Category Archives: Lilacs & Champagne

A.M.O.P. PRESENTS: AN EBB FOR THE THIN KING

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

Here ya go, the latest A.M.O.P. Mixtape:_An Ebb for The Thin King

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—————–======ENJOY YOURSELF____———–

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A.M.O.P. Presents: _An Ebb for The Thin King
  • In My Craft And Sullen Art / 25 Ghosts III – Dylan Thomas / Nine Inch Nails (amop mix)
  • Tajemnica Enigmy (Secret Enigma) – Andrzej Korzyński
  • Honest Man – Lilacs & Champagne
  • I Am The Walrus – The Beatles
  • “All the lovers in this dream” – Jack Kerouac
  • Frelon Brun (Brown Hornet) – Miles Davis (ft. Wayne Shorter (ts); Chick Corea (el-p); Dave Holland (b); Tony Williams (d))
  • Théme Du Vampire – André Hossein
  • Blue Moon – Elvis Presley
  • The Things I Used To Do – Chuck Berry
  • Black Dog – Deodato (Led Zeppelin cover)
  • Meatplow – Stone Temple Pilots
  • Spoonful (’69 version) –  Howlin’ Wolf (ft. Morris Jennings (drums), Louis Satterfield (bass), Roland Faulkner & Pete Cosey (guitars))
  • Profondo Rosso M15 – Goblin
  • Two Years Of Torture – Ray Charles (ft. Paul Gonsalves (tenor sax))
  • Violins / Bloom Like Roses – Paz Lenchantin
  • Tenement Lady – T.Rex
  • The Panorama – Carter Burwell
  • Bold Marauder – Mimi & Richard Fariña
  • Trzecia Część Nocy (Third Part Of The Night) Czolownica – Andrzej Korzyński
  • Seeking a Love / G.I. Valentine / Finally a Card Came / Too Much Tenderness – Steve Harley & Cockney Rebel
  • Dust -Lucinda Williams (ft. Bill Frisell – electric guitar)
  • Dead and Gone – 79rs Gang
  • Ebb Tide – Frank Sinatra (arranged by Nelson Riddle)
  • Queen Jane Approximately – Bob Dylan

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In My Craft And Sullen Art / 25 Ghosts III – Dylan Thomas / Nine Inch Nails (amop mix) [woodcut by Antonio Frasconi] 

Tajemnica Enigmy

Tajemnica Enigmy – Andrzej Korzyński

Honest Man – Lilacs & Champagne

I Am The Walrus – The Beatles

“All the lovers in this dream” – Jack Kerouac

Frelon Brun (Brown Hornet) – Miles Davis (ft. Wayne Shorter (ts); Chick Corea (el-p); Dave Holland (b); Tony Williams (d))

Théme Du Vampire – André Hossein

Blue Moon – Elvis Presley [Elvis Presley backstage after a show at Ellis Auditorium in Memphis on May 15, 1956, by Barney Sellers]

The Things I Used To Do – Chuck Berry

Black Dog – Deodato (Led Zeppelin cover)

Meatplow – Stone Temple Pilots

Spoonful (’69 version)– Howlin’ Wolf (ft. Morris Jennings (drums), Louis Satterfield (bass), Roland Faulkner & Pete Cosey (guitars))

Profondo Rosso M15 – Goblin

Two Years Of Torture – Ray Charles (ft. Paul Gonsalves (tenor sax))

Violins / Bloom Like Roses – Paz Lenchantin

Tenement Lady – T.Rex

The Panorama – Carter Burwell

Bold Marauder – Mimi & Richard Fariña

Trzecia Część Nocy (Third Part Of The Night) Czolownica – Andrzej Korzyński

Seeking a Love / G.I. Valentine / Finally a Card Came / Too Much Tenderness – Steve Harley & Cockney Rebel

Dust -Lucinda Williams (ft. Bill Frisell – electric guitar)

Dead and Gone – 79rs Gang

Ebb Tide – Frank Sinatra

Queen Jane Approximately – Bob Dylan

___________________))))))))))))))))
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS:__LADDER UNDER HER; WATER EVERYWHERE

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

—  –   ————-______________ ->

Hello All.

Welcome to the latest A.M.O.P. Mixtape:_Ladder Under Her; Water Everywhere

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—————–======ENJOY YOURSELF____———–

