Category Archives: Afghan Whigs

THE DEMISE OF THE MASK (VOL. 8)__Bread & Circus ___

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Hello All.

Welcome to Volume Eight of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)__(Volume Seven here)-

I’ve got quite a treat MixTape here for you as this one features a triple-play by Hamilton Leithauser: first there’s “We Can’t Be Beat” from the last album by his always fantastic group The Walkmen, 2012’s Heaven; then there’s a selection from Leithauser’s 2014 debut solo studio album, Black Hours; and finally there’s the song “When The Truth Is…” from last year’s stunning record I Had a Dream That You Were Mine, which is a collaborative work with Rostam Batmanglij (the former multi-instrumentalist and producer of Vampire Weekend).

You’ll also hear Aretha Franklin, some Beastie Boys, the lovely “Rainbows In Gasoline” by the duo of Sean Lennon and Charlotte Kemp Muhl who record together under the moniker of The Ghost of a Saber Tooth Tiger (or GOASTT), and a fine example of why John Lennon was one of the greatest of rock ‘n’ roll vocalists with The Beatles‘ tune “All I’ve Got To Do.”

As well, there are two selections from the Parliament-Funkadelic collective: first there’s a cover of The Beatles by incendiary yet so sweet guitarist Eddie Hazel from his 1977 solo debut Game, Dames and Guitar Thangs, which features incredible vocals by The Brides of Funkenstein (the duo of Dawn Silva and Lynn Mabry, who prior to joining the P-Funk collective were members of Sly and the Family Stone); later on you’ll catch the revolving, kaleidoscopic groove of “Supergroovalisticprosifunkstication” from Parliament‘s 1975 masterpiece, Mothership Connection.

Oh and I can’t forget to mention the rendition of Magic Sam‘s All Of Your Love” done with grit and precision by The Rolling Stones and taken from their joyous record of blues covers released at the end of last year, Blue & Lonesome.

Among a whole bunch of other great sounds this mix also features two figures who are perhaps the most poetic recording artists of Uruguayan music: Jaime Roos and Eduardo Mateo. The song “Viviendo” is from Roos’ third record, Aquello released in 1981. There is a translation done by my father below for those that are interested:

Viviendo (Living) by Jaime Roos [translated by Julio Calero]
I remember you
You’re the One
Who could understand  it
No big deal
That we do not love each other
You could understand it
.
Friend, where abouts may you be?
What seas may you be sailing?
Soon we’ll cross paths
And I’ll find you
Living
You’ll find me
Living
.
You’ll hear
The world was
And will be a marvel, I already know
It could be
My voice
Coming out of a nightmare that’s gone
.
Friend, where abouts may you be?
What seas may you be sailing?
Soon we’ll cross paths
And I’ll find you
Living
where abouts may you be?
Living
Alone, perhaps
Living

Throughout his long career Jaime Roos has continued to make an interesting mix of rock and folk with the more traditional sounds of Uruguay like candombe, milonga, tango and murga. He’s still out there performing and I highly recommend that if you ever have the opportunity you should definitely catch his show!

 Eduardo Mateo‘s “Niña” is a sweet tune done by a pure musician, and its recording comes with an interesting story. By the time Mateo’s phenomenal band El Kinto had officially disintegrated in the early part of 1970 most of Mateo’s friends and associates were already convinced that he had gone completely insane. Despite the fact that these same people viewed him as a musical genius, they did not know what to make of his habits of disappearing for days at a time, either to lock himself up somewhere in a rented room to explore new realms on his instrument while searching for spiritual enlightenment through chemicals, or to wander the streets with nothing but pajamas and a guitar—there was always a guitar, a rare constant in this man’s unhinged life. Once, my uncle saw him walking the streets at night with one foot aligned with the curb, the other with the gutter, so that he was forced to maintain an awkward and drastic limp to his gait—how’s that for a metaphor?!

Speaking of this period in Mateo’s life, Uruguayan singer Verónica Indart had this story to tell:

“The last time I saw him was in the first years of the 1970s. I was

with Héctor, my husband, and Mateo arrived. He entered, he took

up the guitar, and he sat down to play by the window, looking at the

sea for a long while. We listened to him. When he finished, he got up,

he set down the guitar and he went out the door without a greeting.

That was Mateo. He arrived, gave us his music and went on without

greeting us, because it was not necessary” (Lion Production, 2006).

