Category Archives: Howlin’ Wolf

THE COURTESAN & THE BEARER OF THE LOTUS

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff.

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Hello All! I’ve got a special triptych-MixTape treat for you all today…featuring some bounce, a little wilt, petal melt, and a whole slew of protean tunes to accompany you at the tail-end/entrance of shifting seasons. …Perhaps best used when paired with working on a creative project of some sort or just watering house plants, or by those who suffer from insomnia under the sun.

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—————–======ENJOY YOURSELF____———–

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The Courtesan and The Bearer of The Lotus

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The Courtesan and The Bearer of The Lotus_CVR

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The Courtesan and The Bearer of The Lotus (Vol. 1)

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The Courtesan and The Bearer of The Lotus (Vol. 2)

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The Courtesan and The Bearer of The Lotus (Vol. 3)

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-OR-

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-:VOL. 1 —-(Click to Listen or Right-Click-Save-As to Download)

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-:VOL. 2 —-(Click to Listen or Right-Click-Save-As to Download)

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-:VOL. 3 —-(Click to Listen or Right-Click-Save-As to Download)

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The Courtesan and The Bearer of The Lotus (Vol. 1)
  • Love In The Asylum – Dylan Thomas
  • L’Enfant La Mouche Et Les Allumettes (The Child the Fly and the Matches) – Jean-Claude Vannier
  • (Just A Little) Communication – Gabor Szabo
  • Bring Me Coffee Or Tea – CAN
  • Catherine – PJ Harvey
  • I Talk To The Wind – King Crimson
  • ‘Tis A Pity She Was A Whore – David Bowie
  • Black Comedy – Miles Davis [w/ Wayne Shorter, Herbie Hancock, Tony Williams, Ron Carter]
  • Seven – Thundercat
  • Thieves In The Temple – Prince
  • Thieves In The Temple – Herbie Hancock (Prince cover)
  • The Overachievers – Devendra Banhart & The Grogs (Liars cover)
  • Apes And Peacocks (Queen’s Suite pt. 6) – Duke Ellington & His Orchestra
  • Two – Madhouse (Prince & Eric Leeds)
  • Hung Up On My Baby – El Michels Affair (Isaac Hayes cover)
  • Velvet Ditch – The Arcs (Dan Auerbach, Richard Swift, Leon Michels aka El Michels Affair)
  • Smokestack Lightning – Howlin’ Wolf (’69 version)
  • Hello It’s Late – Stone Temple Pilots
  • Almost Fell In Love – crush_DLX (Pop Levi & Bunny Holiday)
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The Courtesan and The Bearer of The Lotus (Vol. 2)
  • Holy Guardian Angel – crush_DLX (Pop Levi & Bunny Holiday)
  • The Chart – Super Numeri (Pop Levi, Snap Ant, Karl Webb)
  • Tarot Ash – Madlib
  • Sagittarius Silver Announcement/Worm Mountain – The Flaming Lips (Feat. MGMT)
  • Mantra Guru – Madlib
  • The Healer/Hip Hop/Me – Erykah Badu
  • Blues In Orbit [Alternate Take] – Duke Ellington
  • Verdillac – The Doors
  • The Girl Of The Ghetto – (written By Jim Morrison, read Johnny Depp)
  • The Ghetto Walk – Miles Davis (w/ Wayne Shorter; John McLaughlin; Herbie Hancock; Chick Corea; Joe Zawinul; Dave Holland; Joe Chambers)
  • Seven Years In Tibet – David Bowie
  • Curious Child – Prince
  • Wave – Ahmad Jamal Trio
  • Samurai Showdown (edit) – RZA
  • Sleight of Hand – Menahan Street Band
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The Courtesan and The Bearer of The Lotus (Vol. 3)
  • Johnny Depp’s cough/Perihelion (edit) – Trent Reznor & Atticus Ross
  • Somewhere In The East – George Benson
  • I’ll Give You Everything I’ve Got For A Little Piece Of Mind – Mushroom
  • Second Sighting – The Brian Jonestown Massacre
  • Symphonique #3 (Ode To Venus) – Moondog
  • Cindy Electronium – Raymond Scott
  • Brandenburg Concerto No. 5 (1st movement Allegro) – Johann Sebastian Bach; performed by Leopold Stokowski and the Philadelphia Orchestra
  • Arrows – Jane Weaver
  • Blood – Annette Peacock
  • Spectre – Radiohead
  • Dominoes – Syd Barrett
  • Miriam Got a Mickey (Instrumental) – Adrian Younge
  • Till It’s Done (Tutu) – D’Angelo & The Vanguard
  • Letter To Hermione – Robert Glasper Experiment ft. Bilal (Bowie cover)
  • Lucifer Rising Part III – Bobby Beausoleil
  • Heathen (The Rays) – David Bowie
  • Ascent – Miles Davis (w/ Wayne Shorter; Herbie Hancock; Chick Corea; Joe Zawinul; Dave Holland; Jack DeJohnette)
  • Aphelion (edit) – Trent Reznor & Atticus Ross

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The Courtesan and The Bearer of The Lotus (Vol. 1)

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[Love In The Asylum - Dylan Thomas [art by Needle Design]

[Love In The Asylum – Dylan Thomas [art by Needle Design]

[L'Enfant La Mouche Et Les Allumettes (The Child the Fly and the Matches) - Jean-Claude Vannier]

[L’Enfant La Mouche Et Les Allumettes (The Child the Fly and the Matches) – Jean-Claude Vannier]

[(Just A Little) Communication - Gabor Szabo]