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A.M.O.P. Presents: Ladder Under Her; Water Everywhere
  • Le Grand – Lilacs & Champagne
  • Vessels – The Moonlandingz (ft. Sean Lennon; Adrian Flanagan and Dean Honer of the The Eccentronic Research Council; Lias Saoudi AKA Johnny Rocket and Saul Adamczewski of Fat White Family)
  • Windswept – Johnny Jewel
  • St-Clementine-On-Tea-And-Croissants / Nemesis – Benjamin Clementine
  • You Ain’t Going Nowhere – The Byrds (Bob Dylan cover)
  • Rainbow Children / Muse 2 The Pharaoh – Prince
  • Ted, Just Admit It… – Jane’s Addiction
  • Twin Peaks: Fire Walk With Me – Fantômas (Mike Patton, Dave Lombardo, Buzz Osborne, Trevor Dunn)(written by David Lynch & Angelo Badalamenti)
  • Stolen Pictures (Mix) – David Lynch & Angelo Badalamenti; mixed by TWIN PEAKS SOUNDTRACK DESIGN
  • The Crimson Kiss – Johnny Jewel
  • You Don’t Miss Your Water (Gram Parsons vocal) – The Byrds (William Bell cover)
  • Someone I Know – Margo Guryan
  • Satellite Of Love – Lou Reed; ft. David Bowie
  • Shabby Doll – Elvis Costello & The Attractions
  • No More – Dean Hurley
  • You Don’t Miss Your Water – William Bell
  • Atonement – The Roots Feat. Jack Davey
  • Every Tear Disappears – St. Vincent
  • Crimson Escalation (34/370) – crush_DLX (Pop Levi & Bunny Holiday)

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[Le Grand – Lilacs & Champagne]

[Vessels – The Moonlandingz (photo by Silvia Saponaro)]

[Windswept – Johnny Jewel]

[St-Clementine-On-Tea-And-Croissants / Nemesis – Benjamin Clementine]

[You Ain’t Going Nowhere – The Byrds (Bob Dylan cover) (art by Jo Mora, 1932)]

[Rainbow Children / Muse 2 The Pharaoh – Prince]

[Ted, Just Admit It… – Jane’s Addiction]

[Twin Peaks: Fire Walk With Me – Fantômas (Mike Patton, Dave Lombardo, Buzz Osborne, Trevor Dunn)(written by David Lynch & Angelo Badalamenti)]

[Stolen Pictures (Mix) – David Lynch & Angelo Badalamenti; mixed by TWIN PEAKS SOUNDTRACK DESIGN]

[The Crimson Kiss – Johnny Jewel]

[You Don’t Miss Your Water (Gram Parsons vocal) – The Byrds (William Bell cover)]

[Someone I Know – Margo Guryan]

[Satellite Of Love – Lou Reed; ft. David Bowie (photo by Mick Rock)]

[Shabby Doll – Elvis Costello & The Attractions (cover art “Snakecharmer & Reclining Octopus” by Barney Bubbles)]

[No More – Dean Hurley]

[You Don’t Miss Your Water – William Bell]

[Atonement – The Roots Feat. Jack Davey]

[Every Tear Disappears – St. Vincent (photo by Kara Smarsh)]

[Crimson Escalation (34/370) – crush_DLX (Pop Levi & Bunny Holiday)]

___________________))))))))))))))))
___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

THE DEMISE OF THE MASK (VOL 2)

Hello All.

Welcome to Volume Two of my new series of MixTapes: The Demise Of The Mask. –(Volume One here)__.

Here you’ll hear the suite of songs that open what was one of the best albums of 2014, The Silver Globe by Jane Weaver; and something from real honky-tonk talent Margo Price and her 2016 debut record Midwest Farmer’s Daughter (recorded at Sun Studio in Memphis and released on Jack White‘s Third Man Recordshere’s that pair performing together on “A Prairie Home Companion” back in October). You can groove as well to some of my favorite tunes by The Byrds, John LennonThe Brian Jonestown Massacre, Danny BrownSteve Harley & Cockney Rebel, and a whole lot more. Speaking of Cockney Rebel, there’s also a long prog workout by that group’s keyboardist Duncan Mackay, “12 Tone Nostalgia,” taken from his 1974 solo debut Chimera. Kevin Barnes‘ group of Montreal provide one of my favorite lyrics with their chorus of:

These amphibian days they will not heel to you
You can’t defy the defining flaw of your generation

Oh and for those who are left wondering just what words are used to create the hypnotic mantra in Moondog‘s 1971 round, “You The Vandal“:

you, the vandal, plunder the village as you will.
the earthworm will pillage you, the vandal, when you are under

 –   ————-_______

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

demise_2_cvr

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 2)__Mercury Returns To Me___
  • The Silver Globe/Argent/The Electric Mountain – Jane Weaver
  • Funky Fly – Kid Congo & The Pink Monkey Birds
  • Corridors of Power II  – Lilacs & Champagne
  • You The Vandal – Moondog
  • These Days – Nico
  • Jonathan – Fiona Apple
  • Time Is Honey (So Cut The Shit)/Teleflows 5 Vs. Amplification/Nevertheless – The Brian Jonestown Massacre
  • 12 Tone Nostalgia  – Duncan MacKay 
  • Mirror Freak – Steve Harley & Cockney Rebel
  • Lonely – Danny Brown
  • Amphibian Days – of Montreal
  • This Town Gets Around – Margo Price
  • Woman Is The Nigger Of The World – John Lennon & Yoko Ono
  • She Said She Said – The Beatles
  • St. Michael – Richard Swift
  • Hungry Planet – The Byrds
  • The World (Interlude) – Danger Mouse & Daniele Luppi
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mercury-returns-to-me
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[The Silver Globe/Argent/The Electric Mountain - Jane Weaver]