In 1971, for those who were fortunate to have heard Mateo play there was no doubt of that man’s overwhelming talent—mental illness or not; however, beyond a handful of tracks there existed little recorded evidence of it. This would soon change due to the influence of talented singer Diane Denoir, and through the dedication and passion of producer Carlos Píriz. Píriz, a recording technician who had worked for the live, music television show Discodromo had recently started the record label De la Planta along with Jorge “Coyo” Abuchalja, guitarist for the group Los Delfines. The ethos behind this venture was to maintain a Uruguayan label that was dedicated to Uruguayan musicians, providing them with better production, recording techniques, and better distribution than the then norm. Fortunately, through Píriz’s connections, they were able to secure regular studio time at ION Studios in Buenos Aires, Argentina, where the recording technology was far superior to that found in their native country (four tracks as opposed to two at most, for example).

In October of 1971 one such artist they chose to present to the public was the singer Diane Denoir. As she was recording a fair amount of Mateo’s material for her De la Planta debut, she felt it was only appropriate that the artist himself accompany her on some of the tracks. Having convinced Mateo to take the trip, Píriz quickly took advantage of the rare opportunity by persuading him to stay and record a solo LP for the label. However, in spite of Píriz’s optimistic plans to complete the recording in one week, he soon found that dealing with this erratic artist would be an ultimate test of endurance and patience.

The sessions went like this: Mateo had an alphabetic notebook,

and stuck in each page he had bar napkins upon which his songs

were written. If he knew the first letter of the title of the song he

wished to play, he would find the correct napkin, which would help

him remember the melody, so that he could recreate the original idea

he had envisioned when he had composed the song in the first place.

Remembering the songs was only the first obstacle […]. Mateo

would record songs one day, and erase them the next. “The first day

he recorded three or four things,” Píriz recalled. “The following day

he came in and said, ‘erase them. For Mateo, they are all wrong.’

We erased them. And that process of erasing the previous day’s work

continued for four or five days. At that moment, I understood that this

would be the system for the whole disc […]. I decided that I will be the

person who says what was well-recorded, or not, and I began to keep

all the material.”

On other days, Mateo went to ION studios only to say that he was not

inspired, and would return the next day. Then there were the days that

he appeared at the studio, and asked, “What time do we record tomorrow?”

“The same as today, at four o’clock,” Píriz would say. “Okay I am going,

until tomorrow,” was Mateo’s only reply (Lion Production, 2006).

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This whole arduous process continued for two months, until one day when Mateo said to the producer that he was stepping out of the studio to buy a pack of cigarettes, and never came back. He had returned to his streets in Montevideo. Píriz was left holding hours of recordings of these fragmented sessions—the only proof that Mateo had even been there. A labor of love, Píriz would then spend the better part of a year assembling these into the album that would be released in December of 1972: Mateo Solo Bien Se Lame.

One of the thirteen brilliant compositions that Píriz extracted from the chaos is the twisted beauty that is “Niña.” Through his dedication, Píriz was able to capture on this record the complex sensitivity of this troubled artist. Seeing as how, other than a rare background vocal here and there, Mateo created every sound on this album himself, his essence truly shines through each composition. There is a translation of the lyrics done by me below:

Niña (Little Girl) by Eduardo Mateo [translated by Bobby Calero]
Little girl that always has a light
showing you what you do not want.
Do not fear the birds
if they say your life with their trills.
It should be that you understand;
that’s why what comes next is what has gone.
Always in a white dress,
you go but beware;
The devils in the guise of angels
will notice you talking.
Does it shame you that you don’t care
what has been soiled?
Yuu…yu-le-lé yu-lé.
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If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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—————–======ENJOY YOURSELF____———–

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 8)__Bread & Circus ___
  • Pick Pocket – Andy Votel
  • I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)
  • All I’ve Got To Do – The Beatles
  • Rock Steady – Aretha Franklin
  • Secondary Modern – Elvis Costello & The Attractions
  • Church On Tuesday – Stone Temple Pilots
  • Been & Gone – Annette Peacock
  • Royal Cream / I Am Fire – The Afghan Whigs
  • I Wish I Could Hear My Mother Pray Again – The Staple Singers
  • Medicine For A Nightmare – Sun Ra
  • Supergroovalisticprosifunkstication – Parliament
  • Kissing My Love – Afrique
  • Dub The Mic / Gratitude – Beastie Boys
  • All Of Your Love – The Rolling Stones (Magic Sam cover)
  • Viviendo – Jaime Roos
  • We Can’t Be Beat – The Walkmen
  • Alexandra – Hamilton Leithauser
  • When The Truth Is… – Hamilton Leithauser + Rostam
  • Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger
  • Que Tristeza – Cal Tjader
  • Niña – Eduardo Mateo
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[Pick Pocket - Andy Votel]