[(Just A Little) Communication – Gabor Szabo]

[Bring Me Coffee Or Tea - CAN]

[Bring Me Coffee Or Tea – CAN]

[Catherine - PJ Harvey]

[Catherine – PJ Harvey]

[I Talk To The Wind - King Crimson]

[I Talk To The Wind – King Crimson]

['Tis A Pity She Was A Whore - David Bowie]

[‘Tis A Pity She Was A Whore – David Bowie]

[Black Comedy - Miles Davis]

[Black Comedy – Miles Davis]

[Seven - Thundercat]

[Seven – Thundercat]

[Thieves In The Temple - Prince]

[Thieves In The Temple – Prince]

[Thieves In The Temple - Herbie Hancock]

[Thieves In The Temple – Herbie Hancock (Prince cover)]

 
[The Overachievers - Devendra Banhart & The Grogs (Liars cover)]

[The Overachievers – Devendra Banhart & The Grogs (Liars cover)]

[Duke Ellington meets Queen Elizabeth II at Leeds in 1958]

[Apes And Peacocks (Queen’s Suite pt. 6) – Duke Ellington & His Orchestra. Duke Ellington meets Queen Elizabeth II at Leeds in 1958]

[Two - Madhouse (Prince & Eric Leeds)]

[Two – Madhouse (Prince & Eric Leeds)]

elmichelsaffair

[Hung Up On My Baby – El Michels Affair (Isaac Hayes cover)]

The_Arcs_-_Yours_Dreamily

[Velvet Ditch – The Arcs]

[Smokestack Lightning - Howlin' Wolf ('69 version)]

[Smokestack Lightning – Howlin’ Wolf (’69 version)]

[Hello It's Late - Stone Temple Pilots]

[Hello It’s Late – Stone Temple Pilots]

[Almost Fell In Love - crush_DLX (Pop Levi & Bunny Holiday)]

[Almost Fell In Love – crush_DLX (Pop Levi & Bunny Holiday)]

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The Courtesan and The Bearer of The Lotus (Vol. 2)
_
[Holy Guardian Angel - crush_DLX (Pop Levi & Bunny Holiday)]

[Holy Guardian Angel – crush_DLX (Pop Levi & Bunny Holiday)]

[The Chart - Super Numeri]

[The Chart – Super Numeri (Pop Levi, Snap Ant, Karl Webb)]

[Tarot Ash - Madlib]

[Tarot Ash – Madlib]

[Sagittarius Silver Announcement/Worm Mountain - The Flaming Lips (Feat. MGMT)]

[Sagittarius Silver Announcement/Worm Mountain – The Flaming Lips (Feat. MGMT)]

[Mantra Guru - Madlib]

[Mantra Guru – Madlib]

[The Healer/Hip Hop/Me - Erykah Badu]

[The Healer/Hip Hop/Me – Erykah Badu]

[Blues In Orbit [Alternate Take] - Duke Ellington]

[Blues In Orbit [Alternate Take] – Duke Ellington]

[Verdillac - The Doors]

[Verdillac – The Doors]

The Girl Of The Ghetto

[The Girl Of The Ghetto – (written By Jim Morrison, read Johnny Depp)]

[The Ghetto Walk - Miles Davis (w/ Wayne Shorter; John McLaughlin; Herbie Hancock; Chick Corea; Joe Zawinul; Dave Holland; Joe Chambers)]

[The Ghetto Walk – Miles Davis (w/ Wayne Shorter; John McLaughlin; Herbie Hancock; Chick Corea; Joe Zawinul; Dave Holland; Joe Chambers)]

[Seven Years In Tibet - David Bowie]

[Seven Years In Tibet – David Bowie]

[Curious Child - Prince]

[Curious Child – Prince]

[Wave - Ahmad Jamal Trio]

[Wave – Ahmad Jamal Trio]

[Samurai Showdown (edit) - RZA]

[Samurai Showdown (edit) – RZA]

[Sleight of Hand - Menahan Street Band]

[Sleight of Hand – Menahan Street Band]

_
The Courtesan and The Bearer of The Lotus (Vol. 3)
_
[Johnny Depp's cough/Perihelion (edit) - Trent Reznor & Atticus Ross]

[Johnny Depp’s cough/Perihelion (edit) – Trent Reznor & Atticus Ross]

[Somewhere In The East - George Benson]

[Somewhere In The East – George Benson]

[I'll Give You Everything I've Got For A Little Piece Of Mind - Mushroom]

[I’ll Give You Everything I’ve Got For A Little Piece Of Mind – Mushroom]

[Second Sighting - The Brian Jonestown Massacre]

[Second Sighting – The Brian Jonestown Massacre]

[Symphonique #3 (Ode To Venus) - Moondog]

[Symphonique #3 (Ode To Venus) – Moondog]

[Cindy Electronium - Raymond Scott]

[Cindy Electronium – Raymond Scott]

[Brandenburg Concerto No. 5 (1st movement Allegro) - Johann Sebastian Bach]

[Brandenburg Concerto No. 5 (1st movement Allegro) – Johann Sebastian Bach]

[Arrows - Jane Weaver]

[Arrows – Jane Weaver]

[Blood - Annette Peacock]

[Blood – Annette Peacock]

[Spectre - Radiohead]

[Spectre – Radiohead]

[Dominoes - Syd Barrett]

[Dominoes – Syd Barrett]

[Miriam Got a Mickey (Instrumental) - Adrian Younge]

[Miriam Got a Mickey (Instrumental) – Adrian Younge]

