Category Archives: Iggy Pop

THE DEMISE OF THE MASK (VOL 1)

Hello All,

Here’s the first volume of a new series of MixTapes: The Demise Of The Mask.

This one here features “The Future,” which is perhaps my favorite tune by the late great Leonard Cohen (R.I.P.), It’s fascinating to me that his cold vision of a future of murder is one where there is no longer any privacy, definitions, or truths and where all are completely ignorant to even the idea of certain spiritual mechanisms like redemption, repentance, and resurrection: When they said repent, I wonder what they meant…

Of course the song also features one of Cohen’s finest lines and one that serves as a fracture of light in it’s vicious but torpid slab of a landscape: Love’s the only engine of survival.

Oh the mix features as well as some fantastic new stuff by Saul Williams, Devendra Banhart, Iggy Pop, and Radiohead. Oh and it’s also got a lovely number called “Love On The Brain” by Rihanna that my little boy just loves slow spinning to. All this and a whole lot more flow! So press play and enjoy yourself! And as always:

If you dig the mix then please feel free to pass & post it along; if you dig an artist then please support them and go out and pick up some of their stuff.

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—————–======ENJOY YOURSELF____———–

—  –   ————-______________ ->

thedemiseofthemaskcvr

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A MOUTHFUL OF PENNIES PRESENTS:
__The Demise Of The Mask (Vol 1)__
  • Lilacs  – Lilacs & Champagne
  • Down For Some Ignorance – Saul Williams
  • The Future – Leonard Cohen
  • Back to the Future (Part II) – D’Angelo & The Vanguard
  • Stay Cool  – The Roots, ft. Q-Tip (J.Period Remix)
  • Sky Saw – Brian Eno
  • Mother Of Pearl – Roxy Music
  • Chocolate Drops – Iggy Pop
  • Linda – Devendra Banhart
  • Sunset And The Mocking Bird (Queen’s Suite part 1) – Duke Ellington & His Orchestra
  • Something In The Water (Does Not Compute) – Prince
  • CPU – Big Boi, ft. Phantogram
  • Identikit – Radiohead
  • The Dolphin (Before) – Bill Evans
  • I Can Love Again – Jamie Lidell
  • Love On The Brain – Rihanna
  • Looks Good With Trouble – Solange
  • Décollage – Air
  • Libra, the mirror’s minor self / Love’s long listen-in – Broadcast & The Focus Group
  • Flunkt Sass Vs The Root Flume – of Montreal
  • Walk It Back – R.E.M.
  • The Dolphin (After) – Bill Evans
  • Crimson Escalation – crush_DLX (Pop Levi & Bunny Holiday)
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demise-1

demise-2

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[Lilacs – Lilacs & Champagne]

[Lilacs – Lilacs & Champagne]

[Down For Some Ignorance – Saul Williams]

[Down For Some Ignorance – Saul Williams]

[The Future – Leonard Cohen (photo by Guido Harari, Paris 1992)]

[The Future – Leonard Cohen (photo by Guido Harari, Paris 1992)]

[Back to the Future (Part II) - D'Angelo & The Vanguard]

[Back to the Future (Part II) – D’Angelo & The Vanguard]

[Stay Cool - The Roots, ft. Q-Tip (J.Period Remix)]

[Stay Cool – The Roots, ft. Q-Tip (J.Period Remix)]

[Sky Saw - Brian Eno]

[Sky Saw – Brian Eno]

[Mother Of Pearl - Roxy Music]

[Mother Of Pearl – Roxy Music]

[Chocolate Drops - Iggy Pop]

[Chocolate Drops – Iggy Pop]

[Linda - Devendra Banhart]

[Linda – Devendra Banhart]

[Sunset And The Mocking Bird (Queen's Suite part 1) - Duke Ellington & His Orchestra (photo Duke Ellington, Paris, 1958 by Herman Leonard)]

[Sunset And The Mocking Bird (Queen’s Suite part 1) – Duke Ellington & His Orchestra (photo Duke Ellington, Paris, 1958 by Herman Leonard)]

[Something In The Water (Does Not Compute) - Prince]

[Something In The Water (Does Not Compute) – Prince photo by Allen Beaulieu, 1982]

[CPU - Big Boi, ft. Phantogram]

[CPU – Big Boi, ft. Phantogram]

[Identikit - Radiohead]

[Identikit – Radiohead]

[The Dolphin - Before - Bill Evans]

[The Dolphin (Before) – Bill Evans]

[I Can Love Again - Jamie Lidell (art by Anna Higgie)]

[I Can Love Again – Jamie Lidell (art by Anna Higgie)]

[Love On The Brain - Rihanna]

[Love On The Brain – Rihanna]

[Looks Good With Trouble - Solange (photo byElias Tahan, 2012)]

[Looks Good With Trouble – Solange (photo by Elias Tahan, 2012)]

[Libra, the mirror's minor self / Love's long listen-in - Broadcast & The Focus Group]

[Libra, the mirror’s minor self / Love’s long listen-in – Broadcast & The Focus Group]

[Flunkt Sass Vs The Root Flume - of Montreal (art, the peculiar death of Valerie Marie Osten Chafer, or how our nuclear signals proposes certain numeric endings by ANIN TIWN ~ NINA TWIN]

[Flunkt Sass Vs The Root Flume – of Montreal (art, the peculiar death of Valerie Marie Osten Chafer, or how our nuclear signals proposes certain numeric endings by ANIN TIWN ~ NINA TWIN]

[Walk It Back - R.E.M.]

[Walk It Back – R.E.M.]

[The Dolphin (After) - Bill Evans]

[The Dolphin (After) – Bill Evans]

[Crimson Escalation - crush_DLX ]

[Crimson Escalation – crush_DLX (Pop Levi & Bunny Holiday) ]

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___________________))))))))))))))))

All the best—  –   ————-______-________ ->BOBBY CALERO[—+=-_________________If you dig the mix then please feel free to pass & post it along; if you digaparticular artist then please support them and go out and pick up some of their stuff.