[Pick Pocket – Andy Votel]

[I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)]

[I Want You (She’s So Heavy) – Eddie Hazel (The Beatles cover)]

[All I’ve Got To Do – The Beatles]

[All I’ve Got To Do – The Beatles]

[Rock Steady – Aretha Franklin]

[Rock Steady – Aretha Franklin]

[Secondary Modern – Elvis Costello & The Attractions]

[Secondary Modern – Elvis Costello & The Attractions]

[Church On Tuesday – Stone Temple Pilots (photo by Mick Hutson)]

[Church On Tuesday – Stone Temple Pilots
(photo by Mick Hutson)]

[Been & Gone – Annette Peacock (photo by Richard Davis, 1972)]

[Been & Gone – Annette Peacock (photo by Richard Davis, 1972)]

[Royal Cream / I Am Fire – The Afghan Whigs (photo by Piper Ferguson, 2014)]

[Royal Cream / I Am Fire – The Afghan Whigs (photo by Piper Ferguson, 2014)]

[I Wish I Could Hear My Mother Pray Again – The Staple Singers]

[I Wish I Could Hear My Mother Pray Again – The Staple Singers]

[Medicine For A Nightmare – Sun Ra (art by Oliver Barrett)]

[Medicine For A Nightmare – Sun Ra (art by Oliver Barrett)]

[Supergroovalisticprosifunkstication – Parliament]

[Supergroovalisticprosifunkstication – Parliament]

[Kissing My Love – Afrique]

[Kissing My Love – Afrique]

[Dub The Mic / Gratitude – Beastie Boys]

[Dub The Mic / Gratitude – Beastie Boys]

[All Of Your Love – The Rolling Stones (Magic Sam cover) (photo by Kevin Winter, 2016)]

[All Of Your Love – The Rolling Stones (Magic Sam cover) (photo by Kevin Winter, 2016)]

[Viviendo – Jaime Roos]

[Viviendo – Jaime Roos]

[We Can't Be Beat - The Walkmen]

[We Can’t Be Beat – The Walkmen]

[Alexandra – Hamilton Leithauser]

[Alexandra – Hamilton Leithauser]

[When The Truth Is… – Hamilton Leithauser + Rostam]

[When The Truth Is… – Hamilton Leithauser + Rostam]

[Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger]

[Rainbows In Gasoline – The Ghost Of A Saber Tooth Tiger]

[Que Tristeza – Cal Tjader]

[Que Tristeza – Cal Tjader]

[Niña – Eduardo Mateo]

[Niña – Eduardo Mateo]

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All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

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THE DEMISE OF THE MASK (VOL 7)

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Hello All.

Welcome to Volume Seven of the MixTape series: The Demise Of The Mask. –(Volume One here)__(Volume Two here)__(Volume Three here)__(Volume Four here)__(Volume Five here)__(Volume Six here)-

This one features The Afghan Whigs‘ delicious cover of The Wizard of Oz highlight “If I Only Had A Heart“; Keith Richards‘ fantastic cover of Hank Williams‘ “You Win Again“; a burning 1973 cover of The Rolling Stones‘ “Gimme Shelter” done here by Amanda Ambrose; “Lucky” off of Devendra Banhart‘s latest record Ape in Pink Marble; as well as the stunning 2006 tune “Ain’t Talkin’” by Bob Dylan; the 1946 hit by Peggy Lee, “It’s All Over Now“; another beauty by Jane Weaver; and “Happy Phantom” (which contains the fantastic lyric, “And I’ll go wearin’ my naughties like a jewel”) from Tori Amos‘ great 1992 debut, Little Earthquakes. Yes, all this and a whole lot more! So scroll down and press play!