[Till It's Done (Tutu) - D'Angelo & The Vanguard]

[Till It’s Done (Tutu) – D’Angelo & The Vanguard]

[Letter To Hermione - Robert Glasper Experiment ft. Bilal]

[Letter To Hermione – Robert Glasper Experiment ft. Bilal (David Bowie cover)]

[Lucifer Rising Part III - Bobby Beausoleil]

[Lucifer Rising Part III – Bobby Beausoleil]

[Heathen (The Rays) - David Bowie]

[Heathen (The Rays) – David Bowie]

[Ascent - Miles Davis (w: Wayne Shorter; Herbie Hancock; Chick Corea; Joe Zawinul; Dave Holland; Jack DeJohnette); art by Oliver Barrett]

[Ascent – Miles Davis (w: Wayne Shorter; Herbie Hancock; Chick Corea; Joe Zawinul; Dave Holland; Jack DeJohnette); art by Oliver Barrett]

[Aphelion (edit) - Trent Reznor & Atticus Ross]

[Aphelion (edit) – Trent Reznor & Atticus Ross]

..

All the best—  –   ————-______-________ ->BOBBY CALERO[—+=

-_________________If you dig the mix then please feel free to pass & post it along; if you dig aparticular artist then please support them and go out and pick up some of their stuff.

_           _________________   _  ___   _ _________ __________->

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MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 16)

_If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________ ->

Hello All & Welcome to the last MixTape of the year! Yes, it’s installment 16 in the Dendrites series of mixtapes!

 Here you’ll hear two tunes by the psyche-folk, all female american trio, Sunforest. Recorded in 1969 with producer Vic Coppersmith-Heaven (engineer for The Rolling Stones’ Let It Bleed and Black Sabbath’s Vol. 4)  Sunforest wrote whimsical Medieval Times & Renaissance Faire type arrangements and twisted them quite a bit with a swinging London sense of acid-pop and style. First up and opening the mix is the instrumental “Overture to the Sun” which is one of two songs by the group selected by Stanley Kubrick and featured in his 1971 brutal masterpiece, A Clockwork Orange. Later on from this trio you’ll hear the incredibly funky “Magician In The Mountain,” with its slinky groove tones put across perfectly by two musicians from the Jean-Claude Vannier Orchestra (responsible for the music on Serge Gainsbourg’s erotic magnum opus Histoire de Melody Nelson and featured by me on Dendrites Volume 13). With session-guitarist extraordinaire Big Jim Sullivan and Herbie Flowers (whose interlocked, double-tracked upright bass and bass guitar carried Lou Reed’s “Walk on the Wild Side” into brilliance) to my mind “Magician In The Mountain is the stand-out track on Sound of Sunforest.
You’ll also get to hear two more tracks by recently deceased Scott Weiland (R.I.P.). First up from him is “Son” which was a highlight for me on his 1998 solo debut, 12 Bar Blues.  (Here you can watch a video of Weiland performing the tune acoustically on MTV’s “120 Minutes” back in 1998).
With its raw pop blister rubbing up against a confused glam swirl, this LP still remains my favorite of all Weiland’s work. Featuring contributions from multi-instrumentalist Victor Indrizzo, phenomenal pianist Brad Mehldau, Martyn LeNoble and Peter DiStefano (bass & guitar for Porno For Pyros!), as well as additional work from Daniel Lanois (production-collaborator for Brian Eno, U2, and Bob Dylan)–this is an album with a genuine sense of exploration and–despite its obvious postures–honest artistic expression. In “Son” Weiland mostly employs a slender vocal in the honeyed upper registers with a lightly-narcotized rasp to its delivery. This perfectly gets across the melancholia that served as its inspiration. As Weiland would not have any children until at least two years later, the song serves as a rumination on a terminated pregnancy he and his girlfriend chose, and what might have been (an emotional topic he previously touched upon with Stone Temple Pilots in the closing track for their sophomore record, Purple: “Kitchenware & Candy Bars“).
Later on down the mix you will hear Weiland with his band mates in Stone Temple Pilots on what has always been one of my favorite tracks by this group: “Lounge Fly.” With its elliptic lyrics pushed up from a hungry gut only to be buried again, and pushed up again–a cycle–and the music coiled and percussive–this is not so much circling, but the sound of a man prowling around a drain…and all the while Weiland insisting that you know, “this is really happening to me.” “Lounge Fly” is followed by yet another song concerning sex and the desperate search for emotional connection: “Chloe In The Afternoon” by St. Vincent. Borrowing its title from the 1972 French film by Éric Rohmer (which was much later remade into the Chris Rock comedy I Think I Love My Wife) this song is an amazing display of corroded textures and strange syncopation.
There’s also some D’Angelo; some Elvis; some Mark Lanegan; a dry collaboration between William S. Burroughs and R.E.M from the 1996 collection, Songs in the Key of X – Music From And Inspired By “The X-Files; Matthew E. White and his marvelous Spacebomb crew demonstrating how a tune bled of vigor (and guitar) can still be so damn funky…albeit a drowsy funk; and you’ll hear one of my favorite vocalists, Martina Topley-Bird doing a stripped down version of her own, Snowman” (you can watch a lovely 2012 live performance of it and more here).
Well, enjoy and I hope you are all still listening in the New Year!
All the best to you & yours,
Bobby Calero

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Dendrites-16-CVR

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Overture to The Sun – Sunforest [art by Robin Celebi]

Son – Scott Weiland

Star Me Kitten – R.E.M. & William S. Burroughs [art: “Lust” by William S. Burroughs, 1991]