[The Silver Globe/Argent/The Electric Mountain – Jane Weaver]

[Funky Fly - Kid Congo & The Pink Monkey Birds]

[Funky Fly – Kid Congo & The Pink Monkey Birds]

[Corridors of Power II - Lilacs & Champagne]

[Corridors of Power II – Lilacs & Champagne]

[You The Vandal - Moondog]

[You The Vandal – Moondog]

[These Days - Nico]

[These Days – Nico]

[Jonathan - Fiona Apple]

[Jonathan – Fiona Apple]

[Time Is Honey (So Cut The Shit)/Teleflows 5 Vs. Amplification/Nevertheless - The Brian Jonestown Massacre]

[Time Is Honey (So Cut The Shit)/Teleflows 5 Vs. Amplification/Nevertheless – The Brian Jonestown Massacre]

[12 Tone Nostalgia - Duncan MacKay]

[12 Tone Nostalgia – Duncan MacKay]

[Mirror Freak - Steve Harley & Cockney Rebel]

[Mirror Freak – Steve Harley & Cockney Rebel]

[Lonely - Danny Brown]

[Lonely – Danny Brown]

[Amphibian Days - of Montreal]

[Amphibian Days – of Montreal]

[This Town Gets Around - Margo Price]

[This Town Gets Around – Margo Price]

[Woman Is The Nigger Of The World - John Lennon & Yoko Ono]

[Woman Is The Nigger Of The World – John Lennon & Yoko Ono]

[She Said She Said - The Beatles]

[She Said She Said – The Beatles]

[St. Michael - Richard Swift]

[St. Michael – Richard Swift]

[Hungry Planet - The Byrds]

[Hungry Planet – The Byrds]

[The World (Interlude) - Danger Mouse & Daniele Luppi]

[The World (Interlude) – Danger Mouse & Daniele Luppi]

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___________________))))))))))))))))

All the best—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you digaparticular artist then please support them and go out and pick up some of their stuff.

_           _________________   _  ___   _ _________ __________->

THE DEMISE OF THE MASK (VOL 1)

Hello All,

Here’s the first volume of a new series of MixTapes: The Demise Of The Mask.

This one here features “The Future,” which is perhaps my favorite tune by the late great Leonard Cohen (R.I.P.), It’s fascinating to me that his cold vision of a future of murder is one where there is no longer any privacy, definitions, or truths and where all are completely ignorant to even the idea of certain spiritual mechanisms like redemption, repentance, and resurrection: When they said repent, I wonder what they meant…

Of course the song also features one of Cohen’s finest lines and one that serves as a fracture of light in it’s vicious but torpid slab of a landscape: Love’s the only engine of survival.

Oh the mix features as well as some fantastic new stuff by Saul Williams, Devendra Banhart, Iggy Pop, and Radiohead. Oh and it’s also got a lovely number called “Love On The Brain” by Rihanna that my little boy just loves slow spinning to. All this and a whole lot more flow! So press play and enjoy yourself! And as always:

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff.

____________———-___=========================================  __=

—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

thedemiseofthemaskcvr

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 1)__
  • Lilacs  – Lilacs & Champagne
  • Down For Some Ignorance – Saul Williams
  • The Future – Leonard Cohen
  • Back to the Future (Part II) – D’Angelo & The Vanguard
  • Stay Cool  – The Roots, ft. Q-Tip (J.Period Remix)
  • Sky Saw – Brian Eno
  • Mother Of Pearl – Roxy Music
  • Chocolate Drops – Iggy Pop
  • Linda – Devendra Banhart
  • Sunset And The Mocking Bird (Queen’s Suite part 1) – Duke Ellington & His Orchestra
  • Something In The Water (Does Not Compute) – Prince
  • CPU – Big Boi, ft. Phantogram
  • Identikit – Radiohead
  • The Dolphin (Before) – Bill Evans
  • I Can Love Again – Jamie Lidell
  • Love On The Brain – Rihanna
  • Looks Good With Trouble – Solange
  • Décollage – Air
  • Libra, the mirror’s minor self / Love’s long listen-in – Broadcast & The Focus Group
  • Flunkt Sass Vs The Root Flume – of Montreal
  • Walk It Back – R.E.M.
  • The Dolphin (After) – Bill Evans
  • Crimson Escalation – crush_DLX (Pop Levi & Bunny Holiday)
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demise-1

demise-2

demise-3

demise-4

 

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[Lilacs – Lilacs & Champagne]

[Lilacs – Lilacs & Champagne]

[Down For Some Ignorance – Saul Williams]

[Down For Some Ignorance – Saul Williams]

[The Future – Leonard Cohen (photo by Guido Harari, Paris 1992)]

[The Future – Leonard Cohen (photo by Guido Harari, Paris 1992)]

[Back to the Future (Part II) - D'Angelo & The Vanguard]

[Back to the Future (Part II) – D’Angelo & The Vanguard]

[Stay Cool - The Roots, ft. Q-Tip (J.Period Remix)]