_           _________________   _  ___   _ _________ __________->

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MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 16)

_If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

—  –   ————-______________ ->

Hello All & Welcome to the last MixTape of the year! Yes, it’s installment 16 in the Dendrites series of mixtapes!

 Here you’ll hear two tunes by the psyche-folk, all female american trio, Sunforest. Recorded in 1969 with producer Vic Coppersmith-Heaven (engineer for The Rolling Stones’ Let It Bleed and Black Sabbath’s Vol. 4)  Sunforest wrote whimsical Medieval Times & Renaissance Faire type arrangements and twisted them quite a bit with a swinging London sense of acid-pop and style. First up and opening the mix is the instrumental “Overture to the Sun” which is one of two songs by the group selected by Stanley Kubrick and featured in his 1971 brutal masterpiece, A Clockwork Orange. Later on from this trio you’ll hear the incredibly funky “Magician In The Mountain,” with its slinky groove tones put across perfectly by two musicians from the Jean-Claude Vannier Orchestra (responsible for the music on Serge Gainsbourg’s erotic magnum opus Histoire de Melody Nelson and featured by me on Dendrites Volume 13). With session-guitarist extraordinaire Big Jim Sullivan and Herbie Flowers (whose interlocked, double-tracked upright bass and bass guitar carried Lou Reed’s “Walk on the Wild Side” into brilliance) to my mind “Magician In The Mountain is the stand-out track on Sound of Sunforest.
You’ll also get to hear two more tracks by recently deceased Scott Weiland (R.I.P.). First up from him is “Son” which was a highlight for me on his 1998 solo debut, 12 Bar Blues.  (Here you can watch a video of Weiland performing the tune acoustically on MTV’s “120 Minutes” back in 1998).
With its raw pop blister rubbing up against a confused glam swirl, this LP still remains my favorite of all Weiland’s work. Featuring contributions from multi-instrumentalist Victor Indrizzo, phenomenal pianist Brad Mehldau, Martyn LeNoble and Peter DiStefano (bass & guitar for Porno For Pyros!), as well as additional work from Daniel Lanois (production-collaborator for Brian Eno, U2, and Bob Dylan)–this is an album with a genuine sense of exploration and–despite its obvious postures–honest artistic expression. In “Son” Weiland mostly employs a slender vocal in the honeyed upper registers with a lightly-narcotized rasp to its delivery. This perfectly gets across the melancholia that served as its inspiration. As Weiland would not have any children until at least two years later, the song serves as a rumination on a terminated pregnancy he and his girlfriend chose, and what might have been (an emotional topic he previously touched upon with Stone Temple Pilots in the closing track for their sophomore record, Purple: “Kitchenware & Candy Bars“).
Later on down the mix you will hear Weiland with his band mates in Stone Temple Pilots on what has always been one of my favorite tracks by this group: “Lounge Fly.” With its elliptic lyrics pushed up from a hungry gut only to be buried again, and pushed up again–a cycle–and the music coiled and percussive–this is not so much circling, but the sound of a man prowling around a drain…and all the while Weiland insisting that you know, “this is really happening to me.” “Lounge Fly” is followed by yet another song concerning sex and the desperate search for emotional connection: “Chloe In The Afternoon” by St. Vincent. Borrowing its title from the 1972 French film by Éric Rohmer (which was much later remade into the Chris Rock comedy I Think I Love My Wife) this song is an amazing display of corroded textures and strange syncopation.
There’s also some D’Angelo; some Elvis; some Mark Lanegan; a dry collaboration between William S. Burroughs and R.E.M from the 1996 collection, Songs in the Key of X – Music From And Inspired By “The X-Files; Matthew E. White and his marvelous Spacebomb crew demonstrating how a tune bled of vigor (and guitar) can still be so damn funky…albeit a drowsy funk; and you’ll hear one of my favorite vocalists, Martina Topley-Bird doing a stripped down version of her own, Snowman” (you can watch a lovely 2012 live performance of it and more here).
Well, enjoy and I hope you are all still listening in the New Year!
All the best to you & yours,
Bobby Calero

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Overture to The Sun – Sunforest [art by Robin Celebi]

Son – Scott Weiland

Star Me Kitten – R.E.M. & William S. Burroughs [art: “Lust” by William S. Burroughs, 1991]

Silver Timothy – Damien Jurado (w/ Richard Swift) [Photo by Sarah Jurado]

Magician In the Mountain – Sunforest

“Trouble”/The Wasp (Texas Radio And The Big Beat) – The Doors [photo by Frank Lisciandro, 1970]

Scarlet Town – Bob Dylan [art: Train Tracks (Red) by Bob Dylan, 2012]

 

The Golden Fang – Jonny Greenwood

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Signature Move – Matthew E. White [photo by Shawn Brackbill]

Lounge Fly – Stone Temple Pilots

Chloe In The Afternoon – St. Vincent [photo by Tina Tyrell, 2011]

Leaning Into Afternoons – Pablo Neruda [read by Wesley Snipes, music by Luis Enríquez Bacalov] [art from Pablo Neruda: Poet of the People, written by Monica Brown and illustrated by Julie Paschkis]

Sugah Daddy – D’Angelo & The Vanguard [Photo by Greg Harris]

Trying To Get To You – Elvis Presley

Trying To Forget You – Howlin’ Wolf

solid-soul

San-Ho-Zay – Willie Mitchell

Knockin’ Myself Out – Jean Brady & Big Bill Broonzy [image from the film Low Light And Blue Smoke]

Like Little Willie John – Mark Lanegan Band

The Endless Sea – Iggy Pop

Cry Baby Cry – The Beatles [photo by Don McCullin, 7/28/68]

Snowman – Martina Topley-Bird

04/16/05 Saturday/04/19/05 Tuesday – Fantômas

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MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 16)