Silver Timothy – Damien Jurado (w/ Richard Swift) [Photo by Sarah Jurado]

Magician In the Mountain – Sunforest

“Trouble”/The Wasp (Texas Radio And The Big Beat) – The Doors [photo by Frank Lisciandro, 1970]

Scarlet Town – Bob Dylan [art: Train Tracks (Red) by Bob Dylan, 2012]

 

The Golden Fang – Jonny Greenwood

tumblr_n1o7zfalhj1qzei6po1_1280

Signature Move – Matthew E. White [photo by Shawn Brackbill]

Lounge Fly – Stone Temple Pilots

Chloe In The Afternoon – St. Vincent [photo by Tina Tyrell, 2011]

Leaning Into Afternoons – Pablo Neruda [read by Wesley Snipes, music by Luis Enríquez Bacalov] [art from Pablo Neruda: Poet of the People, written by Monica Brown and illustrated by Julie Paschkis]

Sugah Daddy – D’Angelo & The Vanguard [Photo by Greg Harris]

Trying To Get To You – Elvis Presley

Trying To Forget You – Howlin’ Wolf

solid-soul

San-Ho-Zay – Willie Mitchell

Knockin’ Myself Out – Jean Brady & Big Bill Broonzy [image from the film Low Light And Blue Smoke]

Like Little Willie John – Mark Lanegan Band

The Endless Sea – Iggy Pop

Cry Baby Cry – The Beatles [photo by Don McCullin, 7/28/68]

Snowman – Martina Topley-Bird

04/16/05 Saturday/04/19/05 Tuesday – Fantômas

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MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 16)

  • Overture to The Sun – Sunforest
  • Son – Scott Weiland
  • Star Me Kitten – R.E.M. & William S. Burroughs
  • Silver Timothy – Damien Jurado (w/ Richard Swift)
  • Magician In the Mountain – Sunforest
  • “Trouble”/The Wasp (Texas Radio And The Big Beat) – The Doors
  • Scarlet Town – Bob Dylan
  • The Golden Fang – Jonny Greenwood
  • Signature Move – Matthew E. White 
  • Lounge Fly – Stone Temple Pilots
  • Chloe In The Afternoon – St. Vincent 
  • Leaning Into Afternoons – Pablo Neruda [read by Wesley Snipes, music by Luis Enríquez Bacalov] 
  • Sugah Daddy – D’Angelo & The Vanguard
  • Trying To Get To You – Elvis Presley
  • Trying To Forget You – Howlin’ Wolf
  • San-Ho-Zay – Willie Mitchell
  • Knockin’ Myself Out – Jean Brady & Big Bill Broonzy
  • Like Little Willie John – Mark Lanegan Band
  • The Endless Sea – Iggy Pop
  • Cry Baby Cry – The Beatles 
  • Snowman – Martina Topley-Bird
  • 04/16/05 Saturday/04/19/05 Tuesday – Fantômas

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_           _________________   _  ___   _ _________ __________->

The interview with Heath began on the opposite page. However, Mireille could not get herself to concentrate. She could only skim and skip across the paragraphs; if momentarily of a similar mental bent, you should of course feel free to do the same:


TURN-TURN 1

TURN-TURN 2

TURN-TURN 3

TURN-TURN 4

TURN-TURN 5

TURN-TURN 6

TURN-TURN 7

TURN-TURN 8

TURN-TURN 9

TURN-TURN 10

TURN-TURN 11

TURN-TURN 12

TURN-TURN 13

TURN-TURN 14

TURN-TURN 15

TURN-TURN 16

TURN-TURN 17

TURN-TURN 18

TURN-TURN 19

TURN-TURN 20

TURN-TURN 21

TURN-TURN 22

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___           – –      _________________   _-    _         _________________ ___

BOBBY CALERO

 

A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

Hello all,

and welcome to what will be the last post for the summer! I’ve got a special triptych-mixtape for you all today! About a week back a good friend of mine asked that I produce a few mixes for a gathering the night before his wedding. Unfortunately (like, whatever, y’know) due to technical difficulties they could not be played that evening (the entire wedding weekend, however, was absolutely fantastic!). Anyway, not one to let a good MixTape go to waste, I present them to you here. I do believe them to be real nice & easy, and tons of fun, with some great tunes that have been featured here in these pages before and some that I was planning on getting to someday.

May these serve you well here at the tail-end of the summer! So sit back, roll forward, and enjoy!

But above all–ENJOY YOURSELF!__

Nuptials-cvr___________________

Volume I—Click here to listen & Download——-

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Volume II—Click here to listen & Download——-

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Volume III—Click here to listen & Download——-

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A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

VOLUME ONE:

  1. Pre-Nump – Outkast
  2. When You’re Smiling and Astride Me – Father John Misty
  3. Here I Am (Come And Take Me) – Al Green
  4. Happy – The Rolling Stones
  5. Alright, Okay, You Win – Peggy Lee
  6. You Make Loving Fun – Fleetwood Mac
  7. Baby It’s You – The Beatles
  8. Let Me Be Good To You – Carla Thomas
  9. Try (Just A Little Bit Harder) – Janis Joplin
  10. River Deep – Mountain High – Harry Nilsson
  11. Beautiful Girl – INXS
  12. Over The Hills And Far Away – Led Zeppelin
  13. The Brides Have Hit Glass – Guided By Voices
  14. What A Woman – Howlin’ Wolf
  15. The Spy – The Doors
  16. Light My Fire – Al Green
  17. Shake Your Hips – The Rolling Stones
  18. We Can Work It Out – Stevie Wonder
  19. CREEP – Afghan Whigs
  20. Tenement Lady – T.Rex
  21. John, I’m Only Dancing – David Bowie
  22. Fool I Am – Pat Ferguson
  23. I Just Want To Make Love To You – Etta James
  24. Let Me Roll It – Paul McCartney & Wings