[Stay Cool – The Roots, ft. Q-Tip (J.Period Remix)]

[Sky Saw - Brian Eno]

[Sky Saw – Brian Eno]

[Mother Of Pearl - Roxy Music]

[Mother Of Pearl – Roxy Music]

[Chocolate Drops - Iggy Pop]

[Chocolate Drops – Iggy Pop]

[Linda - Devendra Banhart]

[Linda – Devendra Banhart]

[Sunset And The Mocking Bird (Queen's Suite part 1) - Duke Ellington & His Orchestra (photo Duke Ellington, Paris, 1958 by Herman Leonard)]

[Sunset And The Mocking Bird (Queen’s Suite part 1) – Duke Ellington & His Orchestra (photo Duke Ellington, Paris, 1958 by Herman Leonard)]

[Something In The Water (Does Not Compute) - Prince]

[Something In The Water (Does Not Compute) – Prince photo by Allen Beaulieu, 1982]

[CPU - Big Boi, ft. Phantogram]

[CPU – Big Boi, ft. Phantogram]

[Identikit - Radiohead]

[Identikit – Radiohead]

[The Dolphin - Before - Bill Evans]

[The Dolphin (Before) – Bill Evans]

[I Can Love Again - Jamie Lidell (art by Anna Higgie)]

[I Can Love Again – Jamie Lidell (art by Anna Higgie)]

[Love On The Brain - Rihanna]

[Love On The Brain – Rihanna]

[Looks Good With Trouble - Solange (photo byElias Tahan, 2012)]

[Looks Good With Trouble – Solange (photo by Elias Tahan, 2012)]

[Libra, the mirror's minor self / Love's long listen-in - Broadcast & The Focus Group]

[Libra, the mirror’s minor self / Love’s long listen-in – Broadcast & The Focus Group]

[Flunkt Sass Vs The Root Flume - of Montreal (art, the peculiar death of Valerie Marie Osten Chafer, or how our nuclear signals proposes certain numeric endings by ANIN TIWN ~ NINA TWIN]

[Flunkt Sass Vs The Root Flume – of Montreal (art, the peculiar death of Valerie Marie Osten Chafer, or how our nuclear signals proposes certain numeric endings by ANIN TIWN ~ NINA TWIN]

[Walk It Back - R.E.M.]

[Walk It Back – R.E.M.]

[The Dolphin (After) - Bill Evans]

[The Dolphin (After) – Bill Evans]

[Crimson Escalation - crush_DLX ]

[Crimson Escalation – crush_DLX (Pop Levi & Bunny Holiday) ]

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_________________________________________________

___________________))))))))))))))))

All the best—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you digaparticular artist then please support them and go out and pick up some of their stuff.

_           _________________   _  ___   _ _________ __________->

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 15)

_If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________ ->

_           _________________   _  ___   _ _________ __________->

Each snug within the confines of their own category—altogether most pop music seems to intimate an insular fear of an anonymous other. What is it but another manifestation of man’s ludicrous grasp for total control? Yes, as a teenager—and in all the turmoil that that entails—it was Locust Mirror’s seeming open seriousness that initially allured Mireille’s taste towards that band’s music. She was sure they mattered and cared.

About what?

She was never sure enough to put into words. Their music felt mysterious and smart, dangerous and true, romantic and sexy…creative. Weird—It hinted at opportunities.

But at seventeen and seated in a public library—Mireille felt bored.

She shoveled the books aside with a swipe of her forearm. With its dust jacket wrapped and protected by a clear film of Polyethylene Terephthalate, she slid the hardbound copy of Peter Bennet’s Last Against The Wall (Berlin 1961-1989) towards her. From between its pages she pulled out the latest issue of Turn-Turn Magazine, which she had taken from a crowded rack as she entered the library and had been using as an oversized bookmark. There on the cover was Locust Mirror lead singer, Christian Heath.

Perhaps categorized as a “black & white” photograph, the image captured by Dutch photographer Anton Corbijn and partly produced through a thin coat of emulsion and a high contrast truly resides somewhere between mercury and the brown of mineral rich dirt. The picture had been additionally lightly hand-painted in places to mimic the Technicolor palate of old Hollywood. Such was the case with the scarlet backdrop pocked with pinpricks of blue starlight. His tousled blonde hair spilled from a battered fedora as strips of bleach and greased shadows. The one eye not obscured by that mess was a hazel glint—a warm gloss of amber resin on a fractured green stone with a dark core. Through the black metallic smudge of mascara—that eye was aimed directly at Mireille.

Heath had been seized in an obvious, somewhat sorority cover-girl affected pose made all the more effeminate as he had one hand positioned upon his own popped hip. White with a stitched print of little blue flowers along its lengths, he wore his shirt unbuttoned and loose about his waist. This epicene stance was accentuated by Heath’s slight frame, boyish facial features, and the chipped lacquer along the nails of his right hand, which clutched the smoldering stub of a cigarette. Despite these evidently queer feminine put-ons, the image truthfully conveyed that old rock & roll communiqué of “Oh me, I don’t give a fuck.” Pitch-colored stubble on his chin and upper lip, his teeth white with a slight crook—his mouth was presented in an open smile as if he had been caught mid-sentence.