  • Overture to The Sun – Sunforest
  • Son – Scott Weiland
  • Star Me Kitten – R.E.M. & William S. Burroughs
  • Silver Timothy – Damien Jurado (w/ Richard Swift)
  • Magician In the Mountain – Sunforest
  • “Trouble”/The Wasp (Texas Radio And The Big Beat) – The Doors
  • Scarlet Town – Bob Dylan
  • The Golden Fang – Jonny Greenwood
  • Signature Move – Matthew E. White 
  • Lounge Fly – Stone Temple Pilots
  • Chloe In The Afternoon – St. Vincent 
  • Leaning Into Afternoons – Pablo Neruda [read by Wesley Snipes, music by Luis Enríquez Bacalov] 
  • Sugah Daddy – D’Angelo & The Vanguard
  • Trying To Get To You – Elvis Presley
  • Trying To Forget You – Howlin’ Wolf
  • San-Ho-Zay – Willie Mitchell
  • Knockin’ Myself Out – Jean Brady & Big Bill Broonzy
  • Like Little Willie John – Mark Lanegan Band
  • The Endless Sea – Iggy Pop
  • Cry Baby Cry – The Beatles 
  • Snowman – Martina Topley-Bird
  • 04/16/05 Saturday/04/19/05 Tuesday – Fantômas

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_           _________________   _  ___   _ _________ __________->

The interview with Heath began on the opposite page. However, Mireille could not get herself to concentrate. She could only skim and skip across the paragraphs; if momentarily of a similar mental bent, you should of course feel free to do the same:


TURN-TURN 1

TURN-TURN 2

TURN-TURN 3

TURN-TURN 4

TURN-TURN 5

TURN-TURN 6

TURN-TURN 7

TURN-TURN 8

TURN-TURN 9

TURN-TURN 10

TURN-TURN 11

TURN-TURN 12

TURN-TURN 13

TURN-TURN 14

TURN-TURN 15

TURN-TURN 16

TURN-TURN 17

TURN-TURN 18

TURN-TURN 19

TURN-TURN 20

TURN-TURN 21

TURN-TURN 22

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___           – –      _________________   _-    _         _________________ ___

BOBBY CALERO

 

A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

Hello all,

and welcome to what will be the last post for the summer! I’ve got a special triptych-mixtape for you all today! About a week back a good friend of mine asked that I produce a few mixes for a gathering the night before his wedding. Unfortunately (like, whatever, y’know) due to technical difficulties they could not be played that evening (the entire wedding weekend, however, was absolutely fantastic!). Anyway, not one to let a good MixTape go to waste, I present them to you here. I do believe them to be real nice & easy, and tons of fun, with some great tunes that have been featured here in these pages before and some that I was planning on getting to someday.

May these serve you well here at the tail-end of the summer! So sit back, roll forward, and enjoy!

But above all–ENJOY YOURSELF!__

Nuptials-cvr___________________

Volume I—Click here to listen & Download——-

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Volume II—Click here to listen & Download——-

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Volume III—Click here to listen & Download——-

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A MOUTHFUL OF PENNIES PRESENTS: NUPTIALS

VOLUME ONE:

  1. Pre-Nump – Outkast
  2. When You’re Smiling and Astride Me – Father John Misty
  3. Here I Am (Come And Take Me) – Al Green
  4. Happy – The Rolling Stones
  5. Alright, Okay, You Win – Peggy Lee
  6. You Make Loving Fun – Fleetwood Mac
  7. Baby It’s You – The Beatles
  8. Let Me Be Good To You – Carla Thomas
  9. Try (Just A Little Bit Harder) – Janis Joplin
  10. River Deep – Mountain High – Harry Nilsson
  11. Beautiful Girl – INXS
  12. Over The Hills And Far Away – Led Zeppelin
  13. The Brides Have Hit Glass – Guided By Voices
  14. What A Woman – Howlin’ Wolf
  15. The Spy – The Doors
  16. Light My Fire – Al Green
  17. Shake Your Hips – The Rolling Stones
  18. We Can Work It Out – Stevie Wonder
  19. CREEP – Afghan Whigs
  20. Tenement Lady – T.Rex
  21. John, I’m Only Dancing – David Bowie
  22. Fool I Am – Pat Ferguson
  23. I Just Want To Make Love To You – Etta James
  24. Let Me Roll It – Paul McCartney & Wings

VOLUME TWO:

  1. Your Southern Can is Mine – The White Stripes
  2. When I Look In Your Eyes – André 3000
  3. Lady Madonna – Fats Domino
  4. Loving Cup – The Rolling Stones
  5. Ring Of Fire – Ray Charles
  6. Rag Mama Rag – The Band
  7. Pretty Thing – Bo Diddley
  8. Tee Pees 1-12 – Father John Misty
  9. Would You – Richard Swift
  10. Andy’s Chest – Lou Reed
  11. Milkcow Blues Boogie – Elvis Presley
  12. Slow Down – Backbeat Band
  13. Rip It Up/ Ready Teddy – John Lennon
  14. Surprise Surprise (Sweet Bird Of Paradox) – John Lennon
  15. Live with Me – The Rolling Stones
  16. Planet Queen – T.Rex
  17. She Belongs To Me – Bob Dylan
  18. Black Is the Color – Rhiannon Giddens
  19. I Gotta Know – Wanda Jackson
  20. Love Having You Around – Stevie Wonder
  21. Right – David Bowie
  22. Oh! Darling – The Beatles
  23. Call On Me – Big Brother And The Holding Company (feat. Janis Joplin)
  24. Candy – Iggy Pop

VOLUME THREE:

