Category Archives: Jennifer Charles

A.M.O.P. PRESENTS: ROYAL JELLY

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

I said well hello there.

It’s certainly been a rough week or two around here, but here we are with another 80 minutes of music compiled & mixed by A Mouthful Of Pennies; yes it’s the new MixTape: Royal Jelly. As Jack Kerouac once wrote: “We seek to find new phrases; we try hard, we writhe and twist and blow; every now and then a clear harmonic cry gives new suggestions of a tune, a thought, that will someday be the only tune and thought in the world and which will raise men’s souls to joy.”

To me the trio of Prince tunes (all associated with his 1984 masterpiece Purple Rain as b-sides, and to my ear, other than the backing vocals by Sheila E., it sounds like Prince is performing all that you hear on these tracks) that open this MixTape perfectly exemplify what I wrote and quoted in my little essay about this genius back in MAY 04 2016:

Prince had plenty of confidence and little hang-ups. That’s one thing I’ve always loved about listening to his music, he was telling you that there was a true spirituality to celebrating this thing called life with “dance, music, sex, romance” or “D.M.S.R.” His former tour manager Alan Leeds was recently quoted as saying “For him the love of God and the sexual urges we feel are one and the same somehow. For him it all comes from the same root inside a human being. God planted these urges and it’s never wrong to feel that way. The urge itself is a holy urge.”

Or as Touré (author of I Would Die 4 U: Why Prince Became an Icon) put it: “[…] for him there was no need to separate the things we do on Saturday night from the things we do on Sunday morning.”

Plato said: Eros leads to Gnosis. As I recently read on the website, plotinus, Eros should be seen as:

[…] a liberating agent who releases and activates the creative process of the mind. Eros inspires and opens the channel of intuition to the higher and abstract understanding and communion with beauty and truth. The myth of Eros and Psyche describes in detail the inner process of transformation. In fact, Eros cannot be separated from his beloved Psyche, since they are united by a secret and sacred bond, invisible and unconscious in man. In fact, man’s psyche remains filled with erotic, sensual, carnal desires that keep him and his mind trapped on the physical plane along with his emotions and consciousness. But a seeker must transmute the attraction of Eros and awaken the bond with his psyche so that he can rise towards the “beloved,” the invisible golden thread that links his consciousness to the universal qualities of beauty and love.

The gifts of Eros affect the emotional and thought processes of humanity, especially those of a seeker who has to learn how to open up and integrate these gifts in his psyche. From the lowest and most physical levels of consciousness to the most spiritual ones, Eros remains forever present, gradually transforming the inner fire into pure light. Eros operates in every living creature, and Greek poetry and philosophy describe how nature partakes of the gift of Eros. Hence we could say that Eros’ contribution to humanity is not only inherent in man’s psyche, but that it is also involved in the process that awakens the ego to its true nature, the beauty and unconditional love of the soul.

Eros implies a yearning for unity, harmony, and completion.

Yes, most of Prince’s work was concerned with sex, but then again most of it was concerned with spirituality as well. These seem to be things he had no trouble reconciling. Yes, by others’ standards and ethics he was vulgar. Remember it was Prince’s music (“Darling Nikki” and its reference to female masturbation in particular) that was used by Mary “Tipper” Gore and her Parents Music Resource Center (PMRC) as an example of unsuitable content when pushing for the use of a Parental Advisory label for recorded music. However, with Prince the erotic might be visceral, explicit, but it was rarely truly crude or misogynist. When it came to women (and God) he was always seeking to find “the answer to the question of u.” He adored and respected women and felt a sense of wonder in their presence. Particularly Prince respected women as artists and for their intelligence. He respected and acknowledged female sexuality. Prince wanted to make love with them; Prince wanted to fuck them. Like he says to the woman in question in the eight minute epic “Joint 2 Joint”: “You’re making me proud to be a human being.”