VOLUME TWO:

  1. Your Southern Can is Mine – The White Stripes
  2. When I Look In Your Eyes – André 3000
  3. Lady Madonna – Fats Domino
  4. Loving Cup – The Rolling Stones
  5. Ring Of Fire – Ray Charles
  6. Rag Mama Rag – The Band
  7. Pretty Thing – Bo Diddley
  8. Tee Pees 1-12 – Father John Misty
  9. Would You – Richard Swift
  10. Andy’s Chest – Lou Reed
  11. Milkcow Blues Boogie – Elvis Presley
  12. Slow Down – Backbeat Band
  13. Rip It Up/ Ready Teddy – John Lennon
  14. Surprise Surprise (Sweet Bird Of Paradox) – John Lennon
  15. Live with Me – The Rolling Stones
  16. Planet Queen – T.Rex
  17. She Belongs To Me – Bob Dylan
  18. Black Is the Color – Rhiannon Giddens
  19. I Gotta Know – Wanda Jackson
  20. Love Having You Around – Stevie Wonder
  21. Right – David Bowie
  22. Oh! Darling – The Beatles
  23. Call On Me – Big Brother And The Holding Company (feat. Janis Joplin)
  24. Candy – Iggy Pop

VOLUME THREE:

  1. Mystify – INXS
  2. Be Kind – Devendra Banhart
  3. Didn’t I – Darondo
  4. Mind Games – George Clinton
  5. Dear Prudence – The Beatles
  6. Little Red Rooster – Sam Cooke
  7. Sweet Feeling – Candi Staton
  8. Idlewild Blue (Don’t Chu Worry ‘Bout Me) – André 3000
  9. Rusty Cage – Johnny Cash
  10. Can You Get To That? – Funkadelic
  11. Yazoo Street Scandal – The Band
  12. Police & Thieves – The Clash
  13. Do Unto Others – Pee Wee Crayton
  14. Goin’ To Acapulco – Jim James & Calexico
  15. Candela – Buena Vista Social Club
  16. Momma Miss America – Paul McCartney
  17. Got To Get You Into My Life – Chris Clark
  18. Wah-Wah – George Harrison
  19. Mean To Me – Dean Martin
  20. This Magic Moment – Lou Reed
  21. Be My Baby – John Lennon

______________________________________

It’s Good to Feel you are Close to Me

It’s good to feel you are close to me in the night, love,
invisible in your sleep, intently nocturnal,
while I untangle my worries
as if they were twisted nets.

Withdrawn, your heart sails through dream,
but your body, relinquished so, breathes
seeking me without seeing me perfecting my dream
like a plant that seeds itself in the dark.

Rising, you will be that other, alive in the dawn,
but from the frontiers lost in the night,
from the presence and the absence where we meet ourselves,

something remains, drawing us into the light of life
as if the sign of the shadows had sealed
its secret creatures with flame.

__________

Pablo Neruda, from Cien Sonetos de Amor (1959).

______________

All the best to you & yours,

(Oh, and J2 & Dana, despite this entry in Ambrose Bierce’s The Unabridged Devil’s Dictionary, “Love, noun. A temporary insanity curable by marriage;” I love you guys, wish you well, and know you will make and remain a fine union in the light of life),

Bobby Calero

A MOUTHFUL OF PENNIES & BEAN PRESENT: BEAN STEW: VOL. I & 2

 

Hello All!

I know, “back so soon?…,” but today’s post is for a good cause! The good ladies of BEAN (Bushwick Eco Action Network) asked me if I could put together an entertaining two hours of music to serve as the background sound for the Fall Mixer they’re throwing this evening: B.E.A.N. STEW!

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Calling All Bushwick Cultivars, Permies, Gardeners, Farmers, Environmental activist, Organizers, Community leaders and the Eco-curious!

Join us for the Bushwick Eco-Action Network’s Fall Mixer.
Sunday, September 29th from 5-7pm, join us in the lovely garden of Fritzl’s Lunch Box at 173 Irving Avenue.

Come meet amazing groups and individuals who are working hard to do a little good in New York City. Permaculture enthusiasts, community farm members, hydroponic specialists, food co-op organizers, recycling leaders, environmental justice advocates and you, coming together for a sweet happy hour. We are all working hard to realize a better world and a better New York City. Let’s get together in a relaxed and joyous environment to share, mingle and have a few laughs!

Fun raffles prizes include discounts at farm-to-table restaurants, bars with local brews, workshops and more! Happy hour with $2.50 beers! RSVP here.

See you there!

173 Irving Ave, Brooklyn, New York 11237

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(Other than being what a great deal of my wife’s energy goes towards) the Bushwick Eco Action Network (BEAN) provides a forum for ecological observation, exchange, organizing and action.  Inspired by the principles of Permaculture, they seek to create a more balanced urban ecosystem in relationship to Bushwick’s neighborhood growth. — You can learn more about BEAN and see what they’re up to over here….

…Or, you can come on out to Fritzl’s Lunch Box this evening, Sunday, September 29th, to chit-chat and chew-the-fat face-to-face, y’know, the old-fashioned way.