  1. Mystify – INXS
  2. Be Kind – Devendra Banhart
  3. Didn’t I – Darondo
  4. Mind Games – George Clinton
  5. Dear Prudence – The Beatles
  6. Little Red Rooster – Sam Cooke
  7. Sweet Feeling – Candi Staton
  8. Idlewild Blue (Don’t Chu Worry ‘Bout Me) – André 3000
  9. Rusty Cage – Johnny Cash
  10. Can You Get To That? – Funkadelic
  11. Yazoo Street Scandal – The Band
  12. Police & Thieves – The Clash
  13. Do Unto Others – Pee Wee Crayton
  14. Goin’ To Acapulco – Jim James & Calexico
  15. Candela – Buena Vista Social Club
  16. Momma Miss America – Paul McCartney
  17. Got To Get You Into My Life – Chris Clark
  18. Wah-Wah – George Harrison
  19. Mean To Me – Dean Martin
  20. This Magic Moment – Lou Reed
  21. Be My Baby – John Lennon

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It’s Good to Feel you are Close to Me

It’s good to feel you are close to me in the night, love,
invisible in your sleep, intently nocturnal,
while I untangle my worries
as if they were twisted nets.

Withdrawn, your heart sails through dream,
but your body, relinquished so, breathes
seeking me without seeing me perfecting my dream
like a plant that seeds itself in the dark.

Rising, you will be that other, alive in the dawn,
but from the frontiers lost in the night,
from the presence and the absence where we meet ourselves,

something remains, drawing us into the light of life
as if the sign of the shadows had sealed
its secret creatures with flame.

__________

Pablo Neruda, from Cien Sonetos de Amor (1959).

______________

All the best to you & yours,

(Oh, and J2 & Dana, despite this entry in Ambrose Bierce’s The Unabridged Devil’s Dictionary, “Love, noun. A temporary insanity curable by marriage;” I love you guys, wish you well, and know you will make and remain a fine union in the light of life),

Bobby Calero

A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 10)

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_           _________________   _  ___   _ _________ __________

Directly from the sewer at the center of this cacophony comes crawling the next number, “Our Seventh Sister (Ceremony of The Empty Space).”

It advances with a weave of rusty mandolin, banjos fingerpicked and teased out from a central processing unit. The bass squirms about the mulch of bucket drums, simulating the moist thump-thump-thump of an excited heartbeat. Architecturally compact guitars hack forward like hatchets through the foliage of factory handclaps and a thicket of battered cymbals. Sometimes they burst with succinct solos: vivid squiggles like the last of acrylic paint squeezed from a rolled up aluminum tube. They then oh-so-briefly bivouac and recoup with a strum and chime before they’re back out to their chop and hew.

With ludicrous bark and bite added to the singer’s dulcet voice, the lyrics pour and plod ahead like a mule with a syncopated beat—whip-driven through citrus peels boiled in sugar and hot ash. He sounds like a tourist demented with delight at the novelty of it all. The whole production is a buzz of gusto before the song swoons down to mud-churning violins for its farewell lines, which the listener hits as if an epitaph on a tombstone.

Followed a trail of black flags littered across the barren white.

As I entered town, searched my pockets for my zippo lighter.

.

I’ve got thirty-three leaves and forty grams of fresh tobacco;

Tips of my thumb and middle finger are stained dark yellow ochre.

.

Nicotine resin from smoke!

                                      Or,

Smoke from nicotine resin!

.

I gave a greeting to the big black nothing with a small nod,

My gut felt like mosquito larvae in an acrid puddle.

I took me a slumber outside The House of Chosen Women,

Where merchants trade slaves for tourmaline beads under the banyan tree.

Took me a slumber beneath the banyan tree,

Yes I,

Took me a slumber beneath the banyan tree.

.

Slept to lullaby laments as black llamas keen with famine;

They’re tethered on Main Street—dry throats beg for October raindrops.

.

When I awoke!,

When I awoke!,

Awoke to a wet-sand tongue rubbing the stubble on my cheek;

When I opened my eyes there standing was a little black dog.

.

Misery ships pulled into port, Ornament Men home from war;

In the furnace they burned textiles in effigy or worship.

.

South, rot and lust choked their brains; in the West they slept with slaughter;

East, madness chewed roots; now they lament their seventh sister, gone.

.

The Ornament Men ring-danced and lollopped in the House of Knives;

Costumes of Tanager feathers, dead reptiles, which their wives made.

Swinging semaphore genitals pierced with ore, no one saw me,

As they all performed this ceremony of the empty space—

.

Spinning, spirals, territory spheres and stairs, jaguars and rain,

Pain comes, goes, behind walls of adobe, powdered quartz, pain laughs.

.

The little black dog loped down a narrow path flanked by fruit trees,

I pursued, left this harbor to its fevers, piety games.

.

I followed that black dog through those old fruit trees,

Yes I!,

I followed that black dog through those old fruit trees.

                                                                        …      …        …

Some men search for the Holy Grail, or,

Others, the Holy Ghost,

But most men are only lookin’ for

Some butter on their toast

.

I never learned the odds,

I never learned to gamble,

Still I followed my God

And that little black dog down—

Down that long, long black trail.

___         _        _________________       _         _________________    ————-______

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Something’s Gone Awry – Alela Diane [photo by Jaclyn Campanaro]

Peace Frog/Newborn Awakening – The Doors [photographed in New York City by LIFE‘s Yale Joel in 1968]

Re-Make/Re-Model – Roxy Music [cover model Kari-Ann Muller photographed by Karl Stoecker ,1972]

Hybrid Moments – The Misfits

T.V. Eye – The Stooges

Watching T.V. (Daytrotter version 8/31/2010) – The Beets

Religion I/Public Image – Public Image Ltd.