Oh and there’s George Harrison with this beautiful caveat:

Watch out now, take care
Beware of falling swingers
Dropping all around you
The pain that often mingles
In your fingertips
Beware of darkness
Watch out now, take care
Beware of the thoughts that linger
Winding up inside your head
The hopelessness around you
In the dead of night
Beware of sadness
It can hit you
It can hurt you
Make you sore and what is more
That is not what you are here for
Watch out now, take care
Beware of soft shoe shufflers
Dancing down the sidewalks
As each unconscious sufferer
Wanders aimlessly
Beware of Maya
Watch out now, take care
Beware of greedy leaders
They take you where you should not go
While Weeping Atlas Cedars
They just want to grow, grow and grow
Beware of darkness (beware of darkness)

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom

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—————–======ENJOY YOURSELF____———–

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 7)__Naphthalene Magnolias #4___
  • It Catches Up With You – Trent Reznor & Atticus Ross
  • 9 Point Star – Damon Albarn
  • Don’t Take My Soul – Jane Weaver
  • Lucky – Devendra Banhart
  • Happy Phantom – Tori Amos
  • Fever – Alvin Robinson
  • The Pink Room – David Lynch & Fox Bat Strategy
  • Gimme Shelter – Amanda Ambrose (The Rolling Stones cover)
  • Northeast Texas Women – Willis Alan Ramsey
  • Your Southern Can is Mine – The White Stripes (Blind Willie McTell cover)
  • Don’t Let Him Ride – Mississippi Nightingales
  • Why Spend A Dark Night With Me? – Moondog
  • Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief – Radiohead
  • Beware Of Darkness – George Harrison
  • If I Only Had A Heart – The Afghan Whigs (by Harold Arlen & E.Y. Harburg)
  • Sea Diver – Mott The Hoople
  • Ain’t Talkin’ – Bob Dylan
  • Step Aside – The Staple Singers
  • You Win Again  – Keith Richards (Hank Williams cover)
  • Mean Old World – The Heavenly Gospel Singers
  • Sway – The Rolling Stones
  • It’s All Over Now – Peggy Lee
  • Goodbye America – (written by Jim Morrison; read by Johnny Depp)

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[It Catches Up With You - Trent Reznor & Atticus Ross]

[It Catches Up With You – Trent Reznor & Atticus Ross]

[9 Point Star – Damon Albarn]

[9 Point Star – Damon Albarn]

[Don’t Take My Soul – Jane Weaver]

[Don’t Take My Soul – Jane Weaver]

[Lucky – Devendra Banhart]

[Lucky – Devendra Banhart]

little-earthquakes-banner

[Happy Phantom – Tori Amos]

[Fever – Alvin Robinson]

[Fever – Alvin Robinson]

[David Lynch & Fox Bat Strategy]

[The Pink Room – David Lynch & Fox Bat Strategy]

[Gimme Shelter – Amanda Ambrose]

[Gimme Shelter – Amanda Ambrose]

[Northeast Texas Women – Willis Alan Ramsey]

[Northeast Texas Women – Willis Alan Ramsey]

[Your Southern Can is Mine – The White Stripes]

[Your Southern Can is Mine – The White Stripes]

fire-in-my-bones

[Don’t Let Him Ride – Mississippi Nightingales]

[Why Spend A Dark Night With Me – Moondog]

[Why Spend A Dark Night With Me? – Moondog]

[Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief – Radiohead (art by Thom Yorke & Stanley Donwood)]

[Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief – Radiohead (art by Thom Yorke & Stanley Donwood)]

[Beware Of Darkness – George Harrison]

[Beware Of Darkness – George Harrison]

[If I Only Had A Heart – The Afghan Whigs (by Harold Arlen & E.Y. Harburg)]

[If I Only Had A Heart – The Afghan Whigs (by Harold Arlen & E.Y. Harburg)]

[Sea Diver – Mott The Hoople]

[Sea Diver – Mott The Hoople]

[Ain’t Talkin’ – Bob Dylan (art, "Two Sisters" by Bob Dylan]

[Ain’t Talkin’ – Bob Dylan (art, “Two Sisters” by Bob Dylan]

[Step Aside – The Staple Singers]

[Step Aside – The Staple Singers]

[You Win Again – Keith Richards (photo by Patrick Demarchelier, New York, 2000

[You Win Again – Keith Richards (Hank Williams cover)(photo by Patrick Demarchelier, New York, 2000]

[Mean Old World – The Heavenly Gospel Singers]

[Mean Old World – The Heavenly Gospel Singers]

[Sway – The Rolling Stones]

[Sway – The Rolling Stones (photo by David Montgomery, 1971)]

[It’s All Over Now – Peggy Lee]

[It’s All Over Now – Peggy Lee]

[Goodbye America – (written by Jim Morrison; read by Johnny Depp) (photo, one of the last known of Morrison, a poloroid shot within his paris apt., March-June, 1971)]

[Goodbye America – (written by Jim Morrison; read by Johnny Depp) (photo, one of the last known of Morrison, a Polaroid shot within his Paris apt., March-June, 1971)]

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___________________))))))))))))))))

All the best to you and yours!—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff. Oh, If you dig the blog overall there’s always the “FOLLOW BLOG VIA EMAIL” button somewhere down at the bottom.