Probing this photo with her blue eyes wide, Mireille felt the press of a little heat. No, not quite a burn that fans the knees open; but, yes, a press of a little heat. There was a small swell to all of her systems. The snapshot revealed the slim muscles of Heath’s abdomen right up to his small pectorals. She had a private impulse to lick the cover there.

She of course would not do this. Instead—thoughtlessly—her tongue curled, pressed between a little nibble of her teeth and planted itself into the corner of her open mouth. There from that perch it would loll along to wet her lips. She found him so handsome and odd.

Abruptly aware of her fat tongue; her mouth agape; her eyes agog; and all the grotesque rest—Mireille felt herself shrink as she chewed at her lower lip. Feeling fully like some pudgy blot of inane skin lumped around wilted guts, with a toad in mud for a hypothalamus, Mireille let a pinched groan loose from her throat. She then sent up a silent appreciation that there were no mirrors or other reflective surfaces about for her to witness the origin point for what must have been such a gross countenance: her face.

Mireille wrestled a smile from the grip of anxiety and brought it to her lips.

“God, I’m such a goon.”

Mireille steepled her fingers before her mouth at the thought: God, I’m such a goon. Opening the magazine she flipped past articles concerning what innovative gadgets would soon change our day-to-day; what bands were going back out on tour; what senior rocker was soon releasing a country-tinged comeback record; what winter-fashion inspirations could be taken from famous peoples’ red-carpet ensembles; and a feature titled, Real Jeanius! 30 Denim Lifestyles for #Authentic Men & Women. Arriving at page 74 she found another full page photo of Heath. This one had been composed with a much more conservative sense, as the subject here captured in full color was seated cross-legged on a wooden folding chair in a near-empty room, dressed in a grey suit with a blue shirt buttoned under a black tie. Atop the wooden barstool before him was the teal-painted, cold-rolled steel colossus of an antique typewriter. From this distance its white keys of molded plastic resembled orderly rows of button mushrooms. Tethered to the silver fin of the typewriter’s carriage release lever was a lavender string of curling ribbon, which ran crimped, up, to hold in place overhead a solitary purple balloon. Hair combed, Heath’s face here was plain, clean, and straight ahead like a passport photo. The slivers and shards of green, amber, golden brown, and blue hues that comprised his eyes seemed to whisper out to her: save me.

Cute, she thought, little, something to keep and carry in your pocket, only to be taken out when wanting a cuddle or something to alter the mood of your blue stupor.

The interview with Heath began on the opposite page. However, Mireille could not get herself to concentrate. She could only skim and skip across the paragraphs; if momentarily of a similar mental bent, you should of course feel free to do the same:

___           – –      _________________   _-    _         _________________ ___

dendrites_cvr_15

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Hello Goodbye – Soulful Strings

Anything We Want – Fiona Apple

Soundview – Shabazz Palaces

In My Tree – Pearl Jam

So Soon – Staple Singers

So Soon – Little Axe & The Golden Echoes

You Can’t Run Away From Your Heart – Judy Clay

I Got the Blues – The Rolling Stones

Pensacola – Deerhunter [photo by Robert Semmer]

Autoluminescent – Rowland S. Howard

Rococo – Arcade Fire [art by Burlesque Design]

Tip The Scale – The Roots (ft. Dice Raw)

Lilacs – Lilacs & Champagne

Life’s A Gas – T.Rex

Easy Ride – The Doors

Beautiful Day (Learning To Drive) – Scott Weiland [photo by Trevor Ray Hart]

Fine And Mellow – Billie Holiday [live rehearsal 1957, The Sound of Jazz]

Avalon – The Bryan Ferry Orchestra

The Way We Fall – Alela Diane [photo by Guy Stephens]

Something On Your Mind – Karen Dalton

Anyhow – Leonard Cohen

Delia – Bob Dylan [photo by Ana María Vélez Wood]

Glad To Be Unhappy – Frank Sinatra

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 15)

  • Hello Goodbye – Soulful Strings
  • Anything We Want – Fiona Apple
  • Soundview – Shabazz Palaces  
  • In My Tree – Pearl Jam
  • So Soon – Staple Singers
  • So Soon – Little Axe & The Golden Echoes
  • You Can’t Run Away From Your Heart – Judy Clay
  • I Got the Blues – The Rolling Stones
  • Pensacola – Deerhunter 
  • Autoluminescent – Rowland S. Howard
  • Rococo – Arcade Fire
  • Tip The Scale – The Roots (ft. Dice Raw)
  • Lilacs  – Lilacs & Champagne
  • Life’s A Gas – T.Rex
  • Easy Ride  – The Doors
  • Beautiful Day – Scott Weiland 
  • Fine And Mellow – Billie Holiday [1957 The Sound of Jazz rehearsal ft.  
    • Ben Webster – tenor saxophone
      Lester Young – tenor saxophone
      Vic Dickenson – trombone
      Gerry Mulligan – baritone saxophone
      Coleman Hawkins – tenor saxophone
      Roy Eldridge – trumpet
      Doc Cheatham – trumpet
      Danny Barker – guitar
      Milt Hinton – double bass
      Mal Waldron – piano
      Osie Johnson – drums]
  • Avalon – The Bryan Ferry Orchestra
  • The Way We Fall – Alela Diane 
  • Something On Your Mind – Karen Dalton
  • Anyhow – Leonard Cohen
  • Delia – Bob Dylan 
  • Glad To Be Unhappy – Frank Sinatra