Ducking And Dodging – Parquet Courts

Ice Age – How To Destroy Angels

The Four Of Us Are Dying – Nine Inch Nails

Mr Raffles/It Wasn’t Me – Steve Harley & Cockney Rebel

Ladytron – The Venus In Furs

El Show De Los Meurtos – Juan Wauters

She’s Got You – Rhiannon Giddens

Finally Back – Souls Of Mischief & Adrian Younge [Animated by Unjust” and “Paintings by Mildred Friedman,]

The Last Act – Adrian Younge

Dr-Octagon-Blue-Flowers-464649

Blue Flowers – Dr. Octagon (aka Kool Keith)

See No Evil – Television

Evil – Stevie Wonder

Can You Hear Me? – Elvis Costello & The Roots

We Have Been Metamorphosized– Jim Morrison (read by Johnny Depp)

(problem) – Eat the document Soundtrack

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A MOUTHFUL OF PENNIES PRESENTS: DENDRITES (VOL. 10)

  • Something’s Gone Awry – Alela Diane 
  • Peace Frog/Newborn Awakening – The Doors 
  • Re-Make/Re-Model – Roxy Music   
  • Hybrid Moments – The Misfits
  • T.V. Eye – The Stooges
  • Watching T.V. (Daytrotter version  8/31/2010) – The Beets
  • Religion I/Public Image – Public Image Ltd.
  • Ducking And Dodging – Parquet Courts
  • Ice Age – How To Destroy Angels
  • The Four Of Us Are Dying – Nine Inch Nails
  • Mr Raffles/It Wasn’t Me – Steve Harley & Cockney Rebel
  • Ladytron – The Venus In Furs (Thom Yorke, Jonny Greenwood, David Gray, Bernard Butler, Andy Mackay) (Roxy Music Cover)
  • El Show De Los Meurtos – Juan Wauters
  • She’s Got You – Rhiannon Giddens
  • Finally Back – Souls Of Mischief & Adrian Younge  
  • The Last Act  – Adrian Younge
  • Blue Flowers – Dr. Octagon (aka Kool Keith)
  • See No Evil – Television
  • Evil – Stevie Wonder
  • Can You Hear Me? – Elvis Costello & The Roots
  • We Have Been Metamorphosized– Jim Morrison (read by Johnny Depp)
  • (problem)  – Eat the document Soundtrack

_ _ _ __=========================================     ______BOBBY CALERO

If you dig the mix then please feel free to pass & post it along; if you dig a particular artist then please support them and go out and pick up some of their stuff.

A MOUTHFUL OF PENNIES PRESENTS: RADIO DETRITUS

HELLO ALL! I’ve got a double mixtape here for you today, so you should be able to chew on this awhile! Keep an ear out, as these actually feature two of my all time favorite tunes: Harry Nilsson’s “The Moonbeam Song” and “All The King’s Horses” by Aretha Franklin (my, how I would have loved to have heard Jeff Buckley do a rendition of the latter). Oh and here across the 2 mixes there’s the whole Rolling Stones/Claudine Longet connection to dig.

Anyway, as always

—–ENJOY YOURSELF

Radio Detritus CVR

 

RADIO DETRITUS (VOL. I)

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RADIO DETRITUS (VOL. II)

 

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Radio Detritus 1

How Brittle The Bones – Trent Reznor & Atticus Ross

Saturday Bride – Quilt

Sunday – David Bowie

Dirt – The Stooges

Of Course – Jane’s Addiction

Moanin’ The Blues – Hank Williams [art by Marc Burckhardt]

Claudine – The Rolling Stones

Pumpkin – Tricky (ft. Alison Goldfrapp)

Sweet Sweet – Smashing Pumpkins

Don’t Think Twice – The Wonder Who (aka, The 4 Seasons )

Street Corner Love – Jobriath

I Got A Good Thing/Stoned To The Bone – James Brown

Diagram – Saul Williams

Mama Forgot To Tell Me – Willie “Little Beaver” Hale

One Room Paradise – The Raeletts

Belle Glade Missionaries – of Montreal

I’ll Bet You – Funkadelic

The Moonbeam Song – Harry Nilsson

Bring Me The Disco King – David Bowie

—————————————————- — — ———–   —

— — —    —

————————————–

Radio Detritus 2

Sunday Will Never Be the Same – Buffoons

Soul Vibrations – Dorothy Ashby

Ill Wind – Frank Sinatra

Where I End And You Begin (The Sky Is Falling In) – Radiohead

All The King’s Horses – Aretha Franklin

Last To Know - Priestbird [photo by Lauren Dukoff]

Last To Know – Priestbird [photo by Lauren Dukoff]

Prayer – D’Angelo & The Vanguard

Memory Camp – The Brian Jonestown Massacre

Never Get Old – David Bowie

JLH – Richard Swift

Sugar Mama – John Lee Hooker

Trust No Man – Ma Rainey

Mississippi (outtake version) – Bob Dylan

Let’s Spend The Night Together – Claudine Longet

Sweet Feeling – Candi Staton

Standing In The Rain – Al Green

I Don’t Need No Doctor – Ray Charles

Day Tripper – Vontastics

It's A Long Way Back To Germany- Ramones

It’s A Long Way Back To Germany– Ramones

Pretty Penny – Stone Temple Pilots

Labeling the World/Better Beware – Charles Eisenstein/Lilacs & Champagne (amop edit)

Lay Lady Lay – Brothers & Sisters (Dylan’s Gospel)

If I Only Had A Heart – Afghan Whigs

Ha Ha Suckers – Richard Swift [art by Richard Swift]