_           _________________   _  ___   _ _________ __________->

A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

Hello all,

and welcome to what will be the last post for the summer! I’ve got a special triptych-mixtape for you all today! About a week back a good friend of mine asked that I produce a few mixes for a gathering the night before his wedding. Unfortunately (like, whatever, y’know) due to technical difficulties they could not be played that evening (the entire wedding weekend, however, was absolutely fantastic!). Anyway, not one to let a good MixTape go to waste, I present them to you here. I do believe them to be real nice & easy, and tons of fun, with some great tunes that have been featured here in these pages before and some that I was planning on getting to someday.

May these serve you well here at the tail-end of the summer! So sit back, roll forward, and enjoy!

But above all–ENJOY YOURSELF!__

Nuptials-cvr___________________

Volume I—Click here to listen & Download——-

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Volume II—Click here to listen & Download——-

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Volume III—Click here to listen & Download——-

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A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

VOLUME ONE:

  1. Pre-Nump – Outkast
  2. When You’re Smiling and Astride Me – Father John Misty
  3. Here I Am (Come And Take Me) – Al Green
  4. Happy – The Rolling Stones
  5. Alright, Okay, You Win – Peggy Lee
  6. You Make Loving Fun – Fleetwood Mac
  7. Baby It’s You – The Beatles
  8. Let Me Be Good To You – Carla Thomas
  9. Try (Just A Little Bit Harder) – Janis Joplin
  10. River Deep – Mountain High – Harry Nilsson
  11. Beautiful Girl – INXS
  12. Over The Hills And Far Away – Led Zeppelin
  13. The Brides Have Hit Glass – Guided By Voices
  14. What A Woman – Howlin’ Wolf
  15. The Spy – The Doors
  16. Light My Fire – Al Green
  17. Shake Your Hips – The Rolling Stones
  18. We Can Work It Out – Stevie Wonder
  19. CREEP – Afghan Whigs
  20. Tenement Lady – T.Rex
  21. John, I’m Only Dancing – David Bowie
  22. Fool I Am – Pat Ferguson
  23. I Just Want To Make Love To You – Etta James
  24. Let Me Roll It – Paul McCartney & Wings

VOLUME TWO:

  1. Your Southern Can is Mine – The White Stripes
  2. When I Look In Your Eyes – André 3000
  3. Lady Madonna – Fats Domino
  4. Loving Cup – The Rolling Stones
  5. Ring Of Fire – Ray Charles
  6. Rag Mama Rag – The Band
  7. Pretty Thing – Bo Diddley
  8. Tee Pees 1-12 – Father John Misty
  9. Would You – Richard Swift
  10. Andy’s Chest – Lou Reed
  11. Milkcow Blues Boogie – Elvis Presley
  12. Slow Down – Backbeat Band
  13. Rip It Up/ Ready Teddy – John Lennon
  14. Surprise Surprise (Sweet Bird Of Paradox) – John Lennon
  15. Live with Me – The Rolling Stones
  16. Planet Queen – T.Rex
  17. She Belongs To Me – Bob Dylan
  18. Black Is the Color – Rhiannon Giddens
  19. I Gotta Know – Wanda Jackson
  20. Love Having You Around – Stevie Wonder
  21. Right – David Bowie
  22. Oh! Darling – The Beatles
  23. Call On Me – Big Brother And The Holding Company (feat. Janis Joplin)
  24. Candy – Iggy Pop

VOLUME THREE:

  1. Mystify – INXS
  2. Be Kind – Devendra Banhart
  3. Didn’t I – Darondo
  4. Mind Games – George Clinton
  5. Dear Prudence – The Beatles
  6. Little Red Rooster – Sam Cooke
  7. Sweet Feeling – Candi Staton
  8. Idlewild Blue (Don’t Chu Worry ‘Bout Me) – André 3000
  9. Rusty Cage – Johnny Cash
  10. Can You Get To That? – Funkadelic
  11. Yazoo Street Scandal – The Band
  12. Police & Thieves – The Clash
  13. Do Unto Others – Pee Wee Crayton
  14. Goin’ To Acapulco – Jim James & Calexico
  15. Candela – Buena Vista Social Club
  16. Momma Miss America – Paul McCartney
  17. Got To Get You Into My Life – Chris Clark
  18. Wah-Wah – George Harrison
  19. Mean To Me – Dean Martin
  20. This Magic Moment – Lou Reed
  21. Be My Baby – John Lennon

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It’s Good to Feel you are Close to Me

It’s good to feel you are close to me in the night, love,
invisible in your sleep, intently nocturnal,
while I untangle my worries
as if they were twisted nets.