<^>_ _ _ __=========================================     ______BOBBY CALERO

Again, If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 12)

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________

_           _________________   _  ___   _ _________ __________

Of all twenty-six tracks split across two discs (twenty-seven if you were to count the automated monologue “[index 00]: Annex to Appendix to Enclosure A,” a ghost track hidden in a pregap that could only be heard if you cued to track one of disc two and then manually back-scanned through the song to its beginning) the next song sequenced to play was Mireille’s favorite. Despite even that, she felt bored and pressed the small round button printed with a square that signified Stop. Besides, she did not need to listen to hear it. It was there in her head. Situated as it is in this sprawl of a double LP, this track always felt to her like a little accidental thumb-smudge of color; something the artists’ pigment-wet hands left behind while busy crafting the other more obviously grand works. A song of uncomplicated fondness called “Queen Aubade,” it is presented by instruments that comport themselves like bright shapes with rounded edges.

 

 

You were carved

from the rime

of frost that gathers on

blue glass of windowpanes

from sugar cathedrals

and you are beautiful—

*

A gambol of diamonds

play games in your head.

An orchard of opals

dance within

your cerebellum and

your belly

is warm with a symphony of laughter.

*

Even now as an adult walking along a brick path that wound through scattered trees on the far-end of the college campus, Mireille could hear the song if she wished. This she could do without searching for it stored on or streamed through the mutterboX_6 currently slipped within a little zippered pocket inside her purse. She could hear it in memory even though she had not played that record in quite some time. In fact, she was now better equipped to comprehend the subtle chord sequence and pitch-shifts that caused the tune to wobble bold and slather like marmalade as does the constant dawn across the world—moment-by-moment. She still loved it.

With only a few more years on from her teenaged ones, this was music one could be embarrassed to have once enjoyed so much. Together with the musicians’ seeming earnest theatricality, the fact that you ever truly relished something to such an extent—the fact that you ever felt anything so intensely—its memory could leave you uncomfortable; or worse, uncool. But with a few more years piled on top of that, Mireille would come to recognize that there was a bizarre risibility inherent in these songs’ construction. No one would attempt such things without some weird sense of humor.

No, it was not strictly parody or irony, nor any of the other methods of detachment we put in play in order to protect us…“from what, laughter?” Yet there in the studio there simply must have been some measure of alacrity and a joyous appreciation for creation. Mireille didn’t think one can do something like […] Phantom Limbs […] and take themselves too seriously.

In terms of art (whatever that means), there is an essential intimacy between creator and creation. When shared with outside parties, all intimacy is ridiculous. Mireille supposed that the musicians of Locust Mirror must have been aware of how this transmutation occurs and that they played on this exchange in relationships. Yet, sometimes sweet hints of that initial intimacy could be seized and adored by the sensitive nodes of an other through a mutual delight, or perhaps, mutual delirium. Beyond mere limbic systems and mirror neurons—O what a small miracle is this communion when what can be such poor currencies is all we have to facilitate this equation.

___           – –      _________________       _         _________________ ___

dendrites cvr 12

_______________________________   ——  —  ——–  _______________ –  __

 —  –   ————-______________

——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

America [edit] – Allen Ginsberg [art by Christopher B Holmes]

Maria – Rage Against The Machine [art by Nedeljkovich, Brashich, & Kuharich, 1911]

I’m Satisfied – Otis Rush

Some Jive Ass Wasting My Time – Mushroom

Diamond Dancer – Bill Callahan

Coma Chameleon – Jamie Lidell (ft. Beck)

Lights Out – Menahan Street Band (ft. The Bushwick Philharmonic)

Picture Puzzle Piece – Shel Silverstein

Sensations – Lilacs & Champagne

Black & White Jingle #1 – Imani Coppola

Hyperbolicsyllabicsesquedalymistic – Isaac Hayes

Black & White Jingle #2 – Imani Coppola

Funny How Time Slips Away – Al Green (Willie Nelson cover)

Gold Dust Woman – Fleetwood Mac [self-portrait by Stevie Nicks]

Waking Up – Evan Dando (ft. Royston Langdon)

This Is Love – PJ Harvey

Mesmerizing – Liz Phair

Red Lady Too – George Harrison

Three Sisters – The Jim Carroll Band

Blue Pepper (Far East of The Blues) – Duke Ellington And His Famous Orchestra

All My Life – Run The Jewels

Paint It Black – The Soulful Strings

______________———-___=========================================  __=

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 12)