Radio Detritus 1

  • How Brittle The Bones – Trent Reznor & Atticus Ross
  • Saturday Bride – Quilt
  • Sunday – David Bowie
  • Dirt – The Stooges
  • Of Course – Jane’s Addiction
  • Moanin’ The Blues – Hank Williams
  • Claudine – The Rolling Stones
  • Pumpkin – Tricky (ft. Alison Goldfrapp)
  • Sweet Sweet – Smashing Pumpkins
  • Don’t Think Twice – The Wonder Who (aka, The 4 Seasons )
  • Street Corner Love – Jobriath
  • I Got A Good Thing/Stoned To The Bone – James Brown
  • Diagram – Saul Williams
  • Mama Forgot To Tell Me – Willie “Little Beaver” Hale
  • One Room Paradise – The Raeletts
  • Belle Glade Missionaries – of Montreal
  • I’ll Bet You – Funkadelic
  • The Moonbeam Song – Harry Nilsson
  • Bring Me The Disco King – David Bowie
 Radio Detritus 2
  • Sunday Will Never Be the Same – Buffoons
  • Soul Vibrations – Dorothy Ashby
  • Ill Wind – Frank Sinatra
  • Where I End And You Begin (The Sky Is Falling In) – Radiohead
  • All The King’s Horses – Aretha Franklin
  • Last To Know – Priestbird
  • Prayer – D’Angelo & The Vanguard
  • Memory Camp – The Brian Jonestown Massacre
  • Never Get Old – David Bowie
  • JLH – Richard Swift
  • Sugar Mama – John Lee Hooker
  • Trust No Man – Ma Rainey
  • Mississippi (outtake) – Bob Dylan
  • Let’s Spend The Night Together – Claudine Longet
  • Sweet Feeling – Candi Staton
  • Standing In The Rain – Al Green
  • I Don’t Need No Doctor – Ray Charles
  • Day Tripper – Vontastics
  • It’s A Long Way Back To Germany- Ramones
  • Pretty Penny – Stone Temple Pilots
  • Labeling the World/Better Beware – Charles Eisenstein/Lilacs & Champagne (amop edit)
  • Lay Lady Lay – Brothers & Sisters (Dylan’s Gospel)
  • If I Only Had A Heart – Afghan Whigs
  • Ha Ha Suckers – Richard Swift

— —   ———-   — – – –    –     –

——————————————-BOBBY CALERO—————————–

A MOUTHFUL OF PENNIES PRESENTS: THE LONG ROLL THROUGH HIM TO HER

Hello All,

Just a quick pop-in to present a little audio roll for the month of August.

Now, I’m back off to some other projects I got goin’.

–Enjoy Yourself–

 

THE LONG ROLL THROUGH HIM TO HER

————-______________\/\/\/\/\/\/\/\/\/\/\/

——————————-(Click to Listen or Right-Click-Save-As to Download)—————–================__^__===================  ===  _ ===== == =   = =  __  _

As always, if you dig any of the artists presented here I strongly encourage you to explore their work  further and pick up an album or two.

A MOUTHFUL OF PENNIES PRESENTS:

THE LONG ROLL THROUGH HIM TO HER

Embryo – Black Sabbath

Hello Sunshine – Damien Jurado & Richard Swift

Summertime Rolls – Jane’s Addiction

Hey Bulldog – The Beatles

Preso Voy – The Beets

Will O’ The Wisp – Miles Davis

Vernie – Blind Melon

A Visitation Of Energy – Johnny Depp (Jim Morrison)

Some More – Funkadelic

Midnight Sun – The Ghost Of A Saber Tooth Tiger

She’s Fine, She’s Mine – Bo Diddley

Cycle – Beck

Little Monkey (Live 3/19/04 at KVRX) – Devendra Banhart

House Carpenter – Bob Dylan (Self Portrait Outtake)

Hollywood Forever Cemetery Sings – Father John Misty

Penduli Pendulum – Bobbie Gentry

A Las Orillas Del Vilcanota – El Polen

Song for Aries – Cactus

Love – Country Joe & The Fish

Barabajagal – Donovan

You Can’t Beat Two People In Love – James Brown & Lyn Collins

Lay Lady Lay – Brothers & Sisters (Dylan)

Night Beat – Chuck Berry

The Floating Bed – Elliot Goldenthal

Blues In The Night – Frank Sinatra

Moonlight Lady – Iggy Pop

Tender Beasts Of The Spangled Night – Beck

————————————— — —   —–             –   ————  —-  – –

 

EmbryoBlack Sabbath

Hello SunshineDamien Jurado & Richard Swift

Summertime Rolls Jane’s Addiction

Hey BulldogThe Beatles

Preso VoyThe Beets [art by Matt Volz. 2011,

Will O’ The WispMiles Davis

VernieBlind Melon

A Visitation Of EnergyJohnny Depp (Jim Morrison)

Some MoreFunkadelic

Midnight Sun The Ghost Of A Saber Tooth Tiger

She’s Fine, She’s MineBo Diddley

CycleBeck

Little Monkey (Live 3/19/04 at KVRX) – Devendra Banhart

House CarpenterBob Dylan (Self Portrait Outtake)

Hollywood Forever Cemetery SingsFather John Misty

Penduli PendulumBobbie Gentry

A Las Orillas Del VilcanotaEl Polen [photo by Billoguo]

Song for AriesCactus

LoveCountry Joe & The Fish

BarabajagalDonovan

You Can’t Beat Two People In LoveJames Brown & Lyn Collins

Lay Lady LayBrothers & Sisters (Dylan)

Night BeatChuck Berry

The Floating BedElliot Goldenthal [El Sueño (La Cama) by Frida Kahlo, 1940]

Blues In The NightFrank Sinatra

Moonlight Lady Iggy Pop [cover by Charles Burns, 1990]

Tender Beasts Of The Spangled NightBeck

 

——————Bobby Calero————————-

A MOUTHFUL OF PENNIES PRESENTS: SUDDEN DOGS

Hello All,

And the A Mouthful Of Pennies Consortium’s Summer Blow-Out Wholesale Bootleg MixTape Distribution continues! Everything Must Go!

The last MixTape—THE MYTH OF A ROOM—might have been a little too high-falutin’ for some; so, today I present a good ol’ fashion slap-dash quick one for sitting under the afternoon sun with friends and perhaps breaking into a sing-along or two. Sloppy at points and reminding me of a MixTape I might’ve made 10-15 years back (like on an actual tapedeck), this one should be a breeze to roll along to and comes with its own custom-built comedown! …(and another bootleg, grandma with a computer cover art.)