Withdrawn, your heart sails through dream,
but your body, relinquished so, breathes
seeking me without seeing me perfecting my dream
like a plant that seeds itself in the dark.

Rising, you will be that other, alive in the dawn,
but from the frontiers lost in the night,
from the presence and the absence where we meet ourselves,

something remains, drawing us into the light of life
as if the sign of the shadows had sealed
its secret creatures with flame.

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Pablo Neruda, from Cien Sonetos de Amor (1959).

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All the best to you & yours,

(Oh, and J2 & Dana, despite this entry in Ambrose Bierce’s The Unabridged Devil’s Dictionary, “Love, noun. A temporary insanity curable by marriage;” I love you guys, wish you well, and know you will make and remain a fine union in the light of life),

Bobby Calero

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 7)

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It was not avoidance of some problem that she was advocating, but only a proper approach and perspective: understanding what truly was a problem and what was not. Where and when it could be found, she was for the compassion of laughter. Mireille pondered over the predominate perpetrators of violence on this planet and wondered if the males’ faculty for a certain aspect of acceptance had been frustrated and underdeveloped. Perhaps “acceptance” wasn’t the word she wanted, for enough of them seemed to be in love with a fallen world. No, maybe it was “reception,” or “tolerance,” or some other such word having to do with communication?

She couldn’t find it then but regardless questioned, “why not then let these thoughts inform and foster some work of art: a painting; song; or stand-up routine? At the very least they should let us laugh as they pass on by.” She believed that too few artists are encouraged in our world, and their work too quickly inspected for external utility or market potential. Comedians are poked to placate our revulsion. Our role as creator is repressed and in its stead we labor over cruel acts. “It’s like we’re prohibited from changing anything, really.” Beholden to a moribund heritage, we suffer in the name of habit and being consistent; “…being practical…but…practical for whose protocol? Don’t ask, you’ll suffer more.” We suffer for order.

For order we suffer.

“We are held hostage in someone else’s head…and in the end…and in our own. Regret will only get you ugly in the end.”

        She considered the device currently slipped within a little zippered pocket inside her purse: plastic, glass, semiconductor chips of silicon, and rare earth minerals molded and arranged into a slim rectangle of circuit boards and a touchscreen with a friendly graphic user interface…”a friendly gooey.” Contemplating all it was capable of—all of its known, numerous applications, the ones she hasn’t figured out yet and the ones she didn’t care to—she asked herself:

“We’re already living in the future…aren’t we? …Or as far as this future is gonna go, really. From here-on-out and for awhile now it’s all just restatements of a theme. Sure with a few innovative variations and tempo changes thrown in to keep us back-slap-smiling, ‘gee–whiz, how neat, this cutting-edge changes everything! Science will save us!’ But, shouldn’t we be somewhere else. Shouldn’t we be building biodegradable citadels for music, poetry, or, hell, a cathedral for aromatherapy…anything else really? All I see is thinner televisions. All I see are more heads bowed towards screens.

“Geez-Louise, I sound like an old lady…’back in my day we didn’t have all these fancy smellular phones and wifi-telebones, we had to use a drum!’…but…Shouldn’t we be busy with some other great work by this point? Why do we all feel excused from this? Why are so many of us excluded from this?

“Didn’t they tell us so long ago that we’ll be taking it easy from here-on-out? Aren’t they still selling that line?” For far too long now we’ve been trapped in this false landscape of muscles and dollars, this unsustainable sham of a one-way line stretched unhindered towards infinite and plastic futures—attributed to Darwin, healthy competition, and hard-earned progress. “Everything always backed by Darwin.” All those that suffer or benefit from the drought and locusts of a debt market so that a ham and cheese sandwich wrapped in cellophane might exist on some chain-restaurant’s theme-park counter could always seek solace, dismissal, and script in the arms of Saint Darwin. She felt sad for all those slighted people with Holy Daddy and/or Holy Mommy issues: who smugly announce themselves as atheists; who declare with a moral superior air, “I believe in science.”