That is not negated by his lustful follow through and the come-on:

And if we’re ever naked in the same machine/I’m gonna lick it, baby, joint 2 joint

Above all, what I love about listening to his work is that yes he wanted you to believe he is a sexy motherfucker, but I think he wanted you the listener–no matter what or who you are–to fully appreciate that yeah you’re a sexy motherfucker too!

Also on this here mix you’ll hear another song from Alela Diane’s brand new and truly wonderful record, Cusp. Of the record she has said,“This music is about motherhood. Even just by saying that, it feels like people will write you off. It’s like you’ve suddenly lost the charm of being youthful and even attainable––you’ve been commoditized as available. There is not a big place in the music industry for 30-something women with kids making music. Maybe we can create that space.” I highly recommend this one.

All The Night Without Love” the 2006 tune by Elvis Perkins features not only some lyrics that I adore, but more so I’m always amazed by the cadence and phrasing he uses to deliver such lines as:

 
“Touch 
me” 
the graphic reads
on the 
magnetic 
athletic insole sheet
and it goes 
all its life without love
Tell me can you 
imagine going to
“Got milk? 
dot 
com”
Do you go 
all the night without love
without love?

There’s the abrasive “Long Way Home” that closes the 2001 LP ShangriLa Dee Da by Stone Temple Pilots. Despite its caustic sound I’ve always appreciated Dean DeLeo’s contorted guitar that accompanies the song’s fade and Weiland’s repetition of:

Tell me
Is it more of the same and
Where can I find it?
Tell me
Is she fighting for air and
Where does she come from?
Tell me
 

Oh and there’s two sonic oddities by the musician Anon, who also sometimes went by the moniker Wynn. His great new project Hidden Beams is just making its debut and you can listen and learn a bit more about that over here.

Well, there’s all this and a whole lot more! So…

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—————–======ENJOY YOURSELF____———–

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[cover art: Vangel Naumovski, Spiral Galaxy, 1981]

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A.M.O.P. Presents: __Royal Jelly
  • God (Love Theme From Purple Rain) / God / Erotic City (“Make Love Not War Erotic City Come Alive”) – Prince
  • Anger Management – Lovage (Dan the Automator, Mike Patton, Jennifer Charles, & Kid Koala)
  • Intro (live: March 1, 1969/April 10, 1970) / PaperBack Queen (live: May 30 1969) / Back Door Man-Love Hides-Five To One (Live in Pittsburgh, May 2, 1970) – The Doors
  • Nothin’ No – David Vandervelde
  • All The Night Without Love – Elvis Perkins
  • Up And Down, Up And Down (I Will Lead Them Up And Down) [Puck] – Duke Ellington & His Orchestra
  • The Threshold – Alela Diane
  • Diary of an Erotic Murderess (Main Title) – Carlo Savina
  • 49 Hairflips – Jonathan Wilson (ft. backing vocals by Josh Tillman (aka Father John Misty), Krystle Warren)
  • Seeing – Anon (aka Wynn; aka Hidden Beams)
  • Waiting For The Train To Come In – Peggy Lee
  • Waiting For The Sun – The Doors
  • Long Way Home – Clarence Gatemouth Brown
  • Long Way Home – Stone Temple Pilots
  • You Win Again – The Rolling Stones (Hank Williams cover; Some Girls January–March 1978 sessions outtake)
  • I Really Don’t Want To Know – Elvis Presley (written by Don Robertson and lyrics by Howard Barnes)
  • Little War – Lee Hazlewood
  • Royal – Anon (aka Wynn; aka Hidden Beams)

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God (Love Theme From Purple Rain) / God / Erotic City (“Make Love Not War Erotic City Come Alive”) – Prince

Anger Management – Lovage (Dan the Automator, Mike Patton, Jennifer Charles, & Kid Koala)

Intro (live: March 1, 1969/April 10, 1970) / PaperBack Queen (live: May 30 1969) / Back Door Man-Love Hides-Five To One (Live in Pittsburgh, May 2, 1970) – The Doors