Oh, and don’t forget to checkout some other dope MixTapes posted up in these pages: Longevity Has its Place ; El Ambiente Bien Babes Y Bean de Uruguay: Volume 1Broken Tail-Feathers; The Two Cent Spit; Babylon Bye Bye; and the Nas birthday tribute, Nasir bin Olu Dara Jones is Like…

#thisiswhatpopradioshouldsoundlike!

—Enjoy yourself!

Sudden Dogs

————————(CLICK TO LISTEN & DOWNLOAD)—

A MOUTHFUL OF PENNIES PRESENTS:

SUDDEN DOGS

by A Mouthful Of Pennies (Bobby Calero)

(another bootleg, grandma with a computer) album cover by A Mouthful Of Pennies (Bobby Calero, w/ the participation of Moose (L.) & Patti (R.))

Loco MosquitoIggy Pop (’80)

You Keep Me Hanging On [snippet] – Vanilla Fudge (’67)

Hateful The Clash (’79)

Rock & Roll/SympathyJane’s Addiction (live at the Roxy Theatre 1/26/’87)

Once Was A Time I Thought The Mamas & the Papas (’66)

LaydownPrince (’10)

The World Has Turned and Left Me HereWeezer (’94)

Police & ThievesThe Clash (’77)

You’re Crazy (Lies version) – Guns N’ Roses (’89)

Mother Mary (Daytrotter Session version) – Far (’10)

Don’t Push (acoustic) – Bradley Nowell (’92)

Don’t Push/54-46 That’s My Number/Ball And ChainSublime (’92)

Still FameDavid Bowie, James Brown, Dr. Dre, & Snoop Dogg (Pastamasta mash)

It Ain’t Hard To Tell Tom’s DinerSuzanne Vega & Nas (Danger Mouse remix) (’03)

Gunz On My Side/2 Glocks2Pac, Busta Rhymes, Bounty Killa, & Wayne Marshall (DJ Vlad/Dirty Harry/DJ Green Lantern remix) (’03)

The Story of Fela (Open & Close)Fela Kuti (J.Period remix) (’09)

I’ve Been to the MountaintopDr. Martin Luther King, Jr. (4/3/’68)

Tears Of A Samurai/I Shall Be ReleasedThe RZA/Elvis Presley (’07/’71)

—————(BOBBY CALERO)—————

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FALL WITH ME (PART II): AND WHEN YOU’RE TUMBLING DOWN, YOU JUST LOOK BETTER

“Les Alyscamps: Falling Autumn Leaves, 2” by Vincent van Gogh, November 1888

Today’s post comes as an addendum to the last, as I have not been able to get this song out of my head lately. This past weekend I was fortunate to travel upstate for an afternoon fishing trip, as the leaves had just begun to turn colors, dressing up the scenery quite nicely. While my wife and buddy cast their lines out into the rushing current and his wife fed their newborn baby girl, I sat on the smooth stone banks reading Peter Guralnick’s engaging article about Howlin’ Wolf from this past winter’s Oxford American, their “Thirteenth Annual Southern Music Issue.”

I’ve often thought that there may be one common denominator

for all great music, and that is its capacity to bring a smile to your

lips. It’s not the subject matter. And it doesn’t really have much to

do with mood. It’s the commitment to the moment. It’s what Sam

Phillips called throwing yourself into the music with abandon

(Guralnick, 2012).

            Just as I read these lines I paused to glance into the clear, blue sky and watch a Turkey Vulture glide in concentric circles on the thermal currents up above. My eyes then spied the only other object moving overhead: a solitary yellow leaf spinning in the distance and lilting on a gentle breeze. Certainly long enough to notice, it seemingly danced in place. I watched for a moment more only to witness this little, yellow leaf abruptly plummet directly down into my glass of beer.

—When you’re tumbling down, you just look better—

[Note: In order to focus upon just the one featured song, this is a condensed version of what will be a larger post concerned with this stage of Iggy Pop’s career.]

Today’s feature comes from Iggy Pop’s phenomenal album of 1977, Lust For Life. The second LP that he would release that year, this album also marked his second collaboration with David Bowie (excluding Bowie’s mixing work for The Stooges’ final album, 1973’s appropriately titled, Raw Power). Although these two artists entered into a working relationship when both had been reduced into fairly unhealthy neurotics from years of excessive substance abuse (and in Bowie’s case, I’m sure the manic rate at which he not only produced music but continually re-conceptualized his entire approach to his craft contributed greatly to this as well), their joint relocation to Berlin would prove to be the onset of one of the most fecund periods in either man’s career.

David Bowie and Iggy Pop, Copenhagen Railway Station, 1976

In April of ’77, nearly immediately after coming off a tour that promoted their first collaboration, The Idiot, Iggy and Bowie entered Hansa By The Wall Studios in Berlin to record a follow-up. For “The Idiot World Tour” Bowie had momentarily slowed the pace of his own career by relegating himself with little fanfare to a supporting role as the organ player for Iggy’s live band and occasionally singing backing vocals.

The sessions for Lust For Life would be completed in a mere eight days and the album itself finished in under three weeks—impressive, as they entered the studio with very few (if any) true arrangements for any of the compositions. Iggy must have enjoyed being the main attraction while on tour, as he made a concerted effort to take the more dominant role for these sessions, sleeping little and often tailoring or outright disregarding Bowie’s input to meet his own vision for the album. “See, Bowie’s a hell of a fast guy,” Iggy later commented, “I realized I had to be quicker than him, otherwise whose album was it gonna be? (Pegg, 2000), and “The band and David would leave the studio to go to sleep, but not me (Griffin, 2012). He must have sensed that his faculty for whirlwind creativity and spontaneous songwriting had been somewhat taken advantage of the first go-around; a lab-rat/mad-scientist dynamic being something to which Bowie admitted years later:

Poor Jim, in a way, became a guinea pig for what I wanted

to do with sound. I didn’t have the material at the time, and I

didn’t feel like writing at all. I felt much more like laying back

and getting behind someone else’s work, so that album was

opportune, creatively (Loder, 1989).