“Yeah…well who doesn’t?”

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Dendrites 7 CVR

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Zeno’s Law Of High-Heeled Shoes – Jim Carroll

Numbers – FKA Twigs

Rich – Yeah Yeah Yeahs

Forty Days & Forty Nights – Muddy Waters

Every Season – Tony Allen (ft. Damon Albarn & Ty)

Wonderwall To Be Here – George Harrison

Lost In The Woods – The Afghan Whigs

The One-Eye Two-Step – The Blackbyrds

Me And The Devil – Gil Scott-Heron (Robert Johnson cover)

The Water – BLKHRTS

Misbehave/She Might Get Shot – Juan Wauters

Cocaine Habit Blues – Memphis Jug Band featuring Hattie Hart [Art by: Robert Crumb]

Yassassin (Long Live) – David Bowie

Ysabel’s Table Dance – Charles Mingus

Black Skin Blue Eyed Boys – Equals

Breed – Nirvana

She Said She Said – The Beatles

When Your Number Isn’t Up – Mark Lanegan Band

Good God’s:// Urge! – Porno For Pyros

I Know We Could Be So Happy Baby (If We Wanted to Be) – Jeff Buckley (TheSpaceBubbles mix)

Farewell, Angelina – Bob Dylan (Bringing it All Back Home outtake) [photo by Jerry Schatzberg]

Niña – Eduardo Mateo [photo by Francesca Woodman]

My translation, feel free to comment if youv’e got a better one:

Little girl that always has a light
showing you what you do not want.

Do not fear the birds
if they say your life with their trills.

It should be that you understand;
that’s why what comes next is what has gone.

Always in a white dress,
you go but beware;

The devils in the guise of angels
will notice you talking.

Does it shame you that you don’t care
what has been soiled?

Yuu…yu-le-lé yu-lé.

….===================================  ======== == =    ==    =    = – __

_ _ _ __=========================================     ______
A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 7)
  • Zeno’s Law Of High-Heeled Shoes – Jim Carroll
  • Numbers – FKA Twigs
  • Rich – Yeah Yeah Yeahs
  • Forty Days & Forty Nights – Muddy Waters
  • Every Season – Tony Allen (ft. Damon Albarn & Ty)
  • Wonderwall To Be Here – George Harrison
  • Lost In The Woods – The Afghan Whigs
  • The One-Eye Two-Step – The Blackbyrds
  • Me And The Devil – Gil Scott-Heron (Robert Johnson cover)
  • The Water – BLKHRTS
  • Misbehave/She Might Get Shot – Juan Wauters
  • Cocaine Habit Blues – Memphis Jug Band featuring Hattie Hart
  • Yassassin (Long Live) – David Bowie
  • Ysabel’s Table Dance – Charles Mingus
  • Black Skin Blue Eyed Boys – Equals
  • Breed – Nirvana
  • She Said She Said – The Beatles
  • When Your Number Isn’t Up – Mark Lanegan Band
  • Good God’s:// Urge! – Porno For Pyros
  • I Know We Could Be So Happy Baby (If We Wanted to Be) – Jeff Buckley (TheSpaceBubbles mix)
  • Farewell, Angelina – Bob Dylan (Bringing it All Back Home outtake)
  • Niña – Eduardo Mateo

_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their albums.

A MOUTHFUL OF PENNIES PRESENTS: RADIO DETRITUS

HELLO ALL! I’ve got a double mixtape here for you today, so you should be able to chew on this awhile! Keep an ear out, as these actually feature two of my all time favorite tunes: Harry Nilsson’s “The Moonbeam Song” and “All The King’s Horses” by Aretha Franklin (my, how I would have loved to have heard Jeff Buckley do a rendition of the latter). Oh and here across the 2 mixes there’s the whole Rolling Stones/Claudine Longet connection to dig.