Nothin’ No – David Vandervelde

All The Night Without Love – Elvis Perkins

Up And Down, Up And Down (I Will Lead Them Up And Down) [Puck] – Duke Ellington & His Orchestra

The Threshold – Alela Diane [photo by Jaclyn Campanaro]

Diary of an Erotic Murderess (Main Title) – Carlo Savina

49 Hairflips – Jonathan Wilson (ft. backing vocals by Josh Tillman (aka Father John Misty), Krystle Warren)

Seeing – Anon (aka Wynn; aka Hidden Beams)

Waiting For The Train To Come In – Peggy Lee

Waiting For The Sun – The Doors [photo by Henry Diltz, 1969]

Long Way Home – Clarence Gatemouth Brown

Long Way Home – Stone Temple Pilots

You Win Again – The Rolling Stones (Hank Williams cover; Some Girls January–March 1978 sessions outtake) [art by Danny Resnic, 1978]

I Really Don’t Want To Know – Elvis Presley (written by Don Robertson and lyrics by Howard Barnes)

Little War – Lee Hazlewood

Royal – Anon (aka Wynn; aka Hidden Beams)

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

A.M.O.P. PRESENTS: TOSS-UP

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++.>+.+++++++..+++.>++.<<+++++++++++++++.>.+++.——.——–.>+.>.

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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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Hello All! Hello World!

I said well hello there, who knew that Doomsday would fall anywhere near a Tuesday, and who needs the Spoofity app when you’ve got another hour and 20 minutes of music from A Mouthful Of Pennies? So here’s   _Toss-Up_ the latest A.M.O.P. Mixtape!

This one feature’s “Lemonade” the closing song of Blind Melon’s 1995 (and technically final) record Soup.
This is an album that I’ve always held as one of the most brilliant and most under-appreciated of the nineties. I return to it again and again. Featuring funky riffs with a cosmic hillbilly tweak and a Dixie-twist, odd changes in time signatures, and Shannon Hoon’s sweet and sour lysergic lyrics that deliver their sentiments with a pin-point precision of images, it’s a real work of art. Speaking of delivery, I adore Hoon’s vocals with their giddy rasp as if his lungs were delirious to sing these songs. The album was recorded in New Orleans in 1994 with gifted producer/mixer/engineer Andy Wallace (that’s him eating soup on the LP cover). As this was after Hoon’s multiple stints in drug rehabilitation programs the city might not necessarily have been a healthy choice but it certainly lent itself to a truly dynamic body of work. This LP might be the closest the nineties ever came to producing something akin to the Rolling Stones’ Exile On Main St. It was truly adventurous with sound; shamefully they were not rewarded for it. Sadly, two months after the album’s release, Hoon was found dead in the band’s tour bus. This is a work that is dark and yet a delight to sing and dance along to. For example there’s the hopped-up banjo and kazoo jam “Skinned” written from the perspective of serial killer Ed Gein, and the haunting, melodic “Car Seat (God’s Presents)” about Susan Smith, who killed her children by driving her car into a lake in Union, South Carolina. Then there are these 3 fantastic singles (note that the”Galaxie” video features psychologist, writer, and psychedelic advocate Timothy Leary as the mad scientist,aka “Mr Time Warp”).

