so does its best to flit along. His voice is a virus that plays well with its host environment.

The results of this interplay were often as disorienting for the listener as a boat at sway, but they were frequently received as an honest thing of beauty as well. Here on this song this effect was heightened by the sporadic insertion of unintelligible chatter and laughter. Often Heath’s phrasing would tremble and stretch syllables on the verge of an exhausted falsetto that could gloss over the lack of a typical pop song’s requisite end rhyme:

I need more…

than these stillborn afternoons

of cotton entertainment

I need more…

than cartoons and iced-coffee

Grant me a marionette

I’ll dance like an idiot

under summer’s tight-throat heat

I need more…

than string theory documentaries

Give to me one dance partner

I need more…

than those oh-so elegant

collections, treats of chewed fat

I need more…

than mere adequate actors

adequate actors mewling

I need more…

than another erection

from cotton entertainment

I need more…

than a new American

American way of war

I need more…

than cartoons and iced-coffee

Grant me a marionette

I’ll dance like an idiot

under summer’s tight-throat heat

Everything,

Everything is terrible

No one, no one wants to dance

—Repetition is true horror—

I need more…

than pious stone or a blip,

a blip blister of pleasure

I need more…

than an awful suckle while

waiting for the day to do…

{…what it does}—

—Repetition is true horror—

I need more…

than these nerves like old butter

waiting for the day to do…

{…what it does}—

I need more…

than resurrected majesty

mad as hungry little birds,

birds that flutter in the brain,

But it certainly would do for a day or two…

{…what it does}—

—Repetition is true horror—

O How the neighbor coughs from his window

O and how the pigeons coo

How we wretch

And how are you?

—Curtains open—

—Bled like heaven—

—Curtains close—

Beauty and grotesques

once burst from the head,

…Now, there’s a sick!…pigeon!…trapped!…—

There’s a sick pigeon in my head!

Lungs toil—

Sunlight ripples on a rooftop puddle

Lungs toil—

Lungs—

Lungs toil—

—Repetition is true horror—

As it maneuvers along the rolling frame of its design the song doubles back on itself. It is as if the instruments turn to find a route out and only encounter another narrow corridor and its inevitable dead-end. In lithe panic they muster up enough muscle and sinew to shrug off their somnambulant groove and about face. In the slink of their retreat they bottleneck and pile up. The whole flourishes as an aggregate of anxiety.

Soon it has nowhere else to pitch its weight. Its only option is but to hop a straight flight into the warm Mellotron swarm that has been waiting all this time like the welcoming jowls of a wolf on the other side of the door. From this arrives the square wave monologue, as if through a chewed radio:

  • […and you can’t afford another sort of paradise on this salary]
  • [No one is saying anything out there anyway]
  • [Who has been burning photographs and painting walls?]
  • [Wall-sickness and a trapped nerve]
  • [Venom in a tooth and perpetual machines hum]
  • [No one is out there saying anything anyway]
  • [Problems]
  • [Dry]
  • [Curse disease and then ease back into waste;]
  • [All while drinking iced-coffee and watching cartoons concerning our elegant universe]
  • [Wet]
  • [There’s so little love left]
  • [I love drifting off to sleep while watching television]
  • [Parasite fragments]…[I suppose that…]
  • [There’s nothing coming]
  • [And there’s nothing we can do about it]
  • [Somebody throw the baby out with the bathos]
  • [Who will wind the pocket-clocks when I’m gone?]
  • [And who will break the ice?]
  • […SOMEBODY GO GET ME THE AXE…]

Gelignite guitars detonate. It all goes up in a mushroom cloud of Moog synthesizers and found sounds. Both the circulatory and nervous systems of the song are reduced to slag and reverb circling a drain.

___                 _________________       _         _________________

dendrites 9 CVR

_______________________________   ——  —  ——–  _______________ –  __

 —  –   ————-______________
——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================____===================  ===  _ ===== == =    ==    =   __ – _

Victory On The Hill – Rivers Cuomo

The Forest Awakes – David Byrne & St. Vincent

Obsequey [The Death Of Art] – Marilyn Manson [image by Gottfried Helnwein]

Whipped Cream – Herb Alpert & The Tijuana Brass

Thieves In The Night – Black Star

Dynamite! – The Roots

Come Around – M.I.A. (ft. Timbaland)

Sita Ram – Alice Coltrane

Strange Religion – Mark Lanegan Band (ft. Izzy Stradlin & Duff McKagan) [art by Justin Hampton]

Wildfire – John Mayer (ft. Frank Ocean)

A Place With No Name – Michael Jackson

I’m A Fool To Want You – Billie Holiday [photo by Dennis Stock, 1958]

If You See Her, Say Hello – Jeff Buckley (Dylan cover; Grace sessions outtake, 1993) [photo by Merri Cyr]

Finish What I Started – Will Butler

Alligator – Paul McCartney [painting: Bowie spewing by Paul McCartney, 1990]

Do The Tramp – The Fever [painting: Exploration of the Sources of the Orinoco River by Remedios Varo, 1959]

We Could Be So Good Together – The Doors

Strollin’ In – Lou Donaldson

Boogie Woogie Woman – B.B. King

Un Buen Día Para Morir – Calle 13 (ft. Vernon Foster)

______________———-___=========================================  __=

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 9)

  • Victory On The Hill – Rivers Cuomo
  • The Forest Awakes – David Byrne & St. Vincent
  • Obsequey [The Death Of Art] – Marilyn Manson 
  • Whipped Cream – Herb Alpert & The Tijuana Brass
  • Thieves In The Night – Black Star (Mos Def & Talib Kweli)
  • Dynamite! – The Roots
  • Come Around – M.I.A. (ft. Timbaland)
  • Sita Ram – Alice Coltrane
  • Strange Religion – Mark Lanegan Band (ft. Izzy Stradlin & Duff McKagan)
  • Wildfire – John Mayer (ft. Frank Ocean)
  • A Place With No Name – Michael Jackson (AMOP mix)
  • I’m A Fool To Want You – Billie Holiday
  • If You See Her, Say Hello – Jeff Buckley (Dylan cover; Grace sessions outtake, 1993) 
  • Finish What I Started – Will Butler
  • Alligator – Paul McCartney
  • Do The Tramp – The Fever
  • We Could Be So Good Together – The Doors
  • Strollin’ In – Lou Donaldson
  • Boogie Woogie Woman – B.B. King
  • Un Buen Día Para Morir – Calle 13 (ft. Vernon Foster)

_ _ _ __=========================================     ______BOBBY CALERO

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