Anyway, as always

—–ENJOY YOURSELF

Radio Detritus CVR

 

RADIO DETRITUS (VOL. I)

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RADIO DETRITUS (VOL. II)

 

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Radio Detritus 1

How Brittle The Bones – Trent Reznor & Atticus Ross

Saturday Bride – Quilt

Sunday – David Bowie

Dirt – The Stooges

Of Course – Jane’s Addiction

Moanin’ The Blues – Hank Williams [art by Marc Burckhardt]

Claudine – The Rolling Stones

Pumpkin – Tricky (ft. Alison Goldfrapp)

Sweet Sweet – Smashing Pumpkins

Don’t Think Twice – The Wonder Who (aka, The 4 Seasons )

Street Corner Love – Jobriath

I Got A Good Thing/Stoned To The Bone – James Brown

Diagram – Saul Williams

Mama Forgot To Tell Me – Willie “Little Beaver” Hale

One Room Paradise – The Raeletts

Belle Glade Missionaries – of Montreal

I’ll Bet You – Funkadelic

The Moonbeam Song – Harry Nilsson

Bring Me The Disco King – David Bowie

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Radio Detritus 2

Sunday Will Never Be the Same – Buffoons

Soul Vibrations – Dorothy Ashby

Ill Wind – Frank Sinatra

Where I End And You Begin (The Sky Is Falling In) – Radiohead

All The King’s Horses – Aretha Franklin

Last To Know - Priestbird [photo by Lauren Dukoff]

Last To Know – Priestbird [photo by Lauren Dukoff]

Prayer – D’Angelo & The Vanguard

Memory Camp – The Brian Jonestown Massacre

Never Get Old – David Bowie

JLH – Richard Swift

Sugar Mama – John Lee Hooker

Trust No Man – Ma Rainey

Mississippi (outtake version) – Bob Dylan

Let’s Spend The Night Together – Claudine Longet

Sweet Feeling – Candi Staton

Standing In The Rain – Al Green

I Don’t Need No Doctor – Ray Charles

Day Tripper – Vontastics

It's A Long Way Back To Germany- Ramones

It’s A Long Way Back To Germany– Ramones

Pretty Penny – Stone Temple Pilots

Labeling the World/Better Beware – Charles Eisenstein/Lilacs & Champagne (amop edit)

Lay Lady Lay – Brothers & Sisters (Dylan’s Gospel)

If I Only Had A Heart – Afghan Whigs

Ha Ha Suckers – Richard Swift [art by Richard Swift]

Radio Detritus 1

  • How Brittle The Bones – Trent Reznor & Atticus Ross
  • Saturday Bride – Quilt
  • Sunday – David Bowie
  • Dirt – The Stooges
  • Of Course – Jane’s Addiction
  • Moanin’ The Blues – Hank Williams
  • Claudine – The Rolling Stones
  • Pumpkin – Tricky (ft. Alison Goldfrapp)
  • Sweet Sweet – Smashing Pumpkins
  • Don’t Think Twice – The Wonder Who (aka, The 4 Seasons )
  • Street Corner Love – Jobriath
  • I Got A Good Thing/Stoned To The Bone – James Brown
  • Diagram – Saul Williams
  • Mama Forgot To Tell Me – Willie “Little Beaver” Hale
  • One Room Paradise – The Raeletts
  • Belle Glade Missionaries – of Montreal
  • I’ll Bet You – Funkadelic
  • The Moonbeam Song – Harry Nilsson
  • Bring Me The Disco King – David Bowie
 Radio Detritus 2
  • Sunday Will Never Be the Same – Buffoons
  • Soul Vibrations – Dorothy Ashby
  • Ill Wind – Frank Sinatra
  • Where I End And You Begin (The Sky Is Falling In) – Radiohead
  • All The King’s Horses – Aretha Franklin
  • Last To Know – Priestbird
  • Prayer – D’Angelo & The Vanguard
  • Memory Camp – The Brian Jonestown Massacre
  • Never Get Old – David Bowie
  • JLH – Richard Swift
  • Sugar Mama – John Lee Hooker
  • Trust No Man – Ma Rainey
  • Mississippi (outtake) – Bob Dylan
  • Let’s Spend The Night Together – Claudine Longet
  • Sweet Feeling – Candi Staton
  • Standing In The Rain – Al Green
  • I Don’t Need No Doctor – Ray Charles
  • Day Tripper – Vontastics
  • It’s A Long Way Back To Germany- Ramones
  • Pretty Penny – Stone Temple Pilots
  • Labeling the World/Better Beware – Charles Eisenstein/Lilacs & Champagne (amop edit)
  • Lay Lady Lay – Brothers & Sisters (Dylan’s Gospel)
  • If I Only Had A Heart – Afghan Whigs
  • Ha Ha Suckers – Richard Swift

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——————————————-BOBBY CALERO—————————–