I hope you all can make it out for this fun meeting-of-the-minds, and I hope you all enjoy the tunes I’ve assembled for this 2 volume MixTape for a mixer. I didn’t have too much free time to finely stitch all these together, so there’s certainly some loose threads and a rough patch-job or two, but I’m sure you can dig it! …On a more personal note, I can already hear Autumn creeping in to my taste. Anyway, thanks, and as always–

–Enjoy yourself-

Bean Stew_Vol I

———–(CLICK TO LISTEN &DOWNLOAD)————-

A MOUTHFUL OF PENNIES & BEAN PRESENT:

BEAN STEW: VOL. I

by A Mouthful Of Pennies (Bobby Calero)

Cover art by Keri Kroboth-Calero (w/ an amateur twerk or two by Bobby Calero)

—————————————————————————————————–   —– – –  –   –     ———-

Bean Stew_Vol II

———–(CLICK TO LISTEN &DOWNLOAD)————-

A MOUTHFUL OF PENNIES & BEAN PRESENT:

BEAN STEW: VOL. II

by A Mouthful Of Pennies (Bobby Calero)

Cover art by Keri Kroboth-Calero (w/ an amateur twerk or two by Bobby Calero)

—————————————————————————————————–   —– – –  –   –     ———-

Bean Stew_Vol I tracklistBean Stew_Vol II tracklist

—————(BOBBY CALERO)—————

o c c u p y g r e e n s p a c e

#somebodydosomething

 

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OCCUPY MY MIND WITH THOUGHTS ON OCCUPY MY MIND

“It all exists, even if it’s in your mind. Who’s to say that dreams and nightmares aren’t as real as the here and now? Reality leaves a lot to the imagination.”

John Lennon

——–

Allowing my last post to bleed into this one, here’s a quote by Howlin’ Wolf given in 1968, shortly after the assassination of Martin Luther King, Jr.:

“Somebody has been cashing checks and they’ve been bouncing back on us, and these people, the poor class of Negroes and the poor class of white people, they’re getting tired of it. And sooner or     later it’s going to bring on a disease on this country, a disease that’s going to spring from midair and it’s going to be bad. It’s like a spirit from some dark valley, something that sprung up from the ocean…Like Lucifer is on the earth” (Gates, 2004).

————————–

At first I was not quite sure how I felt about the whole “Occupy Wall Street” movement and could certainly understand the frequent critique that they did not express a clear “message” nor provided direct, and comprehensive “solutions” to their myriad grievances. However, as I was discussing the topic recently with a good friend of mine, I realized that the message might truly be a simple “Shit is fucked up!” It might not be eloquent—or serve well as a slogan for a Shepard Fairey poster—but I believe that this is what it all boils down to…somewhere back there we made a wrong turn, and we all need to register that fact first before we carry on with finding the right way forward.

Sometimes, “solving problems is not good enough or even the point, when the hardest task is not to denounce evil, but to see it” (Marcus, 1975).

Some suck their teeth and deign to say, “Get a job!” Sure, but then what? Particularly when in the grand scheme of the here & now, regardless of what you might think of your position and the comforts it affords you, we are all essentially shoveling shit in some debtors’ prison to please some plantation warden whose name we never even caught, nor knew we were indentured to. We are on the cusp of 2012 and still we live in a world where there are divergent rules and regulations for a particular set of privileged individuals, while the remaining masses are relegated to a servant-class status at best; at worst are horrors too innumerable to begin to list here.

Several months ago, a Polish émigré who abandoned a career in L.A. and now lives as a masseuse/farmer in Costa Rica said to me (after divulging her admiration for Alex Jones) “C’mon guys, we are living in the future; we should be building cathedrals of music, not fighting stupid little wars all for somebody else’s wallet.” Next she advised me to “throw out your television,” something that I admittedly am not quite ready for, but I do believe she has a point; shouldn’t we be somewhere else by now, somewhere other than here?

V For Vendetta by Alan Moore and David Lloyd

      Alan Moore, the man (along with David Lloyd) behind the mask that has been co-opted as a symbol for much of what these movements represent, recently gave an interesting interview to Honest Publishing (2011) in which he discusses the Occupy movement, and the fascinating idea of ideological change. I have posted some excerpts below:

Alan Moore [photo by Mitch Jenkins, 2010].

“As far as I can see, the Occupy movement is just ordinary people reclaiming rights which should always have been theirs. I can’t think of any reason why as a population we should be expected to stand by and see a gross reduction in the living standards of ourselves and our kids, possibly for generations, when the people who have got us into this have been rewarded for it; they’ve certainly not been punished in any way because they’re ‘too big to fail.’ I think that the Occupy movement is, in one sense, the public saying that they should be the ones to decide who’s too big to fail. It’s a completely justified howl of moral outrage and it seems to be handled in a very intelligent, non-violent way […].

“What do you think needs to change in our political system?

“Everything. I believe that what’s needed is a radical solution, by which I mean from the roots upwards. Our entire political thinking seems to me to be based upon medieval precepts. These things, they didn’t work particularly well five or six hundred years ago. Their slightly modified forms are not adequate at all for the rapidly changing territory of the 21st Century.

“We need to overhaul the way that we think about money, we need to overhaul the way that we think about who’s running the show. As an anarchist, I believe that power should be given to the people, to the people whose lives this is actually affecting. It’s no longer good enough to have a group of people who are controlling our destinies. The only reason they have the power is because they control the currency. They have no moral authority and, indeed, they show the opposite of moral authority.