However, ultimately this was a mutually beneficial relationship, as Pop’s shambled career had been revitalized and thrust into the mainstream, while Bowie had been significantly inspired enough to end the decade on a high-note with his ingenious “Berlin Trilogy.”

Yet, Lust For Life truly does come across as a wholly different animal than its predecessor. The Idiot is a sonically ambitious album, primarily concerned with atmosphere.

It is a projection of harsh neon upon the slate-grey façade of an industrial-park-nightclub, featuring twitch-&-glitch guitars and synths pulsing and scouring through viscous funk and robotic cabaret; all while Pop’s strung-out baritone—sounding like the ghoul of some forgotten ’50s crooner who refuses to quit the scene, despite being dead of TB near on a decade now—permeates each tune to its capacity. Whereas The Idiot is the inevitable conclusion for Glam Rock, music for those with bloody noses and barely enough strength left to climb the walls, Lust For Life (as its title suggests) is an album full of vigor, featuring last night’s survivor now willing-and-able to run down any street and dance on any floor. This flavor is perfectly captured by the child-like imp grinning mischievously on the cover photo taken by Andy Kent.

Although the creation of this album generally followed the same formula used when assembling The Idiot—with Bowie suggesting a riff or melody while Iggy would mold these through his (often spur-of-the-moment) lyrical composition as the band expanded upon these components—Lust For Life is much more rooted in the traditional R&B and Rock & Roll of the ’50s and early ’60s, particularly Bo Diddley’s pioneering use of rhythm as melody. However, the predominant distinction between this album and the one prior, despite any particular song’s subject matter or form, is its overwhelming sense of alacrity. With Lust For Life there’s room for Iggy Pop to laugh.

Towards the end of these sessions, someone suggested that the musicians swap instruments. Guitarist Ricky Gardiner manned the drums, while drummer Hunt Sales took the bass from his brother Tony Sales (both being the son of comedian Soupy Sales). Tony switched over to play guitar alongside Carlos Alomar, and soon they found themselves jamming along on a groove created by shuffling around a descending melody that Bowie hit upon on the organ. Presumably inspired by his then girlfriend (and daughter of an American diplomat) Esther Friedmann, Iggy Pop entered the vocal booth and began to spontaneously recite some of his finest imagist lyrics—his true poetic talent for this being typically and grossly overlooked by reviewers who tend to focus on the abrasive, yet admittedly, wholly captivating physicality of his performances. With succinct lines like “A bottle of white wine/ White wine and you,” “A table made of wood,” and “Standing in the snow/You’re younger than you look” Pop perfectly conveys both scene and mood to the listener. Edited down, this vamp would come to be sequenced as the album’s hip-swinging closing track, “Fall in Love with Me.” Although generally considered a minor song by Pop, I believe this track is a perfect example of how his vocals should be recorded: with a bit of vinyl grit, as if he were attempting to sweet-talk you through a megaphone.

I recall watching an interview with Pop shortly after this stage of his career where the interviewer asked what it was that he learned from working with David Bowie. Iggy answered something to the effect of “compromise.” Although he did not elaborate, I’ve always taken that statement to mean that through these collaborations Iggy learned that he did not need to remain an unappreciated, loony-bin proto-punk rocker who bludgeoned his audience with acts of self-mutilation and the relentless, frustrated stomp of his previous musical incarnation; Iggy Pop could retain his artistic integrity and yet still create music that the rest of us, not so maniacally inclined, could dance to too.

Iggy Pop & Esther Friedmann in Berlin, 1977.

———————(CLICK TO LISTEN

Like it? Buy it.

Fall in Love with Me.

You look so good to me

Here in this old saloon

Way back in west berlin

A bottle of white wine

White wine and you

A table made of wood

And how I wish you would

Fall in love with me

You look so good to me

Standing out in the street

With your cheap fur on

Or maybe your plastic raincoat

And your plastic shoes

They look good too

Standing in the snow

You’re younger than you look

Fall in love with me

Fall in love with me

How I wish you would

A table made of wood

And a bottle of white wine

And you-and a bottle of

White wine and you

And when you’re standing

In the street and it’s cold

And it snows on you

And you look younger

Than you really are

I wish you would

Fall in love with me

I wish you would

Fall in love with me

I wish you would

Fall in love with me

I wish you would

Fall in love with me

Yeah

The way your eyes are black

The way your hair is black

The way your heart is young

There’s just a few like you

Just the kind I need

To fall in love with me

Oh and you look so good

Yes you look so good

A bottle of white wine

A cigarette and you

Here in this saloon

White wine and you

I wish you’d fall in love with me

I wish you’d fall in love with me

’cause there’s

Just a few like you

So young and real

There’s just a few like you

So young and real

Fall in love with me

Fall in love with me

Fall in love with me

Fall in love with me

I wish you would

You look so good

When you’re young at heart

There’s just a few like you

You’re young at heart

Won’t you

Come to this old saloon

Come to my waiting arms

A table made of wood

And I will look at you

’cause you’re so young and pure

And you’re young at heart

You’re young at heart

A bottle of white wine

And when you’re tumbling down

You just look better

When you’re tumbling down

You just look finer

——————————————–Bobby Calero

Ref:

Griffin, R. (n.d.). Bowiegoldenyears: 1977. Retrieved October 5, 2012 from http://www.bowiegoldenyears.com/index.html

Guralnick, P. (2012). Howlin’ Wolf: The Soul of Man. Oxford American.

Loder, K. (1989). Sound and Vision. [CD liner notes].

Pegg, N. (2000). The Complete David Bowie. Reynolds & Hearn: California.

Pop, I., Bowie, D., Sales, T., & Sales, H. (1977). Fall In Love With Me [recorded by Iggy Pop] On Lust For Life. RCA (1977).

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