  • America [edit] – Allen Ginsberg 
  • Maria – Rage Against The Machine
  • I’m Satisfied – Otis Rush
  • Some Jive Ass Wasting My Time – Mushroom
  • Diamond Dancer – Bill Callahan
  • Coma Chameleon – Jamie Lidell (ft. Beck)
  • Lights Out – Menahan Street Band (ft. The Bushwick Philharmonic)
  • Picture Puzzle Piece – Shel Silverstein
  • Sensations – Lilacs & Champagne
  • Black & White Jingle #1 – Imani Coppola
  • Hyperbolicsyllabicsesquedalymistic – Isaac Hayes
  • Black & White Jingle #2 – Imani Coppola
  • Funny How Time Slips Away – Al Green (Willie Nelson cover)
  • Gold Dust Woman – Fleetwood Mac 
  • Waking Up – Evan Dando (ft. Royston Langdon)
  • This Is Love – PJ Harvey
  • Mesmerizing – Liz Phair
  • Red Lady Too – George Harrison
  • Three Sisters – The Jim Carroll Band
  • Blue Pepper (Far East of The Blues) – Duke Ellington And His Famous Orchestra
  • All My Life – Run The Jewels
  • Paint It Black – The Soulful Strings

<^>_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 5)

_____________________       _        _________________                      _________________   _

WITH A SWIVEL and jut she shifted from leg to leg. The sway to her broad hips was suggestive of the pendulum motion to a slow bell—back-and-forth—albeit with an inaudible knell. The pale yellow fabric of her knee-length skirt would pull taut against the thick of each thigh as she placed her weight on them. Back-and-forth.

What must’ve been a particularly lascivious breeze tumbled through; scattering some dead leaves of brown and yellow ochre about the coarse surface of the redbrick paved path with a faint, slithering rattle—hsstsstsss. It paused briefly before fingering lightly at the hem of her skirt. Not yet satisfied, this stray zephyr swelled to send the back-end of the butter-colored fabric leisurely lilting upwards, exposing the two pink hemispheres of her plump ass snug in sheer white nylon with lace trim. The balloon of her skirt fell, coming to rest still as she smoothed it out with her palms against the supple pale flesh at the back of her knees. This peepshow was brief and went unnoticed by all but the wind.

Mireille* shifted once more to readjust the weight of the black case strapped to her back, which was designed to contain the component mouthpiece, piston valves, bent tubing, and flared bell of a brass instrument: in this case a trumpet. A flock of thin women were approaching while absorbed in an exaggerated flutter of laughter. With their gaunt aesthetics of wanton sinew and lanky bones; tapered ribcages topped with cushion breasts, pushed up and pressed together; some with narrow skirts that clasped at hips below protruding ilac crests; some with slender legs bound in Lycra tights that descended into the fleece interiors of chunky sheepskin boots; or, others with jean shorts of skimpy dimensions, mechanically scissor-cut with rough precision in the factory, and pantyhose-clad twigs concluding with a glissade into awkward angles of stiletto heels; all with long acrylic fingernails slightly curled, like talons of raptors; all with faces painted bright and sharp with a slather of orange-tinged foundation and metallic cosmetics encircling the eyes, from which long lashes coil; all with eyebrows tweezed fine as razors: they resembled avian descendants not yet too far removed from the Cretaceous period. The little behind they did posses was achieved through spines distorted by the height of heels.

An acquaintance of hers, Chuck, would refer to women of this appearance as “the-dick-&-diet-crowd,” as that is what he believed the preoccupations of their waking hours consisted of. Accompanied by a little puff exhaled from the nostrils, Mireille’s lips curled to a smirk at the remembrance of this amusing designation. With continual, but furtive tugs, yanks, and pulls inserted between every other move they made, the girls would clutch at the hems of their garments to either prevent them from a revealing ride up their little hips and thighs, or to remove an uncomfortable wedge of blue denim. One young woman who resembled nothing more than a chicken bone in boots daubed with flesh-colored greasepaint was addressing the rest while employing the lip-bumbling honey and loose-jowled lift of an infant’s voice: “I-know-but, oh my gawd, you have just gotta get The Black Box! More than that but, every man should be like forced to read it to find out just what women really want, yah know? Oh, and the sequel, Once You Go Black Box—it’s just so, ouough, so steamy! I-know-but…”

“I dunno Alexa,” another cut her off with a twirl of her skinny fingers, “sounds gross.” This one, who had so little meat to distinguish her face from the skull beneath, seemed unable to communicate if slight ticks of the neck did not accompany her words. Her mouth congealed into a sour pout that was carried about on a disapproving nod. Then she added, “weird.”

This gaggle of fashionable theropods went by with click-clack footsteps upon the brick road that wound through the scattered trees on the far-end of the college campus. Their choir cackles and shouts of “Oh my god, I knooow!” dissipated into the autumn-adorned branches of oak trees as well as the occasional green conifer. It took Mireille quite some time to train her mind to abstain from a mechanical lunge towards questions of whether strangers’ laughter in public was somehow resultant from her presence or not. This conscious negation would eventually permit her on occasion to forget that she was even physically present at all, endowing her processes of perception with a seemingly more passive quality that allowed her to further simply enjoy the stimulation gathered from whatever scenes she happened to encounter along her way. At other times, however, she could feel herself twist and sweat.