I do recall that in my younger days “Lemonade” served as a bit of a mantra or an ethos (not necessarily a healthy one) to help me navigate through the world:
There’s such a thing as self opinion
And this far down South I have no self-control
If anbody else feels like a nobody
Well then your gonna have to look out for you
I’ll color green everything believed in
But I keep screaming for my glass of lemonade
 –
I walk around and it feels good to be movin’
The breeze that’s blowin’ through cannot be found
Jump on the trolley that’s headed for all the hollering
And then you’re gonna have to look out for you
In desperate need of a little more religion
To nurse your God like point of view…
 –
Fool on the sheetroof you gotta lay down in your ruins
The river flowin’ by, is way too big to bound
If I should speak up, and say hello Mr. Uppercut
Oh, how nice to have avoided you
I’ll bloody bleed on everything I’m seeing
But I keep screaming for that glass of lemonade
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Too much, too much, too much Lemonade
Too much, too much, too much Lemonade
Too much, too much, too much Lemonade
Too much, too much, too much Lemonade
Too much, too much, too much Lemonade
On the MixTape there’s also “Buoyant” from Alela Diane’s brand new and truly wonderful record, Cusp.
Of the record she has said,“This music is about motherhood. Even just by saying that, it feels like people will write you off. It’s like you’ve suddenly lost the charm of being youthful and even attainable––you’ve been commoditized as available. There is not a big place in the music industry for 30-something women with kids making music. Maybe we can create that space.” I highly recommend this one.
You’ll also hear “Trafalgar Square” from Jonathan Wilson’s new record Rare Birds.
You might be more familiar with Wilson as the brilliant producer of the 3 Father John Misty records as well as the great Double Roses by Karen Elson released last year. Wilson’s own albums are most definitely worth checking out as well. So do that.

Well, there’s all this and a whole lot more! So…

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—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

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A.M.O.P. Presents: __Toss-UP
  • Hello, Goodbye – Blind Melon
  • Slow Doomsday – Elvis Perkins In Dearland
  • Black Noise – Rotary Connection
  • Lemonade – Blind Melon
  • Well Well Well – Lucinda Williams (ft. Charlie Louvin & Jim Lauderdale on Backing Vocals)
  • I Really Don’t Want To Know – Les Paul & Mary Ford
  • Buoyant – Alela Diane
  • Trafalgar Square – Jonathan Wilson
  • Mystic Lady – T.Rex
  • Angels And Sailors – Jim Morrison & The Doors
  • Petit Suite movement 1: En Bateau (On a Boat) – written by Claude Debussy; performed by Paul Paray conducting the Detroit Symphony Orchestra
  • Lifeboat – Lovage (Dan the Automator, Mike Patton, Jennifer Charles, & Kid Koala)
  • Strange Fruit (Tricky Remix) – Billie Holiday 
  • Trampled Rose – Tom Waits
  • Funny How Time Slips Away – Elvis Presley (Willie Nelson cover)
  • If And – Valerie June
  • I Will Never Be Untrue – The Doors
  • Big Leg Woman – Muddy Waters
  • Valentine – Martina Topley-Bird (produced by Danger Mouse)
  • Most Of What I Know / Buildings In America – Richard Swift
  • Doomsday – Elvis Perkins In Dearland

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Hello, Goodbye – Blind Melon

Slow Doomsday – Elvis Perkins In Dearland

Black Noise – Rotary Connection

Lemonade – Blind Melon

Well Well Well – Lucinda Williams (ft. Charlie Louvin & Jim Lauderdale on Backing Vocals)  [art by Peter Pontiac]

I Really Don’t Want To Know – Les Paul & Mary Ford

Buoyant – Alela Diane [photo by Jaclyn Campanaro]

Trafalgar Square – Jonathan Wilson

Mystic Lady – T.Rex

Angels And Sailors – Jim Morrison & The Doors
[photo by Paul Ferrara, 1968]

En Bateau (On a Boat) – written by Claude Debussy; performed by Paul Paray conducting the Detroit Symphony Orchestra

Lifeboat – Lovage (Dan the Automator, Mike Patton, Jennifer Charles, & Kid Koala)

Strange Fruit (Tricky Remix) – Billie Holiday

Trampled Rose – Tom Waits [art by Jacob Read]

Funny How Time Slips Away – Elvis Presley (Willie Nelson cover)

If And – Valerie June [photo by Jacob Blickenstaff]

I Will Never Be Untrue – The Doors [photo by Ed Caraeff, 21 July 1969].

Big Leg Woman – Muddy Waters

Valentine – Martina Topley-Bird (produced by Danger Mouse)

Most Of What I Know / Buildings In America – Richard Swift

Doomsday – Elvis Perkins In Dearland

___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.