“With politics at the moment seemingly determined to keep ploughing on their same destructive course because they can’t think of anything other to do, when we’re facing the possibility of an economic apocalypse, of potentially an environmental apocalypse, we don’t necessarily have an infinite amount of time. I think that since our leaders are not going to address any of these problems then we really have no choice than to attempt to wrest the steering wheel from them. If they’re aiming at the precipice with the accelerator pedal flat to the floor, then we don’t have any other choices left. Do it now, in this generation, because we don’t how many more there’s going to be.

“So something has to be done […]. I would suggest beheading the bankers, but while it would be very satisfying and would cheer us up, it probably wouldn’t do anything practical to alter the situation. Behead the currency. Change the currency, why not? It would disempower all the people who had bought into that currency but it would pretty much empower the rest of us, the other ninety-nine percent” (Honest Publishing, 2011).

I think at this point in time it is quite obvious that we need something new, something other. In an attempt to be clear as to where I position my ass in relation to the fence, I am not opposed to civil disobedience, and I am certainly not advocating that we find recourse in performing pagan rituals with menstrual blood and hallucinogens “on the endless expanse of a Nevada prehistoric lake bed” (Grigoriadis, 2006, p.90), but perhaps we need to occupy our heads with new ideas about what it is we think we are doing here, and just why we are doing it?

There is a tendency in society to firmly believe that what there is, is all there is, forever, and ever, amen; close the book, grit your teeth, and shrug your shoulders. However, a mere glance over those shoulders back into history reveals countless worlds firmly fixed within the confines of their supposed reality: realities that today we either reject wholesale, or vivisect for whatever bits we wish to cling to…and sometimes those realities only linger because they’re making someone money.

Our current financial system, now seemingly entrenched into even every little spasm of our synapses, appears to work exceptionally well.  Unfortunately, it does so only for those who were designated heirs-apparent during the design phase of this system’s architecture. Whether this lineage is through actual bloodlines or more of an inheritance through mutual ethics (or lack thereof), for the rest of us it’s a mug’s game. We’ll never get ahead this way. If the game has been bought, sold, and won a long time ago, perhaps it is time we invented a new game? It’s either that or one day we’re going to kick the whole board over in a fit, and if that day comes you better take shelter.

                                      Gimme Shelter By Cal Tjader—————Click To Listen

Like it? buy it.

Callen Radcliffe Tjader, Jr. a.k.a. Cal Tjader (July 16, 1925–May 5, 1982) was a vibes player who played with Dave Brubeck and in George Shearing’s quintet in the early fifties before forming his own group and going on to gain an international reputation for his distinctive musical style that encompassed Latin, jazz, and soul music (McClellan, 2004). Signing to Fantasy Records in 1971, Cal Tjader released Agua Dulce with its hypnotic rendition of The Rolling Stone’s “Gimme Shelter.”

Arranged by Ed Bogas the song features: Cal Tjader, vibes; Rita Dowling, Moog Synthesizer; Micheal Smithe & Pete Escovedo, Congas; Coke Escovedo’ Timbales; and either Richard Berk or Lee Charlton, Drums.

—————

To stay within the theme, here’s “Mr Guy Fawkes” performed by the Australian psychedelic rock group, The Dave Miller Set. Originally written by guitarist Mick Cox of the Irish group Eire Apparent (who opened for Jimi Hendrix’s America tour of ’68), Dave Miller remodeled the song to be his group’s single in 1969 (Kimbal). I love Dave Miller’s proto-Layne Staley vocals atop this orchestrated ballad with a boot-stomping backbeat.

“Mr Guy Fawkes”

by The Dave Miller Set: Dave Miller (vocals), John Robinson (guitar), Leith Corbett (bass), Mike McCormack (drums). Produced by Pat Aulton.

Although I’ve by no means reached a terminus to my thought processes on these matters, I remain firm in my belief that there is much more than just all this.

Ref:

Cox, M. (1968). Mr. Guy Fawkes [recorded by The Dave Miller Set]. On Mr.Guy Fawkes (single). Spin Records. (1969)

Gates, D. (2004). Delta Force. The New York Times. Retrieved Dec. 22, 2011 from http://www.nytimes.com/2004/06/13/books/delta-force.html

Grigoriadis, V. (2006, September 7). Daniel Pinchbeck and the new psychedelic elite. Rolling Stone, 1008, 89-90, 114-117.

Honest Publishing. (2011). The Honest Alan Moore Interview. Honest Publishing. Retrieved Dec. 23rd, 2011 from http://www.honestpublishing.com/news/the-honest-alan-moore-interview-part-2-the-occupy-movement-frank-miller-and-politics/

Jagger/Richards. (1969). Gimme Shelter [recorded by Cal Tjader]. On Agua Dulce [CD] Fantasy. (1971) BGP. (2011)

Kimbal, D. (n.d.) The Dave Miller Set, Sydney, 1967-1970, 1973. MILESAGO: Australasian Music and Popular Culture 1964-1975. Retrieved Dec. 23rd, 2011 from http://www.milesago.com/artists/dms.htm

Lawrence, K. (2005). John Lennon: In His Own Words. Andrews McMeel Publishing.

McClellan, Jr., L. (2004). Tjader, Callen “Cal” (1925–1982). The Later Swing Era, 1942 to 1955. Westport, CT: Greenwood Press. 2004. 303. Retrieved Dec. 23rd, 2011 from Gale Virtual Reference Library at http://go.galegroup.com.queens.ezproxy.cuny.edu:2048/ps/i.do?id=GALE%7CCX2891100647&v=2.1&u=cuny_queens&it=r&p=GVRL&sw=w

Marcus, G. (1975). Mystery train (4TH ed.). New York: Penguin.