When relatively younger, Mireille’s recognition of this insecurity’s inexplicable persistence often made her fear that she was developing into something of a schizophrenic, or at least suffering from acute paranoia. However, as she matured—traversing through her teens over to the tail end of her twenties and into the onset of her thirties—she found that this trait was ecumenical among people. The facts of commonplace neurosis and rote psychosis calmed her (not only in regards to this, but a whole slew of human eccentricities).

Us all being somewhat mentally ill—according to definitions she gleaned from a required and overpriced psychology textbook and its numerous citations to the Diagnostic and Statistical Manual of Mental Disorders—was a balm to the psychological anguish that accompanies adolescence and the awkward moments that often occur in the years that follow. Those moments—typically inconsequential and forgotten by other parties in attendance—can cling like limpets in one’s memory and at any random moment of recollection compel one to slap their palm upon their dull forehead like a cartoon idiot struck with the sudden acknowledgment that they have indeed gone off a cliff. Now, involuntarily sweating and stuck-through with the shrapnel of regret, this victim of memory is left to utter under-breath a Möbius strip recording of the perceived infraction; perhaps even mumble out a little, “god, I’m so stupid.” She believed lunacy, egalitarian by nature if not degree, was simply a tacit condition of sentient existence. This conviction helped Mireille reduce the memory of these sorts of incidents down to the psychological weight of a blooper reel. If there was something fundamentally wrong with her, well then, there was something fundamentally wrong with everybody!

________________________________________________________________________________________

* Although customarily her name, according to its French roots, would be pronounced mee-RAY, Mireille’s parents were unaware of this when they picked it out of a little white book, so she has been raised as Mer-El; with a little brother named Joe-Ah-Quin, spelled Joaquin. She would sometimes wonder just what was going on with her mother and step-father around the time of their conception, as her older brother and step-brothers all sported names such as Marc, David, and Peter.

_____________________                        _________________          _   _________________   _

Dendrites 5 cvr

-_______________________________   ——  —  ——–  _______________ –  __

——————————-(Click to Listen or Download)—————–

================____====  \^/  ============  ===  _ ===== == =    ==    =   __ – _>

X-Ray Machine – Landlady

Springsville – Miles Davis

Anyone for Tennis? (The Savage Seven Theme) – Cream

God Help Me – The Jesus & Mary Chain (ft. Shane MacGowan)

Cockney-Rebel-Timeless-Flight-T-467458

Red Is A Mean, Mean Colour/White, White Dove – Steve Harley & Cockney Rebel

Reddin Off – Afrikan Sciences

Reagan – Killer Mike [art by Daniel Garcia & Harry Teitelman]

Moroccan Handjob – Lilacs & Champagne

Dirty Man – Laura Lee

Twin Peaks: Fire Walk With Me – Fantômas

Monsters – Lucius

Harmonia Inventions/Crimson – Madlib

Over The Breaks – J Dilla [art by Daniel Tingcungco]

Bad With The Good – Peaking Lights

Nothing Good Ever Happens At The Goddamn Thirsty Crow – Father John Misty

Meet Me in the Morning/Call Letter Blues (Blood On The Tracks NY Sessions Outtakes) – Bob Dylan

Please Remember – Deafheaven

Superbird – Country Joe & the Fish

Take Off Your Face And Recover From That Trip You’ve Been On – Mushroom

04/15/05 Friday – Fantômas

….===================================  ======== == =    ==    =    = – __

_ _ _ __=========================================     ______
A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 5)
  • X-Ray Machine – Landlady
  • Springsville – Miles Davis
  • Anyone for Tennis? (The Savage Seven Theme) – Cream
  • God Help Me – The Jesus & Mary Chain (ft. Shane MacGowan)
  • Red Is A Mean, Mean Colour/White, White Dove – Steve Harley & Cockney Rebel
  • Reddin Off – Afrikan Sciences
  • Reagan – Killer Mike
  • Moroccan Handjob – Lilacs & Champagne
  • Dirty Man – Laura Lee
  • Twin Peaks: Fire Walk With Me – Fantômas
  • Monsters – Lucius
  • Harmonia Inventions/Crimson – Madlib
  • Over The Breaks – J Dilla
  • Bad With The Good – Peaking Lights
  • Nothing Good Ever Happens At The Goddamn Thirsty Crow – Father John Misty
  • Meet Me in the Morning/Call Letter Blues (Blood On The Tracks NY Sessions Outtakes) – Bob Dylan
  • Please Remember – Deafheaven
  • Superbird – Country Joe & the Fish
  • Take Off Your Face And Recover From That Trip You’ve Been On – Mushroom
  • 04/15/05 Friday – Fantômas
_ _ _ __=========================================     ______BOBBY CALERO