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I’LL STAY OUTSIDE AND WAIT FOR YOU

Hubert Sumlin photographed at the Union Chapel, London in 2003. Photograph: David Levene for the Guardian

Hubert Sumlin (November 16, 1931 – December 4, 2011)

Today I bring you two Howlin’ Wolf tracks featuring the dynamic guitar work of the recently deceased Hubert Sumlin. Born near Greenwood, Mississippi on November 16, 1931, Sumlin grew up in Hughes, Arkansas. Besides having one of the most pleasant faces I’ve ever seen on a man, he was one of the most sensitive guitarists I’ve ever heard.

Sumlin should be celebrated as a true American artist. As The Wolf would moan like a man gone insane with lust and too much whiskey, Sumlin’s guitar could pierce through the trance with a sudden and ascending ribbon of sweet, angular notes, suspend it on the edge, before it all plunged down to a percussive, hip-shaking scratch rhythm with the precision of a metronome. The contact point between flesh and steel strings, being a finger-picking guitarist, created much of his distinct sound. He had used a pick until Howlin’ Wolf fired him one day, telling him to go home and practice without one. Returning to work (he always returned) he decided to settle in with the new tone this direct contact afforded him (Redley, 2011).

Hubert Sumlin & Howlin' Wolf at the Manchester Free Trade Hall, England (1964)

Alongside Howlin’ Wolf and his fellow musicians, Sumlin was inventing the future while simultaneously granting the listener a glimpse into something ancient and strange. With a flick of the wrist he could raise horror to joy, or intimate just what a man would drag himself through for a taste of a woman; and Howlin’ Wolf’s music was all about that lascivious hunt. Although technically his boss (and Wolf was certainly a “boss,” taking money out of each man’s pay for social security) their relationship was more complex than your typical paradigm of employer/employee: “It was ‘The Wolf’ who knocked my front teeth out when I told him I was going to tour with Muddy Waters” (Redley, 2011). “We were like Father and son, although we had some tremendous fights. He knocked my teeth out, and I knocked his out. None of it mattered; we always got right back together” (Friskics-Warren, 2011). Despite (or perhaps because of) all this, Sumlin played guitar for Howlin’ Wolf’s band from 1954 to 1976, when Wolf’s died from complications of kidney disease at the age of 65.

As for Chester Arthur “Howlin’ Wolf” Burnett himself, not enough could be said about the man, so for the sake of brevity I’ll quote Sam Phillips (the first to record him, and who later went on to “discover” Elvis Presley) who said in regards to Howlin’ Wolf’s music: “This is where the soul of man never dies” (Gates, 2004).

Hubert Sumlin performs with Howlin' Wolf in 1971. Photograph: Michael Ochs Archives

First up is perhaps one of Sumlin’s finest recorded performances: The Willie Dixon penned “Hidden Charms.” Recorded August 14, 1963 in Chicago, the track features Howlin’ Wolf on vocals; J.T. Brown on tenor sax; Donald Hankins on bass; Lafayette Leake on piano; Hubert Sumlin on guitar; Jerome Arnold or Buddy Guy on bass; and Sam Lay on drums.

Like it? Buy it.

On another note, after I graduate my wife would like to move upstate to pursue a more rural life; this song pretty sums up all my sentiments on that matter:

Like it? Buy it.

Another Willie Dixon number (although, and not to take anything away from the man, I believe Dixon was considered more of a lyricist, and perhaps Wolf deserves more of a composition credit) this riot of affection is titled “Little Baby” and was recorded May, 1961 in Chicago, featuring Howlin’ Wolf on vocals; Johnny Jones on piano; Jimmy Rogers & Hubert Sumlin on guitars; Willie Dixon on bass; and Sam Lay on drums.

And lastly, to truly begin understanding where this music is supposed to tickle you, watch the whole sweaty, money waving show below from 1966, featuring Howlin’ Wolf on harmonica &vocals; Hubert Sumlin on guitar; Andrew McMahon on bass; Sam Jones on sax, S.P. Leary on drums; and an inebriated Son House “conducting.”

Ref:

Dixon, W. Little Baby [recorded by Howlin’ Wolf, 5/61]. On Howlin’ Wolf  (“The Rockin’ Chair album”) [CD] Chess. (1962/1990)

Dixon, W. Hidden Charms [recorded by Howlin’ Wolf, 8/14/63]. On Howlin’ Wolf: The Real Folk Blues [CD] Chess. (1965/2002)

Friskics-Warren, B. (2011). Hubert Sumlin, Master of Blues Guitar, Dies at 80. The New York Times. Retrieved Dec. 22, 2011 from http://www.nytimes.com/2011/12/06/arts/music/hubert-sumlin- master-of-blues-guitar-dies-at-80.html?_r=1

Gates, D. (2004). Delta Force. The New York Times. Retrieved Dec. 22, 2011 from http://www.nytimes.com/2004/06/13/books/delta-force.html

Redley, S. (2011). Hubert Sumlin R.I.P November 16, 1931. Blues & Soul. 1049 Retrieved Dec. 22, 2011 from http://www.bluesandsoul.com/news_item/586/hubert_sumlin_rip_november_16_1931__december_4_2011/

Yumgui (Poster) (2009, Dec.23). Howlin’ Wolf – 1966 – How Many More Years – The Newport Folk Festival [Video] Retrieved Dec. 22, 2011 from http://www.youtube.com/watch?v=E2Iw5aEI3JE

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